[{"data":1,"prerenderedAt":131},["ShallowReactive",2],{"subject-huang-cai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5939,"huang-cai","黄彩","黄彩画高清赏析","精选中国历代黄彩题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0eb2d620a80487c8c6a84fdf7aed0f6a.jpg",0,11,[14,37,49,60,67,76,84,94,104,112,121],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},228506,"qing-hua-huang-cai-zhi-zi-hua-guo-wen-pan-yi-ming-228506","青花黄彩栀子花果纹盘","明","佚名","藏地不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,24,25,7,26,27,28,29,30],"明代","陶瓷","青花","设色","器","栀子花","果实","纹饰","未知","Xcm*Xcm","",[],9,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":45,"material":31,"size":32,"collection":33,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},228529,"hong-di-huang-cai-yun-long-wen-gai-guan-yi-ming-228529","红地黄彩云龙纹盖罐","罐直口，短颈，丰肩，鼓腹，腹以下收敛，圈足。盖面中部凸起承宝珠形纽，盖口沿下弧收。器身外壁及盖面红地黄彩海水云龙纹装饰，图案轮廓及细部均用金彩勾描。盖内、罐内及圈足内均施青白釉。外底署青花楷书“大明嘉靖年制”双行六字款。",[24,26,7,43,44,27,18],"龙","云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F510aa9ef02b3b478645248cd78a8c2ce.jpg",[],2,"795548",{"id":50,"slug":51,"title":52,"dynasty":53,"author":19,"museum":20,"description":21,"tags":54,"thumbUrl":56,"material":31,"size":32,"collection":33,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":59},259496,"guang-xu-kuan-qing-hua-di-huang-cai-yun-long-xi-zhu-wen-pan-yi-ming-259496","光绪款青花地黄彩云龙戏珠纹盘","清",[24,27,43,7,25,55],"云龙戏珠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18cc9f26f480a01f021a780edcf58904.jpg",[],1,"37474F",{"id":61,"slug":62,"title":52,"dynasty":53,"author":19,"museum":20,"description":21,"tags":63,"thumbUrl":65,"material":31,"size":32,"collection":33,"collections":66,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},259495,"guang-xu-kuan-qing-hua-di-huang-cai-yun-long-xi-zhu-wen-pan-yi-ming-259495",[24,27,43,55,25,7,64],"日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5357c2d0fbe430b0343c5bb678ab4ae7.jpg",[],{"id":68,"slug":69,"title":70,"dynasty":53,"author":19,"museum":20,"description":21,"tags":71,"thumbUrl":74,"material":31,"size":32,"collection":33,"collections":75,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},259228,"qian-long-kuan-qing-hua-di-huang-cai-yun-long-wen-pan-yi-ming-259228","乾隆款青花地黄彩云龙纹盘",[24,27,43,72,25,7,73,64],"云龙纹","盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F117fab0ea555fddfed95da580a130209.jpg",[],{"id":77,"slug":78,"title":79,"dynasty":53,"author":19,"museum":20,"description":21,"tags":80,"thumbUrl":82,"material":31,"size":32,"collection":33,"collections":83,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},259221,"qian-long-kuan-qing-hua-di-huang-cai-yun-long-wen-wan-yi-ming-259221","乾隆款青花地黄彩云龙纹碗",[24,81,64,43,72,25,7],"碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc11bc861a261aba43b01fa63af61c5e1.jpg",[],{"id":85,"slug":86,"title":87,"dynasty":53,"author":19,"museum":20,"description":88,"tags":89,"thumbUrl":92,"material":31,"size":32,"collection":33,"collections":93,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},258868,"chu-xiu-gong-zhi-kuan-lan-di-huang-cai-yun-long-wen-da-pan-yi-ming-258868","储秀宫制款蓝地黄彩云龙纹大盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[24,90,91,7,72,27,43,44,26],"清代","蓝地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6d3ffcf0ad166581a4db9f6eaafee54.jpg",[],{"id":95,"slug":96,"title":97,"dynasty":53,"author":19,"museum":20,"description":88,"tags":98,"thumbUrl":102,"material":31,"size":32,"collection":33,"collections":103,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},258308,"lan-di-huang-yun-long-wen-pan-yi-ming-258308","蓝地黄云龙纹盘",[24,90,99,91,7,100,101],"描金","龙纹","云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F565803597aeefcf5d3e0655021ff1773.jpg",[],{"id":105,"slug":106,"title":107,"dynasty":53,"author":19,"museum":20,"description":108,"tags":109,"thumbUrl":110,"material":31,"size":32,"collection":33,"collections":111,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},258069,"kang-xi-kuan-lan-di-huang-yun-long-wen-wan-yi-ming-258069","康熙款蓝地黄云龙纹碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[24,100,101,91,7,26,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0869d2914d43c3153f90a4fb56042aa4.jpg",[],{"id":113,"slug":114,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":115,"thumbUrl":119,"material":31,"size":32,"collection":33,"collections":120,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},228658,"qing-hua-huang-cai-zhi-zi-hua-guo-wen-pan-yi-ming-228658",[23,24,25,7,116,28,29,117,118,30,27],"釉彩","花卉","枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc532b0631138c9773a4e28105ac22ee4.jpg",[],{"id":122,"slug":123,"title":124,"dynasty":18,"author":19,"museum":20,"description":21,"tags":125,"thumbUrl":129,"material":31,"size":32,"collection":33,"collections":130,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},228509,"qing-hua-huang-cai-shi-liu-hua-guo-wen-pan-yi-ming-228509","青花黄彩石榴花果纹盘",[23,24,25,7,126,127,128,27],"石榴","花","果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8873b42c2b46a7be7e30cccca5174bf.jpg",[],1777535732675]