[{"data":1,"prerenderedAt":210},["ShallowReactive",2],{"subject-hui-shu-pi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11462,"hui-shu-pi","灰鼠皮","灰鼠皮画高清赏析","精选中国历代灰鼠皮题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde4e42c25883ad18d2e9c940a83d4a7d.jpg",0,19,[14,36,46,57,67,78,88,99,110,122,131,142,149,157,167,176,185,193,203],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},266475,"xue-qing-se-ke-si-ju-die-wen-hui-shu-pi-pi-pa-jin-ma-gua-yi-ming-266475","雪青色缂丝菊蝶纹灰鼠皮琵琶襟马褂","清","佚名","藏地不详","缂（kè，同：刻）丝（英文：K’o-ssu 、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[23,24,25,26,27,28,7],"衣帽","缂丝","菊","蝶","布料","马褂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe68a40534b10af494cd15ffe4a9dea12.jpg","未知","Xcm*Xcm","",[],35,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":43,"material":30,"size":31,"collection":32,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":35},266434,"yue-bai-se-ke-si-shui-mo-mei-hua-wen-hui-shu-pi-chen-yi-yi-ming-266434","月白色缂丝水墨梅花纹灰鼠皮衬衣","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[23,27,24,42,7],"梅花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ec52382bfb10cb4df85e589ca6c6487.jpg",[],22,{"id":47,"slug":48,"title":49,"dynasty":18,"author":19,"museum":20,"description":21,"tags":50,"thumbUrl":53,"material":30,"size":31,"collection":32,"collections":54,"showCount":55,"zanCount":11,"manualWeight":11,"mainColor":56},266474,"yue-bai-se-ke-si-mu-dan-shou-zi-wen-hui-shu-pi-dui-jin-ma-gua-yi-ming-266474","月白色缂丝牡丹寿字纹灰鼠皮对襟马褂",[23,28,24,51,52,27,7],"牡丹","寿字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67a470554ceb2c84827d40c47418743a.jpg",[],6,"795548",{"id":58,"slug":59,"title":60,"dynasty":18,"author":19,"museum":20,"description":61,"tags":62,"thumbUrl":64,"material":30,"size":31,"collection":32,"collections":65,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":35},266478,"yue-bai-se-mu-dan-wen-zhang-duan-hui-shu-pi-ma-gua-yi-ming-266478","月白色牡丹纹漳缎灰鼠皮马褂","马褂是一种穿于袍服外的短衣，衣长至脐，袖仅遮肘，满语叫“鄂多赫”，因着之便于骑马而得名，亦称 “短褂” 或 “马墩子”，流行于清代及民国时期\n清代初期，马褂为一般士兵穿着，至康熙时期富贵之家也有穿者。雍正后，马褂已甚为流行 。并发展成单、夹、纱、皮、棉等服装，成为男式便衣，士庶都可穿着。之后更逐渐演变为一种礼仪性的服装，不论身份，都以马褂套在长袍之外，显得文雅大方 。民国年间曾被列为礼服之一。新中国成立后，马褂逐步被摈弃，后经改良又以“唐装”的名称重新回到人们的视野中 。",[23,27,51,63,7],"漳缎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9b058e8be22cc42daa04ec25b94c506.jpg",[],1,{"id":68,"slug":69,"title":70,"dynasty":18,"author":19,"museum":20,"description":40,"tags":71,"thumbUrl":76,"material":30,"size":31,"collection":32,"collections":77,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":56},266426,"lan-se-ke-si-shui-xian-hua-wen-shang-yang-pi-xia-hui-shu-pi-chen-yi-yi-ming-266426","蓝色缂丝水仙花纹上羊皮下灰鼠