[{"data":1,"prerenderedAt":364},["ShallowReactive",2],{"subject-jian-zhu-zhuang-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3927,"jian-zhu-zhuang-shi","建筑装饰","建筑装饰画高清赏析","精选中国历代建筑装饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa93316b2f943f9790c60e28115b7951e.jpg",0,23,[14,43,64,88,116,128,139,147,158,174,192,208,221,235,248,258,269,277,291,300,315,334,349],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":42},230654,"wu-liang-shou-fu-jing-tu-xiang-xi-zang-tang-ka-230654","无量寿佛净土像","不详","西藏唐卡","藏地不详","西藏唐卡是用彩缎装饰成的一种卷轴画，多数是在布面、绢面和纸面上进行彩画，还有许多刺绣、织锦、绎丝和贴花等织物唐卡，历来被人们视为珍宝。\n西藏唐卡是用彩缎装饰成的一种卷轴画，具有鲜明的民族特点、浓郁的宗教色彩和独特的艺术风格，历来被人们视为珍宝。唐卡的质地是多种多样的。多数是在布面、绢面和纸面上进行彩画，还有许多刺绣、织锦、绎丝和贴花等织物唐卡。西藏唐卡的主要内容是反映宗教这一主题，作为宗教文化，唐卡是前人留下来的历史遗产，是研究古代绘画艺术的宝贵资料。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7],"高清","唐卡","宗教","设色","工笔","重彩","人物","楼阁","祥云","山水","花卉","流水","宗教造像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10df8168c8017de1f6c15027c9a30589.jpg","未知","Xcm*Xcm","",[],61,"37474F",{"id":44,"slug":45,"title":46,"dynasty":47,"author":48,"museum":49,"description":50,"tags":51,"thumbUrl":60,"material":37,"size":38,"collection":39,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},226349,"ku-zhu-shi-nan-bi-yi-ming-226349","窟主室南壁","唐","佚名","敦煌","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[52,26,53,25,54,55,30,56,29,57,58,59,7],"壁画","界画","洞窟","佛像","飞鸟","兽","飞天","龛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4dfaa5206eec695f799960c865e1ce4.jpg",[],21,"795548",{"id":65,"slug":66,"title":67,"dynasty":68,"author":69,"museum":70,"description":71,"tags":72,"thumbUrl":83,"material":84,"size":85,"collection":39,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":63},222934,"hong-lou-meng-59-sun-wen-222934","红楼梦59","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[23,73,74,27,26,75,29,30,76,77,78,79,80,81,82,7],"国画","书画","长卷","庭院","树木","灯笼","红毡","桌椅","衣帽","囍字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5aa40ea55077a83e675754b5870e9bb8.jpg","绢本","纵43.3厘米、横76.5厘米",[],19,{"id":89,"slug":90,"title":91,"dynasty":68,"author":92,"museum":93,"description":94,"tags":95,"thumbUrl":111,"material":112,"size":113,"collection":39,"collections":114,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":63},222864,"shi-gong-ci-tu-ce-03-leng-mei-222864","十宫词图册03","冷枚","北京故宫博物院","此套图册共10开，描绘历代贤德后妃或贵族女子的故事，和《养正图》册具有同样鲜明的教育意义。对题有梁诗正书写的弘历承继帝位前于雍正十三年（1735年）所作的诗句，与图画互为辉映。\n由于图册以历代宫廷生活为题，故每幅画面均有对宫廷建筑的描绘，但因为作者只是宫廷画工，并不具备对前代建筑的了解与认知，同时历史人物画“成教化，助人伦”的政治功用也淡化了这些作为人物故事背景的历代宫廷建筑，使其更多地带有装饰性与程式化色彩，并没有呈现出不同时代的建筑风貌。