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澹雅”。此册中的花鸟更是形神兼备，清新淡雅，具有新的风貌。",[68,24,49,69,26,70,25,27,71,54,72,7,73],"名画","册","没骨","牵牛花","叶子","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F141cf9f332104177044cc00b6174e0b6.jpg",[],151,4,{"id":79,"slug":80,"title":81,"dynasty":18,"author":65,"museum":82,"description":83,"tags":84,"thumbUrl":86,"material":87,"size":88,"collection":36,"collections":89,"showCount":90,"zanCount":91,"manualWeight":11,"mainColor":40},219816,"hua-hui-shi-kai-7-yun-shou-ping-219816","花卉十开-7","上海博物馆","这幅没骨花卉以柔淡晕染写就虞美人，花瓣由深粉向浅肉色自然过渡，将盛放时的娇慵舒展尽显无遗，薄如蝉翼的质感仿佛带着晨露的温润。叶片以嫩绿晕染，叶脉细劲清透，鲜活的生机随枝蔓漫溢开来。\n\n整幅画作摒弃勾勒轮廓的笔线，纯以色泽铺陈造型，色调雅净柔和，尽显空灵秀润之美。不着一笔多余的浓墨重彩，只以浅淡层次烘托出花草的天然意趣，将江南文人的清雅诗意融于尺幅间，仿佛能窥见晚春庭中花木的恬然风姿，予人静穆悠然的隽永观感。",[68,24,26,70,27,69,85,7,72],"花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23945fb0fe4a99f23fff1b0f01143428.jpg","绢本,设色","20.4×29.2厘米",[],113,2,{"id":93,"slug":94,"title":95,"dynasty":18,"author":96,"museum":97,"description":98,"tags":99,"thumbUrl":101,"material":26,"size":102,"collection":36,"collections":103,"showCount":104,"zanCount":105,"manualWeight":11,"mainColor":40},222747,"xian-e-chang-chun-tu-05a-lang-shi-ning-222747","仙萼长春图-05a","郎世宁","台北故宫博物院","本册共十六开内容分别描绘牡丹、桃花、芍药、海棠玉兰、虞美人、蝴蝶花、黄刺玫牡丹、石竹、樱桃、罂粟、紫白丁香、百合花牡丹、翠竹牵牛、荷花慈姑花、豆花稷穗、鸡冠花、菊花等，其中有八开还画有鸟禽，整册内容与《石渠宝笈三编》著录之〈郎世宁画花卉册〉一致，对幅皆是空白，而最末一开有宋体书款「臣郎世宁恭画」，依据画风特色推测是郎世宁雍正时期的花鸟佳作。全册不仅设色精緻，构图手法也见新意。特别能于鸟禽形体姿态上有超乎传统的表现，是西法透视手法的精采成果。画中花鸟多处能够显示光影明暗，透过白色颜料提点高光的技巧也常见运用。整册画风都一再显示其与郎世宁雍正前期画风有关。",[23,24,25,26,27,85,7,100],"绿叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feed7da96ce0c7b5d28a9d61f8f6ce6aa.jpg","宽28.4公分，高33.7公分",[],89,3,{"id":107,"slug":108,"title":109,"dynasty":110,"author":111,"museum":112,"description":113,"tags":114,"thumbUrl":116,"material":87,"size":36,"collection":36,"collections":117,"showCount":118,"zanCount":11,"manualWeight":11,"mainColor":40},218018,"za-hua-ce-12-chen-hong-shou-218018","杂画册-12","明","陈洪绶","美国大都会艺术博物馆","陈洪绶是明朝时期著名的画家。他最著名的作品是他的杂画册，其中包含了许多精美的花鸟画和山水画。陈洪绶的杂画册是明朝时期最著名的画册之一，并被认为是中国画的杰出代表作之一。\n\n陈洪绶的杂画册中包含了多幅优美的花鸟画，其中包括了各种鸟类、花卉和动物。这些画作都是陈洪绶对自然界的精确再现，并且富有生命力。此外，陈洪绶还创作了许多优美的山水画，其中包含了各种山川、河流、湖泊和其他自然景观。这些画作也是陈洪绶对自然界的精确再现，并且富有感染力。\n\n总的来说，陈洪绶的杂画册是一部杰出的画册，其中包含了许多优美的花鸟画和山水画，是中国画的杰出代表作之一。