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釉上施彩晕染鲜活形态。粉花翠叶间蛱蝶翩跹，湖石草叶相映成趣，色彩妍丽调和，青花幽蓝与彩料鲜妍交织出层次之美。工笔细致写实，构图疏密相宜，将庭院春景的灵动雅致凝于瓷上，尽显制瓷工艺之精妙，藏着中式花鸟小品的悠然意趣。",[214,215,216,58,217,7,218],"清代","康熙","斗彩","花盆","海棠式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ede01802788b41592edce3a8c6227c2.jpg",[],{"id":222,"slug":223,"title":224,"dynasty":18,"author":19,"museum":20,"description":225,"tags":226,"thumbUrl":230,"material":29,"size":30,"collection":31,"collections":231,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":105},272773,"hei-qi-qian-luo-dian-hua-die-wen-ge-yi-ming-272773","黑漆嵌螺钿花蝶纹格","用金、银、玉、贝等做成的花朵状装饰品。",[227,228,7,229,189],"漆器","嵌螺钿","博古架","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67aaefc1d7a54504014e89292030a787.jpg",[],{"id":233,"slug":234,"title":235,"dynasty":18,"author":19,"museum":20,"description":236,"tags":237,"thumbUrl":240,"material":29,"size":30,"collection":31,"collections":241,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":51},267515,"chuan-bo-li-zhu-long-hua-die-wen-dai-lv-rong-qiu-da-e-zi-yi-ming-267515","串玻璃珠龙花蝶纹带绿绒球大额子","这是一件戏曲武生盔头，满冠绿绒球蓬松莹润，层叠簇拥出饱满张扬的造型，将武家悍勇英气尽显无余。匠师以玻璃珠串攒成龙纹与花蝶纹样，细密排布于金属底托之上，光影浮动间流转着细碎柔光，和绒球形成亮哑软硬的鲜明对比。金属底托錾刻缠枝纹饰，与珠饰交相辉映，将戏曲舞台的华丽氛围感拉满，尽显晚清手作的精工巧思，把戏曲行头的装饰性与人物气场完美结合，是传统戏具匠心的缩影。",[23,25,238,157,100,7,239],"绿绒球","戏曲配饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1019c8b609fc71dda71e504c094bd577.jpg",[],{"id":243,"slug":244,"title":245,"dynasty":18,"author":19,"museum":20,"description":246,"tags":247,"thumbUrl":249,"material":29,"size":30,"collection":31,"collections":250,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":105},267511,"chuan-bo-li-zhu-long-hua-die-wen-dai-bai-lan-rong-qiu-ben-se-sui-er-long-gu-yi-ming-267511","串玻璃珠龙花蝶纹带白蓝绒球本色穗二龙箍","此头饰以金属为底胎，以玻璃珠串出双龙盘绕、花蝶点缀的纹样，龙身蜿蜒灵动，花蝶娇俏雅致，勾勒入微。错落排布的白蓝绒球配色清新明快，既衬出华贵气度，又适配戏曲舞台的张扬表现力。垂下的本色长穗随身姿轻摇生姿，柔化了金属基底的冷硬，添了灵动飘逸。\n\n它将清代花丝细作的精妙工艺与戏曲妆造的审美意趣相融，把舞台实用性和装饰美学巧妙结合，尽显晚清戏曲头面的繁复精巧，藏着旧时匠人的不俗匠心，是戏曲服饰配饰里颇具代表性的佳品。",[23,100,7,157,101,248],"穗饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63813fe6375b99d6827db72fd10986ee.jpg",[],{"id":252,"slug":253,"title":254,"dynasty":18,"author":19,"museum":20,"description":255,"tags":256,"thumbUrl":260,"material":29,"size":30,"collection":31,"collections":261,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":105},267499,"chuan-bo-li-zhu-long-hua-die-wen-dai-fen-hong-bai-rong-qiu-shi-zi-kui-yi-ming-267499","串玻璃珠龙花蝶纹带粉红白绒球狮子盔","盔身錾刻龙纹花蝶，点翠衬底晕开清冷雅致，缀满的玻璃珠在光影里流转细碎光泽。两侧透雕护翼缠枝卷叶，灵动舒展。数十枚粉白绒球错落排布，柔绒暖意中和金属冷硬。盔下补子绣缠枝花果，绒线饱满鲜活，亮片星罗棋布，似将满堂烟火揉进方寸。