[{"data":1,"prerenderedAt":131},["ShallowReactive",2],{"subject-jian-zhu-gou-jian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2935,"jian-zhu-gou-jian","建筑构件","建筑构件画高清赏析","精选中国历代建筑构件题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc81d8ebc876dfac37bba56c0223ea663.jpg",0,6,[14,43,69,87,100,116],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":38,"collections":39,"showCount":40,"zanCount":41,"manualWeight":11,"mainColor":42},216272,"er-shi-si-xiao-tu-20-chou-ying-216272","二十四孝图-20","明","仇英","藏地不详","二十四孝图是明朝时期著名的书画作品，由仇英创作。它描绘了中国传统文化中的二十四种孝道场景。二十四孝图的内容涵盖了人生各个阶段的孝道行为，从小学阶段的“孝悌忠信”到晚年的“慈孝双全”。这幅作品在明朝时期广受欢迎，并被视为一部重要的文化遗产。",[23,24,25,26,27,28,29,30,31,32,33,7,34,35],"名画","国画","书画","工笔","设色","人物","古代服饰","室内建筑","孝主题","明代","传统服饰","室内场景","人物互动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24f72fe8f1633c28ef8d5e6987d97a2f.jpg","绢本,设色","",[],21,1,"795548",{"id":44,"slug":45,"title":46,"dynasty":47,"author":48,"museum":49,"description":50,"tags":51,"thumbUrl":10,"material":65,"size":66,"collection":38,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":42},222914,"hong-lou-meng-39-sun-wen-222914","红楼梦39","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[52,24,26,27,28,53,54,55,56,57,58,59,60,7,61,62,63,64],"高清","楼阁","庭院","树木","芭蕉","花卉","栏杆","假山","荷塘","石径","盆栽","服饰","园林","绢本","纵43.3厘米、横76.5厘米",[],17,{"id":70,"slug":71,"title":72,"dynasty":73,"author":74,"museum":20,"description":75,"tags":76,"thumbUrl":81,"material":82,"size":83,"collection":38,"collections":84,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":86},253647,"hu-wen-wa-dang-yi-ming-253647","虎纹瓦当","汉","佚名","瓦当，是指古代中国建筑中覆盖建筑檐头筒瓦前端的遮挡。特指东汉和西汉时期，用以装饰美化和蔽护建筑物檐头的建筑附件。瓦当上刻有文字、图案，也有用四方之神的“朱雀”“玄武”“青龙”“白虎”做图案的， [1] 是屋檐最前端的一片瓦为瓦当，瓦面上带着有花纹垂挂圆型的挡片。\n瓦当的图案设计优美，字体行云流水，极富变化，有云头纹、几何形纹、饕餮纹、文字纹、动物纹等等，为精致的艺术品，属于中国特有的文化艺术遗产。",[73,77,78,79,80,7],"陶","雕刻","兽","虎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f4842a490ae045b92f33dbaba650ce8.jpg","未知","Xcm*Xcm",[],3,"BDBDBD",{"id":88,"slug":89,"title":90,"dynasty":18,"author":74,"museum":20,"description":91,"tags":92,"thumbUrl":97,"material":82,"size":83,"collection":38,"collections":98,"showCount":99,"zanCount":11,"manualWeight":11,"mainColor":42},255304,"mu-diao-cai-hui-jian-zhu-qian-jian-zuo-yi-ming-255304","木雕彩绘建筑嵌件座","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[93,94,95,78,7,96],"木质","木雕","彩绘","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F196262fcad7f75cc6f5c51e537065890.jpg",[],2,{"id":101,"slug":102,"title":103,"dynasty":104,"author":105,"museum":20,"description":106,"tags":107,"thumbUrl":114,"material":82,"size":83,"collection":38,"collections":115,"showCount":99,"zanCount":11,"manualWeight":11,"mainColor":42},231975,"de-jia-4-de-jia-231975","德加4","不详","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[108,109,110,111,112,28,113,7,34],"印象派","色粉画","光影表现","速写感","包厢","浮雕装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44dc1e636a4409d670695bdd54e92041.jpg",[],{"id":117,"slug":118,"title":119,"dynasty":104,"author":74,"museum":20,"description":120,"tags":121,"thumbUrl":129,"material":82,"size":83,"collection":38,"collections":130,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":86},289221,"giuseppe-bernardino-bison-drawing-of-a-bracket-with-two-telamones-chained-up-yi-ming-289221","Giuseppe Bernardino Bison--Drawing of a Bracket with Two Telamones Chained up","这幅素描以明暗晕染构筑磅礴张力，两名特拉蒙巨像被锁链缚身，腰背弓曲，肌肉虬结紧绷，将千钧承重的压迫感具象化。粗粝须发与鼓胀筋肉迸发狂野力量，锁链缠缚更添悲怆宿命感，仿佛能听见他们隐忍的低吼。\n\n下方带翼神兽低垂颅首，与巨像沉郁姿态呼应，让画面构图浑然一体。淡墨铺陈出厚重体积，排线勾勒衣褶褶皱，明暗过渡柔和自然，寥寥数笔便将石雕的冰冷质感，与人物悲愤神态融为一体，让装饰托架挣脱匠气，成为凝固的苦难与力量的颂歌。",[122,123,124,125,126,127,7,128],"素描","人物画","神话题材","壮汉","锁链","怪兽","明暗画法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa59354f92924f9f33696be3eafd2f26d.jpg",[],1777535747595]