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、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[27,54,25,161,28,55,80,162,163,164,165,166,167,168,169,170,30,35,7,62,63],"缂丝加绣","福禄寿","童子","鹤","鹿","山水","松树","桃花","祥云","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41adb2dde5dde60b84a10ab4ad9f8997.jpg",[],16,{"id":175,"slug":176,"title":177,"dynasty":49,"author":77,"museum":51,"description":178,"tags":179,"thumbUrl":187,"material":65,"size":66,"collection":67,"collections":188,"showCount":189,"zanCount":11,"manualWeight":11,"mainColor":44},268751,"huang-se-chou-xiu-long-feng-shuang-xi-wen-jia-huai-dang-yi-ming-268751","黄色绸绣龙凤双喜纹夹怀挡","绸缎，泛指丝织物。古时多是有钱人家作为衣物，其颜色光滑亮丽，五彩缤纷。《儿女英雄传》第二回：“大凡到工的官儿们送礼，谁不是缂绣、呢羽、绸缎、皮张，还有玉玩、金器、朝珠、洋表的？” 老舍《四世同堂》四九：“他看不起绸缎的衣服，与文雅的态度，可又有点自惭形秽。”",[180,181,182,183,184,185,186,7],"织绣","布料","龙","凤","双喜纹","怀挡","刺绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff716779b9159ec09c617659faa372351.jpg",[],14,{"id":191,"slug":192,"title":193,"dynasty":49,"author":77,"museum":51,"description":194,"tags":195,"thumbUrl":203,"material":65,"size":66,"collection":67,"collections":204,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":44},245584,"jin-da-ji-hu-lu-shi-gua-ping-yi-ming-245584","金大吉葫芦式挂屏","取葫芦为形暗合福禄吉兆，累丝为底铺满金地，宝蓝珐琅书就“大吉”二字，方正醒目点明祥瑞主题。周身以红宝、彩石点缀轮廓，填饰珐琅八宝、清供纹样，缠枝萦绕其间，色泽莹润鲜亮，宝石璨然生光。金工、珐琅与镶嵌工艺相融，累丝细密平整，錾刻分毫毕现，将吉庆祈愿凝于寸金之间，尽显清代细作金器的精巧匠心与富丽质感。",[196,123,197,111,198,199,200,201,7,202],"金器","饰品","累丝工艺","镶嵌工艺","八宝纹","清供纹","宝石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ff8f01b84464d22836bb27cc19d139a.jpg",[],12,{"id":207,"slug":208,"title":209,"dynasty":49,"author":77,"museum":51,"description":210,"tags":211,"thumbUrl":215,"material":65,"size":66,"collection":67,"collections":216,"showCount":217,"zanCount":11,"manualWeight":11,"mainColor":44},273378,"tong-zi-bao-yu-diao-deng-yi-ming-273378","童子抱鱼吊灯","灯面取花形轮廓，一对童子憨态毕现，眉眼圆润笑意盈盈，合力环抱着肥硕红鲤。设色鲜亮明快，暖调晕染童子肤色，衣间色块平涂凝练利落，红鲤醒目讨喜。稚拙的笔意把年节祈愿融在画面里，借童子抱鱼的谐音，托出年年有余的吉庆心意。器物将装饰审美与照明功能融为一体，藏着旧时市井人家的年节暖意，把质朴的烟火祈盼凝在方寸灯面之间。",[80,163,212,28,55,213,7,214],"鱼","日用具","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F623b189c55eba0d85b717222fe3972d9.jpg",[],11,{"id":219,"slug":220,"title":221,"dynasty":49,"author":77,"museum":51,"description":159,"tags":222,"thumbUrl":224,"material":65,"size":66,"collection":67,"collections":225,"showCount":217,"zanCount":70,"manualWeight":11,"mainColor":71},267334,"ke-si-jia-xiu-san-xing-tu-zhou-yi-ming-267334","缂丝加绣三星图轴",[27,54,137,186,55,28,80,223,162,166,167,168,125,165,30,169,62,63,7],"神话","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1f972bd7e0b8748b08724aa9e2911dd.jpg",[],{"id":227,"slug":228,"title":229,"dynasty":49,"author":77,"museum":51,"description":230,"tags":231,"thumbUrl":234,"material":65,"size":66,"collection":67,"collections":235,"showCount":236,"zanCount":11,"manualWeight":11,"mainColor":44},268773,"xiu-mu-dan-shou-zi-zhou-yi-ming-268773","绣牡丹寿字轴","此作以朱红地铺陈吉瑞底色，将寿字作为骨架，各色牡丹缠绕攀附其间，把祈福之意藏入千针万线中。