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、乞丐、流氓、渔民等下层人民的形象，这在古代的画家当中是十分难得的。康熙间至扬州卖画，人争客之。是中国清代杰出书画家，为“扬州八怪”之一。与郑燮友善。擅草书，后以狂草笔法作画。亦能诗。有《蛟湖诗钞》。\n黄慎14岁时，父亲客死湖南，两妹相继夭折，家境十分穷困，为生计，母亲命其学画，为人写真。16岁时，离家从师，他勤奋苦学，悉心钻研，画艺日进。",[23,25,26,55,175,29,176,57,177,160,178,179,180,7,181,116,182],"水墨","写意","文人","饮酒","蝙蝠","兰草","书法","祥瑞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93114a60f6453d3dfac5ef2fcdc2ba14.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":109,"author":51,"museum":91,"description":189,"tags":190,"thumbUrl":192,"material":100,"size":101,"collection":65,"collections":193,"showCount":194,"zanCount":11,"manualWeight":11,"mainColor":121},263812,"bai-se-hua-lan-hu-die-wen-zhou-chou-yi-ming-263812","白色花篮蝴蝶纹绉绸","素白底胚自带柔糯肌理，暗纹如浅浮雕般若隐若现。花篮缠枝舒展随性，蝴蝶翩跹穿梭其间，将日常闲趣藏进织造经纬之中。摒弃浓艳色彩，仅以素色凸显织造巧思，把东方雅致融在素净面料里，静雅温润，尽显旧时织造含蓄克制的审美意趣，是留白生花的精巧织物佳作。",[129,7,132,191],"绉绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa50ac01c48aa259993660a11fd2db70b.jpg",[],6,{"id":196,"slug":197,"title":198,"dynasty":109,"author":51,"museum":91,"description":199,"tags":200,"thumbUrl":207,"material":100,"size":101,"collection":65,"collections":208,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":210},249524,"hua-fa-lang-jin-di-hua-hui-wen-hua-lan-yi-ming-249524","画珐琅锦地花卉纹花篮","提梁饰鎏金缠枝纹，宝蓝釉地填色匀净，勾勒出灵动雅致的卷草轮廓。花篮口沿作舒展花瓣形，内壁浅蓝珐琅澄澈明净，外壁缠枝小花细腻精巧。\n\n器身以蓝地菱形锦纹为底，粉艳牡丹居于中央，花瓣饱满晕染自然，衬以莹白小花，主次分明。整器釉色鲜亮明净，鎏金光泽温润莹润，将繁复装饰与秀逸器型相融，尽显华贵雅致的宫廷气韵，是清代珐琅工艺的精巧之作。",[201,7,202,203,32,204,205,206],"珐琅器","画珐琅","鎏金","缠枝纹","花卉纹","锦地纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23c29e69a2ed4066ff40fd2038e6ad5e.jpg",[],5,"37474F",{"id":212,"slug":213,"title":214,"dynasty":109,"author":51,"museum":91,"description":140,"tags":215,"thumbUrl":219,"material":100,"size":101,"collection":65,"collections":220,"showCount":209,"zanCount":68,"manualWeight":11,"mainColor":221},248842,"ti-hong-hua-niao-tu-hua-lan-shi-he-yi-ming-248842","剔红花鸟图花篮式盒",[216,142,217,144,30,7,32,34,218],"清代","剔红","鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fedbc3518705cce0a5d6066ab7c52217f.jpg",[],"F48FB1",{"id":223,"slug":224,"title":225,"dynasty":109,"author":226,"museum":227,"description":228,"tags":229,"thumbUrl":231,"material":65,"size":65,"collection":65,"collections":232,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":233},202596,"ma-gu-xian-shou-tu-zhou-xiao-chen-202596","麻姑献寿图轴","萧晨","上海博物馆","画面中麻姑衣袂飘飘，长裙曳地如流风回雪，线条婉转流畅，设色淡雅却见精致。身旁二侍女或捧寿桃，或携花篮，神情温婉柔和，姿态各异，尽显娴静之态。工笔细腻处，人物面容秀雅，衣纹转折自然，兼具飘逸与庄重。寿桃彤彤、花篮簇簇，暗含吉祥寓意，传递出祝寿的美好祈愿。