整器重工繁复却层次分明，将民间工艺的巧思与戏台之上的张扬华美融于一体，尽显旧时匠人的手工温度与世俗审美意趣。",[23,257,100,7,101,102,178,258,259],"盔帽","银饰","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4119f6d36911c6ba2168c5dcfbddd66b.jpg",[],{"id":263,"slug":264,"title":265,"dynasty":18,"author":19,"museum":20,"description":266,"tags":267,"thumbUrl":269,"material":29,"size":30,"collection":31,"collections":270,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":35},266758,"shi-qing-se-duan-pan-tao-hua-die-wen-zao-xie-yi-ming-266758","石青色缎盘绦花蝶纹皂鞋","皂鞋民国初年盛行于平、津、鲁各地，鞋帮为两片，平底或布制，脸极浅，口作尖形，鞋帮窄浅，常制用青色制造，所以故名为皂鞋",[98,99,178,7,124,268],"日用品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2cff1453de3b81277ae0d6e8d327a68.jpg",[],{"id":272,"slug":273,"title":274,"dynasty":18,"author":19,"museum":20,"description":56,"tags":275,"thumbUrl":277,"material":29,"size":30,"collection":31,"collections":278,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":51},261908,"fen-cai-hua-die-pie-kou-ping-yi-ming-261908","粉彩花蝶撇口瓶",[58,59,7,276,147,63,27],"撇口瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea84249d4a4bdf2c05662de65cf7ce01.jpg",[],{"id":280,"slug":281,"title":282,"dynasty":18,"author":19,"museum":20,"description":143,"tags":283,"thumbUrl":286,"material":29,"size":30,"collection":31,"collections":287,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":35},261385,"kang-xi-kuan-su-san-cai-hua-die-wen-wan-yi-ming-261385","康熙款素三彩花蝶纹碗",[58,284,7,147,285,88],"素三彩","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3bc5fd23cd8fec0d223276ab5f759c4.jpg",[],{"id":289,"slug":290,"title":291,"dynasty":18,"author":19,"museum":20,"description":292,"tags":293,"thumbUrl":294,"material":29,"size":30,"collection":31,"collections":295,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":105},261123,"fen-cai-hua-die-wen-zhe-yan-pan-yi-ming-261123","粉彩花蝶纹折沿盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[58,59,7,26,27,88,205],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c24931038c8254fc279b0828c2732d2.jpg",[],{"id":297,"slug":298,"title":299,"dynasty":18,"author":19,"museum":20,"description":196,"tags":300,"thumbUrl":301,"material":29,"size":30,"collection":31,"collections":302,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":105},261049,"yong-zheng-kuan-qing-hua-hua-die-wen-pan-yi-ming-261049","雍正款青花花蝶纹盘",[58,135,7,205],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7f08ef9b6a9578657ce1b51f574aef3.jpg",[],{"id":304,"slug":305,"title":306,"dynasty":132,"author":19,"museum":20,"description":133,"tags":307,"thumbUrl":308,"material":29,"size":30,"collection":31,"collections":309,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":35},260420,"jia-jing-kuan-qing-hua-hua-die-wen-wan-yi-ming-260420","嘉靖款青花花蝶纹碗",[58,135,7,285,88