皮衬衣",[23,24,27,72,73,74,7,75],"水仙","寿纹","羊皮","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44dab2f98fbc6b1540a860982fc3852d.jpg",[],{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":40,"tags":82,"thumbUrl":86,"material":30,"size":31,"collection":32,"collections":87,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":56},266423,"jiang-se-ke-jin-mei-hua-wen-hui-shu-pi-chen-yi-yi-ming-266423","酱色缂金梅花纹灰鼠皮衬衣",[23,83,84,85,7,27],"衬衣","缂金","梅花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F770ac6e42b753a9bf1bf8bc10a87b90c.jpg",[],{"id":89,"slug":90,"title":91,"dynasty":18,"author":19,"museum":20,"description":92,"tags":93,"thumbUrl":96,"material":30,"size":31,"collection":32,"collections":97,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":98},266420,"qing-se-su-duan-shang-yang-pi-xia-hui-shu-pi-nv-chang-fu-pao-yi-ming-266420","青色素缎上羊皮下灰鼠皮女常服袍","清代皇帝服饰有朝服、吉服、常服、行服等。皇帝的龙袍属于吉服范畴，比朝服、衮服等礼服略次一等，平时较多穿着。穿龙袍时，必须戴吉服冠，束吉服带及挂朝珠。龙袍以明黄色为主也可用金黄杏黄等色。古时称帝王之位，为九五之尊。九、五两数，通常象征着高贵，在皇室建筑、生活器具等方面都有所反映。清朝皇帝的龙袍，据文献记载，也绣有九条龙。从实物来看，前后只有八条龙，与文字记载不符，缺一条龙。有人认为还有一条龙是皇帝本身。其实这条龙客观存在着，只是被绣在衣襟里面，一般不易看到。这样一来，每件龙袍实际即为九龙，而从正面或背面单独看时，所看见的都是五龙，与九五之数正好相吻合。另外，龙袍的下摆，斜向排列着许多弯曲的线条，名谓水脚。水脚之上，还有许多波浪翻滚的水浪，水浪之上，又立有山石宝物，俗称“海水江涯”，它除了表示绵延不断的吉祥含意之外，还有“一统山河”和“万世升平”的寓意。\n皇后常服样式，与满族贵妇服饰基本相似，圆领、大襟，衣领、衣袖及衣襟边缘，都饰有宽花边，只是图案有\n所不同。本图展示的服装纹样为凤穿牡丹。整件服装在鲜艳的蓝色缎地上，绣八只彩凤，彩凤中间，穿插数朵牡丹。牡丹的颜色处理得净穆而素雅，色彩变化惟妙，具有传统的山水画特点。与此相反，凤的颜色比较浓重，红绿对比度极为强烈，具有典型民族风格和时代特色。\n清代官服主要品种为长袍马褂。官帽与前朝截然不同，凡军士、差役以上军政人员都戴似斗笠而小的纬帽，按冬夏季节有暖帽、凉帽之分，还视品级高低安上不同颜色、质料的“顶子”，帽后拖一束孔雀翎。翎称花翎，高级的翎上有“眼”（羽毛上的圆斑），并有单眼、双眼、三眼之别，眼多者为贵，只有亲王或功勋卓著的大臣才被赏戴。皇帝有时还赏穿黄马褂，以示特别恩宠。影响所及，其他颜色的马褂遂在官员士绅中逐渐流行，成为一般的礼服。四、五品以上官员还项挂朝珠，用各种贵重珠宝、香木制成，构成清代官服的又一特点。丝纺绣染及各种手工专业的进步，为清代服饰品种的丰富创造了条件。\n清代男装主要是长袍和马褂，袖端呈马蹄形是历代不曾见过的。长袍造型简练，立领直身，偏大襟，前后衣身有接缝，下摆有两开衩（古时称“缺裤”），四开衩和无开衩几种类型。皇室贵族为便于骑射，着四面开衩长袍，即衣前后中缝和左右两侧均有开衩的式样，平民则着左右两侧开衩或称“一裹圆”的不开衩长袍。在我国文学名著《红楼梦》第九十四回“宴海棠贾母赏花妖”一节中，记述了一段内容“那日宝玉本来穿着”一裹圆的皮袄在家休息，忽听贾母要来，便去换了一件狐腋箭袖，罩了一件玄狐腿外褂。这里说明“一裹圆”，是休闲衣服，不可登大雅之堂，所以贾母的到来，必须换掉便装，改着正式穿戴。满清时期长袍外面的马褂身长不过膝，袖宽且短。衣服上的佩饰比较琐繁，一个金银牌上垂挂着数十件小东西，如耳挖子、镊子、牙签，还有一些古代兵器的小模型，如戟、枪之类，佩挂饰物在清代已经形成风尚。",[23,27,94,74,7,95],"素缎","女常服袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa50920119687508324eeb92a988c6c78.jpg",[],"37474F",{"id":100,"slug":101,"title":102,"dynasty":18,"author":19,"museum":20,"description":21,"tags":103,"thumbUrl":108,"material":30,"size":31,"collection":32,"collections":109,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":35},266179,"shi-qing-se-ke-si-ba-tuan-wan-zi-lan-long-wen-hui-shu-pi-bian-nv-long-gua-yi-ming-266179","石青色缂丝八团万字蓝龙纹灰鼠皮边女龙褂",[23,24,27,104,105,106,107,7],"龙纹","万字纹","海水纹","龙褂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd1a2573a6dfa15de17d03e6c698a4f3.jpg",[],{"id":111,"slug":112,"title":113,"dynasty":18,"author":19,"museum":20,"description":92,"tags":114,"thumbUrl":120,"material":30,"size":31,"collection":32,"collections":121,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},266605,"ming-huang-se-ke-si-cai-yun-fu-jin-long-wen-hui-shu-pi-nan-long-pao-yi-ming-266605","明黄色缂丝彩云蝠金龙纹灰鼠皮男龙袍",[23,27,24,115,116,117,118,7,119],"龙","蝠","彩云纹","金龙纹","龙袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f35178897440760e7577e71c681a5c2.jpg",[],{"id":123,"slug":124,"title":125,"dynasty":18,"author":19,"museum":20,"description":21,"tags":126,"thumbUrl":129,"material":30,"size":31,"collection":32,"collections":130,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},266519,"cha-se-ke-si-tuan-shou-zi-wen-hui-shu-pi-pi-pa-jin-ma-gua-yi-ming-266519","茶色缂丝团寿字纹灰鼠皮琵琶襟马褂",[23,24,127,7,27,128],"团寿纹","琵琶襟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d43883345aad9c14ddb17e80972c83d.jpg",[],{"id":132,"slug":133,"title":134,"dynasty":18,"author":19,"museum":20,"description":92,"tags":135,"thumbUrl":140,"material":30,"size":31,"collection":32,"collections":141,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},266460,"ming-huang-se-chou-xiu-cai-yun-jin-long-wen-ji-mi-zhu-hui-shu-pi-nv-long-pao-yi-ming-266460","明黄色绸绣彩云金龙纹缉米珠灰鼠皮女龙袍",[23,27,136,115,137,118,138,7,139],"绸绣","彩云","缉米珠","刺绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8660364332477c8813494c4d3134d88f.jpg",[],{"id":143,"slug":144,"title":145,"dynasty":18,"author":19,"museum":20,"description":92,"tags":146,"thumbUrl":147,"material":30,"size":31,"collection":32,"collections":148,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},266455,"ming-huang-se-ke-si-wan-zi-cai-yun-jin-long-wen-ban-jie-hui-shu-pi-nv-long-pao-yi-ming-266455","明黄色缂丝万字彩云金龙纹半截灰鼠皮女龙袍",[23,75,24,27,115,137,105,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb0c5eb3328e74fb46df53842a0acfe6.jpg",[],{"id":150,"slug":151,"title":152,"dynasty":18,"author":19,"museum":20,"description":92,"tags":153,"thumbUrl":155,"material":30,"size":31,"collection":32,"collections":156,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},266452,"ming-huang-se-duan-xiu-cai-yun-jin-long-wen-hui-shu-pi-nv-long-pao-yi-ming-266452","明黄色缎绣彩云金龙纹灰鼠皮女龙袍",[23,119,139,137,154,7,27,106,115],"金龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe66edbb5b319cf51fa1e0125efe78d44.