[{"data":1,"prerenderedAt":109},["ShallowReactive",2],{"subject-hua-gai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1880,"hua-gai","华盖","华盖画高清赏析","精选中国历代华盖题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc366f712b6d9c9d47ba3ab34ba8db06.jpg",0,6,[14,42,59,76,86,99],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":29,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},219182,"dun-huang-yi-hui-guan-yin-tong-zi-tu-yi-ming-219182","敦煌遗绘观音童子图","唐","佚名","藏地不详","画面氤氲着古朴慈悲的气息。观音端坐莲台，宝相庄严却含温婉，衣袂翩跹间藏着唐时雍容气度，手持净枝似欲洒下甘露。身后光环晕染开柔和光晕，将尘世喧嚣轻轻隔开。童子或捧莲趋前，稚手轻抬献清芬；或携枝凌空，小影翩跹逐流云，嬉闹之态与观音的静谧相映，更显佛法包容生机。岁月虽让色彩斑驳，却仍能窥见昔年绚丽，线条流畅如行云流水，每处细节皆藏敦煌艺术的厚重灵动，似在无声诉说千年信仰与美好。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35],"高清","名画","国画","书画","壁画","宗教","设色","工笔","观音","童子","莲花","宝座","服饰","","人物画精选",[37],885,11,"795548",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":54,"material":36,"size":36,"collection":36,"collections":55,"showCount":56,"zanCount":57,"manualWeight":11,"mainColor":58},220499,"zhang-da-qian-lin-mo-dun-huang-bi-hua-shi-jia-shuo-fa-tu-zhang-da-qian-220499","张大千临摹敦煌壁画释迦说法图","民国","张大千","四川博物院","主尊释迦端立莲台，朱红袈裟线条劲挺饱满，晕染柔和自然，尽显慈悲庄严。胁侍眷属仪容秀雅，衣饰华丽繁复，璎珞飘带灵动舒展，各持礼器法物，神态虔敬肃穆。背景宝树垂饰精巧，华盖仪仗规整庄严，整体色彩浓丽明妍，还原敦煌盛唐遗韵。\n\n此作以精妙笔墨复刻石窟古画，既保留原作雄浑厚重的西域风貌，又融入细腻笔情墨趣，让千年壁画神采跃然绢上，尽显传统工笔重彩的典雅华滋，是临摹敦煌壁画中的精品。",[23,25,51,52,27,28,29,53,33,7],"临摹","敦煌","人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10e6e538e6e12a841cd7a62f448f4e64.jpg",[],207,3,"BDBDBD",{"id":60,"slug":61,"title":62,"dynasty":18,"author":19,"museum":52,"description":63,"tags":64,"thumbUrl":71,"material":72,"size":73,"collection":36,"collections":74,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":58},226160,"yu-lin-ku-025-ku-zhu-shi-dong-bi-yi-ming-226160","榆林窟025窟主室东壁","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[65,27,66,30,67,68,33,7,69,70,29],"唐代","彩绘","宗教题材","人物造像","矿物颜料","线条勾勒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff901bcf5ae28da34781422e6ef84b2cb.jpg","未知","Xcm*Xcm",[],101,{"id":77,"slug":78,"title":79,"dynasty":18,"author":19,"museum":52,"description":63,"tags":80,"thumbUrl":83,"material":72,"size":73,"collection":36,"collections":84,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":41},226428,"ku-zhu-shi-nan-bi-yi-ming-226428","窟主室南壁",[27,28,29,53,81,82,7],"飞天","树木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08777adc12a281b4f272525453b21ba4.jpg",[],36,{"id":87,"slug":88,"title":89,"dynasty":18,"author":19,"museum":52,"description":63,"tags":90,"thumbUrl":96,"material":72,"size":73,"collection":36,"collections":97,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":41},226466,"ku-qian-shi-ding-bu-yi-ming-226466","窟前室顶部",[65,27,28,29,53,81,91,7,92,66,93,94,95],"纹饰","佛教造像","建筑元素","卷草纹","莲花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3a5ea8e92db7c1aacd4220fc12109bd.jpg",[],16,{"id":100,"slug":101,"title":102,"dynasty":18,"author":19,"museum":20,"description":63,"tags":103,"thumbUrl":107,"material":72,"size":73,"collection":36,"collections":108,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},227209,"dun-huang-80-yi-ming-227209","敦煌80",[27,65,28,29,30,53,104,105,106,7,81],"佛像","菩萨","莲花座","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff1a92b81b0eaf6da3a665fa1dca3424.jpg",[],1777535746028]