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。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[67,40,167,178,7],"白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e83ab1542c1aa0481df9992614442f1.jpg",[],{"id":182,"slug":183,"title":184,"dynasty":117,"author":19,"museum":20,"description":185,"tags":186,"thumbUrl":189,"material":29,"size":30,"collection":31,"collections":190,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},259641,"yong-zheng-kuan-fang-ru-you-hua-kou-zha-dou-yi-ming-259641","雍正款仿汝釉花口渣斗","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[67,167,187,188,7,96],"渣斗","仿汝釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f23f34b72b74da2f5a7e1921b5abe4c.jpg",[],{"id":192,"slug":193,"title":194,"dynasty":117,"author":19,"museum":20,"description":195,"tags":196,"thumbUrl":197,"material":29,"size":30,"collection":31,"collections":198,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},259346,"dao-guang-kuan-huang-di-lv-cai-li-yun-long-wai-hua-hui-wen-hua-kou-die-yi-ming-259346","道光款黄地绿彩里云龙外花卉纹花口碟","花口折沿浅碟，口沿以墨彩勾边，利落雅致。娇柔匀净的黄釉如凝脂覆身，将鲜亮明翠的绿彩衬托得愈发生动。内壁游龙身姿矫健灵动，穿行云间，威严气度尽显；外壁团花饱满舒展，线条细腻温婉，刚柔相谐。配色鲜亮却不张扬，构图疏密得宜，将皇家威严的龙纹与柔婉花饰相融，尽显制瓷工匠精湛的施彩与构图功力，静穆间自有华贵气韵流转，方寸间尽显宫廷雅致审美意趣。",[67,40,28,52,121,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F024a4860656b7bc518d0dd4ee8d7f5ff.jpg",[],{"id":200,"slug":201,"title":202,"dynasty":117,"author":19,"museum":20,"description":203,"tags":204,"thumbUrl":209,"material":29,"size":30,"collection":31,"collections":210,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},258960,"kang-xi-kuan-qing-hua-ren-wu-tu-hua-kou-chang-fang-hua-pen-yi-ming-258960","康熙款青花人物图花口长方花盆","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[117,67,205,206,207,7,208,54],"青花","人物","兽","长方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b8990ea166cb6c2c6192830d04ae8db.jpg",[],{"id":212,"slug":213,"title":214,"dynasty":117,"author":19,"museum":20,"description":203,"tags":215,"thumbUrl":219,"material":29,"size":30,"collection":31,"collections":220,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},258645,"qing-hua-shou-shan-fu-hai-wen-hua-kou-ping-yi-ming-258645","青花寿山福海纹花口瓶",[67,205,126,121,216,217,125,52,7,218],"山","海","瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ab64493885301701ca08589622d34c0.jpg",[],{"id":222,"slug":223,"title":224,"dynasty":225,"author":19,"museum":20,"description":203,"tags":226,"thumbUrl":229,"material":29,"size":30,"collection":31,"collections":230,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257368,"wan-li-kuan-qing-hua-chan-zhi-hua-hui-wen-hua-kou-die-yi-ming-257368","万历款青花缠枝花卉纹花口碟","明",[227,67,205,228,7],"明代","缠枝花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd44deaa2082292ea1cf537aa2c4e41cf.jpg",[],{"id":232,"slug":233,"title":224,"dynasty":225,"author":19,"museum":20,"description":203,"tags":234,"thumbUrl":235,"material":29,"size":30,"collection":31,"collections":236,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257365,"wan-li-kuan-qing-hua-chan-zhi-hua-hui-wen-hua-kou-die-yi-ming-257365",[67,205,228,7,227,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa947c95c9e3366cafa52e894d56ee440.jpg",[],{"id":238,"slug":239,"title":224,"dynasty":225,"author":19,"museum":20,"description":203,"tags":240,"thumbUrl":241,"material":29,"size":30,"collection":31,"collections":242,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257363,"wan-li-kuan-qing