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":18,"author":19,"museum":20,"description":92,"tags":161,"thumbUrl":165,"material":30,"size":31,"collection":32,"collections":166,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},266412,"lv-se-duan-zhui-xiu-ba-tuan-hua-wen-hui-shu-pi-nv-bian-pao-yi-ming-266412","绿色缎缀绣八团花纹灰鼠皮女便袍",[23,27,162,51,163,164,7],"缀绣","花卉","便袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87632189c72c8f3a730b3f6b2df20ba9.jpg",[],{"id":168,"slug":169,"title":170,"dynasty":18,"author":19,"museum":20,"description":21,"tags":171,"thumbUrl":174,"material":30,"size":31,"collection":32,"collections":175,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},266177,"shi-qing-se-ke-si-ba-tuan-yun-fu-jin-long-wen-hui-shu-pi-nv-long-gua-yi-ming-266177","石青色缂丝八团云蝠金龙纹灰鼠皮女龙褂",[23,27,24,104,172,106,7,173],"云蝠纹","团花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2747875d72d14c83ea994442a01448f.jpg",[],{"id":177,"slug":178,"title":179,"dynasty":18,"author":19,"museum":20,"description":180,"tags":181,"thumbUrl":183,"material":30,"size":31,"collection":32,"collections":184,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},266157,"shi-qing-se-chou-xiu-si-tuan-cai-yun-jin-long-wen-hui-shu-pi-mian-gun-fu-yi-ming-266157","石青色绸绣四团彩云金龙纹灰鼠皮棉衮服","绸缎，泛指丝织物。古时多是有钱人家作为衣物，其颜色光滑亮丽，五彩缤纷。《儿女英雄传》第二回：“大凡到工的官儿们送礼，谁不是缂绣、呢羽、绸缎、皮张，还有玉玩、金器、朝珠、洋表的？” 老舍《四世同堂》四九：“他看不起绸缎的衣服，与文雅的态度，可又有点自惭形秽。”",[23,27,139,115,137,7,182],"衮服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a1168d9cc9ca01a2ffa49d25326bcbb.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":18,"author":19,"museum":20,"description":92,"tags":189,"thumbUrl":191,"material":30,"size":31,"collection":32,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},266154,"lan-se-tuan-long-wen-an-hua-chou-hui-shu-pi-nv-chang-fu-pao-yi-ming-266154","蓝色团龙纹暗花绸灰鼠皮女常服袍",[23,27,104,7,95,190],"暗花绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fb0404e12e78ab196252f93fc1be426.jpg",[],{"id":194,"slug":195,"title":196,"dynasty":18,"author":19,"museum":20,"description":92,"tags":197,"thumbUrl":200,"material":30,"size":31,"collection":32,"collections":201,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":202},266131,"lv-se-chou-xiu-wan-zi-yun-fu-jin-long-wen-hui-shu-pi-nv-long-pao-yi-ming-266131","绿色绸绣万字云蝠金龙纹灰鼠皮女龙袍",[23,119,27,139,115,198,199,105,7],"蝙蝠","云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3b63605731b8467e8bee5f2be0de491.jpg",[],"F48FB1",{"id":204,"slug":205,"title":206,"dynasty":18,"author":19,"museum":20,"description":207,"tags":208,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":209,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},266024,"shi-qing-se-duan-xiu-si-tuan-cai-yun-jin-long-wen-hui-shu-pi-gun-fu-yi-ming-266024","石青色缎绣四团彩云金龙纹灰鼠皮衮服","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[23,139,115,27,137,7],[],1777535721452]