[{"data":1,"prerenderedAt":62},["ShallowReactive",2],{"subject-huang-guan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7371,"huang-guan","皇冠","皇冠画高清赏析","精选中国历代皇冠题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc97387c0f945fa80e58054b6d7f5fc01.jpg",0,2,[14,39],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":38},242789,"e-guo-15-gu-bi-yin-bi-yi-ming-242789","俄国15古比银币","不详","佚名","藏地不详","斑驳银浆凝着岁月洗练的痕迹，双头鹰纹饰虽经磨损，依旧残存旧日帝国的威仪。王冠与纹章的细节虽已模糊，却依然能窥见当年的精工细作。昏黄的包浆晕开复古色泽，将流通流转的市井日常凝于方寸。这枚银币带着旧时光的厚重温度，静静诉说着远去时代里货币流通的往昔，将过往的帝国风貌悄然封存，成为一段远去历史的微小注脚。",[23,24,25,26,27,28,29,7,30,31,32],"银器","金属","铸造","雕刻","浮雕","俄国国徽","双鹰","权杖","盾牌","钱币","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd921c2793bdaba4cb71550d3fb6329d.jpg","未知","Xcm*Xcm","",[],"795548",{"id":40,"slug":41,"title":42,"dynasty":18,"author":43,"museum":20,"description":44,"tags":45,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":60,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":61},232362,"he-er-bai-yin-21-he-er-bai-yin-232362","荷尔拜因21","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[46,47,48,49,50,51,52,53,54,55,56,57,58,7,59],"素描","白描","写实","线条勾勒","人物","建筑","拱门","柱子","帷幔","栏杆","室内场景","宗教题材","长袍","集会",[],"BDBDBD",1777535797159]