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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[42,7,43,44,45,46,47,48,49,50,51,52,53],"挂屏","木质","玉石","雕刻","镶嵌","博古","花卉","瑞兽","宝瓶","中国结","灯笼","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe780a39b0246fbdabfe87677c261928f.jpg",[],13,{"id":58,"slug":59,"title":60,"dynasty":18,"author":19,"museum":20,"description":61,"tags":62,"thumbUrl":67,"material":30,"size":31,"collection":32,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":70},268992,"qian-luo-dian-da-xi-wen-hu-lu-xing-zi-jin-ding-pei-yi-ming-268992","嵌螺钿大喜纹葫芦形紫金锭佩","古人的很多生活器具都是由玉雕成的，能常戴在身上的惟有玉佩。繁钦诗中“美玉”是指玉做的佩，或写作“佩”。古人对玉佩的热爱不是因为玉的贵重，而是源于玉的品格，所以古语有“君子无故，玉不去身”。",[23,63,7,64,65,45,66],"佩饰","嵌螺钿","喜纹","金器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc547bec7e924fdfc032b9f45f317f1a.jpg",[],12,"37474F",{"id":72,"slug":73,"title":74,"dynasty":75,"author":19,"museum":20,"description":76,"tags":77,"thumbUrl":85,"material":30,"size":31,"collection":32,"collections":86,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":87},228542,"qing-hua-tu-an-hua-wen-hu-lu-xing-shou-dai-er-bian-hu-yi-ming-228542","青花图案花纹葫芦形绶带耳扁壶","明","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[78,79,80,7,81,82,83,84],"明代","陶瓷","青花","绶带耳","扁壶","器","图案花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b4e3edb26d1004b2e0d8201227ee711.jpg",[],"795548",{"id":89,"slug":90,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":91,"thumbUrl":93,"material":30,"size":31,"collection":32,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":35},267097,"lan-se-duan-da-zi-xiu-jin-bian-kong-que-wen-hu-lu-shi-he-bao-yi-ming-267097",[23,24,25,26,7,92,27],"刺绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6b661d8b93e831927f8065fb5488759.jpg",[],8,{"id":97,"slug":98,"title":99,"dynasty":18,"author":19,"museum":20,"description":21,"tags":100,"thumbUrl":104,"material":30,"size":31,"collection":32,"collections":105,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":35},266999,"shi-qing-se-duan-ping-jin-suo-xiu-ling-zhi-tuan-shou-wen-hu-lu-shi-he-bao-yi-ming-266999","石青色缎平金锁绣灵芝团寿纹葫芦式荷包",[23,24,101,102,103,7],"平金锁绣","灵芝纹","团寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2cd36fea2537935880b4dfd022b92b13.jpg",[],7,{"id":108,"slug":109,"title":110,"dynasty":18,"author":19,"museum":20,"description":111,"tags":112,"thumbUrl":118,"material":30,"size":31,"collection":32,"collections":119,"showCount":120,"zanCount":11,"manualWeight":11,"mainColor":87},249518,"hua-fa-lang-da-ji-hu-lu-ping-yi-ming-249518","画珐琅大吉葫芦瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[18,113,7,114,115,116,117],"画珐琅","设色","花卉纹","文字装饰","珐琅器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7caca7f98de1fa28956ad70c6b4fd0cf.jpg",[],6,{"id":122,"slug":123,"title":124,"dynasty":75,"author":19,"museum":20,"description":76,"tags":125,"thumbUrl":132,"material":30,"size":31,"collection":32,"collections":133,"showCount":134,"zanCount":11,"manualWeight":11,"mainColor":70},257283,"qing-hua-kai-guang-ba-xian-tu-hu-lu-ping-yi-ming-257283","青花开光八仙图葫芦瓶",[79,80,126,127,128,129,130,7,131],"开光","八仙","人物","卷草纹","缠枝纹","明代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3f847d3570796d6c528eab3df4a0a5a.jpg",[],5,{"id":136,"slug":137,"title":138,"dynasty":18,"author":19,"museum":20,"description":139,"tags":140,"thumbUrl":145,"material":30,"size":31,"collection":32,"collections":146,"showCount":134,"zanCount":11,"manualWeight":11,"mainColor":35},229514,"dong-qing-you-san-ju-hu-lu-ping-yi-ming-229514","冬青釉三咀葫芦瓶","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[141,79,142,7,143,144,53],"清代","冬青釉","三咀","单色釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F047d17b3167890c4c9b67566a095b187.jpg",[],{"id":148,"slug":149,"title":74,"dynasty":75,"author":19,"museum":20,"description":76,"tags":150,"thumbUrl":153,"material":30,"size":31,"collection":32,"collections":154,"showCount":134,"zanCount":11,"manualWeight":11,"mainColor":70},228609,"qing-hua-tu-an-hua-wen-hu-lu-xing-shou-dai-er-bian-hu-yi-ming-228609",[78,80,79,82,81,7,84,151,152],"装饰纹样","器型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb97e51e8a0e90f05768b921b8b007229.jpg",[],{"id":156,"slug":157,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":158,"thumbUrl":161,"material":30,"size":31,"collection":32,"collections":162,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":35},273652,"zi-tan-mu-bian-qi-di-qian-yu-shi-hu-lu-shi-gua-ping-yi-ming-273652",[42,43,159,44,45,46,48,53,7,47,160],"漆器","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f2974c90216d66c9d42f5f1857094e9.jpg",[],4,{"id":165,"slug":166,"title":167,"dynasty":18,"author":19,"museum":20,"description":168,"tags":169,"thumbUrl":177,"material":30,"size":31,"collection":32,"collections":178,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":35},246407,"ti-hong-jin-wen-qian-tong-yu-zhi-shi-bo-gu-wen-da-ji-hu-lu-shi-gua-ping-yi-ming-246407","剔红锦纹嵌铜御制诗博古纹大吉葫芦式挂屏","此作取葫芦造型暗合“大吉”美意，雕漆工艺精绝。器身以缠枝花卉环绕开光，纹饰饱满灵动。上部开光内填描金诗文，笔意端雅，漆色沉穆鲜亮；下部雕琢博古清供图，案上陈置清供，旁配虬枝盆景，古雅静穆。通体锦地细密匀整，刀工圆润细腻，将祥瑞寓意、文人雅趣与气度融于一身，尽显清代雕漆工艺的精妙造诣，藏着传统工艺里的东方审美意趣。",[141,159,170,45,171,172,173,7,174,53,175,176],"剔红","嵌铜","锦纹","博古纹","御制诗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