整幅画作将人物的灵动与祝寿的庄重完美融合，尽显古典雅致之韵。",[25,57,28,29,55,159,230,7,23],"寿桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb9c6fddee33db0d808cc33f7ca937b1.jpg",[],"c8baa9",{"id":235,"slug":236,"title":237,"dynasty":109,"author":51,"museum":91,"description":238,"tags":239,"thumbUrl":244,"material":100,"size":101,"collection":65,"collections":245,"showCount":246,"zanCount":11,"manualWeight":11,"mainColor":121},261207,"fen-cai-miao-jin-hua-lan-wen-pan-yi-ming-261207","粉彩描金花篮纹盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[240,241,242,7,32,34,243,28],"陶瓷","粉彩","描金","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb266aa231904c315f5f96788411a4ad.jpg",[],3,{"id":248,"slug":249,"title":250,"dynasty":109,"author":51,"museum":91,"description":251,"tags":252,"thumbUrl":255,"material":100,"size":101,"collection":65,"collections":256,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":121},269216,"zhu-gen-diao-hua-lan-yi-ming-269216","竹根雕花篮","取整竹根随形施艺，盖顶花苞为钮，盖面透雕云纹作烟孔，古雅灵动。器身浅刻回纹锦地，规整素雅，衬出器物端方气质。扭绳式链环提梁弯折自如，将装饰性与实用性精妙相融，打破素朴器型的单调。\n\n整体仿青铜礼器形制，竹根天然肌理与人工雕镂完美结合，浑朴厚重中又见秀巧雅致。将文人士大夫的清雅审美凝缩于方寸之间，尽显案上清供的悠然意韵。",[253,144,7,31,254],"竹根","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c14bb68cf31835ba3375705787c878b.jpg",[],{"id":258,"slug":259,"title":260,"dynasty":109,"author":51,"museum":91,"description":261,"tags":262,"thumbUrl":264,"material":100,"size":101,"collection":65,"collections":265,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":221},264362,"tao-hong-se-chou-xiu-hua-lan-hua-hui-wen-pao-liao-yi-ming-264362","桃红色绸绣花篮花卉纹袍料","绸缎，泛指丝织物。古时多是有钱人家作为衣物，其颜色光滑亮丽，五彩缤纷。《儿女英雄传》第二回：“大凡到工的官儿们送礼，谁不是缂绣、呢羽、绸缎、皮张，还有玉玩、金器、朝珠、洋表的？” 老舍《四世同堂》四九：“他看不起绸缎的衣服，与文雅的态度，可又有点自惭形秽。”",[129,263,128,130,7,34,30,131,132],"绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2eb07f05d82d43cff923261e560725db.jpg",[],{"id":267,"slug":268,"title":269,"dynasty":109,"author":51,"museum":91,"description":270,"tags":271,"thumbUrl":275,"material":100,"size":101,"collection":65,"collections":276,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":45},263959,"huang-se-yin-hua-lan-mu-dan-duo-ju-wen-zhi-jin-duan-yi-ming-263959","黄色银花篮牡丹朵菊纹织金缎","姜黄底色沉静雅致，银线织就的纹样如星子落于其上，明暗交错间漾出华贵质感。花篮为骨，托举雍容牡丹与隽秀朵菊，循环排布的纹样规整又不失灵动，将吉祥意趣藏入经纬。\n\n织金工艺让银纹在黄底晕出柔润光泽，花型饱满工致，叶蔓婉转舒展，尽显织造匠人的精妙手艺。朱红镶边收束幅面，让整体配色愈发和谐沉稳，底部织款留存下古旧时光的温度，将旧时织造审美与匠心凝于这一方尺幅之间。",[129,272,32,147,7,273,274],"织金缎","织绣","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F073656cb0e5b9053d9ac814b51e23b5d.jpg",[],{"id":278,"slug":279,"title":280,"dynasty":109,"author":51,"museum":91,"description":281,"tags":282,"thumbUrl":286,"material":100,"size":101,"collection":65,"collections":287,"showCount":84,"zanCount":68,"manualWeight":11,"mainColor":121},248730,"ti-hong-jin-wen-qian-xiang-ya-hua-hui-wen-hua-lan-yi-ming-248730","剔红锦纹嵌象牙花卉纹花篮","此作方正倭角，形制端庄又藏柔婉意趣。通体朱漆沉凝莹润，地子錾刻细密锦纹，工致入微。盖面折枝群芳俯仰生姿，牡丹灼灼、栀子清雅，刀工圆熟饱满，将花叶舒展之态尽显。盒壁环饰清供与四季花卉，浮雕层次井然，纹饰华丽不失雅致。