[{"data":1,"prerenderedAt":173},["ShallowReactive",2],{"subject-huang-ye":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2678,"huang-ye","荒野","荒野画高清赏析","精选中国历代荒野题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b2abfa566ea305105f72c00f5342f08.jpg",0,9,[14,42,65,80,100,115,133,147,160],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},214852,"xie-sheng-ce-11-hua-yan-214852","写生册-11","清","华嵒","台北故宫博物院","华嵒是一位清代著名画家和艺术家。他的写生册是一本记录他写生草稿的册子，通常包含他对自然和人物的写生绘画。写生册是画家们练习和提高技巧的重要工具，因为它们能够帮助画家观察、捕捉和描绘细节。华嵒的写生册中可能包含了他对山水、花鸟、人物等的写生画作。",[23,24,25,26,27,28,29,30,31,7,32,33,34,35],"国画","书画","写意","水墨","设色","兽","动态","写生","淡彩","飞兽","笔触灵动","渲染","自然景物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd555eb665d9074196e3036e4f2be75b0.jpg","纸本,设色","",[],125,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":61,"material":62,"size":38,"collection":38,"collections":63,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":41},220538,"shi-zi-xu-bei-hong-220538","狮子","民国","徐悲鸿","中央美术学院美术馆","云气翻涌的山巅之上，雌雄双狮傲立危崖。劲健的线条塑出肌肉棱廓，雄狮鬃毛如裂焰贲张，沉凝的目光刺破晦暝；雌狮昂首嘶吼，将野性生命力喷薄而出。\n\n左下角的闪电撕破铅灰色雨云，把天地晕染出沉郁苍茫的色调，粗粝的明暗铺陈，让崖石的嶙峋与狮身的遒劲交织，仿佛能听见山风卷着雷鸣掠过耳畔。\n\n犷悍笔力勾勒出百兽之王的威仪，将荒野暴雨前的肃杀揉进光影里，把雄狮的沉雄不屈刻进每一处肌理，尽显生命在天地间的刚猛气魄。",[51,52,28,45,53,54,55,7,56,57,58,59,60],"名画","素描","山巅","危崖","闪电","暴雨前","沉郁","肃杀","刚猛","野性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c918a4e3eca97b0519fe38c90232a85.jpg","纸本素描",[],48,{"id":66,"slug":67,"title":68,"dynasty":46,"author":69,"museum":70,"description":71,"tags":72,"thumbUrl":10,"material":77,"size":38,"collection":38,"collections":78,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":41},220452,"hong-huang-feng-xue-tu-huang-zhou-220452","洪荒风雪图","黄胄","中国现当代美术文献研究中心","黄胄的艺术具有开创性，被公认为新中国美术的代表风格之一。黄的艺术创作立足于新时代人们的生活，不断拓展他所创作的“边疆”主题。黄的题材作品打破了传统国画的陈旧陈规，演变成一种反映现实生活、与时俱进的艺术形式。他的写生艺术语言，立足历史与现实，结合国内外，推动了笔触和意境的创作。\n\n这幅取材于画家沿青藏公路旅行的画作，是黄氏最著名的代表作之一。这幅作品从仰视的角度描绘了一个地质学家团队在大雪中骑骆驼旅行的场景。人物的乐观和豪迈风度，见证了全民族对新中国建设的热情和昂扬。黄先生注重气氛的营造，以人物插画为中心，结合笔墨、写生、填色等手法，使作品更具写实性和表现力。",[23,24,26,27,25,73,74,75,76,7,46],"人物","骆驼","犬","雪景","纸本设色",[],41,{"id":81,"slug":82,"title":83,"dynasty":84,"author":85,"museum":86,"description":87,"tags":88,"thumbUrl":94,"material":95,"size":96,"collection":38,"collections":97,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":99},230625,"rembrandt-harmensz-van-rijn-026-lun-bo-lang-230625","Rembrandt Harmensz.van Rijn - 026","不详","伦勃朗","藏地不详","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[89,90,27,73,91,7,92,93],"油画","写实","马","明暗对比","废墟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01f8824fe6a3b2d9516f0193eb52a660.jpg","未知","Xcm*Xcm",[],5,"37474F",{"id":101,"slug":102,"title":103,"dynasty":84,"author":104,"museum":86,"description":105,"tags":106,"thumbUrl":112,"material":95,"size":96,"collection":38,"collections":113,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":41},289101,"jean-franc-ois-janinet-drawing-for-a-plate-from-gravures-historiques-yi-ming-289101","Jean François Janinet--Drawing for a Plate From Gravures historiques","佚名","这幅速写以利落的排线铺陈明暗，带着蚀刻版画独有的粗粝质感。