绣艺精妙入微，牡丹花瓣晕色自然过渡，白瓣如凝脂初绽，紫瓣似噙露将坠，粉瓣若晓霞轻染，脉络纹理逼真鲜活，把花卉的妍柔质感尽数呈现。\n花簇裹着寿纹，融富贵与长寿之意于一体，构图饱满庄重，配色热烈又不失雅致，将传统女红的细腻匠心，与东方吉庆美学相融，尽显晚清绣品的精巧意趣。",[27,232,57,233,26,7,181],"绣品","寿字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e3af9d147c3f1c17ab34177452c82c0.jpg",[],10,{"id":238,"slug":239,"title":240,"dynasty":49,"author":77,"museum":51,"description":241,"tags":242,"thumbUrl":249,"material":65,"size":66,"collection":67,"collections":250,"showCount":236,"zanCount":70,"manualWeight":11,"mainColor":71},264120,"hong-se-bai-zi-tu-zhuang-hua-duan-bei-mian-liao-yi-ming-264120","红色百子图妆花缎被面料","以大红缎地为底，妆花技法织就满堂稚童。百子或嬉闹玩耍，或持灯执礼，衣袂鲜妍灵动，眉眼憨态可掬，灵鹿、瑞花、祥蝠错落其间，将吉庆热闹铺陈满幅。\n\n配色浓烈鲜亮，宝蓝、鎏金、朱红交织撞色，华贵雍容间又带着融融烟火暖意。通经断纬的妆花织法随花异色，孩童衣饰纹路细腻鲜活，花木灵兽栩栩如生，将祈愿子孙满堂、福寿绵长的美好心意，藏进每一处织纹，是织绣工艺与传统吉祥意涵的绝妙融合。",[181,243,244,245,80,246,247,26,248,28,7],"妆花缎","织锦","被面料","孩童","百子图","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8b3de057764b453f687bde1722425cb.jpg",[],{"id":252,"slug":253,"title":221,"dynasty":49,"author":77,"museum":51,"description":159,"tags":254,"thumbUrl":256,"material":65,"size":66,"collection":67,"collections":257,"showCount":258,"zanCount":70,"manualWeight":11,"mainColor":71},269054,"ke-si-jia-xiu-san-xing-tu-zhou-yi-ming-269054",[25,54,27,137,186,28,55,80,164,165,255,170,35,162,7],"桃树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ae044ed588a93dada988de6aa6be313.jpg",[],9,{"id":260,"slug":261,"title":262,"dynasty":49,"author":77,"museum":51,"description":159,"tags":263,"thumbUrl":266,"material":65,"size":66,"collection":67,"collections":267,"showCount":268,"zanCount":11,"manualWeight":11,"mainColor":44},272871,"zi-tan-mu-bian-ke-si-san-xing-song-gua-ping-yi-ming-272871","紫檀木边缂丝三星颂挂屏",[25,54,109,137,80,264,28,167,265,7],"福禄寿三星","竹子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F925df77c0f293d6616856a4781bfa2ca.jpg",[],7,{"id":270,"slug":271,"title":272,"dynasty":273,"author":274,"museum":51,"description":275,"tags":276,"thumbUrl":277,"material":65,"size":66,"collection":67,"collections":278,"showCount":279,"zanCount":11,"manualWeight":11,"mainColor":71},290620,"bai-lu-tu-zhou-zhang-hong-290620","百禄图轴","明","张宏","张宏（1577年－1652年后），字君度，号鹤涧，江苏苏州长洲县人，明代画家、篆刻家。善画山水、人物、翎毛。擅长山水，颇有意趣，亦能画兰，笔墨有元人古意，是明末吴门画坛的中坚人物。吴中学者尊崇之。另外近代学者指出他擅长“地图式绘画”，描绘旅游所见景色，是与其他吴派画家不同之处。",[25,27,24,28,166,167,165,248,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d9a76bce59c6bd78768393dc94a4b5a.jpg",[],5,{"id":281,"slug":282,"title":283,"dynasty":49,"author":77,"museum":51,"description":284,"tags":285,"thumbUrl":293,"material":65,"size":66,"collection":67,"collections":294,"showCount":279,"zanCount":11,"manualWeight":11,"mainColor":44},245519,"jin-an-jian-qing-jin-shi-tai-ping-you-xiang-yi-ming-245519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