\n套盒分层设计兼顾雅观与实用，将清代雕漆的华美工巧尽数呈现，把寻常日用晕染出古雅意韵，是雕漆工艺里兼具匠心与意趣的上乘之作。",[216,217,144,283,284,34,142,285,7],"嵌象牙","锦纹","象牙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda81a12ef65e24fe25f80117c4121fac.jpg",[],{"id":289,"slug":290,"title":291,"dynasty":109,"author":51,"museum":91,"description":292,"tags":293,"thumbUrl":296,"material":100,"size":101,"collection":65,"collections":297,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":45},269546,"xi-jiao-diao-hua-lan-yi-ming-269546","犀角雕花篮","此器取犀角莹润肌理，整料镂雕为提梁花篮。篮身錾刻篾纹仿竹编肌理，浮雕缠枝花卉环绕周身，提梁弯折自然柔和，仿若真藤盘绕。篮中错落陈设有玉石鲜果、仿生花草，珠翠点缀之间野趣横生，将案头清供的日常意趣雕琢入微。\n\n匠师以刀代笔，将犀角沉雅色泽与写实造物巧相融，既留存材质本身的静穆古雅，又以鲜活花果点缀出灵动生机，尽显精妙工法，是案头清玩里雅致意韵的绝佳体现。",[144,31,7,294,295],"花果","犀角","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51ef536ecedbb1a9bcc01853d24280b4.jpg",[],{"id":299,"slug":300,"title":301,"dynasty":109,"author":51,"museum":91,"description":302,"tags":303,"thumbUrl":308,"material":100,"size":101,"collection":65,"collections":309,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":121},268343,"huang-se-duan-da-zi-xiu-shuang-guo-hua-lan-xiang-dai-yi-ming-268343","黄色缎打籽绣双果花篮香袋","取葫芦造型暗合福禄吉意，以打籽绣技法施艺。明黄缎底之上，兰草舒展柔姿，小虫栩栩灵动，针粒饱满匀整，将清逸生机锁于绣面。边缘以蓝白格纹滚边，辅以回纹勾勒轮廓，素雅规整中衬得绣面愈发鲜亮。顶部留白嵌饰，更添清雅余韵。下端垂悬的明黄流苏轻软蓬松，随步摇曳间，将绣品的静美与灵动相融。整体配色明快和谐，兼具闺中绣巧的细腻雅致与传统佩饰的吉祥意趣，尽显清代刺绣佩饰的精巧匠心。",[304,129,305,130,306,34,180,7,307],"饰品","打籽绣","香袋","流苏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3131fb2431147cbe869130a6840da284.jpg",[],{"id":311,"slug":312,"title":313,"dynasty":109,"author":51,"museum":91,"description":314,"tags":315,"thumbUrl":319,"material":100,"size":101,"collection":65,"collections":320,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":121},265607,"hu-se-duan-di-hua-lan-ju-fu-tao-pan-chang-wen-tao-yi-ming-265607","湖色缎地花篮菊蝠桃盘肠纹绦","经线提花锦的组织结构和纹样都十分复杂，舞人动物纹锦的纹样横贯全幅，充分反映了当时已有了先进的提花织造技术。精美的刺绣品共有17种纹样，构图大，讲究对称、平衡，色彩配合恰当，给人以端庄典雅、富丽堂皇的美感。纹样内容充满神话色彩，鲜明地反映了楚文化的浪漫主义特色。墓中出土的衣袍为直据，是当时贵族中最流行的一种服式。这批先秦织物的出土，为深入研究我国古代纺织史提供了珍贵的实物资料。",[130,129,304,7,147,179,316,317,32,34,318],"桃","盘肠纹","吉祥纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbffbb91bb51dee92ced306f6ecea3628.jpg",[],{"id":322,"slug":323,"title":324,"dynasty":109,"author":51,"museum":91,"description":325,"tags":326,"thumbUrl":330,"material":100,"size":101,"collection":65,"collections":331,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":45},258863,"ti-he-dian-kuan-huang-you-an-ke-hua-lan-ju-wen-lian-yi-ming-258863","体和殿款黄釉暗刻花篮菊纹奁","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[109,240,327,328,7,329,31],"黄釉","暗刻","菊纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d345d0a5b5bd9fb1d2040b143062cfa.jpg",[],{"id":333,"slug":334,"title":335,"dynasty":109,"author":51,"museum":91,"description":336,"tags":337,"thumbUrl":340,"material":100,"size":101,"collection":65,"collections":341,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":45},251938,"ma-nao-fu-hua-lan-tong-zi-yi-ming-251938","玛瑙扶花篮童子","此作巧用玛瑙天然红白双色，以莹白处圆雕童子，发髻俏皮，面带憨笑，跪坐扶篮，神态天真烂漫，衣褶线条柔润和顺，将幼童娇憨灵动的模样尽显无遗。