值得注意的是，册中建筑的描绘均采用“海西画法”，冷枚作品中体现的这种画风特性，是在中国传统界画的基础上运用透视法增强画面的空间深度感并以明暗关系区分阴阳向背，说明曾为康熙皇帝所赏识的“海西法”在雍正、乾隆朝的宫廷建筑绘画中已被日渐欣赏和接受。",[23,73,74,96,26,27,97,98,29,30,76,99,100,101,102,77,103,104,105,106,107,108,109,7,110],"册","行书","印章","廊","圆门","石阶","路径","花木","古典建筑","园林景观","传统服饰","人物群像","书法题跋","印鉴","人物互动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bbdacdc2555c58cb249651b9849937a.jpg","绢本，设色","纵33.1厘米，横29.3厘米",[],16,{"id":117,"slug":118,"title":119,"dynasty":68,"author":69,"museum":70,"description":71,"tags":120,"thumbUrl":10,"material":84,"size":85,"collection":39,"collections":125,"showCount":126,"zanCount":11,"manualWeight":11,"mainColor":127},222887,"hong-lou-meng-12-sun-wen-222887","红楼梦12",[23,121,27,26,53,29,30,76,77,122,123,124,7],"清代","宅院","门窗","侍女",[],13,"BDBDBD",{"id":129,"slug":130,"title":131,"dynasty":47,"author":48,"museum":49,"description":50,"tags":132,"thumbUrl":136,"material":37,"size":38,"collection":39,"collections":137,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":42},226331,"ku-zhu-shi-ping-qi-ding-ping-qi-ding-yi-ming-226331","窟主室平棋顶平棋顶",[52,26,133,134,135,25,7],"雕刻","装饰图案","几何纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ff5c0b66220f1f068679cad4da69f58.jpg",[],9,{"id":140,"slug":141,"title":142,"dynasty":47,"author":48,"museum":49,"description":50,"tags":143,"thumbUrl":145,"material":37,"size":38,"collection":39,"collections":146,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":127},226279,"ku-yong-dao-nan-bi-yi-ming-226279","窟甬道南壁",[52,26,25,7,144,56],"云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78894b3319599bdfb14befbd491ed155.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":68,"author":48,"museum":20,"description":151,"tags":152,"thumbUrl":155,"material":37,"size":38,"collection":39,"collections":156,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":63},288001,"xi-yang-lou-tou-shi-tu-tong-ban-hua-yi-ming-288001","西洋楼透视图铜版画","这帧装帧以满幅连续纹样铺陈，深褐底色衬出暗绿缠枝造型，将洛可可的柔婉卷草与中式吉祥纹案相融，排布规整却不失灵动韵律。细密刻纹尽显铜版工艺的精湛，暗哑色调晕开旧时光的厚重质感，在方寸之间织就复古华丽的视觉层次，静述着东西美学碰撞下的独特雅致，让装帧也成为一件兼具装饰性与工艺价值的精巧造物。",[153,154,30,53,7],"铜版画","版画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F318b289314360ab07e1313b5aa6903d1.jpg",[],6,{"id":159,"slug":160,"title":161,"dynasty":18,"author":48,"museum":20,"description":162,"tags":163,"thumbUrl":171,"material":37,"size":38,"collection":39,"collections":172,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":127},289495,"bernardino-india-design-for-a-wall-decoration-over-an-arched-doorway-yi-ming-289495","Bernardino India--Design for a Wall Decoration over an Arched Doorway","整体采用对称构图，以中央纹章锚定视觉重心，涡卷茛苕纹与兽面雕饰缠绕勾勒框架，华丽繁复尽显巴洛克装饰意趣。左右画框内的女性喻像一威一静，左者持杖端坐气场威仪，右者倚柱安坐气质柔静，中央立像英挺矫健，借古典人形体颂权力与德行。