[{"data":1,"prerenderedAt":223},["ShallowReactive",2],{"subject-jiang-you":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5758,"jiang-you","酱釉","酱釉画高清赏析","精选中国历代酱釉题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2b6a21dc4833aface83de8b36bbd09c.jpg",0,21,[14,33,49,60,70,79,87,94,102,111,120,129,138,147,154,162,172,181,188,198,212],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":11,"manualWeight":11,"mainColor":32},257663,"yi-xing-yao-xiang-fu-kuan-jiang-you-hu-lu-ping-yi-ming-257663","宜兴窑祥符款酱釉葫芦瓶","明","佚名","藏地不详","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有&quot;宜钧&quot;之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[23,24,7,25],"陶瓷","器","葫芦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b492d33fa194efa32529cd4e84d4f62.jpg","未知","Xcm*Xcm","瓷器精选",[29],2,"BDBDBD",{"id":34,"slug":35,"title":36,"dynasty":37,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":44,"material":27,"size":28,"collection":45,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},261623,"kang-xi-kuan-li-qing-hua-bo-gu-tu-wai-jiang-you-hua-kou-wan-yi-ming-261623","康熙款里青花博古图外酱釉花口碗","清","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,40,7,41,42,43],"青花","花口碗","博古图","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19f3d71e1b15d4989b77ec67e53cdf0a.jpg","",[],1,"795548",{"id":50,"slug":51,"title":52,"dynasty":18,"author":19,"museum":20,"description":53,"tags":54,"thumbUrl":58,"material":27,"size":28,"collection":45,"collections":59,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":32},260665,"jiang-you-ke-hua-mei-ping-yi-ming-260665","酱釉刻花梅瓶","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[23,55,56,57,7],"梅瓶","刻花","梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F099b721f6509be82cfae877532699c0e.jpg",[],{"id":61,"slug":62,"title":63,"dynasty":64,"author":19,"museum":20,"description":53,"tags":65,"thumbUrl":68,"material":27,"size":28,"collection":45,"collections":69,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},262234,"jiang-you-zhan-tuo-yi-ming-262234","酱釉盏托","宋",[23,7,66,43,67,24],"盏托","饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6782a699cb376d117079116ae97e1e5b.jpg",[],{"id":71,"slug":72,"title":73,"dynasty":18,"author":19,"museum":20,"description":53,"tags":74,"thumbUrl":77,"material":27,"size":28,"collection":45,"collections":78,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},261879,"jia-jing-kuan-jiang-you-wan-yi-ming-261879","嘉靖款酱釉碗",[23,24,43,75,76,7],"饪食器","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F041ac4d7c2c488a3b37747d4d18b8193.jpg",[],{"id":80,"slug":81,"title":82,"dynasty":18,"author":19,"museum":20,"description":53,"tags":83,"thumbUrl":85,"material":27,"size":28,"collection":45,"collections":86,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},261853,"jia-jing-kuan-jiang-you-pan-yi-ming-261853","嘉靖款酱釉盘",[23,7,84,43,75],"盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77486b26c32440ca6caeb236944275e0.jpg",[],{"id":88,"slug":89,"title":90,"dynasty":64,"author":19,"museum":20,"description":53,"tags":91,"thumbUrl":92,"material":27,"size":28,"collection":45,"collections":93,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},261742,"jiang-you-pan-yi-ming-261742","酱釉盘",[23,7,84,43],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b8b0e51d42081cefff15f62062cdbbc.jpg",[],{"id":95,"slug":96,"title":97,"dynasty":64,"author":19,"museum":20,"description":53,"tags":98,"thumbUrl":99,"material":27