[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"subject-jiang-chuan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},13550,"jiang-chuan","江船","江船画高清赏析","精选中国历代江船题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff341d05fedaf4a2a138c6beae3be607f.jpg",0,2,[14,38],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},291009,"xue-ji-jiang-xing-tu-guo-zhong-shu-291009","雪霁江行图","宋","郭忠恕","台北故宫博物院","本图描绘雪霁以后两艘巨型楼船在江边行进，船的结构与船上的物件描写详尽而严谨，还穿插水手及一些人物的活动，情节生动。无数印，上方有宋徽宗赵佶题“雪霁江行图，郭忠恕真迹”10字。据考证，该图原为长卷，后被割裂，本图为原长卷中之一段。",[23,24,25,7,26,27,28,29,30],"国画","名画","界画","雪景","江景","书法","工笔","水墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e15642e7c86d747c4b3f9e9f6daf919.jpg","未知","Xcm*Xcm","",[],37,"795548",{"id":39,"slug":40,"title":41,"dynasty":18,"author":19,"museum":42,"description":43,"tags":44,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":37},287571,"jiang-xing-xue-ji-tu-guo-zhong-shu-287571","江行雪霁图","藏地不详","郭忠恕(？-977)五代末期至宋代初期的画家，〔北宋〕字恕先，又字国宝，洛阳(今属河南)人 。\n兼精文字学、文学，善写篆、隶书和“八分体”，以楷书最为著名。 尤其“界画”为世人推重。“界画”是随着山水画发展而派生的一科，主要是画与山水画中有关的亭台楼阁、舟船车舆。《圣朝名画评》中评他的界画，为“一时之绝”，列为“神品” 。\n工书，诸体皆能。曾有人得鸟迹篆，忠恕一见辄诵如宿习。清刘熙载《艺概.书概》称：“忠恕以篆古之笔溢为分隶，独成高致。”传有《三体阴符经》、《汗简》、《佩觽》等书。其画风画技在当时和后世有较大影响。",[23,25,30,7,26,27,28,45],"印章",[],15,1777535785452]