],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa522dd4aadcd0266f67030a131257188.jpg",[],{"id":311,"slug":312,"title":313,"dynasty":132,"author":19,"museum":20,"description":133,"tags":314,"thumbUrl":317,"material":29,"size":30,"collection":31,"collections":318,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":105},260241,"ge-you-qing-hua-jiang-cai-hua-die-wen-ping-yi-ming-260241","哥釉青花酱彩花蝶纹瓶",[58,315,135,316,7,63,27],"哥釉","酱彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c0cb1b3992c30772dc867047ec3bc5b.jpg",[],{"id":320,"slug":321,"title":322,"dynasty":132,"author":19,"museum":20,"description":323,"tags":324,"thumbUrl":326,"material":29,"size":30,"collection":31,"collections":327,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":51},260005,"cheng-hua-kuan-dou-cai-hua-die-wen-yuan-gai-he-yi-ming-260005","成化款斗彩花蝶纹圆盖盒","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[58,216,7,325,88],"盖盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74d1850fd8a6d69216dd1fa48797bf9e.jpg",[],{"id":329,"slug":330,"title":331,"dynasty":18,"author":19,"museum":20,"description":332,"tags":333,"thumbUrl":335,"material":29,"size":30,"collection":31,"collections":336,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},268870,"hong-se-duan-chuan-bo-li-zhu-hua-die-wen-bao-zi-jin-yi-ming-268870","红色缎串玻璃珠花蝶纹报子巾","整体造型方正大气，边缘曲线柔婉灵动，朱红缎底热烈醒目，以串玻璃珠勾勒缠枝花蝶纹样，主花饱满璀璨，细碎珠粒如星子错落排布，钉珠工艺精细妥帖，光影流转间流光溢彩，尽显华贵雅致。腰间素色系带柔和了满幅繁丽，刚柔并济，既承载戏曲服饰的装饰功用，又暗含旧时审美意趣，将实用性与装饰性融为一体，是传统戏服工艺中颇具巧思的精品。",[98,23,99,7,334],"串珠装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17ab42e97b98b394de6e7c5098845a50.jpg",[],{"id":338,"slug":339,"title":340,"dynasty":18,"author":19,"museum":20,"description":341,"tags":342,"thumbUrl":343,"material":29,"size":30,"collection":31,"collections":344,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},268850,"chuan-bo-li-zhu-long-hua-die-wen-dai-fen-hong-rong-qiu-da-guo-qiao-yi-ming-268850","串玻璃珠龙花蝶纹带粉红绒球大过桥","以累丝为骨，鎏金作底，串起玻璃珠勾勒出龙纹与花蝶轮廓，细密珠网如凝落星芒，将灵动纹饰晕成华彩。两侧垂饰缀着艳粉绒球，软柔蓬松，与冷硬金属形成鲜明反差，鲜活娇俏感扑面而来。金属錾刻的花叶蜿蜒缠绕，青绿饰石晕开复古色泽，隐于其间的小摇铃，似会随莲步轻响。\n\n它揉合精工匠艺与俗世意趣，既带着华贵细致的做工，又藏着闺阁女子的灵动矜贵，将吉庆雅致融于一身。",[23,156,7,157,101],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F914f2ac2f5dd2dd839743ea87e32a0f5.jpg",[],{"id":346,"slug":347,"title":348,"dynasty":18,"author":19,"museum":20,"description":349,"tags":350,"thumbUrl":353,"material":29,"size":30,"collection":31,"collections":354,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},268846,"zi-se-duan-chuan-bo-li-zhu-long-hua-die-wen-dai-bai-rong-qiu-ya-wei-jin-yi-ming-268846","紫色缎串玻璃珠龙花蝶纹带白绒球鸭尾巾","正红缎地热烈鲜亮，紫绒围裹帽檐，柔艳气息扑面而来。匠人们以串珠与亮片铺陈出龙纹花蝶，游龙矫然灵动，缠枝花卉与蝶纹穿插环绕，繁丽构图却丝毫不显冗杂，将祥瑞之意凝于方寸帽间。