[{"data":1,"prerenderedAt":369},["ShallowReactive",2],{"subject-ji-xiang-tu-an":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6139,"ji-xiang-tu-an","吉祥图案","吉祥图案画高清赏析","精选中国历代吉祥图案题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01f2b756542d5549b9aac610ce218cc9.jpg",0,29,[14,49,67,82,95,116,129,140,157,169,187,196,208,217,228,240,249,256,267,275,286,297,305,312,319,329,338,349,359],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":42,"material":43,"size":44,"collection":45,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},234454,"si-bi-guan-shi-yin-pu-sa-tang-ka-yi-ming-234454","四臂观世音菩萨唐卡","清","佚名","藏地不详","唐卡（Thang-ga）也叫唐嘎，唐喀，系藏文音译，指用彩缎装裱后悬挂供奉的宗教卷轴画。唐卡是藏族文化中一种独具特色的绘画艺术形式，题材内容涉及藏族的历史、政治、文化和社会生活等诸多领域，传世唐卡大都是藏传佛教和本教作品。\n唐卡是藏族文化中一种独具特色的绘画艺术形式。具有鲜明的民族特点、浓郁的宗教色彩和独特的艺术风格，用明亮的色彩描绘出神圣的佛的世界；颜料传统上是全部采用金、银、珍珠、玛瑙、珊瑚、松石、孔雀石、朱砂等珍贵的矿物宝石和藏红花、大黄、蓝靛等植物为颜料以示其神圣。这些天然原料保证了所绘制的唐卡色泽鲜艳，璀璨夺目，虽经几百年的岁月，仍是色泽艳丽明亮。因此被誉为中国民族绘画艺术的珍品，被称为藏族的”百科全书”也是中华民族民间艺术中弥足珍贵的非物质文化遗产。\n传统唐卡的绘制要求严苛、程序极为复杂，必须按照经书中的仪轨及上师的要求进行，包括绘前仪式、制作画布、构图起稿、着色染色、勾线定型、铺金描银、开眼、缝裱开光等一整套工艺程序。制作一幅唐卡用时较长，短则半年完成，长则需要十余年。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36,37,38,39,40,41],"宗教","工笔","设色","人物","祥云","莲花","护法神","宝瓶","装饰纹样","立轴","传统服饰","矿物颜料","神佛形象","对称构图","浓彩重绘","织物装裱","宗教符号","植物纹饰","神兽形象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65419978cd729246fc0bd99ef569685a.jpg","未知","Xcm*Xcm","",[],7,"795548",{"id":50,"slug":51,"title":52,"dynasty":18,"author":19,"museum":20,"description":53,"tags":54,"thumbUrl":63,"material":43,"size":44,"collection":45,"collections":64,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":66},246519,"qian-long-kuan-ti-hong-kai-guang-hua-hui-an-ba-xian-wen-yuan-pan-yi-ming-246519","乾隆款剔红开光花卉暗八仙纹圆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[55,56,57,58,59,60,61,62,7],"清代","漆器","剔红","雕刻","开光","花卉","暗八仙纹","圆盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d791485a491c9c196fc9810f4e939e5.jpg",[],5,"BDBDBD",{"id":68,"slug":69,"title":70,"dynasty":18,"author":19,"museum":20,"description":71,"tags":72,"thumbUrl":79,"material":43,"size":44,"collection":45,"collections":80,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":66},264327,"hong-se-xi-xiang-feng-shuang-xi-zi-an-ba-xian-wen-zhuang-hua-duan-yi-ming-264327","红色喜相逢双喜字暗八仙纹妆花缎","朱红地色热烈鲜亮，以妆花工艺织就团窠纹，蝠纹衔着暗八仙纹样两两相拥，勾勒“喜相逢”的圆满意趣，间以双喜字暗纹，呼应纳吉贺喜的主题。彩线晕染明快柔和，团纹排布疏密得当，提花暗纹与妆花彩绣层次相映，将祈福纳祥的心意织入经纬之间，尽显织绣工艺的精巧灵秀，藏着旧时对良缘美满、福寿绵长的深切祈愿，是颇具代表性的吉祥织绣佳品。",[73,74,75,76,77,78,61,7],"布料","织绣","妆花缎","红色","喜相逢纹","双喜字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10bb8dad48fafc267706394de7bdcd45.jpg",[],4,{"id":83,"slug":84,"title":85,"dynasty":18,"author":19,"museum":20,"description":86,"tags":87,"thumbUrl":93,"material":43,"size":44,"collection":45,"collections":94,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":66},264066,"zao-hong-se-an-ba-xian-tuan-fu-gui-wan-nian-fu-shou-wen-zhi-jin-duan-kan-jian-liao-yi-ming-264066","枣红色暗八仙团富贵万年福寿纹织金缎坎肩料","枣红底色沉稳华贵，以织金与钉银线铺陈纹饰，上下对称的版型工整端庄。主体团纹环绕富贵万年图，暗八仙与祥龙瑞兽错落其间，灵芝、水仙点缀，将纳福祈祥的意趣藏入经纬。