陈洪绶的画风精细而细腻，他对自然界的描绘充满生命力和感染力，使他的作品在艺术史上占有重要地位。",[24,69,25,26,27,115,72,7],"山茶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6b56466e530ac59e292032c7b05d5f9.jpg",[],55,{"id":120,"slug":121,"title":122,"dynasty":18,"author":96,"museum":20,"description":123,"tags":124,"thumbUrl":127,"material":128,"size":129,"collection":36,"collections":130,"showCount":131,"zanCount":60,"manualWeight":11,"mainColor":40},232972,"hua-niao-ce-lang-shi-ning-232972","花鸟册","此图册分别描绘了牡丹、兰花、罂粟、萱草、荷花、梅花等艳丽多姿的花卉和体态生动的蝶、鸟。构图上取法中国传统花鸟画的格局，以虚托实，注重对所绘物象的突出。在表现技法上，则充分发挥了欧洲绘画注重明暗及透视的特点，以工致细腻的笔触，刻画出花瓣、叶片以及鸟雀的羽毛质感和体积感，呈现出与传统的中国花鸟画迥然不同的艺术风貌。这种“中西合璧”的画风成为清代宫廷绘画艺术的一大特色，受到了清皇室的青睐。",[24,49,69,25,26,125,73,27,126,72,7,68],"书法","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb51a29033cad5a16e9df56e5c4465f8c.jpg","绢本，设色","纵32.6厘米，横28.6厘米",[],46,{"id":133,"slug":134,"title":135,"dynasty":18,"author":136,"museum":20,"description":137,"tags":138,"thumbUrl":140,"material":141,"size":36,"collection":36,"collections":142,"showCount":143,"zanCount":91,"manualWeight":11,"mainColor":40},232945,"hua-hui-tu-ce-fan-ting-zhen-232945","花卉图册","范廷镇","范廷镇（清），字鹿畴，一作祉安，或止安，号芷庵，一号冻亭，又号乐亭，武进（今江苏常州）人。能作花卉草虫，并书法，俱效恽寿平。\n范廷镇是恽寿平的亲传弟子，最能得恽南田没骨写生花卉之神髓，他的个别作品甚至可以达到乱真的地步，也是恽寿平的主要代笔人。包括他的书法与恽寿平都十分相近，接近于形神兼备，但格调稍欠，诗文才情更是与恽寿平相差甚远。",[24,49,69,25,26,27,139,28,29,7],"荷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff04a76310a5243e9fcb581b22ba12471.jpg","绢本设色",[],26,{"id":145,"slug":146,"title":122,"dynasty":18,"author":147,"museum":46,"description":148,"tags":149,"thumbUrl":152,"material":36,"size":20,"collection":36,"collections":153,"showCount":154,"zanCount":60,"manualWeight":11,"mainColor":40},236609,"hua-niao-ce-ma-yuan-yu-236609","马元驭","马元驭（1669—1722）清代画家。字扶羲，号栖霞，又号天虞山人，江苏常熟人。",[24,49,69,26,25,27,126,150,151,7],"叶","枝干","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89204bb2a41be7e314e451f48f74790b.jpg",[],23,{"id":156,"slug":157,"title":158,"dynasty":18,"author":159,"museum":46,"description":160,"tags":161,"thumbUrl":167,"material":36,"size":36,"collection":36,"collections":168,"showCount":169,"zanCount":60,"manualWeight":11,"mainColor":40},238374,"dong-gao-yan-chun-hui-cai-tu-ce-dong-gao-238374","董诰延春荟彩图册","董诰","董诰（1740年－1818年），字雅伦，号蔗林，浙江省杭州府富阳县（今浙江省杭州市）人，生于顺天府（今北京市），清代大臣、书画家。工部尚书董邦达长子，与其父有“大、小董”之称。\n乾隆二十九年（1764）中举，隔年会试，名列一甲第三，得中探花，乾隆帝 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