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周帝打醮，但从人物旁边的手杖来看，这幅画描绘的是道教传说中的八仙之一的李铁拐。传说他是一个魁梧的人，在成为不朽的人之后，被赋予了一个饥饿的人的身体，因此他的外表很丑陋。明朝的一位宫廷画师也制作了类似的图像，用来驱除邪灵。",[44,74,23,73,96,25,76,24,26,97,98,99,7],"册","松树","山石","波浪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e1584d50aced77bd7bb3f19029177fc.jpg","绢本,设色","23.9x21",[83],16,{"id":106,"slug":107,"title":67,"dynasty":68,"author":69,"museum":70,"description":108,"tags":109,"thumbUrl":113,"material":81,"size":82,"collection":32,"collections":114,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":35},223225,"gong-sun-da-niang-wu-jian-tu-zhou-ren-yi-223225","本幅无作者款印。幅上有徐邦达先生题云：“公孙大娘舞剑器图，伯年先生粉本真迹。己卯心远生徐邦达识。” 钤印“徐邦达印”。鉴藏印钤“钱镜塘鉴定任伯年真迹之印”、“刘”。\n图绘著名教坊舞伎公孙大娘舞剑之情景。公孙大娘主要活动于唐代开元年间（713—741年），以擅长舞剑享有盛名。相传怀素、张旭观其舞剑曾启发了他们的草书创作，形成了狂草之笔风。\n是图线条劲健流畅，墨笔枯润浓淡自如，有明末陈洪绶笔法，但又具自家面貌，为任氏用意之作。",[44,23,73,75,110,76,77,26,7,111,112,30],"清代","树","栏杆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd762fde4047513733181d1229a03479d.jpg",[],15,{"id":117,"slug":118,"title":119,"dynasty":68,"author":69,"museum":120,"description":121,"tags":122,"thumbUrl":126,"material":32,"size":32,"collection":83,"collections":127,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":129},201705,"zhong-kui-du-shu-tu-zhou-ren-yi-201705","钟馗读书图轴","上海博物馆","红衣钟馗倚苍松凝神展卷，袍服以明艳设色晕染，线条简练却见衣袂流动之姿；须发与松枝以墨笔勾勒，苍劲中含灵动。腰间佩剑与卷轴隐现，打破传统钟馗凶煞刻板印象，赋予其文人温雅气质。画家以兼工带写之法，融笔墨意趣与生活气息于一体，将武将英武与文士沉静巧妙糅合，形神兼备，尽显生动传神的艺术特色。",[23,26,24,123,124,7,125,44],"兼工带写","松","书卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8b356c2dcc9d6a1ab9e361c88c65c8e.jpg",[83],8,"d4c5b3",{"id":131,"slug":132,"title":133,"dynasty":134,"author":135,"museum":136,"description":137,"tags":138,"thumbUrl":150,"material":151,"size":152,"collection":32,"collections":153,"showCount":154,"zanCount":11,"manualWeight":11,"mainColor":155},232350,"he-er-bai-yin-9-he-er-bai-yin-232350","荷尔拜因9","不详","荷尔拜因","藏地不详","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[45,46,26,139,140,141,28,7,142,143,144,145,146,147,148,149],"男性","服饰","衣帽","地毯","窗帘","室内","金属饰品","毛皮装饰","织物纹理","宝石装饰","写实技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1398b5b5d94b5d7f5ab1e45a21e7b24.jpg","未知","Xcm*Xcm",[],6,"37474F",{"id":157,"slug":158,"title":159,"dynasty":134,"author":135,"museum":136,"description":137,"tags":160,"thumbUrl":175,"material":151,"size":152,"collection":32,"collections":176,"showCount":177,"zanCount":11,"manualWeight":11,"mainColor":35},232515,"he-er-bai-yin-174-he-er-bai-yin-232515","荷尔拜因174",[161,26,76,162,75,163,164,7,165,166,167,168,52,169,170,171,172,173,174],"宗教","素描","天使","恶魔","天平","怪兽","翅膀","铠甲","装饰纹样","底座","神话生物","武器","称量工具","竖幅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F397e2eb2133791e351d36266ae48288e.jpg",[],5,{"id":179,"slug":180,"title":181,"dynasty":134,"author":182,"museum":136,"description":183,"tags":184,"thumbUrl":192,"material":151,"size":152,"collection":32,"collections":193,"showCount":194,"zanCount":11,"manualWeight":11,"mainColor":155},230614,"rembrandt-harmensz-van-rijn-0196-lun-bo-lang-230614","Rembrandt Harmensz.van Rijn - 0196","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[45,46,185,26,186,28,7,187,188,189,190,191],"明暗对比","盔甲","披风","金属质感","布料","武士","光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c531e21f0bd2eb90c700302c1fc1426.jpg",[],4,{"id":196,"slug":197,"title":198,"dynasty":68,"author":92,"museum":136,"description":199,"tags":200,"thumbUrl":205,"material":151,"size":152,"collection":32,"collections":206,"showCount":207,"zanCount":11,"manualWeight":11,"mainColor":208},275260,"sha-yu-pi-bing-pi-qiao-jian-yi-ming-275260","鲨鱼皮柄皮鞘剑","剑柄以鲨鱼皮裹覆，鎏金饰片錾镂缠枝纹，嵌石点缀，凝敛雅致华贵。