\n画师以利落明暗晕染铺陈体积感，刚柔并济的线条刻画出拟石的厚重肌理，将古典人文的典雅与巴洛克的华丽动感相融，适配拱门上楣的装饰形制，让庄重气场与灵动韵律共生，尽显古典装饰设计的精妙巧思。",[164,165,52,29,166,167,25,168,7,169,170],"素描","装饰画","狮子","拱门","古典风格","纹章","设计稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1448e1fb7daa0c7d469160298c7b0794.jpg",[],2,{"id":175,"slug":176,"title":177,"dynasty":18,"author":178,"museum":20,"description":179,"tags":180,"thumbUrl":190,"material":37,"size":38,"collection":39,"collections":191,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":127},232497,"he-er-bai-yin-156-he-er-bai-yin-232497","荷尔拜因156","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[164,181,182,7,183,184,185,186,187,188,189],"淡彩","线描","柱子","兽首","人物形象","雕刻纹样","器物","涡卷纹","编织纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8596b87575395e30d48d10325f044401.jpg",[],{"id":193,"slug":194,"title":195,"dynasty":18,"author":178,"museum":20,"description":179,"tags":196,"thumbUrl":206,"material":37,"size":38,"collection":39,"collections":207,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":63},232379,"he-er-bai-yin-38-he-er-bai-yin-232379","荷尔拜因38",[153,197,29,198,199,7,200,201,202,203,204,205],"写实","贵族","碑刻","古典服饰","室内场景","线条精细","文艺复兴风格","浮雕","陈设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F776b8b23ccd1986927ba039cc9fa4a8c.jpg",[],{"id":209,"slug":210,"title":211,"dynasty":18,"author":48,"museum":20,"description":212,"tags":213,"thumbUrl":218,"material":37,"size":38,"collection":39,"collections":219,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":127},289299,"orazio-samacchini-study-for-the-decoration-of-a-vault-yi-ming-289299","Orazio Samacchini--Study for the Decoration of a Vault","以十字架构承载装饰构想，灰纸之上棕色调笔晕开柔和明暗，勾勒出浮雕般的立体层次。左侧沉思的半裸男子肌肉起伏自然，衣褶垂坠写实；右侧执笔文士姿态舒展，似在镌刻人文哲思。顶部卧兽配搭涡卷雕饰，柱头人面浮雕与下方顽童相互呼应，尽显古典装饰的华丽张力。草稿自带松弛随性的质感，却精准把控了穹顶装饰的庄重平衡，将人文主题与装饰意趣完美糅合，尽显古典装饰艺术的典雅格调。",[164,214,215,29,216,168,7,217],"装饰画稿","宗教题材","兽类","白描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F210592111cb3b464d5fa5aa155f34378.jpg",[],1,{"id":222,"slug":223,"title":224,"dynasty":18,"author":48,"museum":20,"description":225,"tags":226,"thumbUrl":233,"material":37,"size":38,"collection":39,"collections":234,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":127},289274,"pierre-le-lu-corner-of-the-ambassador-s-staircase-at-versailles-yi-ming-289274","Pierre Lélu--Corner of the Ambassador's Staircase at Versailles","这幅棕色调装饰画稿以仰视视角铺展磅礴叙事，上方带翼女神持纹章权杖，威严伫立云海，尽显荣典之姿。下方健硕裸身灵怪与海神形象托举礼器，舰船构件、旌旗簇拥环伺，将军功王权揉入神话图景。明暗晕染层次分明，线条兼具张力与细腻感，巴洛克的华丽动感与古典叙事的庄严肃穆交融无间，仿佛鼓角铮鸣就在耳畔，将皇家庆典般的恢宏威仪凝于纸面。",[227,164,228,229,230,231,29,181,7,232],"西洋画","神话人物","天使","海神","宫廷","裸像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb65d031895244ce47cc11ac75abdb8e1.jpg",[],{"id":236,"slug":237,"title":238,"dynasty":18,"author":48,"museum":20,"description":239,"tags":240,"thumbUrl":246,"material":37,"size":38,"collection":39,"collections":247,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":127},289223,"giuseppe-bernardino-bison-drawing-devided-in-six-squares-including-yi-ming-289223","Giuseppe Bernardino Bison--Drawing Devided in Six Squares Including","这六格装饰线稿满溢古典巧思，上方三幅是变体柱头，巴洛克涡纹与卷草缠绕柱身，线条疏密张弛有序，虚实晕染衬出浮雕般的立体感，在古典形制里揉入华丽的动感张力。\n\n下方兽首獠牙贲张，卷叶纹饰顺着轮廓延展，将野性威仪藏进柔美的曲线里。