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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[49,37,74,39,40,7,85,51,38,86,87],"方盘","纹饰","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff675eebabefeb23603f3e8bde1b44632.jpg",[],{"id":91,"slug":92,"title":93,"dynasty":18,"author":19,"museum":20,"description":94,"tags":95,"thumbUrl":97,"material":26,"size":27,"collection":28,"collections":98,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":99},248697,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-gai-hu-yi-ming-248697","黑漆描金缠枝莲团锦纹成份餐具-酱色盖壶","此壶造型简约隽秀，筒状器身饱满挺括，短流圆把线条舒展协调，与器身浑然一体。酱色漆层匀净莹润，色泽沉静醇厚，盖沿以玄色镶边，明暗撞色更衬出漆色的温润质感。无过多纹饰缀饰，以素净之态凸显漆艺本身的雅致韵味，将日常饮茶的实用需求与古典审美精妙相融，尽显内敛克制的东方美学意趣，静静流露着传统工艺的沉静之美。",[49,74,39,40,51,37,96,7],"盖壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbee5ceceb0bb78ac2049a15301aaa67d.jpg",[],"BDBDBD",{"id":101,"slug":102,"title":34,"dynasty":18,"author":19,"museum":20,"description":35,"tags":103,"thumbUrl":105,"material":26,"size":27,"collection":28,"collections":106,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":99},248696,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-wan-yi-ming-248696",[49,37,38,39,40,42,50,7,51,58,104],"团锦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1affa543c5204efe946d218ee69953de.jpg",[],{"id":108,"slug":109,"title":110,"dynasty":18,"author":19,"museum":20,"description":111,"tags":112,"thumbUrl":113,"material":26,"size":27,"collection":28,"collections":114,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":99},248693,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-die-yi-ming-248693","黑漆描金缠枝莲团锦纹成份餐具-酱色碟","此碟造型温婉雅致，敞口浅腹下接内敛圈足，线条舒展柔和，尽显秀逸之态。通体酱色釉面匀净莹润，如赤珀凝脂，色泽沉敛静穆，自带沉静古朴的质感。口沿以黑漆镶边，冷暖色调相映，勾勒出利落精致的轮廓。\n\n它弃绝繁复装饰，以素面彰显极简意蕴，将含蓄克制的审美意趣藏于其中，于质朴之间尽显冲淡平和的东方美学，静静诉说着旧时雅致日常的松弛意韵。",[49,37,38,58,40,41,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07b81da47d5287f906c94f7d81ec0133.jpg",[],{"id":116,"slug":117,"title":118,"dynasty":18,"author":19,"museum":20,"description":119,"tags":120,"thumbUrl":122,"material":26,"size":27,"collection":28,"collections":123,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":99},248688,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-die-yi-ming-248688","黑漆描金缠枝莲团锦纹成份餐具--酱色碟","敞口浅腹搭配利落挺拔的高圈足，器型舒展简约，线条温婉流畅，尽显内敛雅致的清代造物意趣。通体施酱红漆，漆面匀净莹润，色泽沉穆内敛如琥珀凝脂，低调间尽显雅致质感。\n它褪去繁饰，以素净之态诠释器物本真之美，将实用与审美融于一体，尽显传统漆作工艺的含蓄匠心，静静诉说旧时食案间的雅致意趣，是清代日常漆作中素雅隽永的典型。",[18,37,38,39,40,121,51,7],"碟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58990efddc0c8a9ba4b546d6f60f8377.jpg",[],{"id":125,"slug":126,"title":127,"dynasty":18,"author":19,"museum":20,"description":128,"tags":129,"thumbUrl":131,"material":26,"size":27,"collection":28,"collections":132,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":78},248686,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-chang-fang-he-yi-ming-248686","黑漆描金缠枝莲团锦纹成份餐具-酱色长方盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[49,37,38,58,40,7,130,41],"长方盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1f4b149b28d73b6d9a066adfb982374.jpg",[],{"id":134,"slug":135,"title":34,"dynasty":18,"author":19,"museum":20,"description":35,"tags":136,"thumbUrl":137,"material":26,"size":27,"collection":28,"collections":138,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":30},248684,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-wan-yi-ming-248684",[37,74,39,40,51,50,7,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74b063ef96f6b9040f1b37dfa5d8b445.jpg",[],{"id":140,"slug":141,"title":34,"dynasty":18,"author":19,"museum":20,"description":35,"tags":142,"thumbUrl":10,"material":26,"size":27,"collection":28,"collections":143,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":30},248678,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-wan-yi-ming-248678",[37,74,39,40,7,41],[],{"id":145,"slug":146,"title":110,"dynasty":18,"author":19,"museum":20,"description":147,"tags":148,"thumbUrl":149,"material":26,"size":27,"collection":28,"collections":150,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":151},248677,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-die-yi-ming-248677","敞口弧腹，下承矮圈足，器型线条圆融舒展，自带端庄雅致的气韵。通身髹饰酱红漆，漆面匀净莹润，如琥珀凝光，在光线下漾出柔和内敛的柔光。口沿以细黑料勾边，在温润的底色间勾勒出利落轮廓，极简之中拿捏住精致分寸。\n\n它摒弃繁复纹饰，以素色凸显漆质本身的肌理美感，将日常实用器具打磨成兼具审美意趣的雅物，尽显中式美学里含蓄克制的雅致底蕴，是清代髹漆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