[{"data":1,"prerenderedAt":107},["ShallowReactive",2],{"subject-jia-sha":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3073,"jia-sha","袈裟","袈裟画高清赏析","精选中国历代袈裟题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71d808b00c043beec536d0cda92fa28f.jpg",0,4,[14,42,70,89],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},217002,"wu-bai-luo-han-zhi-guan-she-li-guang-tu-zhou-ji-chang-217002","五百罗汉之观舍利光图","宋","周季常","波士顿美术馆","画的顶部是一个高高的悬崖，有一个瀑布，太阳照在云层之上，有三道灵光照下来，每道灵光都有一个小孩子拿着棍子。下面，在松树、柏树和岩石之间，五个罗汉庄严地抬头。",[23,24,25,26,27,28,29,30,31,32,33,7,34],"高清","名画","国画","书画","立轴","宗教","工笔","设色","人物","松树","岩石","舍利","绢本,设色","111.5x53.1","",[],57,1,"37474F",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":64,"material":65,"size":66,"collection":37,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":69},232891,"yan-ju-luo-han-xiang-zhou-jin-ting-biao-232891","岩居罗汉像轴","清","金廷标","北京故宫博物院","图中罗汉眉目清秀，披发，戴耳环，臂腕佩钏、镯，着袒右式袈裟，自在坐，手捧如意，系模仿了菩萨的形象。罗汉、童子衣纹分别运用了蚯蚓纹、钉头鼠尾描，造型工整，设色清雅。《秘殿珠林三编》著录。",[23,25,30,29,28,31,51,52,53,33,54,55,7,56,57,58,59,60,61,62,63,27],"山水","孤石","树木","印章","侍童","溪流","山洞","枯枝","苔草","腕钏","法器","小和尚","坐姿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc582b7bb574e8613ec65f5335044ec6a.jpg","纸本，设色","纵99.5厘米，横53.2厘米",[],5,"BDBDBD",{"id":71,"slug":72,"title":73,"dynasty":46,"author":74,"museum":75,"description":76,"tags":77,"thumbUrl":83,"material":84,"size":85,"collection":37,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":88},236029,"di-shi-er-bi-na-zha-la-ba-ha-la-zhui-za-zun-zhe-ding-guan-peng-236029","第十二毕那楂拉拔哈喇缀杂尊者","丁观鹏","藏地不详","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[24,25,26,78,28,31,79,7,80,81,82,29,30,54],"清代","尊者","圆光","坐具","手持器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4607db41dcd297cdc6c5911656f5cf6.jpg","未知","Xcm*Xcm",[],3,"795548",{"id":90,"slug":91,"title":92,"dynasty":93,"author":94,"museum":95,"description":96,"tags":97,"thumbUrl":103,"material":104,"size":105,"collection":37,"collections":106,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":88},232259,"ying-zhen-xiang-yi-ming-232259","应真像","元","佚名","台北故宫博物院","全幅线条运笔相当流畅，有简洁净雅的韵味，人物五官手足以细瘦而轻淡的描线，衣服褶纹则笔致较为粗重而浓厚，全身并施以薄薄的晕染，袈裟水田纹有华丽的图案。\n尊者的容颜是肖像画的手法完成的，或浓眉大眼，或胡须横腮，或皱纹满面，眼窝四周并涂上厚厚蛤粉。此种造形给人以一股沉郁之感。",[24,25,28,31,30,98,99,100,101,7,54,102],"白描","晕染","罗汉","枯树","沉郁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad0511087ee38eb77c532302d97cf4bf.jpg","纸本","104.1x50.3",[],1777535758910]