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Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,28,29,30,7,31,32,33,34,35,36],"印象派","油画","光影","色彩明快","笔触细碎","海面","远山","雪山","城堡","船只","天空","云朵","岩石","午后","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa941d4cf8ef5e9c54d2075b9540d6dd3.jpg","未知","Xcm*Xcm","油画精选",[40],167,1,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":49,"author":50,"museum":20,"description":51,"tags":52,"thumbUrl":74,"material":75,"size":76,"collection":77,"collections":78,"showCount":79,"zanCount":80,"manualWeight":11,"mainColor":81},216372,"ri-ben-chang-hen-ge-tu-juan-shang-juan-shou-ye-shan-xue-216372","日本· 长恨歌图卷(上卷)","明","狩野山雪","整套作品分为两卷，大约在1646年绘制，描绘了唐明皇和杨贵妃之间凄美的爱情故事。上卷描绘了从汉朝皇帝爱国到杨贵妃死在马嵬坡的爱情故事。第二卷主要讲述明朝皇帝对她的无尽思念。",[53,54,55,56,57,58,59,60,61,62,63,64,65,66,67,32,68,69,70,71,72,7,73],"高清","国画","长卷","设色","工笔","界画","人物","楼阁","小桥","流水","山水","树木","宫殿","山石","花卉","火焰","庭院","栏杆","台阶","旗帜","亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48e3d4c1126d36ec141e6a2311af7404.jpg","绢本,设色","31.5x1048.4","人物画精选",[77],83,3,"795548",{"id":83,"slug":84,"title":85,"dynasty":86,"author":87,"museum":88,"description":89,"tags":90,"thumbUrl":100,"material":101,"size":102,"collection":77,"collections":103,"showCount":105,"zanCount":43,"manualWeight":11,"mainColor":44},238124,"kang-xi-nan-xun-tu-juan-wang-hui-238124","康熙南巡图卷","清","王翚","北京故宫博物院","康熙皇帝是清朝入关以后的第二代皇帝，在位期间，为了解民情，视察河防，尤其是为平息江南地区民众的反清情绪，从康熙二十三年（1684年）到康熙四十六年（1707年）间，曾经有过6次南巡的盛举。每次南巡，皇帝一行从京师出发，时而车骑，时而舟船，一直抵达浙江的绍兴。出巡活动浩浩荡荡，兴师动众，地方官员迎来送往，花费惊人。《红楼梦》作者曹雪芹的祖父曹寅当时任江宁织造，曾数次接驾。曹雪芹在小说中借凤姐之口说：“说起当年太祖皇帝仿舜巡的故事，比一部书还热闹……只预备接驾一次，把银子花的像淌海水似的！”可见其豪华排场。\n在康熙二十八年（1689年）第二次南巡结束后，根据皇帝的命令，由曹寅之弟曹筌任“《南巡图》监画”，征召画家开始绘制《康熙南巡图》。该图共十二巨卷，详细描绘了整个南巡过程。十二卷图现已不复完整，尚存九卷，第一、第九、第十、第十一、第十二卷藏于北京故宫博物院；第二、第四卷现藏法国巴黎的吉美博物馆；第三、第七卷现藏美国纽约的大都会艺术博物馆。\n《康熙南巡图》十二卷是由著名画家王翚领衔主绘的，参与绘制的画家还有冷枚、王云、杨晋等，全图历时六年方告完成。",[56,57,58,59,60,65,91,92,72,64,93,94,69,7,95,96,97,98,99],"马","队列","城墙","街道","仪仗","骑兵","步兵","城池","门楼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4edf3f1428ff622207f310b8322c2e7d.jpg","绢本，设色","纵67.8厘米，横1400至2600厘米",[77,104],"设色画精选",77,{"id":107,"slug":108,"title":109,"dynasty":18,"author":110,"museum":20,"description":111,"tags":112,"thumbUrl":120,"material":38,"size":39,"collection":40,"collections":121,"showCount":122,"zanCount":43,"manualWeight":11,"mainColor":44},225717,"bleaching-ground-at-scheveningen-1882-fan-gao-225717","Bleaching Ground at Scheveningen 1882","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[24,113,59,114,33,7,115,116,117,118,119],"写实","草地","木栅栏","晾晒物","土路","多云","粗犷笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2523837246725860aa9e6b5694db722.jpg",[40],45,{"id":124,"slug":125,"title":126,"dynasty":86,"author":127,"museum":128,"description":129,"tags":130,"thumbUrl":145,"material":101,"size":146,"collection":147,"collections":148,"showCount":122,"zanCount":149,"manualWeight":11,"mainColor":44},223096,"zi-guang-ge-ci-yan-tu-juan-yao-wen-han-223096","紫光阁赐宴图卷","姚文瀚","台北故宫博物院","乾隆二十五年（1761年），紫光阁修缮完成，乾隆下旨将平定准部、回部的100名功臣画像张悬于四壁。次年正月，乾隆皇帝又在此设庆功宴，王公贵族、文武大臣、蒙古族首领以及西征将士百余人出席。此幅描绘了当时宴庆的宏大场面。图中建筑借助西洋绘画手法而沿用中国画传统的手卷形式来表现。