-hua-chan-zhi-hua-hui-wen-hua-kou-die-yi-ming-257363",[227,205,228,7,67],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bc2e13b74a21f824a4cef9f1e08c920.jpg",[],{"id":244,"slug":245,"title":224,"dynasty":225,"author":19,"museum":20,"description":203,"tags":246,"thumbUrl":247,"material":29,"size":30,"collection":31,"collections":248,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257362,"wan-li-kuan-qing-hua-chan-zhi-hua-hui-wen-hua-kou-die-yi-ming-257362",[67,205,228,7,227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24855efca057187a845ad8e87ef86b2b.jpg",[],{"id":250,"slug":251,"title":252,"dynasty":225,"author":19,"museum":20,"description":253,"tags":254,"thumbUrl":260,"material":29,"size":30,"collection":261,"collections":262,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},257046,"ding-yao-bai-you-ke-qian-long-yu-zhi-shi-yin-hua-tian-lu-liu-yun-wen-hua-kou-fang-xi-yi-ming-257046","定窑白釉刻乾隆御制诗印花天禄流云纹花口方洗","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[67,178,255,256,25,257,258,7,259,227,207],"刻花","印花","天禄纹","流云纹","方洗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faeb0d383eefe77bf2fe726d7c1182587.jpg","瓷器精选",[261],{"id":264,"slug":265,"title":266,"dynasty":81,"author":19,"museum":20,"description":253,"tags":267,"thumbUrl":271,"material":29,"size":30,"collection":261,"collections":272,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257030,"ding-yao-bai-you-hua-hua-he-lian-wen-hua-kou-pan-yi-ming-257030","定窑白釉划花荷莲纹花口盘",[81,67,178,268,269,7,270],"划花","荷莲纹","定窑风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27e996622d9f78e810bd4c3b8a1f0055.jpg",[261],{"id":274,"slug":275,"title":276,"dynasty":81,"author":19,"museum":20,"description":277,"tags":278,"thumbUrl":281,"material":29,"size":30,"collection":261,"collections":282,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},256978,"guan-yao-qing-you-hua-kou-xi-yi-ming-256978","官窑青釉花口洗","官窑，是南宋宋高宗时期一些窑口专为宫廷烧制的瓷器，供御捡退，在当时俗称"官窑“。官窑，毛公洞第一（今 江苏扬州一带）。南宋官窑瓷器沿袭北宋风格，规整对称，宫廷气势，高雅大气，一丝不苟。因为胎土含铁量极高，手感沉重，胎土呈深黑褐色，后称”紫口铁足“。釉面沉重幽亮，釉厚如堆脂，温润如玉。釉面多层反复细刮，釉光下沉而不刺眼，纹理布局规则有致，造型庄重大方。另外”肉腐留骨“（露胎处像死人骨头，俗称”骨董“）也是那时所造。我们今天所称官窑泛指历朝官府烧造瓷器，其实，历史上仅指南宋时期烧造的瓷器，后世再无此称呼。\n官窑起自唐，有两种涵义，一是指贡器，一是指官厂。自唐代至元代（公元八世纪~十四世纪），官窑多有贡器，少有官厂，采取的形式是“官监民烧”，烧出的瓷器，“千中选十，百中选一”，进贡给统治阶级。这种瓷器就叫做贡瓷和官窑。那时，唐代在产瓷区设有司务，如唐景隆初（公元707~709年）褚绥为新平(景德镇)司务，奉诏监烧献陵祭器。宋代设监，如太平兴国年间(公元976~983年)，派殿前承旨赵仁济监理越州窑务。到了元代则设局，以提领监陶，后改为本设总管。他们烧出的“景德年制”，“枢府’等款式的瓷器，分别称为“景德窑’，“枢府窑”等。\n官窑之谓，在中国古代陶瓷史上有不同的内涵。就广义而言，是有别民窑而专为官办的瓷窑，其产品为宫廷所垄断。在宋代瓷器中，官窑即是一种专称，指北宋和南宋时在京城汴京（汴梁，今开封）和临安（今杭州）由宫廷设窑烧造的青瓷，故又有“旧官”和“新官”之分，前者为北宋官窑，后者为南宋官窑。\n官窑是在宋大观及政和年间于汴梁所造，青瓷釉色晶莹惕透，有开裂或呈冰片状，粉青紫口铁定是其特色。\n宋室南移在凤凰山下设立官窑，又称修内司官窑或内窑，郊坛下设立的郊坛下官窑，器形较多，有直径大过一尺的大型产品。\n从1128年元世祖忽必烈设置“浮梁磁局”，到二十世纪清朝覆亡，景德镇是元、明、清三代皇家瓷厂所在地，中国的官窑制度在这里延续了632年，江西景德镇也由此拥有烧造时间最长、规模最大、工艺最精巧的官办瓷厂。景德镇地下也因此存有大量因禁绝流入民间而被就地掩埋的古碎瓷，成为中国品类最完整、年代最可靠、信息最丰富的官窑遗址和“地下瓷都”。北宋官窑也称汴京官窑。相传北宋大观、政和年间，在汴京附近设立窑场，专烧宫廷用瓷器，即北宋官窑。南宋顾文荐《负暄杂录》记载："宋宣政间（宣和、政和即公元1111－1125年）京师自置窑烧造，名曰官窑"，南宋叶在其《垣斋笔衡》中对北京官窑亦有记载："政和京师自置窑烧造，名曰官窑"。当时的京师即汴京（今开封），因宋代汴京遗址已沉入地底，到今为止，尚未发掘出北宋官窑遗址，对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，时到今，关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。\n南宋顾文荐《负睻杂录》记载：“宋宣政间（宣和、政和即公元1111~1125年）京师自置窑烧造，名曰‘官窑’”，南宋叶寘在其《垣斋笔衡》中对北京官窑亦有记载：“政和京师自置窑烧造，名曰‘官窑’”。明代《事物绀珠》、《留留青》因袭此说。当时的京师即汴京(今河南开封)，因宋代汴京遗址已沉入地下，到今为止，尚未发掘出北宋官窑遗址。对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，今关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。