[{"data":1,"prerenderedAt":1013},["ShallowReactive",2],{"subject-jiao-ye-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8400,"jiao-ye-wen","蕉叶纹","蕉叶纹画高清赏析","精选中国历代蕉叶纹题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ee854de1d4e6c02262c35a76723d7e9.jpg",0,118,[14,40,57,73,87,101,112,123,133,142,151,157,167,178,186,197,206,215,223,232,241,251,261,268,275,285,293,300,307,317,327,336,344,356,363,372,381,391,402,409,418,426,433,439,450,459,468,479,489,495,505,513,520,528,536,545,554,562,570,577,584,591,599,606,613,621,627,633,640,647,656,663,671,679,685,692,701,708,715,723,730,738,744,751,758,765,772,779,790,798,805,811,819,827,834,842,853,859,867,874,881,888,897,903,910,916,922,928,935,942,950,956,964,973,980,989,997,1005],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},251563,"qian-long-yu-ti-qing-yu-jiao-ye-chan-zhi-lian-wen-seng-mao-shi-dai-gai-hu-yi-ming-251563","乾隆御题青玉蕉叶缠枝莲纹僧帽式带盖壶","清","佚名","藏地不详","青玉质地莹润温糯，青泽内敛沉静。壶身取僧帽为形，曲流上扬、执耳古雅，器盖穹起圆钮如珠，线条舒展柔婉，兼具古朴端庄与秀雅灵韵。\n\n腹部满饰缠枝莲纹，花叶翻卷灵动，细密婉转的线条游走玉面，繁而不乱，清丽雅致。颈间浅琢蕉叶纹，层叠舒展，古意盎然。整器雕工细腻入微，碾磨光滑莹亮，尽显玉料温润质感与制玉工艺的精湛，将佛家静穆之美与玉雕精巧工艺相融，沉静雅致，尽显治玉的匠心功底。",[23,24,25,26,7,27,28,29,30,31,32,33],"清代","玉石","玉器","雕刻","缠枝莲纹","带盖","僧帽式","纹饰","青玉","器","饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9619cc097d1c2e7da483259fc4559725.jpg","","玉器精选",[36],44,"37474F",{"id":41,"slug":42,"title":43,"dynasty":18,"author":19,"museum":20,"description":44,"tags":45,"thumbUrl":52,"material":35,"size":35,"collection":53,"collections":54,"showCount":55,"zanCount":11,"manualWeight":11,"mainColor":56},246891,"ti-hong-kui-long-jiao-ye-wen-dai-zuo-fang-sheng-shi-si-ceng-hua-cha-yi-ming-246891","剔红夔龙蕉叶纹带座方胜式四层花插","此方胜式花插形制别致，两器相融，自带雅致意趣。剔红工艺精雕细琢，四层纹饰次第铺陈，夔龙蜿蜒灵动，蕉叶舒展柔婉，刀工圆润细腻，线条流转自如。朱漆历经时光浸润，晕出温润古拙的质感，纹饰间红线勾勒，让层次愈发分明，朴拙中见精巧心思。器型修长挺拔，轮廓错落雅致，将方胜的吉祥寓意与雕漆工艺相融，既是案头插花的清供雅器，亦凝缩着传统工艺的匠心造诣，尽显沉静内敛的古典美学韵味。",[23,46,47,26,48,7,49,50,51,32],"漆器","剔红","夔龙纹","方胜式","带座","花插","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0370b746ac8343d5859918b9756eda44.jpg","瓷器精选",[53],10,"BDBDBD",{"id":58,"slug":59,"title":60,"dynasty":61,"author":19,"museum":20,"description":62,"tags":63,"thumbUrl":68,"material":69,"size":70,"collection":35,"collections":71,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":39},244156,"jiao-ye-wen-jue-yi-ming-244156","蕉叶纹爵","商","青铜器（Bronze Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[64,65,26,33,66,7,67],"青铜器","铜制","礼器","商代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c7407025ba7d38e3a101756d5c75b63.jpg","未知","Xcm*Xcm",[],5,{"id":74,"slug":75,"title":76,"dynasty":77,"author":19,"museum":20,"description":78,"tags":79,"thumbUrl":83,"material":69,"size":70,"collection":35,"collections":84,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