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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,7,57,58,59,60],"八宝纹","盘","日用具","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F722765900bd454676ab49c529c314b1f.jpg",[],{"id":64,"slug":65,"title":66,"dynasty":18,"author":19,"museum":20,"description":55,"tags":67,"thumbUrl":69,"material":30,"size":31,"collection":32,"collections":70,"showCount":49,"zanCount":11,"manualWeight":11,"mainColor":71},259696,"zheng-de-kuan-hong-cai-chan-zhi-ling-zhi-wen-pan-yi-ming-259696","正德款红彩缠枝灵芝纹盘",[23,7,68,59,58],"缠枝灵芝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12c6f878a13605aa6701ff1612036276.jpg",[],"37474F",{"id":73,"slug":74,"title":75,"dynasty":18,"author":19,"museum":20,"description":76,"tags":77,"thumbUrl":82,"material":30,"size":31,"collection":32,"collections":83,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},273839,"hong-se-yun-long-wen-yuan-la-yi-ming-273839","红色云龙纹圆蜡","动物、植物所产生的，或石油、煤、油页岩中所含的油质，常温下多为固体，具有可塑性，能燃烧，易熔化，不溶于水，如蜂蜡、白蜡、石蜡等。用作防水剂，也可做蜡烛。\n过年之际，华灯齐放，皇宫还会点燃造型纹饰考究的花烛，有的是云纹的，有的是大吉葫芦的，有的饰有文字，如“五谷丰登迎祥”“宜入天下太平”，连这样的消耗品也契合年味。",[78,79,80,7,59,81],"雕刻","木质","龙","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d9cfe4126d14f52a5a957381e608468.jpg",[],{"id":85,"slug":86,"title":54,"dynasty":18,"author":19,"museum":20,"description":55,"tags":87,"thumbUrl":89,"material":30,"size":31,"collection":32,"collections":90,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},261983,"wu-shu-kuan-hong-cai-ba-bao-tuan-hua-wen-pan-yi-ming-261983",[23,7,88,58,59],"八宝团花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F127e3a3c453bfdd6fb9ecbafa517984e.jpg",[],{"id":92,"slug":93,"title":94,"dynasty":95,"author":19,"museum":20,"description":55,"tags":96,"thumbUrl":101,"material":30,"size":31,"collection":32,"collections":102,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},260419,"bai-di-lv-cai-hai-shui-hong-cai-si-yu-wen-pan-yi-ming-260419","白地绿彩海水红彩四鱼纹盘","明",[23,97,98,7,99,100,59],"瓷盘","鱼","绿彩","海水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff77544b7f969e232e5de4816ca087c7f.jpg",[],{"id":104,"slug":105,"title":106,"dynasty":18,"author":19,"museum":20,"description":107,"tags":108,"thumbUrl":113,"material":30,"size":31,"collection":32,"collections":114,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},259900,"hong-cai-shi-ju-si-zu-bi-tong-yi-ming-259900","红彩诗句四足笔筒","笔筒： 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釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[23,181,182,183,7,184,60,185],"明代","白釉","塑贴","蟠螭","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fabd1e3fea4d402d251347e91d4eae168.jpg",[],{"id":189,"slug":190,"title":191,"dynasty":95,"author":19,"museum":20,"description":192,"tags":193,"thumbUrl":196,"material":30,"size":31,"collection":32,"collections":197,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":71},255448,"mu-diao-hong-cai-tong-zi-li-xiang-yi-ming-255448","木雕红彩童子立像","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[79,78,28,7,194,195],"人物","童子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F821e2e7c73410c155c5a946b14f1bf4e.jpg",[],{"id":199,"slug":200,"title":201,"dynasty":18,"author":19,"museum":20,"description":202,"tags":203,"thumbUrl":210,"material":30,"size":31,"collection":32,"collections":211,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},247872,"dui-cai-ba-xian-zhu-shou-lan-cai-he-tu-shi-liu-shi-he-yi-ming-247872","堆彩八仙祝寿蓝采和图石榴式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[27,204,78,205,206,194,207,208,7,99,81,209],"漆器","堆彩","工笔","石榴","八仙祝寿","盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F059925a70a33c11fd58347a09162fb0c.jpg",[],{"id":213,"slug":214,"title":215,"dynasty":95,"author":19,"museum":20,"description":139,"tags":216,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":217,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},228681,"cheng-hua-kuan-hong-cai-shuang-long-bei-yi-ming-228681","成化款红彩双龙桮",[181,23,7,28,80,60],[],1777535722558]