,"size":28,"collection":45,"collections":100,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},261480,"jiang-you-zhe-yan-wan-yi-ming-261480","酱釉折沿碗",[23,24,43,75,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8dab3e8b259737bc546b8f85a3158409.jpg",[],"37474F",{"id":103,"slug":104,"title":105,"dynasty":37,"author":19,"museum":20,"description":53,"tags":106,"thumbUrl":109,"material":27,"size":28,"collection":45,"collections":110,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},261405,"jiang-you-an-hua-chan-zhi-lian-wen-wan-yi-ming-261405","酱釉暗花缠枝莲纹碗",[23,24,43,75,7,107,108,76],"暗花","缠枝莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1ca2b4b67ebe10e637fa6a650097528.jpg",[],{"id":112,"slug":113,"title":114,"dynasty":37,"author":19,"museum":20,"description":53,"tags":115,"thumbUrl":118,"material":27,"size":28,"collection":45,"collections":119,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},261086,"kang-xi-kuan-jiang-you-xian-wen-qian-wan-yi-ming-261086","康熙款酱釉弦纹浅碗",[23,7,116,76,117,75],"弦纹","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F727bb6c9cf432150b28dec4f2c99b12a.jpg",[],{"id":121,"slug":122,"title":123,"dynasty":64,"author":19,"museum":20,"description":124,"tags":125,"thumbUrl":127,"material":27,"size":28,"collection":29,"collections":128,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},260875,"yao-zhou-yao-li-jiang-you-wai-qing-you-wan-yi-ming-260875","耀州窑里酱釉外青釉碗","耀州窑是中国传统制瓷工艺中的珍品，宋代六大窑系。位于今陕西省铜川市的黄堡镇，唐宋时属耀州治，在唐代就是中国陶瓷烧制的著名产地，宋代更进一步达到鼎盛，成为我国“宋代六大窑系”中的一个窑系。\n耀州窑是北方青瓷的代表。唐代开始烧制黑釉、白釉、青釉、茶叶末釉和白釉绿彩、褐彩、黑彩以及三彩陶器等。宋、金以青瓷为主。北宋是耀州的鼎盛时期，据记载且为朝廷烧造“贡瓷”。金代延续北宋时期继续发展，元代开始转型，走向末落，经明代、清代，终于民国。\n耀州窑始于唐代，北宋末为鼎盛期，宋代六大窑系，终于民国。其窑址位于陕西省铜川市黄堡镇，旧称同官，宋代时属耀州，故名“耀州窑”，包括陈炉镇、立地镇、上店镇及玉华宫等窑在内。是宋代北方民间青瓷的主要产区之一。\n宋代晚期以青瓷为主，胎薄质坚，釉面光洁匀静，色泽青幽，呈半透明状，十分淡雅。装饰有刻花、印花，结构严谨丰满，线条自由流畅。纹饰多满布器内外，种类繁多，有牡丹、菊花、莲花、鱼、鸭、龙凤等，风格粗放健美，生动自然。器形有碗、盘、瓶、罐、壶、香炉、香熏、盏托、注子温碗、钵等。\n耀州窑在宋时北方的青瓷窑场中最负盛名，堪称翘楚。于神宗元丰（1078-1085）至徽宗崇宁（1102-1106）的三十来年间，曾为朝廷烧制贡瓷。其不凡的制瓷技巧和洒脱活泼的风格对当时各地窑场产生了很大影响，得到广泛推广，由此形成了一个自北而南的范围广阔的耀州窑系。耀州窑系以黄堡镇为中心，襄括了河南宜阳窑、宝丰窑、新安城关窑、广东西村窑、广西永福窑、内乡大窑店窑等多个窑场。各窑制品均与铜川窑相似，仅由于所用原料有差别，胎质与釉色也有些微不同。",[23,43,76,126,7],"青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf8a77f8cb392d3d40d062d36bf09f6b.jpg",[29],{"id":130,"slug":131,"title":132,"dynasty":37,"author":19,"museum":20,"description":133,"tags":134,"thumbUrl":136,"material":27,"size":28,"collection":45,"collections":137,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},260347,"yong-zheng-kuan-jiang-you-ju-ban-pan-yi-ming-260347","雍正款酱釉菊瓣盘","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[23,7,135,43,75],"菊瓣盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa387f2315f5b4c3a1d8d385021fe636.jpg",[],{"id":139,"slug":140,"title":141,"dynasty":37,"author":19,"museum":20,"description":53,"tags":142,"thumbUrl":145,"material":27,"size":28,"collection":45,"collections":146,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},260026,"jiang-you-an-hua-shuang-xian-wen-qian-wan-yi-ming-260026","酱釉暗花双弦纹浅碗",[23,43,7,107,143,144,24],"双弦纹","浅碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38d90a23cc910a63e384a4936466195a.