[{"data":1,"prerenderedAt":173},["ShallowReactive",2],{"subject-hong-di":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4455,"hong-di","红地","红地画高清赏析","精选中国历代红地题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dc412afd37b4c4d5452137f4273221b.jpg",0,12,[14,34,47,60,72,87,110,126,136,146,156,164],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},224093,"yang-cai-ci-hong-di-si-ji-hua-hui-zhong-yi-ming-224093","洋彩瓷红地四季花卉钟","清","佚名","藏地不详","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[23,24,7,25,26],"陶瓷","洋彩","四季花卉","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa035a5db849101164ff8ff23a9123ef5.jpg","未知","Xcm*Xcm","",[],6,"37474F",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":43,"material":28,"size":29,"collection":30,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},258814,"hong-di-miao-jin-chan-zhi-lian-wen-gai-wan-yi-ming-258814","红地描金缠枝莲纹盖碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[23,40,41,7,26,42],"描金","缠枝莲纹","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0be073bafbd167965b04041ff6e25c91.jpg",[],4,"BDBDBD",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":57,"material":28,"size":29,"collection":30,"collections":58,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":59},258291,"yong-zheng-kuan-hong-di-fen-cai-hua-hui-wen-bai-li-jiu-bei-yi-ming-258291","雍正款红地粉彩花卉纹白里酒杯","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[23,53,54,55,26,7,56],"粉彩","花卉","饮酒器","白里","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf31a97216d058cc7f5f589bef383f19.jpg",[],"795548",{"id":61,"slug":62,"title":63,"dynasty":18,"author":19,"museum":20,"description":64,"tags":65,"thumbUrl":70,"material":28,"size":29,"collection":30,"collections":71,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},229088,"fen-cai-yu-zhi-shi-wen-hai-tang-shi-hong-di-cha-pan-yi-ming-229088","粉彩御制诗文海棠式红地茶盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 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