\n织金的暖光与银线的冷辉相映，针脚细密平整，尽显晚清织绣工艺的精妙考究，把世俗愿景与精湛匠艺相融，尽显雅致华贵的旧时审美风尚。",[73,88,89,90,91,92,7],"衣帽","织金缎","暗八仙","福寿纹","龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee195f30523ab48b973c30e3b22e501a.jpg",[],{"id":96,"slug":97,"title":98,"dynasty":18,"author":19,"museum":20,"description":99,"tags":100,"thumbUrl":114,"material":43,"size":44,"collection":45,"collections":115,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":48},229927,"jin-dian-cui-qian-zhu-bao-cui-yu-fu-shou-wan-nian-dian-hua-yi-ming-229927","金点翠嵌珠宝翠玉福寿万年钿花","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[55,101,102,103,104,105,106,107,108,109,110,111,112,113,31,7],"金点翠","嵌珠宝","嵌翠玉","饰品","金饰","玉石","金属工艺","吉祥纹样","福寿纹样","珠宝镶嵌","翠玉镶嵌","点翠工艺","嵌宝工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6a71ba21d2fa9c8b85cb28988e30cfb.jpg",[],{"id":117,"slug":118,"title":119,"dynasty":18,"author":19,"museum":20,"description":120,"tags":121,"thumbUrl":125,"material":43,"size":44,"collection":45,"collections":126,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":128},264131,"pin-yue-se-ba-xian-peng-shou-wen-er-se-duan-yi-ming-264131","品月色八仙捧寿纹二色缎","蓝紫二色相衬明丽饱满，莹润缎面上，四方连续铺陈八仙捧寿纹样。暗八仙法器环绕团寿字，缠枝纹舒展缠绕其间，纹样排布规整却不失灵动感，线条细密柔婉，织造工艺精巧细致。\n整体构图匀净对称，将祈福纳祥的美好愿景藏入织纹之间，是织绣工艺成熟的缩影，把传统福寿文化具象为精致华美的织物，尽显雅致热烈的传统审美意趣。",[73,122,123,124,7,74],"缎面","八仙","寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb43443cfb9ea8528372574ff8779ca94.jpg",[],3,"2A56C6",{"id":130,"slug":131,"title":132,"dynasty":18,"author":19,"museum":20,"description":133,"tags":134,"thumbUrl":138,"material":43,"size":44,"collection":45,"collections":139,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":66},245492,"jin-wan-shi-ru-yi-yi-ming-245492","金万事如意","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[55,135,58,136,7,137],"金器","器","錾刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32f7f9ba19670efe4b440f50c6fdd1a1.jpg",[],{"id":141,"slug":142,"title":143,"dynasty":18,"author":19,"museum":20,"description":133,"tags":144,"thumbUrl":153,"material":43,"size":44,"collection":45,"collections":154,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":156},273310,"ou-he-se-ke-si-fu-shou-ru-yi-wen-he-bao-shi-huo-lian-yi-ming-273310","藕荷色缂丝福寿如意纹荷包式火燫",[145,146,147,104,73,148,149,150,151,152,7],"缂丝","荷包","日用具","铜制","铁器","蝙蝠","石榴","如意纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faea3d717028463ba60aaa002e2026909.jpg",[],2,"37474F",{"id":158,"slug":159,"title":160,"dynasty":18,"author":19,"museum":20,"description":161,"tags":162,"thumbUrl":167,"material":43,"size":44,"collection":45,"collections":168,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":48},248284,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248284","剔红八仙图桃式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[18,56,57,58,163,164,165,166,7],"桃形","八仙人物","云纹","传统工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36312481f38adf2e99ff1341e80ebbd4.jpg",[],{"id":170,"slug":171,"title":172,"dynasty":18,"author":19,"museum":20,"description":173,"tags":174,"thumbUrl":184,"material":43,"size":44,"collection":45,"collections":185,"showCount":186,"zanCount":11,"manualWeight":11,"mainColor":48},256929,"tian-lan-di-kai-guang-lou-kong-fen-cai-zhuan-xin-ping-yi-ming-256929","天蓝地开光镂空粉彩转心瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[175,59,176,177,178,179,25,180,181,7,182,183],"陶瓷","镂空","粉彩","描金","天蓝釉","缠枝纹","开光纹饰","转心技法","器物纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9728f4087848d8955837b6bb7a53b7e.jpg",[],1,{"id":188,"slug":189,"title":190,"dynasty":18,"author":19,"museum":20,"description":161,"tags":191,"thumbUrl":194,"material":43,"size":44,"collection":45,"collections":195,"showCount":186,"zanCount":11,"manualWeight":11,"mainColor":48},246392,"qian-long-kuan-ti-huang-shou-chun-tu-yuan-he-yi-ming-246392","乾隆款剔黄寿春图圆盒",[56,192,58,136,193,7],"剔黄","圆形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6e82f4c78dbb0689aad70071f0b68b8.jpg",[],{"id":197,"slug":198,"title":199,"dynasty":18,"author":19,"museum":20,"description":161,"tags":200,"thumbUrl":206,"material":43,"size":44,"collection":45,"collections":207,"showCount":186,"zanCount":11,"manualWeight":11,"mainColor":66},229233,"yin-diao-fu-shou-ru-yi-bi-yan-he-yi-ming-229233","银雕福寿如意鼻烟盒",[55,201,58,7,202,203,204,205],"银雕","如意","福寿","器物","银器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfecd497389f5a8e6bcc60766d3d5860.jpg",[],{"id":209,"slug":210,"title":211,"dynasty":18,"author":19,"museum":20,"description":212,"tags":213,"thumbUrl":10,"material":43,"size":44,"collection":45,"collections":216,"showCount":186,"zanCount":11,"manualWeight":11,"mainColor":66},229167,"tong-tai-hua-fa-lang-pan-yi-ming-229167","铜胎画珐瑯盘","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[148,214,215,25,60,150,165,7],"珐琅器","画珐琅",[],{"id":218,"slug":219,"title":220,"dynasty":18,"author":19,"museum":20,"description":221,"tags":222,"thumbUrl":226,"material":43,"size":44,"collection":45,"collections":227,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},268377,"huang-se-duan-ding-ling-xiu-sheng-shou-wu-jiang-wen-huo-ji-xue-ye-yi-ming-268377","黄色缎钉绫绣圣寿无疆纹活计-靴掖","这幅绣作以明黄缎为底，中心团寿饱满醒目，朱红线迹沉稳厚重。四角“圣寿无疆”四字，以钉绫填色勾勒，笔意朴拙端方。衬以暗八仙纹样与缠枝花卉，锤、笛、花篮诸物错落排布，柔枝舒展，与刚劲文字相映成趣。\n\n绣工精细入微，钉绫边缘齐整光洁，绒色过渡柔和明丽，将祝寿祈祥之意融于方寸绣面，尽显华贵雅致，把绵长的颂寿心意藏在细密针脚之中。",[223,224,225,90,73,74,7],"刺绣","靴掖","寿字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba4fedca65ca46e1528dafc353662eb3.jpg",[],{"id":229,"slug":230,"title":231,"dynasty":18,"author":19,"museum":20,"description":232,"tags":233,"thumbUrl":238,"material":43,"size":44,"collection":45,"collections":239,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},250121,"qia-si-fa-lang-wan-shou-wu-jiang-wan-yi-ming-250121","掐丝珐琅万寿无疆碗","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[234,214,136,25,225,235,7,236,237],"掐丝珐琅","缠枝花卉","金属胎","珐琅彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb162728202665481f0e4e90a7b532c95.jpg",[],{"id":241,"slug":242,"title":231,"dynasty":18,"author":19,"museum":20,"description":232,"tags":243,"thumbUrl":247,"material":43,"size":44,"collection":45,"collections":248,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