[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"subject-huang-li":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},760,"huang-li","黄鹂","黄鹂画高清赏析","精选中国历代黄鹂题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6d938a2ce35dfe6648779377f3e5d22.jpg",0,2,[14,39],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},218887,"ying-tao-huang-li-tu-yi-ming-218887","樱桃黄鹂图","宋","佚名","上海博物馆","此画作者佚其名，但画上有杨皇后题名，知为南宋院画。1949年5月吴湖帆以家藏古本易得，并于画上题咏图意、考证杨氏名号之实。",[23,24,25,26,27,28,29,7,30,31],"国画","书画","名画","工笔","设色","花鸟","飞鸟","樱桃","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fe027451de9b614f98a0abec26761ef.jpg","绢本,设色","纵12.1厘米， 横26.1厘米","花鸟画精选",[35],58,"795548",{"id":40,"slug":41,"title":42,"dynasty":43,"author":44,"museum":45,"description":46,"tags":47,"thumbUrl":53,"material":54,"size":55,"collection":56,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":59},288023,"huang-li-chui-liu-tu-qian-se-hua-yan-288023","黄鹂垂柳图（浅色）","清","华嵒","藏地不详","华岩（1682～1756），一作华嵒，字德嵩，更字秋岳，号新罗山人、东园生、布衣生、离垢居士等，老年自喻“飘篷者”，福建上杭蛟洋华佳（家）人（原白砂里人），后寓杭州。工画人物、山水、花鸟、草虫，脱去时习，力追古法，写动物尤佳。善书，能诗，时称“三绝”，为清代杰出绘画大家，扬州画派的代表人物之一。\n自幼酷爱绘画，后因家贫失学，备受世俗冷落，康熙四十二年（1703）华氏家族重建祠堂，曾因替正厅画壁画，乡绅看不起他，群起反对，最后偷自进祠堂，画上“高山云鹤”、“水国浮牛”、“青松悬崖”和“倚马题诗”四幅画，愤而离乡飘泊，流寓于杭州，结交了很多文人学士，眼界大开。36岁时曾北上入都，“得交当路巨公，名闻于上”，但并不得意，据戴熙《习苦斋画絮》载：“华秋岳自奇其画，游京师无问者。一日有售赝画者，其裹华笔也，华见而太息出都。”他的中晚年一直频繁往来于杭州、扬州，以卖画为生。在扬州他结识了金农、高翔、李鱓、郑板桥及盐商巨子马曰琯、马曰璐兄弟，彼此交流切磋，诗画酬答，使其绘画修养得到多方面的拓展，成为扬州画派的代表人物之一。",[48,23,49,27,50,29,7,51,52],"高清","花鸟画","立轴","垂柳","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ef70ef5b3d148a261dcf8166d4c2823.jpg","未知","Xcm*Xcm","",[],16,"BDBDBD",1777535784131]