花环圆盘纹章以缠枝纹环绕中心团花，雅致精巧。末格矮柱头延续复古装饰逻辑，纹样繁而不乱。\n\n利落的钢笔线条搭配淡墨晕染，明暗层次清晰，将装饰艺术的庄重华丽尽数铺展，是兼具设计实用性与审美性的复古装饰手稿。",[164,217,241,242,7,243,244,184,245],"线稿","装饰纹样","雕刻设计","古典纹样","花饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf1e3adaf3a0b142aabf592c361d9d56.jpg",[],{"id":249,"slug":250,"title":251,"dynasty":18,"author":48,"museum":20,"description":252,"tags":253,"thumbUrl":256,"material":37,"size":38,"collection":39,"collections":257,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":127},289222,"giuseppe-bernardino-bison-drawing-divided-in-six-squares-yi-ming-289222","Giuseppe Bernardino Bison--Drawing Divided in Six Squares","这六幅装饰草图以淡墨勾勒晕染，随性又不失章法。左上与中下方格以茛苕涡卷为饰，托举层叠的壁台式置物架，柔卷线条带着洛可可式的柔媚韵律。上方圆框内的立像庄重沉静，带着古典雕塑的肃穆质感，缠绕的卷草中和了厚重感。左下角的花叶圆盘舒展雅致，如盛放的茛苕花团，对称规整。右侧上下二幅，或是垂饰点缀的华丽泉台，或是侍女拱卫的壁间水景，将古典人像与装饰性构件巧妙融合。整体笔触松弛灵动，草稿的随性间尽显复古雅致的美学氛围，处处流露着对古典装饰语言的精妙探索。",[164,254,242,29,216,7,255],"手绘","设计草图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F750a0983da30180be0539fae56e91c8c.jpg",[],{"id":259,"slug":260,"title":261,"dynasty":18,"author":48,"museum":20,"description":262,"tags":263,"thumbUrl":267,"material":37,"size":38,"collection":39,"collections":268,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":127},289154,"gregorio-de-ferrari-ceiling-design-with-the-presentation-in-the-temple-yi-ming-289154","Gregorio de' Ferrari--Ceiling Design with the Presentation in the Temple","这幅天顶设计稿尽显巴洛克的华丽浪漫。下方拱券缠绕着层叠翻卷的茛苕涡纹，浮雕般的线条勾勒出饱满繁复的装饰细节，如同凝固的绮丽绮思。上方的圣典场景在晕染的云气中铺展开来，浅褐墨水在灰蓝纸本上晕出虚实光影，让人物仿佛腾跃于穹顶云海之间，献祭仪式的庄重感随云霭漫开。松弛却精准的草稿线条，将建筑装饰与宗教叙事浑然糅合，既保留装饰的华贵质感，又赋予神迹场景空灵缥缈的氛围，仿佛抬首便能看见圣光穿透薄雾，在穹顶之上缓缓演绎这幕神圣时刻。",[25,29,264,164,181,144,265,7,266],"天顶画设计","卷草纹","圣殿呈献","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6189d20f5677e35419535efd14b4bf89.jpg",[],{"id":270,"slug":271,"title":272,"dynasty":18,"author":48,"museum":20,"description":273,"tags":274,"thumbUrl":275,"material":37,"size":38,"collection":39,"collections":276,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":127},288703,"workshop-of-battista-franco-design-for-the-decoration-yi-ming-288703","Workshop of Battista Franco--Design for the Decoration","这幅设计稿以素描淡彩铺陈，将拱顶与墙面装饰融为一体。拱顶之上，天使与神话场景错落排布，花环与涡卷纹样穿插其间，让装饰兼具叙事性与韵律感。墙面壁龛浮雕刻画凝练，人物动态张弛有度，烘托出宗教叙事的肃穆氛围。\n\n线条精准利落，明暗晕染巧妙烘托出浮雕立体感，尽显文艺复兴晚期装饰美学。建筑结构与装饰艺术精妙融合，每一处细节都暗藏缜密巧思，将装饰的功能性与艺术性平衡得恰到好处，尽显古典艺术的庄严雅致。",[217,29,25,165,164,228,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9019c049ff59c402edd6c2b3410afcc.jpg",[],{"id":278,"slug":279,"title":280,"dynasty":18,"author":48,"museum":20,"description":281,"tags":282,"thumbUrl":289,"material":37,"size":38,"collection":39,"collections":290,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":127},288700,"workshop-of-gilles-marie-oppenord-study-for-a-garden-capriccio1-yi-ming-288700","Workshop of Gilles-Marie Oppenord--Study for a Garden Capriccio1","这件蚀刻版画以极尽华丽的巴洛克造园奇想为主题，凌厉细密的线条铺陈出层次饱满的园林水景装置。