[{"data":1,"prerenderedAt":77},["ShallowReactive",2],{"subject-hua-jiao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10563,"hua-jiao","花浇","花浇画高清赏析","精选中国历代花浇题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16491c38031a8972c559c73c39bf6a29.jpg",0,5,[14,35,47,60,69],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":34},260317,"qing-you-ke-hua-shui-bo-wen-shou-xing-bing-hua-jiao-yi-ming-260317","青釉刻划水波纹兽形柄花浇","南北朝","佚名","藏地不详","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[23,24,25,26,27,28,7],"陶瓷","器","日用具","青釉","刻划水波纹","兽形柄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2510eceb324405c946fbf94a7d04eb2b.jpg","未知","Xcm*Xcm","",[],"795548",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},259614,"yong-zheng-kuan-qing-hua-ju-ban-wen-hua-jiao-yi-ming-259614","雍正款青花菊瓣纹花浇","清","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[23,42,43,7,25],"青花","菊瓣纹",[],2,"BDBDBD",{"id":48,"slug":49,"title":50,"dynasty":51,"author":19,"museum":20,"description":52,"tags":53,"thumbUrl":56,"material":30,"size":31,"collection":57,"collections":58,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":34},262267,"shi-wan-yao-hui-bai-you-dai-liu-hua-jiao-yi-ming-262267","石湾窑灰白釉带流花浇","明","石湾窑在今广东佛山市石湾镇，明清著名民窑之一。以陶塑和建筑陶瓷著称。始于宋代（亦有一说始于唐），极盛于明清两代。\n石湾窑以善仿钧窑而着称。仿钧釉色以蓝色、玫瑰紫、翠毛釉等为佳，但仿中有创。钧窑的窑变釉是一层釉色，而石湾窑变釉却有底釉与面釉之分。寂圆叟在其《陶雅》中盛赞石湾窑变釉色："广窑谓之泥均，其蓝色甚似灰色┅┅于灰釉中旋涡周遭，故露异彩，较之雨过天晴尤极浓艳，目为云斑霞片不足以方厥体态。┅┅又有时于灰釉中露出深蓝色之星点，亦足玩也。"\n石湾窑不仅善仿钧，而且善仿宋代各大名窑，宋代官、哥、汝、钧诸名窑产品，从材质运用、技法处理、艺术造型等各方面都仿得惟妙惟肖，而且有创造性的发展，梅建鹰评价曰："石湾集宋代各大名窑之大成，仿钧而青出于蓝，独创石湾自已的艺术风格。"",[23,25,7,54,55],"灰白釉","开片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6747ac2534e007cb815bdc8615be493c.jpg","瓷器精选",[57],1,{"id":61,"slug":62,"title":63,"dynasty":51,"author":19,"museum":20,"description":52,"tags":64,"thumbUrl":67,"material":30,"size":31,"collection":57,"collections":68,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},262172,"shi-wan-yao-hui-lan-you-hua-jiao-yi-ming-262172","石湾窑灰蓝釉花浇",[23,25,7,65,66],"灰蓝釉","石湾窑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facd0b983c9033104fedcbf9f14a95a45.jpg",[57],{"id":70,"slug":71,"title":72,"dynasty":73,"author":19,"museum":20,"description":21,"tags":74,"thumbUrl":75,"material":30,"size":31,"collection":32,"collections":76,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},262113,"qing-you-shuang-xi-hua-jiao-yi-ming-262113","青釉双系花浇","晋",[23,26,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6df58abd6327778ed53fc040f81d5b75.jpg",[],1777535754346]