[{"data":1,"prerenderedAt":45},["ShallowReactive",2],{"subject-jia-yi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11513,"jia-yi","夹衣","夹衣画高清赏析","精选中国历代夹衣题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76a1c2038950f92be52cb03966ebea69.jpg",0,2,[14,34],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},268150,"huang-se-yu-mao-sha-dui-jin-jia-ma-gua-yi-ming-268150","黄色羽毛纱对襟夹马褂","清","佚名","藏地不详","马褂是一种穿于袍服外的短衣，衣长至脐，袖仅遮肘，满语叫“鄂多赫”，因着之便于骑马而得名，亦称 “短褂” 或 “马墩子”，流行于清代及民国时期\n清代初期，马褂为一般士兵穿着，至康熙时期富贵之家也有穿者。雍正后，马褂已甚为流行 。并发展成单、夹、纱、皮、棉等服装，成为男式便衣，士庶都可穿着。之后更逐渐演变为一种礼仪性的服装，不论身份，都以马褂套在长袍之外，显得文雅大方 。民国年间曾被列为礼服之一。新中国成立后，马褂逐步被摈弃，后经改良又以“唐装”的名称重新回到人们的视野中 。",[23,24,25,7,26,27],"衣帽","马褂","对襟","布料","羽毛纱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa769f1972fefa8e6ad64a6ae8dd5a206.jpg","未知","Xcm*Xcm","",[],"BDBDBD",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":44,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},266369,"lan-se-zhi-jing-sha-ping-jin-xiu-tuan-shou-zi-wen-jia-chang-yi-yi-ming-266369","蓝色直径纱平金绣团寿字纹夹氅衣","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[23,40,7,41,42,26,43],"氅衣","平金绣","团寿字纹","纱质",[],1777535804596]