剑鞘髹翠绿漆地，配鎏金雕花构件，朱红宝托承托饰件，晕开复古雍容的气韵。旧缎绦带垂拂，泛黄流苏晕染着经年岁月的痕迹。\n\n整器制式规整庄重，将武备实用与华贵装饰融为一体，尽显造办精工考究，静静沉淀着旧时光里的宫廷仪制风华，藏着往昔的礼制威严与匠心巧思。",[28,7,201,202,203,204],"鲨鱼皮柄","皮鞘","织带","金属装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feff12ff9a30bc149042cde3297ad2fdd.jpg",[],2,"F48FB1",{"id":210,"slug":211,"title":212,"dynasty":134,"author":213,"museum":136,"description":214,"tags":215,"thumbUrl":228,"material":151,"size":152,"collection":32,"collections":229,"showCount":207,"zanCount":11,"manualWeight":11,"mainColor":230},231973,"de-jia-3-de-jia-231973","德加3","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[216,217,47,218,219,220,140,7,221,191,222,223,224,225,226,227],"印象派","色粉画","戏剧场景","动态捕捉","夸张表情","舞台","笔触奔放","人物互动","古装","道具","场景氛围","人物动态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b5491b6960634c88a8e46ab35783fae.jpg",[],"795548",{"id":232,"slug":233,"title":234,"dynasty":68,"author":92,"museum":136,"description":235,"tags":236,"thumbUrl":238,"material":151,"size":152,"collection":32,"collections":239,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":35},275734,"hong-mu-bing-mu-qiao-qie-yu-jian-yi-ming-275734","红木柄木鞘切玉剑","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[28,7,237],"木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84a3e37e2b6497b475add5e941c3df9c.jpg",[],{"id":241,"slug":242,"title":243,"dynasty":68,"author":92,"museum":136,"description":244,"tags":245,"thumbUrl":249,"material":151,"size":152,"collection":32,"collections":250,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":35},275461,"qian-long-di-zi-yi-hao-chu-yun-jian-yi-ming-275461","乾隆地字一号“出云”剑","此剑鞘身朱红莹润，鎏金饰件錾刻缠枝宝相花纹，卷草灵动舒展，纹饰细密精巧，尽显华贵雍容。握柄缠裹黄绒，系绦结垂流苏，带着旧日仪典的庄重雅致。\n\n它褪去利刃的杀伐戾气，更似陈设重器，将盛世顶尖造办工艺凝于一身，每一处雕花都藏着宫廷匠作的极致匠心，是清代武备礼制与金漆细作交融的典范，静述着百年皇家器物的威仪与精致。",[28,7,246,247,248],"金饰","漆器","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b1d51ed14802b52c45bed71c3e1edcd.jpg",[],{"id":252,"slug":253,"title":254,"dynasty":68,"author":92,"museum":136,"description":255,"tags":256,"thumbUrl":261,"material":151,"size":152,"collection":32,"collections":262,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":263},275258,"fu-chu-bing-rong-qiao-dan-shu-ke-jian-yi-ming-275258","佛杵柄绒鞘丹书克剑","此剑绒鞘鎏金裹身，铜质装具镶嵌红蓝宝饰，华贵内敛。剑柄取佛杵造型，晕染出浓郁梵域意蕴，垂坠的流苏柔化了兵刃的冷冽，凭添雅致。\n\n装具打磨细腻流畅，宝石排布错落有致，历经岁月的鎏金仍泛着温润光泽，足见工艺精湛卓绝。它不再是单纯的杀伐兵刃，更是融宗教意涵与匠心工巧的藏品，将武备威仪与神性意象相融，藏起锋芒，尽显庄重华贵。静静伫立间，似在诉说旧时审美与信仰交织的独特风貌，把杀伐之器淬炼成兼具神性与美感的珍物。",[28,7,257,161,258,259,260],"金器","佛杵","镶宝","绒鞘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4fff95e26263003fb40c39d8ef06eac.jpg",[],"FFFFFF",{"id":265,"slug":266,"title":267,"dynasty":134,"author":268,"museum":136,"description":269,"tags":270,"thumbUrl":278,"material":151,"size":152,"collection":32,"collections":279,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":230},232566,"mi-lai-si-110-yue-han-ai-fu-li-te-mi-lai-si-232566","米莱斯110","约翰·埃弗里特米莱斯","John 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