红润部分随形化作缠枝花卉与花篮饰纹，色泽浓艳鲜亮，与白肉相互映衬，俏色工艺精妙绝伦，将原料天然特质与造型构思完美契合，把童子携篮的日常童趣定格为雅致摆件，饱含吉祥讨喜的美好寓意，尽显匠者巧思与世俗意趣。",[338,144,29,57,339,7,31],"玉石","童子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5059ea8f3bd911273ab6c21c37b2e0a4.jpg",[],{"id":343,"slug":344,"title":345,"dynasty":89,"author":346,"museum":91,"description":347,"tags":348,"thumbUrl":355,"material":100,"size":101,"collection":65,"collections":356,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":121},231148,"su-miao-402-xi-fang-231148","素描402","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[349,29,34,7,350,351,352,353,354],"水彩","绿叶","藤蔓","木门","静物","西方风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52d25f577af61c9515d6810ee3a10236.jpg",[],{"id":358,"slug":359,"title":360,"dynasty":109,"author":51,"museum":91,"description":361,"tags":362,"thumbUrl":366,"material":100,"size":101,"collection":65,"collections":367,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":210},229239,"diao-xi-jiao-hua-lan-yi-ming-229239","雕犀角花篮","仿竹编纹理细密匀整，将竹篮的质朴肌理还原得活灵活现，舒展流畅的线条仿若可触摸到竹篾的温润质感。虬曲梅枝顺势盘绕篮身，饱满鲜活的花瓣，将寒梅凌冬盛放的清姿凝于犀角之上，暗香幽然的意韵扑面而来。\n\n整器形制精巧雅致，将日常器物的质朴与文人爱梅的雅趣相融，于方寸间尽显精湛工法，把仿生雕刻与意境营造结合得恰到好处，藏着匠人的独到巧思与审美意趣，尽显雅致格调。",[216,295,144,7,363,364,365],"梅花","纹饰","工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecb67e1ef94bcfb98466cde3b855a287.jpg",[],{"id":369,"slug":370,"title":371,"dynasty":109,"author":51,"museum":91,"description":372,"tags":373,"thumbUrl":376,"material":100,"size":101,"collection":65,"collections":377,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":121},229122,"diao-tao-he-hua-lan-yi-ming-229122","雕桃核花篮","此件微雕以方寸桃核为材，施刀精妙入微。提梁摹仿竹节肌理，苍朴自然，恍若天生。篮身以细密线条刻出编织纹路，辅以回纹饰边，雅致规整，尽显篮筐的质朴质感。篮中满缀花果瑞物，层叠错落，玲珑生趣，将吉庆富足的岁朝意趣凝于掌心之间。\n\n整体刀工圆熟细腻，在极小空间内兼顾写实与装饰性，把坚硬核料化作满载祥瑞的花筐，尽显清代微雕工艺的绝妙造诣，小器之中藏着匠人巧思与对美好生活的寄寓。",[216,144,374,375,7,31],"核雕","桃核","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72a39e45e8cad9ee63604d849cdf671d.jpg",[],{"id":379,"slug":380,"title":381,"dynasty":109,"author":51,"museum":91,"description":382,"tags":383,"thumbUrl":386,"material":100,"size":101,"collection":65,"collections":387,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":210},251899,"shui-jing-dai-lian-hua-lan-yi-ming-251899","水晶带链花篮","整器取天然水晶雕琢而成，澄澈如冰似玉，莹润通透。花篮器型饱满周正，外壁浅刻柔婉纹饰，添了几分雅致韵味。最为绝妙的当属悬挂链饰，由整料掏挖环环相连而成，无丝毫拼接痕迹，链身灵动顺滑，尽显鬼斧神工的技艺巧思。木质提架柔润古朴，与清透水晶相映成趣，将水晶的清隽质感烘托得淋漓尽致，把天然材质之美与匠人极致工艺完美融合，自带出尘雅致的气韵，尽显工艺的精巧造诣。",[109,338,144,384,385,7,31],"水晶","带链","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75b9463c3013319d4bbe2ec894919531.jpg",[],1777535716415]