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该画作用隐喻的手法表达了作者的爱国思想。",[50,77,23,51,93,24,54,25,7,57,150,55,30],"观潮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95da389683c26734fef1f069628021d9.jpg","纵17.4厘米，横83厘米",[63],33,{"id":156,"slug":157,"title":158,"dynasty":46,"author":159,"museum":90,"description":160,"tags":161,"thumbUrl":163,"material":82,"size":36,"collection":37,"collections":164,"showCount":165,"zanCount":11,"manualWeight":11,"mainColor":68},289588,"yan-jiang-yu-yu-tu-pu-an-289588","烟江欲雨图","朴庵","全图用笔简放雄劲，具有水墨多彩，淋漓尽致的效果。树干树枝随手点画，人物、小舟更信手勾画，画法生动活泼。是南宋马夏一派的佳作。",[23,24,107,162,7,58,57],"烟雨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe60dc6f53335e9ffa22bf95943de7b1f.jpg",[],22,{"id":167,"slug":168,"title":169,"dynasty":46,"author":122,"museum":90,"description":123,"tags":170,"thumbUrl":174,"material":82,"size":36,"collection":37,"collections":175,"showCount":176,"zanCount":11,"manualWeight":11,"mainColor":41},289451,"cheng-jiang-bi-xiu-tu-zhao-bo-ju-289451","澄江碧岫图",[23,77,171,25,7,172,95,58,54,125,173,53],"扇面","舟船","静谧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0425698f92ed84c5738bd73d1af16597.jpg",[],20,{"id":178,"slug":179,"title":180,"dynasty":181,"author":182,"museum":183,"description":184,"tags":185,"thumbUrl":189,"material":190,"size":191,"collection":37,"collections":192,"showCount":176,"zanCount":11,"manualWeight":11,"mainColor":41},214485,"he-yi-shan-shui-tu-ce-2-he-yi-214485","赫奕山水图册-2","清","赫奕","旅顺博物馆","清代画家赫奕的山水图册是一件著名的绘画作品，它描绘了中国传统的山水风景。\n\n这件作品的画风精细，色彩鲜艳，构图巧妙。画中的山水风景清新自然，体现了赫奕对自然的热爱和对传统文化的尊重。他运用了山水画的特点，使得整件作品显得舒缓而优美。\n\n赫奕是清代著名的画家，他的作品擅长运用色彩和线条来表现自然的美感。在山水图册中，他运用了清新的色彩和精细的线条来描绘山水风景，使得整件作品显得舒缓而美丽。同时，他还运用了巧妙的构图来表现山水的层次感，使得这件作品充满生命力和真实感。\n\n总的来说，赫奕的山水图册是一件精美的绘画作品，它描绘了中国传统的山水风景，也体现了赫奕对自然的热爱和对传统文化的尊重。通过这件作品，我们不仅能感受到赫奕的画风魅力，还能了解中国传统的山水风情。",[50,23,186,24,54,53,25,58,187,94,57,28,112,127,188,7],"册","房屋","近树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c4892d0aedc2558783662d11734848d.jpg","纸本,设色","34x25cm",[],{"id":194,"slug":195,"title":196,"dynasty":46,"author":73,"museum":90,"description":197,"tags":198,"thumbUrl":199,"material":82,"size":36,"collection":37,"collections":200,"showCount":201,"zanCount":11,"manualWeight":11,"mainColor":68},287571,"jiang-xing-xue-ji-tu-guo-zhong-shu-287571","江行雪霁图","郭忠恕(？-977)五代末期至宋代初期的画家，〔北宋〕字恕先，又字国宝，洛阳(今属河南)人 。\n兼精文字学、文学，善写篆、隶书和“八分体”，以楷书最为著名。 尤其“界画”为世人推重。“界画”是随着山水画发展而派生的一科，主要是画与山水画中有关的亭台楼阁、舟船车舆。《圣朝名画评》中评他的界画，为“一时之绝”，列为“神品” 。\n工书，诸体皆能。曾有人得鸟迹篆，忠恕一见辄诵如宿习。清刘熙载《艺概.书概》称：“忠恕以篆古之笔溢为分隶，独成高致。”传有《三体阴符经》、《汗简》、《佩觽》等书。其画风画技在当时和后世有较大影响。",[23,76,24,137,138,7,30,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff341d05fedaf4a2a138c6beae3be607f.jpg",[],15,{"id":203,"slug":204,"title":205,"dynasty":181,"author":206,"museum":147,"description":207,"tags":208,"thumbUrl":214,"material":215,"size":37,"collection":37,"collections":216,"showCount":217,"zanCount":11,"manualWeight":11,"mainColor":41},234162,"yan-zi-ji-mo-chou-hu-er-jing-tu-juan-wu-hong-234162","燕子矶莫愁湖二景图卷","吴宏","吴宏（1615 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