错落点缀的白绒球，柔润质感中和了珠饰冷光，刚柔相济更添灵趣。\n它将刺绣、缀饰工艺融会贯通，既是护首的孩童帽具，更承载着长辈祈福纳祥的深切期许，尽显晚清民间服饰的审美意趣，是民俗工艺里兼具实用与装饰性的精巧佳作。",[98,23,156,7,351,352,157],"白绒球","缎面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F391922697a86121de037be13e6f1157a.jpg",[],{"id":356,"slug":357,"title":358,"dynasty":18,"author":19,"museum":20,"description":359,"tags":360,"thumbUrl":361,"material":29,"size":30,"collection":31,"collections":362,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},268843,"chuan-bo-li-zhu-long-hua-die-wen-dai-xing-huang-rong-qiu-da-mao-yi-ming-268843","串玻璃珠龙花蝶纹带杏黄绒球大帽","清代男子的官帽，有礼帽、便帽之别。礼帽俗称“大帽子”，其制有二式：一为冬天所戴，名为暖帽；一为夏天所戴，名为凉帽。便帽，也称“小帽子”以六瓣合缝，缀檐如筒；俗称瓜皮帽。创自明太祖洪武年间，取其六合一统之意。这种小帽形式很多，有平顶、尖顶、硬胎软胎之别。平顶大多为硬胎，内衬棉花；尖顶大多为软胎，取其便利。等级不同，帽子不同。",[98,23,101,157,100,7,99,167],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55f9550627b644d9abe45947a729fda9.jpg",[],{"id":364,"slug":365,"title":366,"dynasty":18,"author":19,"museum":20,"description":21,"tags":367,"thumbUrl":370,"material":29,"size":30,"collection":31,"collections":371,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268624,"dian-cui-liao-shi-zhu-hu-lu-hua-die-wen-tou-hua-yi-ming-268624","点翠料石珠葫芦花蝶纹头花",[23,24,7,111,368,369],"珠饰","料石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c1a01595a20a2105cf22d3d9d61e277.jpg",[],{"id":373,"slug":374,"title":375,"dynasty":18,"author":19,"museum":20,"description":376,"tags":377,"thumbUrl":379,"material":29,"size":30,"collection":31,"collections":380,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},267521,"lv-se-hua-die-wen-guang-duan-yi-ming-267521","绿色花蝶纹广缎","以四方连续章法铺陈满幅纹样，彩蝶振翼穿梭于柔枝花叶间，排布错落往复，节奏明快却不显冗杂。草绿底色晕开雅致基调，柔粉、暖金、浅棕交织点缀，低饱和色调相互映衬，柔和而富有层次。枝蔓舒展、蝶翼轻扬，写实中晕染出柔婉意趣，将春日生机凝于尺幅织物间。整幅织物质感细腻平整，尽显工整细致的工艺特质，把日常小景化作经久耐看的装饰纹样，藏着东方雅致的审美意趣，是兼具实用性与观赏性的精巧之作。",[99,7,378,147,62],"织绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c66f46f549d7c1a621f7b2830f258bc.jpg",[],{"id":382,"slug":383,"title":384,"dynasty":18,"author":19,"museum":20,"description":385,"tags":386,"thumbUrl":387,"material":29,"size":30,"collection":31,"collections":388,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},267514,"chuan-bo-li-zhu-long-hua-die-wen-dai-xing-huang-lv-rong-qiu-da-e-zi-yi-ming-267514","串玻璃珠龙花蝶纹带杏黄绿绒球大额子","饱满的杏黄撞色绒球如流霞叠绽，沿着冠身层叠铺展，鲜亮色调瞬间攫住视线。细密玻璃珠攒聚勾勒额周轮廓，似碎星环绕，将威仪形制晕出柔光。錾刻的龙纹与花蝶隐于珠饰绒球之间，金属冷光揉着珠辉，刚柔相融。