[{"data":1,"prerenderedAt":120},["ShallowReactive",2],{"subject-hua-li-fu-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3798,"hua-li-fu-shi","华丽服饰","华丽服饰画高清赏析","精选中国历代华丽服饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8069c6224709f156398f01bf2c3e79a0.jpg",0,5,[14,39,69,83,98],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":24,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":37,"manualWeight":11,"mainColor":38},222144,"di-shi-tian-tu-dong-bi-yi-ming-222144","帝释天图东壁","明","佚名","法海寺","帝释梵天图位于大殿内后墙壁两侧，共两铺，高3.2米,长14米，面积44.8平方米。壁画主要内容是以帝释梵天为首的二十诸天礼佛护法的行进队伍，故全称为帝释梵天礼护法图。绘二十诸天及侍从共36人物，每一人物高1.2米——1.6米。诸路天神鬼众浩浩荡荡，敬佛护法，各显其能。气势森严，排列有序，三五不一，相互呼应。纷至遝来，令人目不暇接。\n佛教壁画中表现帝释梵天的作品，在南朝梁代（400——450年）已见描绘，到唐、五代就广为流行，不少著名的画家都表现过这一题材。在唐两京、成都等地寺院就画过不少释梵天众图像。这些作品的内容不尽相同，技艺亦各异。诸天不仅为护法神，也被视为是方便导化众生的佛的化身。宋元以后，特别是明清，寺院的壁画中帝释梵天图极为流行。同时由于后期佛道掺杂，佛教图像中有了不少道教的神像，如道教中的紫微大帝、东岳大帝、雷神、风神等，也进入佛教图像行列，变为二十四天、三十三天等。法海寺壁画帝释梵天图基本上是按唐代的内容画出来的，二十诸天中没有道教神像，而且构图布局和形象处理与早期有着更多的传承关系。要看唐宋时代佛教一脉相承的“帝释梵天图”的形象，只能在法海寺壁画中看到。\n法海寺壁画完全保留了原来的密宗体系，具有唐代传统的模式，但法海寺壁画中人物形象又有着明显的时代特征。“一图说破天下事，诸般神灵眼内观”。帝释梵天图是我们了解佛教文化的一个窗口。（点击各图进入详解）",[23,24,25,26,27,28,29,30,31,32,7],"高清","壁画","国画","宗教","工笔","设色","人物","祥云","神兽","神话","高3.2米,长14米","",[],207,3,"795548",{"id":40,"slug":41,"title":42,"dynasty":43,"author":44,"museum":45,"description":46,"tags":47,"thumbUrl":62,"material":63,"size":64,"collection":65,"collections":66,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":68},225891,"fa-guo-wang-hou-ma-li-an-tuo-wa-he-ta-de-hai-zi-men-yi-li-sha-bai-lu-yi-si-wei-jie-lei-bu-lun-225891","法国王后玛丽．安托瓦和她的孩子们","不详","伊丽莎白·路易丝·维杰·勒布伦","藏地不详","伊丽莎白·路易丝·维热·勒布伦（ElisabethLouiseVigee-LeBrun），1755年出生于法国，学肖像画成名后，被选为法兰西皇家绘画雕塑学院院士，1842年在巴黎逝世。",[48,28,49,50,29,51,52,53,54,7,55,56,57,58,59,60,61],"油画","写实","肖像画","孩童","女性","贵族","室内场景","织物","地毯","窗帘","柜子","光影","古典","欧洲宫廷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93289aec03f77fbc22f98dd6e56f227e.jpg","未知","Xcm*Xcm","油画精选",[65],57,"37474F",{"id":70,"slug":71,"title":72,"dynasty":43,"author":73,"museum":45,"description":74,"tags":75,"thumbUrl":80,"material":63,"size":64,"collection":65,"collections":81,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":68},225656,"rembrandt-harmensz-van-rijn-066-lun-bo-lang-225656","Rembrandt Harmensz.van Rijn - 066","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[48,49,76,28,29,52,77,7,59,78,79],"明暗对比","马","暗背景","肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4a37383011170cf04c79d432fd18cd0.jpg",[65],14,{"id":84,"slug":85,"title":86,"dynasty":43,"author":19,"museum":45,"description":87,"tags":88,"thumbUrl":94,"material":63,"size":64,"collection":34,"collections":95,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":97},289251,"pirro-ligorio-two-princes-of-the-house-of-este-yi-ming-289251","Pirro Ligorio--Two Princes of the House of Este","以赭褐色墨水晕染结合淡彩铺陈，线条劲挺扎实，勾勒出两位贵族挺拔庄重的身姿。繁丽的雕花胸甲、垂坠的饰链与层叠衣褶，将华贵身份尽数彰显。\n\n二人神态沉凝肃穆，交叠的手臂暗含家族血脉联结的厚重羁绊，背景立柱极简留白，更衬出肖像仪式感。画家精准晕染肌肉轮廓，写实还原人体肌理，衣褶褶皱流畅利落，兼具严谨的造型功力与松弛的笔触感。既留存了贵族肖像的端庄纪实性，又摆脱刻板描摹，让人物兼具威仪温度，将文艺复兴肖像的写实精髓诠释尽致，尽显古典肖像的典雅厚重。",[89,90,91,92,93,7],"人物肖像","素描","淡彩","男性贵族","佩剑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaac30fe95f70947464de64a85fde3c1.jpg",[],1,"BDBDBD",{"id":99,"slug":100,"title":101,"dynasty":43,"author":102,"museum":45,"description":103,"tags":104,"thumbUrl":118,"material":63,"size":64,"collection":34,"collections":119,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":68},232388,"he-er-bai-yin-47-he-er-bai-yin-232388","荷尔拜因47","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[48,49,29,28,79,105,106,107,108,109,110,7,111,112,113,114,115,116,117],"衣帽","珠宝饰品","织物纹理","金属装饰","毛皮装饰","面部细腻刻画","宝石镶嵌","金饰","毛皮帽饰","人物肖像画","写实技法","色彩丰富","细节刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c27e131a00052268232ef0417439d9c.jpg",[],1777535751132]