支持第三种说法的人较多。\n北宋官窑传世品很少，形质与工艺与汝窑有共同处。器多仿古，主要有碗、瓶、洗等。胎体显厚，胎骨深灰、紫色或黑色，釉色有淡青、粉青、月白等，釉质莹润温雅，尤以釉面开大裂纹片著称，不同于南宋官窑和汝窑及龙泉窑瓷器。底有文钉烧痕，有“紫口铁足”的特征。",[67,96,7,85,279,280],"官窑","宋代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6abab1e35df5f23f8f92f3fee2ea09a9.jpg",[261],{"id":284,"slug":285,"title":286,"dynasty":81,"author":19,"museum":20,"description":253,"tags":287,"thumbUrl":291,"material":29,"size":30,"collection":261,"collections":292,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},256309,"ding-yao-bai-you-ke-hua-hua-zhe-zhi-fu-rong-wen-hua-kou-wan-yi-ming-256309","定窑白釉刻划花折枝芙蓉纹花口碗",[67,178,288,289,290,7,40],"刻划花","芙蓉","折枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57c9e79f32c906ca007983d0f5766c57.jpg",[261],{"id":294,"slug":295,"title":296,"dynasty":117,"author":19,"museum":20,"description":297,"tags":298,"thumbUrl":303,"material":29,"size":30,"collection":31,"collections":304,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},247763,"dui-cai-ju-zi-wen-he-yi-ming-247763","堆彩橘子纹盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[126,299,25,300,301,302,26,7],"堆彩","橘子纹","盒","漆器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60ce46d1de07e9f321ddd91d9aecead4.jpg",[],{"id":306,"slug":307,"title":308,"dynasty":64,"author":19,"museum":20,"description":309,"tags":310,"thumbUrl":314,"material":29,"size":30,"collection":31,"collections":315,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},231856,"qing-se-you-wan-yi-ming-231856","青色釉碗","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[109,67,311,98,7,312,136,313,40],"青色釉","弦纹","刻划纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9ac50235b0eb2e0ba5bfb40bf79ad12.jpg",[],{"id":317,"slug":318,"title":319,"dynasty":117,"author":19,"museum":20,"description":146,"tags":320,"thumbUrl":322,"material":29,"size":30,"collection":31,"collections":323,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},230084,"hua-kou-ye-xing-shuang-bing-wan-yi-ming-230084","花口叶形双柄碗",[148,25,40,321,7,149],"菊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fbe5c1f9f7f79813f535b677e678fb0.jpg",[],{"id":325,"slug":326,"title":327,"dynasty":117,"author":19,"museum":20,"description":328,"tags":329,"thumbUrl":331,"material":29,"size":30,"collection":31,"collections":332,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},229098,"qing-you-bi-xi-yi-ming-229098","青釉笔洗","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[67,96,40,330,7],"文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27c93367e8237e8e283be65a3f8161cb.jpg",[],{"id":334,"slug":335,"title":336,"dynasty":64,"author":19,"museum":20,"description":337,"tags":338,"thumbUrl":340,"material":29,"size":30,"collection":31,"collections":341,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},228114,"qing-ci-hua-kou-pan-bao-yong-ming-yi-ming-228114","青瓷花口盘（「宝用」铭）","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[64,67,86,7,85,339,40],"铭文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb586ffba6aa5ae71e811e50a617d9c18.jpg",[],{"id":343,"slug":344,"title":345,"dynasty":81,"author":19,"museum":20,"description":94,"tags":346,"thumbUrl":351,"material":29,"size":30,"collection":31,"collections":352,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},227961,"wan-yi-ming-227961","碗",[81,67,178,7,347,98,348,349,350],"圈足","素面","釉色","造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7920633d7209c2e7223c3469f76ebc6.jpg",[],1777535714944]