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“短褂” 或 “马墩子”，流行于清代及民国时期\n清代初期，马褂为一般士兵穿着，至康熙时期富贵之家也有穿者。雍正后，马褂已甚为流行 。并发展成单、夹、纱、皮、棉等服装，成为男式便衣，士庶都可穿着。之后更逐渐演变为一种礼仪性的服装，不论身份，都以马褂套在长袍之外，显得文雅大方 。民国年间曾被列为礼服之一。新中国成立后，马褂逐步被摈弃，后经改良又以“唐装”的名称重新回到人们的视野中 。",[45,46,292,125,7],"貂皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6827d7c7eff713b45796ccf2232723b3.jpg",[],{"id":296,"slug":297,"title":298,"dynasty":18,"author":19,"museum":20,"description":299,"tags":300,"thumbUrl":301,"material":33,"size":34,"collection":35,"collections":302,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},266083,"ming-huang-se-jiang-shan-wan-dai-wen-an-hua-jiang-chou-diao-pi-duan-zhao-yi-ming-266083","明黄色江山万代纹暗花江绸貂皮端罩","端罩（duān zhào ），满语叫“达呼”，是清代一种极珍贵的皮制礼服；清代服饰名。在清代服饰制度中，是一种皇帝、诸王、高级官员等人在冬季时替代衮服·\n补褂套穿在朝服，吉服袍等袍服外的一种圆领、对襟、平袖、长及膝、左右垂带的翻毛外褂。\n端罩按《大清会典》的制度，有黑狐、紫貂、青狐、貂皮、猞猁狲、红豹皮、黄狐皮等几种；按质地、皮色的好坏及其里、带的颜色等内容，又分为八个等级，以此来区别其身份、地位的高低尊卑。皮端罩，是清代皇帝及文三品、武二品以上官员所用的一种翻毛外褂，一般在冬季穿着朝服、吉服等服饰时，代替衮服、补服罩于朝袍、吉服袍等。皇帝的端罩有黑狐皮和紫貂皮两种皮质。在冬季应穿端罩的时间里皇帝从十一月朔至上元穿用黑狐皮端罩，其余时间穿用紫貂皮端罩",[45,46,292,125,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3da2d847973c61c9d738576a20546de8.jpg",[],{"id":304,"slug":305,"title":306,"dynasty":18,"author":19,"museum":20,"description":290,"tags":307,"thumbUrl":310,"material":33,"size":34,"collection":35,"collections":311,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},266061,"ming-huang-se-tuan-long-wen-an-hua-jiang-chou-she-li-pi-ma-gua-yi-ming-266061","明黄色团龙纹暗花江绸猞猁皮马褂",[45,308,46,309,211,7,125],"马褂","皮草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a9ceb30c09d8135790af7d93c65cbbf.jpg",[],{"id":313,"slug":314,"title":315,"dynasty":18,"author":19,"museum":20,"description":299,"tags":316,"thumbUrl":318,"material":33,"size":34,"collection":35,"collections":319,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},266003,"ming-huang-se-tuan-long-wen-an-hua-jiang-chou-xuan-hu-pi-duan-zhao-yi-ming-266003","明黄色团龙纹暗花江绸玄狐皮端罩",[45,46,317,211,7,124],"狐皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e093a74d144a1962d08473dd6be1a81.jpg",[],{"id":321,"slug":322,"title":323,"dynasty":18,"author":19,"museum":20,"description":290,"tags":324,"thumbUrl":327,"material":33,"size":34,"collection":35,"collections":328,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},265971,"ming-huang-se-tuan-long-wen-an-hua-zhou-chou-diao-pi-ma-gua-yi-ming-265971","明黄色团龙纹暗花绉绸貂皮马褂",[45,308,325,125,326,292,46,7],"团龙纹","绉绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b51cc441f6c98bc12bde7b8643ebfba.jpg",[],{"id":330,"slug":331,"title":332,"dynasty":18,"author":19,"museum":20,"description":333,"tags":334,"thumbUrl":337,"material":33,"size":34,"collection":35,"collections":338,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},264213,"huang-se-yin-hu-tao-wen-hui-hui-zhi-jin-chou-yi-ming-264213","黄色银胡桃纹回回织金绸","明黄底色晕开温婉暖意，银线织就的胡桃纹如星子排布，规整往复间自成复古韵律。回回织金工艺将银缕丝丝嵌入绸面，随光线流转漾出细碎柔光，暗合着旧时织造技艺的精巧用心。\n\n窄细红线锁边，为明润暖黄添上利落点缀，平衡了满幅纹样的繁密，让整体更见雅致克制。织物触感莹润柔软，银纹与黄底相映，既有华贵底色，又带着异域织法带来的别致肌理，静静诉说着传统织绣的细腻考究，将实用与审美悄然融为一体。",[46,335,73,336,7],"绸","银胡桃纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a5d3196dae11ae5504f9b9b1aa05ac8.jpg",[],{"id":340,"slug":341,"title":342,"dynasty":18,"author":19,"museum":20,"description":343,"tags":344,"thumbUrl":347,"material":33,"size":34,"collection":35,"collections":348,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},264110,"huang-se-di-zhi-jin-tian-hua-jin-yi-ming-264110","黄色地织金天华锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[46,345,73,7,346],"织锦","几何纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bb058934c061bbde1a6e43c4ba7f280.jpg",[],{"id":350,"slug":351,"title":352,"dynasty":18,"author":19,"museum":20,"description":353,"tags":354,"thumbUrl":358,"material":33,"size":34,"collection":35,"collections":359,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},263956,"huang-se-yun-feng-wen-zhuang-hua-duan-yi-ming-263956","黄色云凤纹妆花缎","暖调底色明丽舒展，妆花工艺织就祥纹满幅。凤凰敛翅藏于流云之间，卷云缠枝舒展环绕，似携瑞气穿梭游走，灵动雅致。朱红、石青、草绿与鎏金彩线错落交织，配色繁而不杂，将吉庆意蕴织入经纬。提花层次分明，缎面光泽柔润华贵，经纬之间尽显织绣的富丽精巧，把东方传统的祥瑞意趣融于尺幅之间，古韵悠然。",[7,46,355,136,356,3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