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":37,"author":19,"museum":20,"description":53,"tags":151,"thumbUrl":152,"material":27,"size":28,"collection":45,"collections":153,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},257878,"kang-xi-kuan-jiang-you-wan-yi-ming-257878","康熙款酱釉碗",[23,7,37,24,76],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03eadd699f9cf94be8d63fa8f0ddeb21.jpg",[],{"id":155,"slug":156,"title":90,"dynasty":18,"author":19,"museum":20,"description":53,"tags":157,"thumbUrl":159,"material":27,"size":28,"collection":45,"collections":160,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":161},257631,"jiang-you-pan-yi-ming-257631",[158,23,7,24],"明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa6acc5880b6ec907219f2a3999a9daa.jpg",[],"FFFFFF",{"id":163,"slug":164,"title":165,"dynasty":18,"author":19,"museum":20,"description":166,"tags":167,"thumbUrl":170,"material":27,"size":28,"collection":29,"collections":171,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},257510,"shi-wan-yao-jiang-you-ju-ban-pan-yi-ming-257510","石湾窑酱釉菊瓣盘","石湾窑在今广东佛山市石湾镇，明清著名民窑之一。以陶塑和建筑陶瓷著称。始于宋代（亦有一说始于唐），极盛于明清两代。\n石湾窑以善仿钧窑而着称。仿钧釉色以蓝色、玫瑰紫、翠毛釉等为佳，但仿中有创。钧窑的窑变釉是一层釉色，而石湾窑变釉却有底釉与面釉之分。寂圆叟在其《陶雅》中盛赞石湾窑变釉色：&quot;广窑谓之泥均，其蓝色甚似灰色┅┅于灰釉中旋涡周遭，故露异彩，较之雨过天晴尤极浓艳，目为云斑霞片不足以方厥体态。┅┅又有时于灰釉中露出深蓝色之星点，亦足玩也。&quot;\n石湾窑不仅善仿钧，而且善仿宋代各大名窑，宋代官、哥、汝、钧诸名窑产品，从材质运用、技法处理、艺术造型等各方面都仿得惟妙惟肖，而且有创造性的发展，梅建鹰评价曰：&quot;石湾集宋代各大名窑之大成，仿钧而青出于蓝，独创石湾自已的艺术风格。&quot;",[23,168,7,169,43],"石湾窑","菊瓣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F788e81009f64277f28e0b01a738fa8b3.jpg",[29],{"id":173,"slug":174,"title":175,"dynasty":18,"author":19,"museum":20,"description":53,"tags":176,"thumbUrl":179,"material":27,"size":28,"collection":45,"collections":180,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},257462,"jiang-you-bai-hua-hua-hui-wen-mei-ping-yi-ming-257462","酱釉白花花卉纹梅瓶",[158,23,7,177,178,55,24],"白花装饰","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8bfbf9a57e68c787e69a6edb6d72d35.jpg",[],{"id":182,"slug":183,"title":184,"dynasty":18,"author":19,"museum":20,"description":53,"tags":185,"thumbUrl":186,"material":27,"size":28,"collection":45,"collections":187,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},256833,"xuan-de-kuan-jiang-you-pan-yi-ming-256833","宣德款酱釉盘",[23,7,158,84,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43b83bd3003cc236462c759bc00be58c.jpg",[],{"id":189,"slug":190,"title":191,"dynasty":64,"author":19,"museum":20,"description":53,"tags":192,"thumbUrl":196,"material":27,"size":28,"collection":45,"collections":197,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":101},255006,"tao-jiang-you-shi-yi-ming-255006","陶酱釉狮",[23,193,7,194,195],"兽","陶制","酱釉技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03cb04331d0a25e71e6827f3b94baaf2.jpg",[],{"id":199,"slug":200,"title":201,"dynasty":202,"author":19,"museum":20,"description":203,"tags":204,"thumbUrl":210,"material":27,"size":28,"collection":45,"collections":211,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},231521,"guang-kou-guan-zi-yi-ming-231521","广口罐子","元","元釉里红是元代中国传统瓷器烧造中最具有代表性的一个品种。元釉里红是陶瓷装饰历史上重要发明之一。元代八方龙纹釉里红拔白梅瓶它为釉下铜红彩绘、拔白、打板、接胎而成，烧成难度大，氛围特殊性强，应该说元釉里红瓷器是陶瓷史上的一次伟大创新。流传的元代釉里红瓷器也很少，可见它的历史性、艺术性、珍贵性，堪称华夏文明的瑰宝。",[23,205,7,116,206,207,117,208,209],"元代","乳钉装饰","刻划纹","半釉","粗陶胎质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa23eeb0dc6f5dc487cf487548b6809bf.jpg",[],{"id":213,"slug":214,"title":215,"dynasty":64,"author":19,"museum":20,"description":216,"tags":217,"thumbUrl":10,"material":27,"size":28,"collection":45,"collections":222,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},227457,"ci-guan-yi-ming-227457","瓷罐","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[218,23,117,7,219,220,221],"宋代","罐","露胎","轮制",[],1777535720171]