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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[160,161,23,25,116,162,163,7,164],"清代","玉石","灵芝","莲花座","碧玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bdc6a2770498b5cf08f3c2308faa40a.jpg",[],2,{"id":169,"slug":170,"title":171,"dynasty":64,"author":19,"museum":20,"description":172,"tags":173,"thumbUrl":180,"material":55,"size":56,"collection":33,"collections":181,"showCount":167,"zanCount":11,"manualWeight":11,"mainColor":59},234442,"qing-ren-huang-wei-luo-wa-jin-gang-xiang-zhou-yi-ming-234442","清人黄威罗瓦金刚像轴","狮面忿怒相的主尊周身烈焰蒸腾，金甲宝饰遍身，雄踞莲台之上，威棱毕现，尽显护法降魔的慑人气魄。整体构图饱满匀整，诸佛胁侍错落排布，或忿怒或慈悲，与主尊呼应成趣。\n\n设色浓丽厚重，石青铺就云天底色，朱砂晕染烈烈火焰，青绿晕染山川林麓，冷暖交织层次分明。线条勾勒精细流畅，衣袂宝饰的细节分毫毕现，既恪守藏传佛教造像的仪轨法度，又以工笔重彩烘托出神圣庄严的宗教氛围，将护法金刚的狞厉威严与唐卡装饰美学完美融合，尽显精湛的绘画造诣。",[45,46,174,175,48,176,7,163,69,177,178,160,179],"宗教画","工笔重彩","人物画","山水景物","花卉纹饰","传统书画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb20ea8c656828582ec4d871f00ab1c60.jpg",[],{"id":183,"slug":184,"title":143,"dynasty":64,"author":19,"museum":20,"description":144,"tags":185,"thumbUrl":188,"material":55,"size":56,"collection":33,"collections":189,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},274918,"tao-si-fa-lang-ba-gong-yang-yi-ming-274918",[146,186,23,187,150,149,7],"搯丝珐琅","供器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda6cc8e72dd2cd79455ef00e5ea23a4f.jpg",[],{"id":191,"slug":192,"title":193,"dynasty":64,"author":19,"museum":20,"description":144,"tags":194,"thumbUrl":199,"material":55,"size":56,"collection":33,"collections":200,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},274907,"tao-si-fa-lang-ba-bao-gai-yi-ming-274907","搯丝珐琅八宝-盖",[146,23,195,196,197,150,7,198],"掐丝珐琅","八宝","器","金属雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51acb1e32779f2318b91b18b6a690603.jpg",[],{"id":202,"slug":203,"title":204,"dynasty":205,"author":19,"museum":20,"description":206,"tags":207,"thumbUrl":217,"material":55,"size":56,"collection":33,"collections":218,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},227184,"dun-huang-55-yi-ming-227184","敦煌55","唐","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[208,48,23,50,209,210,69,211,212,213,214,215,119,216,7],"壁画","大象","神兽","火焰","化生童子","敦煌","唐代","宝盖","祥云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F705ca397c0fe1b12efeedad80ca4f9bb.jpg",[],1777535727858]