[{"data":1,"prerenderedAt":112},["ShallowReactive",2],{"subject-huang-se-hua-hui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5172,"huang-se-hua-hui","黄色花卉","黄色花卉画高清赏析","精选中国历代黄色花卉题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4377932f137ec5382d8994d01ae3a1da.jpg",0,4,[14,45,68,90],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":40,"collection":40,"collections":41,"showCount":42,"zanCount":43,"manualWeight":11,"mainColor":44},233905,"hua-hui-shan-shui-ce-yun-shou-ping-233905","花卉山水册","清","恽寿平","藏地不详","恽寿平（1633-1690年），初名格，后以字行，又字正叔，别号南田，一号白云外史、云溪外史、东园客、巢枫客、草衣生、横山樵者。江苏武进人。清代著名画家。与“四王”、吴历并称“清初六大家”。其父恽日初诗文杰出，为“复社”中人。叔父恽向（道生）为著名山水画家，自创一派。恽寿平是清朝初期最享盛名的花鸟画家。其画作多写生，人称“写生正派”；更以徐崇嗣为宗，兼取各家之长，极大的发展了没骨画。所画花卉，很少勾勒，以水墨着色渲染，用笔含蓄，画法工整，明丽简洁，天趣盎然。恽寿平不仅画作出众，风格独具，而且兼工诗书，题句清丽流畅，诗格脱俗超逸，为“昆陵六逸”之冠。恽南田《山水花卉册》八帧，其中包括山水，花鸟及情景兼容的人物，攘括了恽南田所有的画种。画中有退耕堂藏印。退耕堂为徐世昌的室名。\n恽寿平一生坎坷，饱经困苦，他幼年聪颖玲利，遭遇战乱，与兄皆被俘，与父亲失散，后遇灵隐寺方丈相救，才得以与家人团聚，归家后，发奋读书学画。经刻苦钻研，于古文、诗词、书画无不精擅。他崇尚气节，誓不应科举，少时的忧患，留下深深的创痛，一生未尝忘情。却在绘画上取得了很高的成就；恽南田曾致书王（翚）说：“格于山水，终难打破一字关，曰‘窘’，良由为古人规矩法度所束缚耳。”又说：“君独步矣！吾不为第二手也”。于是恽寿平转攻花鸟，以后山水不过偶而为之。可见其艺术抱负。《山水花卉册》中的山水，取黄公望笔法，于荒率中见秀润，尖毫勾皴，浓墨点树、高旷清淡，浸润宋元诸家，吸取王蒙、二米等人之长，渐脱刻极。40岁左右作品最为精采，如43岁的《山水花鸟册》，技法灵活多变，表达各家风貌准确，艺术已臻成熟。他的花鸟画成就最为突出，取法徐崇嗣的没骨法，他的没骨花卉，揉合了黄（筌）、徐（熙）两派技法，既重视写生，力求形似，“每画一花，必折是花插之瓶中，极力描摹，得其生香活色而后已。”又强调“与花传神”。力去华靡，追求“ 澹雅”。此册中的花鸟更是形神兼备，清新淡雅，具有新的风貌。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36,37,38],"国画","没骨","设色","水墨","皴法","竹","石","花卉","兰草","印章","苔草","红色花卉","竹叶","竹笋","石块","花草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4377c657f826c18b3596050a5963db15.jpg","",[],124,1,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":49,"author":50,"museum":20,"description":51,"tags":52,"thumbUrl":10,"material":62,"size":63,"collection":64,"collections":65,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},225956,"iris-jaunes-et-mauves-1924-1925-mo-nai-225956","Iris jaunes et mauves, 1924-1925","不详","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[53,54,55,56,57,58,7,59,60,61],"印象派","油画","写意","笔触灵动","色彩丰富","鸢尾花","紫色花卉","草丛","植物","未知","Xcm*Xcm","油画精选",[64],33,"795548",{"id":69,"slug":70,"title":71,"dynasty":49,"author":50,"museum":20,"description":51,"tags":72,"thumbUrl":87,"material":62,"size":63,"collection":64,"collections":88,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":67},226071,"the-gadren-at-giverny-1927-mo-nai-226071","The Gadren at Giverny, 1927",[53,73,74,56,75,76,57,77,78,79,30,80,81,82,83,84,85,7,34,86],"光影捕捉","色彩晕染","户外写生","自然光影","花园","草地","树木","花田","藤蔓","天空","建筑","绿植","红色叶树","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf6889c12a63ee3040e48b55b02b36c8.jpg",[64],12,{"id":91,"slug":92,"title":93,"dynasty":49,"author":94,"museum":20,"description":95,"tags":96,"thumbUrl":109,"material":62,"size":63,"collection":40,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":67},232578,"wei-lian-a-dao-fu-bu-ge-luo-193-wei-lian-a-dao-fu-bu-ge-luo-232578","威廉·阿道夫·布格罗193","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[54,97,98,99,100,101,102,103,104,105,78,79,7,106,107,108],"写实","学院派","细腻笔触","光影处理","设色柔和","人物","小女孩","柳编篮子","水果","赤脚","户外","田园","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4361880012b5c1c10845a32822a518b6.jpg",[],3,1777535757918]