},250106,"qia-si-fa-lang-wan-shou-wu-jiang-wan-yi-ming-250106",[55,234,214,244,25,225,7,245,246,204],"铜胎","卷草纹","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7615a741363fa97b573f2db150d51576.jpg",[],{"id":250,"slug":251,"title":231,"dynasty":18,"author":19,"museum":20,"description":232,"tags":252,"thumbUrl":254,"material":43,"size":44,"collection":45,"collections":255,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},250103,"qia-si-fa-lang-wan-shou-wu-jiang-wan-yi-ming-250103",[55,234,214,148,105,7,60,204,253],"日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdef740d0fc385b29e76efaac7826bf17.jpg",[],{"id":257,"slug":258,"title":259,"dynasty":18,"author":19,"museum":20,"description":232,"tags":260,"thumbUrl":265,"material":43,"size":44,"collection":45,"collections":266,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},249818,"jia-qing-kuan-qia-si-fa-lang-shou-zi-wan-yi-ming-249818","嘉庆款掐丝珐琅寿字碗",[18,234,214,148,135,147,261,262,7,263,264],"寿字","文字装饰","金色","蓝色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dd3beac2e7b83cbbf7475101253a821.jpg",[],{"id":268,"slug":269,"title":270,"dynasty":18,"author":19,"museum":20,"description":161,"tags":271,"thumbUrl":273,"material":43,"size":44,"collection":45,"collections":274,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},247370,"ti-hong-chan-zhi-lian-fu-shou-wen-bian-yuan-he-yi-ming-247370","剔红缠枝莲福寿纹扁圆盒",[18,56,57,58,272,91,7],"缠枝莲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb598ad40b81fdf8b986699f6338ed7f.jpg",[],{"id":276,"slug":277,"title":278,"dynasty":18,"author":19,"museum":20,"description":279,"tags":280,"thumbUrl":283,"material":43,"size":44,"collection":45,"collections":284,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":285},246793,"ti-hong-chang-chun-wan-sui-chan-zhi-lian-wen-wan-yi-ming-246793","剔红长春万岁缠枝莲纹碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[55,56,57,58,281,282,7,204,25,147],"缠枝莲纹","文字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d883c74ce7da7f0b86bbd5aedc0be28.jpg",[],"F48FB1",{"id":287,"slug":288,"title":289,"dynasty":18,"author":19,"museum":20,"description":99,"tags":290,"thumbUrl":295,"material":43,"size":44,"collection":45,"collections":296,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},246709,"ti-hong-chan-zhi-lian-ba-bao-wen-qian-yu-da-ji-hu-lu-shi-ping-yi-ming-246709","剔红缠枝莲八宝纹嵌玉大吉葫芦式瓶",[55,56,57,58,291,281,292,293,294,7],"嵌玉","八宝纹","大吉文字","葫芦式瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa0e72872cf9e5dd90408205a3b3e0d2.jpg",[],{"id":298,"slug":299,"title":300,"dynasty":18,"author":19,"museum":20,"description":53,"tags":301,"thumbUrl":303,"material":43,"size":44,"collection":45,"collections":304,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},246518,"qian-long-kuan-ti-hong-shou-chun-tu-yuan-pan-yi-ming-246518","乾隆款剔红寿春图圆盘",[55,56,57,58,136,302,60,7],"寿桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f8bfc6378c5e49c0e160075468c185e.jpg",[],{"id":306,"slug":307,"title":308,"dynasty":18,"author":19,"museum":20,"description":161