[{"data":1,"prerenderedAt":49},["ShallowReactive",2],{"subject-huan-xing-wen-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4303,"huan-xing-wen-shi","环形纹饰","环形纹饰画高清赏析","精选中国历代环形纹饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facaea68e86eaa6ade7bfcbfb939fdea6.jpg",0,2,[14,36],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},223875,"fu-shou-jia-an-jing-yi-ming-223875","福寿家安镜","宋","佚名","藏地不详","在中国各个时代的铜镜中，宋镜的外形最为丰富，有圆形、方形、长方形、菱花形、钟形、盾形，鼎炉形、鸡心形等。单从镜形看。可谓空前绝后。\n在中国铜镜的合金成分方面，宋镜也是一个重要转折时期，宋镜与汉唐镜不同，含锡量减少，含铅量增多，于是一反汉唐镜铜质银白色泽，而为黄铜色泽，质地也不如汉唐镜坚硬，变得粗软。\n重实用不重纹饰是南宋镜的最大特点，宋代除了名号，没有任何纹饰的镜商标铭文镜极为流行。这种情况在唐代镜子中几乎没有见到。",[23,24,25,26,27,28,7],"宋代","铜制","青铜器","雕刻","铸造","文字纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee3ae4a89572f53b7085ebf4d4f1a7ea.jpg","未知","Xcm*Xcm","",[],1,"795548",{"id":37,"slug":38,"title":39,"dynasty":40,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":48,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},244088,"yi-jia-ren-jing-yi-ming-244088","宜佳人镜","汉","汉镜有圆形﹑方形。纽多作半球形。正面磨光背面铸有几何形图案或神人禽兽等。东汉中期出现浮雕的画像造形精美。\n两汉时期大体上分西汉、新莽、东 汉三个阶段。汉镜纹饰的主要种类有草叶纹镜、蟠龙纹镜、百乳镜、连弧纹镜、规矩镜、多乳禽兽纹镜和变形四叶镜等。",[43,25,24,26,44,45,46,7,47],"汉代","篆书","铭文","镜钮","纹饰",[],1777535802080]