[{"data":1,"prerenderedAt":208},["ShallowReactive",2],{"subject-jiao-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},937,"jiao-shi","礁石","礁石画高清赏析","精选中国历代礁石题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff282dcaa09e657ef0c146b652032b21d.jpg",0,10,[14,48,71,99,115,130,143,162,179,195],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":45,"zanCount":46,"manualWeight":11,"mainColor":47},220092,"hu-shan-qing-yi-tu-juan-shou-juan-hong-ren-220092","湖山清逸图卷手卷","清","弘仁","私人收藏","根据《中国画史馨香录》书中所记，此题画诗原出自郑旼康熙戊申（1668年）录“渐公题诗二十三首”手钞本，1934年，许承尧录寄黄宾虹。渐江和尚画笔师法云林，又得徽州山水特别是黄山松壑云泉的蒙养，加之性格刚硬，所以其画并不为云林所囿。磊磊落落，逋峭冷隽，笔底山川，或幽深邃密，或峻拔嵯峨，气象高华而趣味淡宕，人品画品皆为时称道，是新安派中首屈一指的领军人物。观此卷气象，以平远式构图表现，岩壑奇秀，奇松点缀其中，沿江景物，用笔瘦硬，皴染枯淡而墨韵清润。以刚劲凝练的笔线勾勒，折带皴、披麻皴交互为用，山峰之间，礁石垒叠，疏疏密密、大大小小，形成参差错落的“矾块”，山峰中的涧溪，曲折逶迤而下，形如盘龙出水，跳荡击石，泠然有声。清人杨翰曾评论其突出的风格：“于极瘦削处见腴润，极细弱处见苍劲，虽淡无可淡，而饶有余韵。”当时本幅之写照。此卷诗题：“清秋凝目郁苍苍，百里嶙峋一草堂。世代频更人不到，未燔书尽此中藏。",[23,24,25,26,27,28,29,30,31,7,32,33,34,35,36,37,38],"国画","长卷","水墨","山水画","皴法","折带皴","披麻皴","岩壑","奇松","涧溪","草堂","清润","冷隽","清逸","书法","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F689de6099893b4044c6746888a67279c.jpg","纸本,水墨","引首17.5×66.5cm；画心17.5×131cm；题跋17.5×83.5cm","山水画精选",[42,44],"水墨画精选",156,1,"BDBDBD",{"id":49,"slug":50,"title":51,"dynasty":52,"author":53,"museum":54,"description":55,"tags":56,"thumbUrl":65,"material":61,"size":66,"collection":67,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":70},219443,"da-mo-xiang-qian-xuan-219443","达摩像","元","钱选","台北故宫博物院","画面中达摩披衣而立，络腮虬髯衬出沉静面容，光头显露出禅者清寂。衣袂以金线勾描，满布回纹与吉祥符饰，流转间似有梵音暗涌。背景以浓墨晕染云雾与浪涛，深幽色调衬得金身愈显庄严。脚下礁石隐现，衣袍下摆随波轻漾，仿佛正立于渡江之际，静对万顷沧溟。线条细劲却含张力，金墨与黑底相映成趣，既见工笔之精，亦藏写意之韵，将达摩的坚毅与禅意凝于方寸，尽显古雅深邃之美。",[23,57,58,59,60,61,62,63,7,64],"书画","立轴","宗教","人物","设色","描金","波浪","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5239eb198863f33d5f3ab58ec0b3ec1.jpg","","人物画精选",[67],18,"37474F",{"id":72,"slug":73,"title":74,"dynasty":75,"author":76,"museum":77,"description":78,"tags":79,"thumbUrl":92,"material":93,"size":94,"collection":95,"collections":96,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":98},226063,"the-cote-sauvage-1886-mo-nai-226063","The Cote sauvage, 1886","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[80,81,82,83,84,85,86,87,88,89,7,90,91],"印象派","油画","光影","笔触","色彩","海","海浪","岩石","天空","海岸","浪花","云层","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1d68da57080758f348440d29658c7c4.jpg","未知","Xcm*Xcm","油画精选",[95],12,"795548",{"id":100,"slug":101,"title":102,"dynasty":75,"author":76,"museum":77,"description":78,"tags":103,"thumbUrl":113,"material":93,"size":94,"collection":95,"collections":114,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":98},225984,"mediterannian-coast-grey-weather-1888-mo-nai-225984","Mediterannian Coast, Grey Weather, 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1886",[80,81,148,167,168,87,169,86,139,7,88,170,104,171,172,173,174,175,176],"色彩明快","笔触灵动","大海","波涛","自然景物","海洋景观","礁石海岸","动态海浪","色彩层次","户外写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a174eff22cfa5885914935b77dadabb.jpg",[95],{"id":180,"slug":181,"title":182,"dynasty":183,"author":183,"museum":184,"description":185,"tags":186,"thumbUrl":191,"material":66,"size":66,"collection":42,"collections":192,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":194},201600,"sun-ke-hong-hai-ri-chu-sheng-tu-zhou-ming-201600","孙克弘 海日初升图轴","明","上海博物馆","画面以水墨设色绘就，云海翻涌间，初升红日悬于天际，晕染出朦胧暖意。下方海浪层叠如鳞，线条细腻婉转，似有涛声隐隐；几处礁石以浓淡墨色勾勒，苍劲古朴，与留白的浪花相映成趣。笔墨兼具写意洒脱与工致精细，设色淡雅却含生机，意境壮阔又不失静谧，尽显自然雄浑与文人画的雅致韵致。",[23,25,61,187,188,189,7,86,190],"工笔","山水","日","高清","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F786f0e1517c1cd4d96944e56bad9e8f7.jpg",[42],6,"d7c8ae",{"id":196,"slug":197,"title":198,"dynasty":75,"author":199,"museum":77,"description":200,"tags":201,"thumbUrl":206,"material":93,"size":94,"collection":66,"collections":207,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":98},232321,"a-er-ma-48-lao-lun-si-a-er-ma-ta-de-ma-232321","阿尔玛48","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[81,61,202,60,203,86,7,204,205],"写实","海洋","托盘","衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f907091b57f227c7ea45d774321fecd.jpg",[],1777535733520]