位于中南海内的紫光阁始建于明代，到清代成为皇帝阅射和殿试武举之所，乾隆时重修，至今依然保持着当年盛世的形貌，图画中之建筑与紫光阁实景两相对照，饶有情趣。",[53,57,56,58,59,60,131,64,72,132,92,69,133,95,134,135,7,71,136,137,138,139,140,141,142,143,144],"飞鸟","帐篷","宫殿式建筑","人群","冬季树木","红色服饰","蓝色服饰","黄色帐篷","落叶树","常绿树","旗帜飘扬","飞鸟群","平台","围栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb785c231aa7f19856cb11465734c15e7.jpg","纵45.7厘米，横486.5厘米","",[],4,{"id":151,"slug":152,"title":153,"dynasty":86,"author":154,"museum":155,"description":156,"tags":157,"thumbUrl":163,"material":164,"size":165,"collection":147,"collections":166,"showCount":167,"zanCount":11,"manualWeight":11,"mainColor":44},222964,"hong-lou-meng-89-sun-wen-222964","红楼梦89","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[53,54,57,56,158,63,60,61,62,59,73,64,66,69,159,70,7,29,160,161,162],"青绿","路径","近水","植被","园林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47977a652d2d5f9e1117cd7b5f61cae4.jpg","绢本","纵43.3厘米、横76.5厘米",[],22,{"id":169,"slug":170,"title":171,"dynasty":18,"author":19,"museum":20,"description":21,"tags":172,"thumbUrl":185,"material":38,"size":39,"collection":40,"collections":186,"showCount":187,"zanCount":11,"manualWeight":11,"mainColor":44},226072,"the-grand-canal-in-venice-01-1908-mo-nai-226072","The Grand Canal in Venice 01, 1908",[23,24,173,174,175,176,7,177,178,179,180,181,182,183,184],"运河","水波","倒影","穹顶建筑","水中木桩","光影捕捉","色彩晕染","水面反光","欧式建筑","水域景观","笔触轻快","色彩交织","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11be3044b095f8f7405a23b732e876c4.jpg",[40],20,{"id":189,"slug":190,"title":191,"dynasty":18,"author":19,"museum":20,"description":21,"tags":192,"thumbUrl":205,"material":38,"size":39,"collection":40,"collections":206,"showCount":12,"zanCount":43,"manualWeight":11,"mainColor":44},225969,"late-afrternoon-vetheuil-1880-mo-nai-225969","Late Afrternoon, Vetheuil, 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1880",[24,23,212,195,213,214,215,7,216,175],"光影表现","破冰","水面","枯树","阴天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61d984b2d599ac77589c8f445a201b41.jpg",[40],14,{"id":221,"slug":222,"title":223,"dynasty":18,"author":19,"museum":20,"description":21,"tags":224,"thumbUrl":231,"material":38,"size":39,"collection":40,"collections":232,"showCount":233,"zanCount":11,"manualWeight":11,"mainColor":44},226024,"san-giorggio-maggiore-1908-mo-nai-226024","San Giorggio Maggiore, 1908",[24,23,212,179,225,226,227,198,228,7,229,33,230,32],"朦胧笔触","水域","小船","钟楼","水面波纹","远景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87d982d8d320fa2db48e60dd9adcfb75.jpg",[40],11,{"id":235,"slug":236,"title":237,"dynasty":18,"author":19,"museum":20,"description":21,"tags":238,"thumbUrl":242,"material":38,"size":39,"collection":40,"collections":243,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":245},225948,"houses-of-parliament-fog-effect-1903-mo-nai-225948","Houses of Parliament, Fog Effect, 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Rue de lEpicerie à Rouen, 1892",[23,24,212,275,179,276,277,278,94,279,7,280,281],"笔触自由","教堂塔楼","哥特式尖顶","城市建筑","屋顶","城市景观","朦胧感","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd53bbf65a06785fff85100728ef14c9c.jpg",[40],6,{"id":286,"slug":287,"title":288,"dynasty":86,"author":289,"museum":20,"description":290,"tags":291,"thumbUrl":295,"material":147,"size":147,"collection":147,"collections":296,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},238591,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238591","平定两金川得胜图册","佚名","本作以全景式构图铺展战地实景，苍劲皴笔绘就层叠山峦，尽显川西山地的崎岖冷峻。山间错落排布碉楼工事，壁垒森严，还原征伐阵地的险峻格局。河谷山道间兵勇奔突厮杀，动态跃然纸上，将战地的肃杀紧张凝于笔端。\n\n左侧题字以工整小楷记述战事细节，图文相辅，既是纪实绘卷，亦是军功纪实的载体。笔墨克制肃穆，以冷峻写实的笔触复刻铁血战事，兼具纪实史料价值与古典绘画的厚重质感，将征伐过往定格为纸面史痕。",[54,57,265,58,63,60,59,91,292,66,64,293,294,7],"兵器","道路","堡垒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F260fa1acbd54f8d4ec982a429c25fdd6.jpg",[],1777535724964]