方柱上的拟人躯干像沉凝肃穆，坛瓮顶端环绕着嬉闹的小天使，柔化了石刻的冷硬。右侧水神女像持器倾注水流，狮身瑞兽伏护着纹章铭牌，奔涌的水线破开画面沉静，与左侧凭栏眺望的观景士人形成动静呼应。明暗排线塑出雕塑的厚重体积，繁复涡旋雕饰带着洛可可初兴的绮丽恣肆，将古典神话意趣与造园美学交融，仿佛能听见潺潺水声，尽显园林设计中的浪漫幻想与雕塑张力。",[283,154,182,284,285,34,286,228,287,288,7],"黑白","园林","喷泉","雕塑","狮身兽","小天使","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62af449cc8ee2d1bd40a9c11edcfd86b.jpg",[],{"id":292,"slug":293,"title":294,"dynasty":18,"author":178,"museum":20,"description":179,"tags":295,"thumbUrl":298,"material":37,"size":38,"collection":39,"collections":299,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":42},232527,"he-er-bai-yin-186-he-er-bai-yin-232527","荷尔拜因186",[25,164,217,29,183,167,296,297,7,197],"光环","长袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe79c123dbc4c380b44e2a63053d16fdc.jpg",[],{"id":301,"slug":302,"title":303,"dynasty":18,"author":178,"museum":20,"description":179,"tags":304,"thumbUrl":313,"material":37,"size":38,"collection":39,"collections":314,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":127},232501,"he-er-bai-yin-160-he-er-bai-yin-232501","荷尔拜因160",[25,29,217,305,306,167,242,307,308,309,310,311,312,7],"建筑","柱式","圣婴","圣母","服饰褶皱","古典建筑细节","素描线条","宗教人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F632b6584b83162a9ec7903481129b9da.jpg",[],{"id":316,"slug":317,"title":318,"dynasty":18,"author":178,"museum":20,"description":179,"tags":319,"thumbUrl":332,"material":37,"size":38,"collection":39,"collections":333,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":63},232453,"he-er-bai-yin-112-he-er-bai-yin-232453","荷尔拜因112",[320,321,197,322,29,323,324,325,326,7,200,327,328,329,330,331],"名画","油画","肖像","男性人物","红色帽子","黑色衣物","白色内衬","写实风格","服饰细节","建筑背景","衣物质感表现","雕花建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cdd007f102804c32bc3981ddd41950b.jpg",[],{"id":335,"slug":336,"title":337,"dynasty":18,"author":178,"museum":20,"description":179,"tags":338,"thumbUrl":347,"material":37,"size":38,"collection":39,"collections":348,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":63},232408,"he-er-bai-yin-67-he-er-bai-yin-232408","荷尔拜因67",[321,26,25,29,187,339,7,183,340,341,296,229,342,343,344,345,346],"狗","桌案","服饰","烛台","盘子","壶","杯子","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F806c37df932bf58a8ba25d124557efaf.jpg",[],{"id":350,"slug":351,"title":352,"dynasty":18,"author":178,"museum":20,"description":179,"tags":353,"thumbUrl":362,"material":37,"size":38,"collection":39,"collections":363,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":63},232389,"he-er-bai-yin-48-he-er-bai-yin-232389","荷尔拜因48",[321,197,322,29,354,7,355,356,357,297,358,309,359,360,361],"贵族服饰","服饰纹样","兵器","帽子","细节刻画","手持器物","背景雕刻","人物姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89ce9983fcc5061d587ae9139b6543bb.jpg",[],1777535718639]