前景的兵卒们簇拥喧闹，神态松弛亢奋，似是行军途中偷得片刻闲暇。身侧满载干草的大车敦实伫立，车轮与草堆的线条粗犷朴拙，尽显乡野行路的颠簸厚重。\n\n阴云翻卷的天空晕开朦胧的光线，远景里模糊的行军队列隐在雾气间，将荒寂的行旅氛围感拉满。作品鲜活定格了戎马行路的片刻剪影，既有纪实的生动细节，又借朦胧远景烘托出旅途漫漶的苍茫寂寥，让行伍间的粗粝鲜活跃然纸面。",[52,107,108,109,110,7,111],"历史画","人物群像","干草马车","山地","阴天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37a4806adb70c8ad926a5775c44eba99.jpg",[],3,{"id":116,"slug":117,"title":118,"dynasty":84,"author":119,"museum":86,"description":120,"tags":121,"thumbUrl":131,"material":95,"size":96,"collection":38,"collections":132,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":99},232559,"mi-lai-si-103-yue-han-ai-fu-li-te-mi-lai-si-232559","米莱斯103","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[89,90,73,122,123,124,125,126,127,128,129,7,130],"老人","红袍","赤脚","土地","蛇","动物","云","夕阳","宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0885a742d4dba4c178eec4855768420a.jpg",[],{"id":134,"slug":135,"title":136,"dynasty":84,"author":104,"museum":86,"description":137,"tags":138,"thumbUrl":144,"material":95,"size":96,"collection":38,"collections":145,"showCount":146,"zanCount":11,"manualWeight":11,"mainColor":41},289510,"bartolome-carducho-st-jerome-penitent-recto-accounts-verso-yi-ming-289510","Bartolomé Carducho--St. Jerome Penitent (recto); Accounts (verso)","枯瘦的苦修者垂立林下，骨节毕现的躯体浸满忏悔的沉郁，左手托住骷髅，右手垂落器物，隐在浓墨晕开的树荫里。远景牧群淡如烟痕，右侧的小人仓皇趋走，淡墨晕染的林野朦胧漫漶。\n\n钢笔淡墨的笔触粗粝松弛，枯笔勾画出苦修者的清癯虔诚，明暗晕染带着即兴的张力。潦草却精准的笔意，将苦修的孤寂揉入荒疏野境，未完成的随性笔触里藏着克制的悲悯，把虔敬的忏悔和荒野的沉寂融为一体，肃穆的苦修氛围跃然纸上。",[139,73,140,52,141,7,142,143],"宗教画","白描","忏悔","羊群","宗教人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1d7177b1bcf49deb825f274f463dba4.jpg",[],1,{"id":148,"slug":149,"title":150,"dynasty":84,"author":104,"museum":86,"description":151,"tags":152,"thumbUrl":158,"material":95,"size":96,"collection":38,"collections":159,"showCount":146,"zanCount":11,"manualWeight":11,"mainColor":41},288765,"salvator-rosa-st-paul-hermit-yi-ming-288765","Salvator Rosa--St. Paul, Hermit","幽寂荒野之中，苦修者枯长褴褛的须发与身形融为一体，肢体舒展，仿佛正迎向穿透云霭的灵启之光。晕染的墨色铺陈出诡谲翻涌的云气与虬曲苍劲的林木，明暗拉扯间烘托出沉郁肃穆的神秘张力。\n\n粗粝奔放的线条刻画出苦修者饱经风霜的沧桑模样，将其对信仰的赤诚与执念尽数揉入笔端。远山隐现的朦胧光晕晕开天启的神圣感，让荒蛮野性的自然底色，与澄澈坚定的神性感召形成强烈碰撞，潦草却极具表现力的笔触，定格下隐士在孤寂修行中迎来神性昭示的瞬间，粗朴画面里满溢着虔诚厚重的宗教氛围感。",[139,143,153,154,155,52,156,157,7],"圣保禄","隐士","人物画","树木","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F991396b6636bc46787f8d172983c7303.jpg",[],{"id":161,"slug":162,"title":163,"dynasty":84,"author":104,"museum":86,"description":164,"tags":165,"thumbUrl":170,"material":95,"size":96,"collection":38,"collections":171,"showCount":146,"zanCount":11,"manualWeight":11,"mainColor":172},288761,"salvator-rosa-the-prodigal-son-kneeling-repentant-among-swine-yi-ming-288761","Salvator Rosa--The Prodigal Son Kneeling Repentant among Swine","枯瘦的浪子跪伏林间，双手按在胸口仰头祈告，褴褛粗布裹着饥寒的身躯，长杖勉强撑住他几近虚脱的身形。身侧翻倒的木桶暗喻着过往荒糜放纵的岁月。\n\n苍郁虬结的林木裹挟着沉窒氛围，薄淡天光刺破浓云，恰好落在他仰起的面庞，像是迟来的救赎微光。笔触晕开沉郁色调，将浪子的愧悔、对归途的渴盼凝在纸面。荒野的缄默里满是恳切叩问，把忏悔的卑微与痛切揉进每一处线条，让这一幕回头的瞬间，成为带着悲悯的具象救赎。",[139,52,73,166,167,7,168,169],"枯树","木桶","悔改","浪子回头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2d9dd9bc9203c46b14ed011ee9972e9.jpg",[],"795548",1777535735946]