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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[88,89,90,91,47,92,30,7,93],"铜制","金器","玉石","玻璃","雕刻","瓶景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00f5dc59151aaeed74c28db52a2168ab.jpg",[],7,{"id":98,"slug":99,"title":100,"dynasty":60,"author":61,"museum":20,"description":44,"tags":101,"thumbUrl":105,"material":50,"size":51,"collection":52,"collections":106,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":39},259127,"wu-cai-ling-zhi-an-hua-wen-hu-lu-ping-yi-ming-259127","五彩灵芝暗花纹葫芦瓶",[63,64,7,102,103,104],"灵芝","蝴蝶","暗花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4444ee4745b22749d32f9a4fb913b7b3.jpg",[],{"id":108,"slug":109,"title":110,"dynasty":60,"author":61,"museum":20,"description":44,"tags":111,"thumbUrl":115,"material":50,"size":51,"collection":52,"collections":116,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":117},258520,"qian-long-kuan-lv-di-fen-cai-zhe-zhi-hua-hui-wen-hu-lu-ping-yi-ming-258520","乾隆款绿地粉彩折枝花卉纹葫芦瓶",[63,79,112,27,113,7,114],"粉彩","折枝花卉","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6319da62837f40caadfa035b0b46670b.jpg",[],"BDBDBD",{"id":119,"slug":120,"title":121,"dynasty":60,"author":61,"museum":20,"description":122,"tags":123,"thumbUrl":128,"material":50,"size":51,"collection":52,"collections":129,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":117},258939,"qing-hua-ba-xian-guo-hai-tu-hu-lu-ping-yi-ming-258939","青花八仙过海图葫芦瓶","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[63,124,7,125,126,127],"青花","八仙","人物","神话","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F491a99320f1d45c2c77bdb71dab14067.jpg",[],6,{"id":132,"slug":133,"title":134,"dynasty":60,"author":61,"museum":20,"description":44,"tags":135,"thumbUrl":140,"material":50,"size":51,"collection":52,"collections":141,"showCount":142,"zanCount":11,"manualWeight":11,"mainColor":143},259620,"lv-di-bai-hua-san-kong-hu-lu-ping-yi-ming-259620","绿地白花三孔葫芦瓶",[136,7,137,138,139],"瓷器","三孔","缠枝花卉","绿地白花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F573a58167b24fd2815d6f150d33b61b7.jpg",[],5,"37474F",{"id":145,"slug":146,"title":147,"dynasty":60,"author":61,"museum":20,"description":44,"tags":148,"thumbUrl":151,"material":50,"size":51,"collection":52,"collections":152,"showCount":142,"zanCount":11,"manualWeight":11,"mainColor":39},258634,"qian-long-kuan-fen-cai-miao-jin-tu-hu-lu-ping-yi-ming-258634","乾隆款粉彩描金凸葫芦瓶",[63,112,149,150,7,79,27],"描金","凸雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F245d38abcd2f3452d2ebf5fa7910c055.jpg",[],{"id":154,"slug":155,"title":156,"dynasty":157,"author":61,"museum":20,"description":158,"tags":159,"thumbUrl":161,"material":50,"size":51,"collection":52,"collections":162,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":39},261557,"qing-you-hu-lu-ping-yi-ming-261557","青釉葫芦瓶","隋","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[63,136,160,7,47],"青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06a403c328394cc723534b18c16de99c.jpg",[],4,{"id":165,"slug":166,"title":167,"dynasty":168,"author":61,"museum":20,"description":169,"tags":170,"thumbUrl":178,"material":50,"size":51,"collection":179,"collections":180,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":143},257617,"long-quan-yao-qing-you-yin-hua-long-wen-shou-dai-er-bian-fu-hu-lu-ping-yi-ming-257617","龙泉窑青釉印花龙纹绶带耳扁腹葫芦瓶","明","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[168,171,160,172,173,174,175,176,7,63,177],"龙泉窑","印花","龙纹","龙","绶带耳","扁腹","青瓷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51225c8bdfab3ed909665d4c6190d405.jpg","瓷器精选",[179],{"id":182,"slug":183,"title":184,"dynasty":168,"author":61,"museum":20,"description":185,"tags":186,"thumbUrl":190,"material":50,"size":51,"collection":179,"collections":191,"showCount":192,"zanCount":11,"manualWeight":11,"mainColor":117},262230,"shi-wan-yao-hui-lan-you-hu-lu-ping-yi-ming-262230","石湾窑灰蓝釉葫芦瓶","石湾窑在今广东佛山市石湾镇，明清著名民窑之一。以陶塑和建筑陶瓷著称。始于宋代（亦有一说始于唐），极盛于明清两代。\n石湾窑以善仿钧窑而着称。仿钧釉色以蓝色、玫瑰紫、翠毛釉等为佳，但仿中有创。钧窑的窑变釉是一层釉色，而石湾窑变釉却有底釉与面釉之分。寂圆叟在其《陶雅》中盛赞石湾窑变釉色："广窑谓之泥均，其蓝色甚似灰色┅┅于灰釉中旋涡周遭，故露异彩，较之雨过天晴尤极浓艳，目为云斑霞片不足以方厥体态。┅┅又有时于灰釉中露出深蓝色之星点，亦足玩也。"\n石湾窑不仅善仿钧，而且善仿宋代各大名窑，宋代官、哥、汝、钧诸名窑产品，从材质运用、技法处理、艺术造型等各方面都仿得惟妙惟肖，而且有创造性的发展，梅建鹰评价曰："石湾集宋代各大名窑之大成，仿钧而青出于蓝，独创石湾自已的艺术风格。"",[63,7,187,188,47,189],"灰蓝釉","贴塑","葫芦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fcc2af4d9da1b0b0449d9a784656f62.jpg",[179],3,{"id":194,"slug":195,"title":196,"dynasty":60,"author":61,"museum":20,"description":197,"tags":198,"thumbUrl":200,"material":50,"size":51,"collection":179,"collections":201,"showCount":192,"zanCount":11,"manualWeight":11,"mainColor":143},260968,"lang-yao-hong-you-hu-lu-ping-yi-ming-26096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