,"tags":309,"thumbUrl":310,"material":43,"size":44,"collection":45,"collections":311,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},246417,"qian-long-kuan-ti-hong-shou-chun-tu-he-yi-ming-246417","乾隆款剔红寿春图盒",[55,56,57,58,124,92,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8cdb645874df8b0c8745ff922dcdb6dd.jpg",[],{"id":313,"slug":314,"title":315,"dynasty":18,"author":19,"museum":20,"description":161,"tags":316,"thumbUrl":317,"material":43,"size":44,"collection":45,"collections":318,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},245776,"yin-shuang-xi-zi-yuan-he-yi-ming-245776","银双喜字圆盒",[55,205,58,136,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f5301aad5a910446bbedd62b4c09185.jpg",[],{"id":320,"slug":321,"title":322,"dynasty":18,"author":19,"museum":20,"description":323,"tags":324,"thumbUrl":327,"material":43,"size":44,"collection":45,"collections":328,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},245383,"jin-zan-hua-ba-bao-gai-yi-ming-245383","金錾花八宝-盖","此器通体鎏金，色泽沉敛明润，历久弥新。宝盖形制主体满錾缠枝瑞纹，线条细密灵动，辗转回旋间尽显錾刻工艺的精妙独到，将佛前器物的庄严感融于华贵细节之中。\n\n外框以如意云纹环绕勾勒，柔化方正轮廓，上下云纹交错呼应，暗合吉祥圆满之意。搭配浮雕缠枝牙板与回纹束腰的雕花底座，更衬器物雍容端雅。整体将宗教的肃穆与宫廷金作的精工冶为一炉，静穆间尽显礼佛重器的雍容质感，藏着极致的匠心巧思。",[55,135,325,58,326,7,107],"錾花","八宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5c4c78663e872aa4c3a528cc24c8b55.jpg",[],{"id":330,"slug":331,"title":332,"dynasty":18,"author":19,"museum":20,"description":99,"tags":333,"thumbUrl":336,"material":43,"size":44,"collection":45,"collections":337,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},230039,"qing-yu-diao-ba-bao-lu-yi-ming-230039","青玉雕八宝炉",[55,106,58,176,334,23,7,326,335],"浮雕","炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e65957576044e7b74d9a150f8f09e4f.jpg",[],{"id":339,"slug":340,"title":341,"dynasty":18,"author":19,"museum":20,"description":99,"tags":342,"thumbUrl":347,"material":43,"size":44,"collection":45,"collections":348,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},230015,"qing-yu-dai-tou-yi-ming-230015","青玉带头",[343,106,58,344,334,345,346,7,166,104],"清代风格","青玉","文字纹饰","囍字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc5a1f0c944a166816ba53ec656b9149.jpg",[],{"id":350,"slug":351,"title":352,"dynasty":18,"author":19,"museum":20,"description":212,"tags":353,"thumbUrl":357,"material":43,"size":44,"collection":45,"collections":358,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},229976,"du-jin-li-tong-fa-lang-da-wan-1-yi-ming-229976","镀金里铜珐瑯大碗-1",[55,148,354,355,25,136,356,7,261,346,60,180],"镀金","珐瑯工艺","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb6a147325d40a7466fb759bbc5887bf.jpg",[],{"id":360,"slug":361,"title":362,"dynasty":18,"author":19,"museum":20,"description":212,"tags":363,"thumbUrl":367,"material":43,"size":44,"collection":45,"collections":368,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},229940,"tong-fa-lang-ping-yi-ming-229940","铜珐瑯瓶",[55,148,214,364,204,365,7,366,25],"珐琅工艺","瓶形","装饰纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e33e769c1b36da5718cc4101d4c4ff1.jpg",[],1777535715756]