\n\n作为武生头面，它将沙场将帅的英武藏于细节，绒球轻颤时漾开灵动生气，金属饰件雕纹尽显细腻匠心，蓬松绒球与冷硬饰面相映，把晚清戏曲配饰的工艺巧思展现得淋漓尽致。",[23,167,157,101,100,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd82edf420f65f94dc7e96a5dba546c8.jpg",[],{"id":390,"slug":391,"title":392,"dynasty":18,"author":19,"museum":20,"description":393,"tags":394,"thumbUrl":395,"material":29,"size":30,"collection":31,"collections":396,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},267513,"chuan-bo-li-zhu-long-hua-die-wen-dai-fen-hong-bai-rong-qiu-da-e-zi-yi-ming-267513","串玻璃珠龙花蝶纹带粉红白绒球大额子","作为戏曲武将的头面，整体扇形轮廓饱满威严，以串饰玻璃珠勾勒出龙纹与花蝶纹样，细密珠粒排布出细碎柔光，将重工精巧藏于细节之间。粉白绒球层叠错落，暖粉跳脱亮眼，米白柔和过渡，柔暖绒感碰撞冷硬珠饰，反差鲜明又和谐相融，既衬武将英武神姿，又添华贵灵动。錾花底座上的点翠残痕，依稀可见当年鲜妍色泽，完整保留着旧时头面工艺的考究质感，将武人威仪与装饰美学融于一身，尽显梨园行头的极致华贵，是传统戏曲服饰工艺精巧的缩影。",[23,167,157,101,100,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95c19e98a4fc046c62e1443267ee3040.jpg",[],{"id":398,"slug":399,"title":400,"dynasty":18,"author":19,"museum":20,"description":401,"tags":402,"thumbUrl":404,"material":29,"size":30,"collection":31,"collections":405,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},267508,"chuan-bo-li-zhu-long-hua-die-wen-dai-fen-bai-rong-qiu-da-e-zi-yi-ming-267508","串玻璃珠龙花蝶纹带粉白绒球大额子","它以金属为骨，满串玻璃珠粒勾勒出龙纹与花蝶纹样，如星子缀满冠身，折射出细碎清辉，尽显精致威仪。粉白渐变绒球层叠簇拥，似初绽花团晕染开柔暖光泽，中和了金属的冷硬质感，刚柔相融。垂坠的饰件轻摇灵动，藏着戏台之上的鲜活气韵，既衬出武将的飒爽雄姿，亦凝结着戏妆造的极致巧思，将工艺美感与戏曲表意融为一体，静述着往昔戏曲舞台上的绮丽风华。",[23,167,157,101,100,7,403],"盔头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d6f7a1cdee1b3fc9ef0f5fdc90bb035.jpg",[],{"id":407,"slug":408,"title":409,"dynasty":18,"author":19,"museum":20,"description":410,"tags":411,"thumbUrl":412,"material":29,"size":30,"collection":31,"collections":413,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},267507,"chuan-bo-li-zhu-long-hua-die-wen-dai-xing-huang-rong-qiu-da-e-zi-yi-ming-267507","串玻璃珠龙花蝶纹带杏黄绒球大额子","此为戏曲武生大额子，以银白玻璃珠错落铺陈，勾勒出龙纹与花蝶的灵动轮廓，细密珠串如碎星缀于金属底托之上，明暗交织间尽显工巧质感。数十枚饱满蓬松的杏黄绒球攒簇盔间，如燃霞聚焰，既平衡了银珠的素雅冷调，又契合戏曲舞台的张扬表现力。将民间手工的细腻审美与戏曲行头的仪式感相融，静时可见匠人造物的精妙心思，登台则尽显梨园妆造的夺目神采，是清代戏曲妆造工艺的鲜活缩影，藏着旧时戏台之上的灼灼风华。",[23,25,101,157,100,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff31b65bf0881fd3d889c639752015c2b.jpg",[],{"id":415,"slug":416,"title":417,"dynasty":18,"author":19,"museum":20,"description":418,"tags":419,"thumbUrl":420,"material":29,"size":30,"collection":31,"collections":421,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},267506,"chuan-bo-li-zhu-long-hua-die-wen-dai-lv-bai-rong-qiu-da-e-zi-yi-ming-267506","串玻璃珠龙花蝶纹带绿白绒球大额子","此大额子以绿白绒球为饰，顶心绒球独显威仪，周身绒球层叠铺排，疏密错落晕开柔和雅致的层次。串饰的玻璃珠勾勒龙纹与花蝶，莹润珠粒细密排布，将灵瑞纹样的精巧肌理悉数呈现，古旧金属底托晕着鎏金柔光，与玻璃珠光、绒球柔绒质感交织碰撞。它融武韵华贵与清雅工致为一体，尽显晚清戏曲头面的极致考究，把梨园配饰的装饰美学与精湛工艺相融，尽显旧时匠人的巧思匠心。",[23,25,157,101,100,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42a762cbc6021e03fadac03996903e50.jpg",[],{"id":423,"slug":424,"title":425,"dynasty":18,"author":19,"museum":20,"description":426,"tags":427,"thumbUrl":429,"material":29,"size":30,"collection":31,"collections":430,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},267505,"chuan-bo-li-zhu-long-hua-die-wen-dai-lan-bai-rong-qiu-da-e-zi-yi-ming-267505","串玻璃珠龙花蝶纹带蓝白绒球大额子","这是一件戏曲武生盔头，蓝白绒球层叠错落，明丽撞色瞬间攫住视线，随动作轻颤间尽显灵动飒爽。