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2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[23,24,25,26,27,28,7,29],"壁画","宗教","设色","莲花","卷草","装饰图案","彩绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff963ad1c51eaf236514c19ad97825a22.jpg","未知","Xcm*Xcm","",[],106,2,"795548",{"id":39,"slug":40,"title":41,"dynasty":18,"author":19,"museum":20,"description":21,"tags":42,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":37},226222,"ku-yong-dao-ding-bu-yi-ming-226222","窟甬道顶部",[23,25,24,43,7,28],"几何图案",[],38,{"id":47,"slug":48,"title":49,"dynasty":50,"author":19,"museum":51,"description":52,"tags":53,"thumbUrl":59,"material":31,"size":32,"collection":33,"collections":60,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":37},267606,"hong-se-chan-zhi-ju-lian-cha-hua-wen-zhuang-hua-duan-yi-ming-267606","红色缠枝菊莲茶花纹妆花缎","明","藏地不详","赤红地色如熔霞漫铺，缠枝卷叶婉转舒展，将菊、莲、茶花错落排布，织就烂漫花境。妆花晕染出层次柔美的各色花头，粉菊清妍温婉，蓝莲沉静雅致，茶褐与赤黄山茶饱满厚重，翠绿叶脉勾描灵动，让画面疏密相宜不显拥塞。\n\n整体用色鲜亮却协调雅致，提花工艺精巧细腻，将花卉绰约姿态凝于经纬之间，尽显古雅华贵的审美意趣，在锦缎之上留存盛放花景，藏着旧时织绣工艺的细腻匠心。",[54,55,56,57,26,58,25,7],"布料","妆花缎","缠枝纹","菊花","茶花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48af322113d39461eed64f1d04d61c4f.jpg",[],27,{"id":63,"slug":64,"title":65,"dynasty":66,"author":19,"museum":51,"description":67,"tags":68,"thumbUrl":74,"material":31,"size":32,"collection":33,"collections":75,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":77},264273,"jiang-se-yu-lan-hai-tang-shou-zi-wen-zhuang-hua-duan-pao-liao-yi-ming-264273","绛色玉兰海棠寿字纹妆花缎袍料","清","绛红底色沉敛华贵，以妆花缎工艺织就规整纹样。宝蓝色团寿纹对称排布，方正雅致点明福寿内核，间错的玉兰海棠花簇，以柔润的白粉、胭红与清透湖蓝晕染出娇妍生机。玉棠谐音“玉堂”，搭配团寿暗合玉堂长寿的美好祈愿。织物走线细腻匀净，花型饱满灵动，妆花工艺让色彩过渡自然柔和，将精妙织绣工艺与吉祥审美融于一体，尽显晚清织物雅致考究的风尚意趣。",[54,55,69,70,71,72,73,7],"玉兰","海棠","寿字纹","织绣","袍料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53dc5a58ea1ae775a00fbd080b35aba5.jpg",[],18,"2A56C6",{"id":79,"slug":80,"title":41,"dynasty":18,"author":19,"museum":20,"description":21,"tags":81,"thumbUrl":85,"material":31,"size":32,"collection":33,"collections":86,"showCount":76,"zanCount":87,"manualWeight":11,"mainColor":88},226268,"ku-yong-dao-ding-bu-yi-ming-226268",[23,82,25,83,7,84,29],"唐代","团花","传统纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F821bd5f1b40e065b1c1e206f6c663b42.jpg",[],1,"37474F",{"id":90,"slug":91,"title":92,"dynasty":66,"author":19,"museum":51,"description":93,"tags":94,"thumbUrl":98,"material":31,"size":32,"collection":33,"collections":99,"showCount":100,"zanCount":87,"manualWeight":11,"mainColor":101},263578,"cai-lin-bao-xiang-hua-wen-jin-yi-ming-263578","彩鳞宝相花纹锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审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Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[131,295,117,296,132,297,298,7,299],"印象派风格","女性","灰色调","黑色配饰","写实技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2fa5562f5b1cd0c4174e442637cc685.jpg",[],{"id":303,"slug":304,"title":305,"dynasty":66,"author":19,"museum":51,"description":306,"tags":307,"thumbUrl":311,"material":31,"size":32,"collection":33,"collections":312,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":101},264270,"jiang-se-mu-dan-tuan-shou-zi-wen-zhuang-hua-duan-pao-liao-yi-ming-264270","绛色牡丹团寿字纹妆花缎袍料","绛红底料沉稳华贵，宝蓝色团寿纹周正匀整，暗合绵长福泽。牡丹簇团以套色绣制，粉、紫、浅蓝诸色晕染自然，花容饱满鲜活，枝叶舒展灵动，配色明丽又不失柔和。\n整料构图对称规整，妆花工艺精妙考究，将吉庆礼纹与柔媚花容相融，礼制端方中晕开柔婉春意，经纬之间藏纳传统织绣的匠心巧思，把祥瑞意趣与雅致审美凝为一体，尽显东方织绣的华贵意韵。",[54,308,73,171,309,310,7],"衣帽","团寿纹","妆花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c2044fa4dd593355fe2a2b02506b481.jpg",[],{"id":314,"slug":315,"title":316,"dynasty":66,"author":19,"museum":51,"description":317,"tags":318,"thumbUrl":326,"material":31,"size":32,"collection":33,"collections":327,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":88},229153,"nei-tian-fa-lang-xi-fang-shi-nv-hu-yi-ming-229153","内填珐瑯西方仕女壶","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 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