细密玻璃珠串成龙纹与花蝶，沿着盔身铺陈环绕，颗颗莹亮排布齐整，将工艺巧思藏于繁复细节里。整体造型张扬大气，贴合武将的英武气场，华贵却不冗杂，把戏曲舞台上的悍勇神武具象在盔帽之上，尽显传统妆造工艺的精妙，每一处缀饰都凝着老艺人的匠心，为舞台角色注入更饱满的威严气魄。",[23,428,157,100,7,101],"戏曲盔头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd1b916c20259b2e6a716ce3ae708310.jpg",[],{"id":432,"slug":433,"title":434,"dynasty":18,"author":19,"museum":20,"description":435,"tags":436,"thumbUrl":439,"material":29,"size":30,"collection":31,"collections":440,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},267498,"chuan-bo-li-zhu-long-hua-die-wen-dai-lan-lv-bai-rong-qiu-shuai-kui-yi-ming-267498","串玻璃珠龙花蝶纹带蓝绿白绒球帅盔","这件帅盔重工华彩，尽显威仪。盔顶高耸挺拔，玻璃珠串蜿蜒勾勒龙凤花蝶纹样，将灵秀意趣融于武饰之中。金属錾刻饰片层叠舒展如翼，冷硬底色间，蓝绿白绒球错落点缀，深浅晕染盘活了整体气场，为英挺盔型添了灵动俏皮。下方朱红绣袍上，绒线盘绣出鲜活瑞纹，绣线流光溢彩，与盔上珠饰交相辉映。它将繁复工艺与将帅气度揉合无间，无一处不藏着旧时匠人的巧思心血，于华丽铺陈间尽显飒爽风骨。",[23,437,25,101,157,100,7,178,438,99,259],"帅盔","银器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6d654096b39de6a72369ec21d3daa84.jpg",[],{"id":442,"slug":443,"title":444,"dynasty":18,"author":19,"museum":20,"description":445,"tags":446,"thumbUrl":448,"material":29,"size":30,"collection":31,"collections":449,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},267497,"chuan-bo-li-zhu-long-hua-die-wen-dai-zi-hong-xing-huang-rong-qiu-cao-wang-kui-yi-ming-267497","串玻璃珠龙花蝶纹带紫红杏黄绒球草王盔","以串饰玻璃珠勾勒龙纹与花蝶，细密珠粒排布出灵动鲜活的纹样，莹润光泽晕开华贵质感。盔顶遍覆紫红绒球，明丽醒目的色块极大增强视觉张力，杏黄饰边柔化了盔帽的硬朗形制，刚柔相济间平衡了威严与雅致。两侧朱红长穗垂曳，随动作轻摆摇曳，为厚重盔帽添上灵动飘逸的生机。\n作为戏曲武将盔帽，它将装饰性与实用性相融，在舞台之上既彰显王侯武将的煊赫气势，也凭借精巧纹饰与艳丽配色，成为极具观赏性的工艺精品，凝聚着传统盔帽工艺的审美巧思与匠造功力。",[23,428,100,7,157,101,447],"流苏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8e97f742d10be0754d3ac95961c2b7f.jpg",[],{"id":451,"slug":452,"title":453,"dynasty":18,"author":19,"museum":20,"description":266,"tags":454,"thumbUrl":457,"material":29,"size":30,"collection":31,"collections":458,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},266816,"xiang-se-duan-da-zi-xiu-zao-xie-yi-ming-266816","香色缎打籽绣皂鞋",[455,99,456,178,7],"打籽绣","鞋帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6c1cdbbf6fc4ffe50d2f8ac05d226eb.jpg",[],{"id":460,"slug":461,"title":462,"dynasty":18,"author":19,"museum":20,"description":266,"tags":463,"thumbUrl":466,"material":29,"size":30,"collection":31,"collections":467,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},266810,"xing-huang-se-duan-dui-ling-hua-die-wen-zao-xie-yi-ming-266810","杏黄色缎堆绫花蝶纹皂鞋",[464,99,352,465,178,7,268],"鞋履","堆绫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2ae817ca36ae1c95bf1c8e962d61a74.jpg",[],{"id":469,"slug":470,"title":471,"dynasty":18,"author":19,"museum":20,"description":266,"tags":472,"thumbUrl":474,"material":29,"size":30,"collection":31,"collections":475,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},266808,"shi-qing-se-duan-pan-tao-hua-die-fang-kuai-wen-zao-xie-yi-ming-266808","石青色缎盘绦花蝶方块纹皂鞋",[124,98,99,7,473,178,88],"方块纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff57a9f081ecf3ef151a2dc6a3c0bfd93.jpg",[],{"id":477,"slug":478,"title":479,"dynasty":18,"author":19,"museum":20,"description":266,"tags":480,"thumbUrl":482,"material":29,"size":30,"collection":31,"collections":483,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},266806,"xing-huang-se-duan-ji-xian-xiu-hua-die-wen-zao-xie-yi-ming-266806","杏黄色缎缉线绣花蝶纹皂鞋",[98,464,99,481,7,88],"缉线绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b0c6ffd7d1f19b0afe30caaf38988ed.jpg",[],{"id":485,"slug":486,"title":479,"dynasty":18,"author":19,"museum":20,"description":266,"tags":487,"thumbUrl":488,"material":29,"size":30,"collection":31,"collections":489,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},266802,"xing-huang-se-duan-ji-xian-xiu-hua-die-wen-zao-xie-yi-ming-266802",[98,88,99,481,7,464],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50174f39ef13a4790262f753d17e4bb3.jpg",[],{"id":491,"slug":492,"title":493,"dynasty":18,"author":19,"museum":20,"description":266,"tags":494,"thumbUrl":495,"material":29,"size":30,"collection":31,"collections":496,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},266799,"qing-se-duan-pan-tao-hua-die-wen-zao-xie-yi-ming-266799","青色缎盘绦花蝶纹皂鞋",[98,99,178,7,464,88],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5112390b57ef93acbc6107437baa156.jpg",[],{"id":498,"slug":499,"title":500,"dynasty":18,"author":19,"museum":20,"description":266,"tags":501,"thumbUrl":502,"material":29,"size":30,"collection":31,"collections":503,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},266798,"jiang-se-duan-ji-xian-xiu-hua-die-wen-zao-xie-yi-ming-266798","绛色缎缉线绣花蝶纹皂鞋",[464,98,99,481,7,88],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a24c4ec601ebed3630e5c5b2b70b658.jpg",[],{"id":505,"slug":506,"title":507,"dynasty":18,"author":19,"museum":20,"description":266,"tags":508,"thumbUrl":509,"material":29,"size":30,"collection":31,"collections":510,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},266797,"lan-se-duan-pan-tao-hua-die-wen-zao-xie-yi-ming-266797","蓝色缎盘绦花蝶纹皂鞋",[464,98,99,178,7,268],"https:\u002F\u002Foss.chuang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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[112,259,214,7,607,47],"活环",[],1777535707487]