":86},257111,"xuan-de-kuan-qing-hua-chan-zhi-jiao-ye-wen-zha-dou-yi-ming-257111","宣德款青花缠枝蕉叶纹渣斗","明","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[77,80,81,7,82,32],"青花","缠枝纹","陶瓷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc370ecd21f2c6b923d9396df4802f67f.jpg",[],4,"795548",{"id":88,"slug":89,"title":90,"dynasty":18,"author":19,"museum":20,"description":91,"tags":92,"thumbUrl":99,"material":69,"size":70,"collection":35,"collections":100,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":39},249655,"qian-long-kuan-qia-si-fa-lang-shou-mian-jiao-ye-wen-chao-tian-er-san-zu-ding-shi-lu-yi-ming-249655","乾隆款掐丝珐琅兽面蕉叶纹朝天耳三足鼎式炉","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[23,93,94,95,7,96,97,98,66,65],"掐丝珐琅","琺瑯器","兽面纹","朝天耳","三足","鼎式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb81d66854007458d3e93705349687bc.jpg",[],{"id":102,"slug":103,"title":104,"dynasty":18,"author":19,"museum":20,"description":78,"tags":105,"thumbUrl":109,"material":69,"size":70,"collection":35,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":56},258924,"qing-hua-chan-zhi-lian-jiao-ye-wen-tian-qiu-ping-yi-ming-258924","青花缠枝莲蕉叶纹天球瓶",[23,82,80,106,7,32,107,81,30,108],"缠枝莲","花卉纹","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c0386abd9de27cb8eed42244204b246.jpg",[],3,{"id":113,"slug":114,"title":115,"dynasty":18,"author":19,"museum":20,"description":116,"tags":117,"thumbUrl":121,"material":69,"size":70,"collection":35,"collections":122,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":39},249724,"qia-si-fa-lang-bao-xiang-hua-jiao-ye-shou-mian-wen-hua-gu-yi-ming-249724","掐丝珐琅宝相花蕉叶兽面纹花觚","花觚这一瓷器品种产生于清初，主要盛行于顺治、康熙、乾隆时期。随着瓷器从乾隆后期及嘉庆开始衰退，这一品种已渐消失。我们欣赏不同时期得花觚时，可领略到不同时期的艺术风格，造型的变化，在欣赏它的艺术美感的同时，从色彩、胎釉、造型、胎体去辨别不同时期的品种，增强鉴别真伪得能力。",[23,93,118,65,119,120,7,95,32],"珐琅器","设色","宝相花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77c132bd503a1b300df11f0feeea31d1.jpg",[],{"id":124,"slug":125,"title":126,"dynasty":77,"author":19,"museum":20,"description":78,"tags":127,"thumbUrl":130,"material":69,"size":70,"collection":35,"collections":131,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":39},261890,"qing-hua-hai-shui-jiao-ye-wen-zun-yi-ming-261890","青花海水蕉叶纹尊",[82,80,128,7,129],"海水纹","尊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88f03b874f5006fd3cfe3b8f65e01b8c.jpg",[],2,{"id":134,"slug":135,"title":136,"dynasty":18,"author":19,"museum":20,"description":78,"tags":137,"thumbUrl":140,"material":69,"size":70,"collection":35,"collections":141,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":56},259250,"qian-long-kuan-qing-hua-jiao-ye-chan-zhi-hai-shi-liu-wen-guan-er-ping-yi-ming-259250","乾隆款青花蕉叶缠枝海石榴纹贯耳瓶",[82,80,7,81,138,139,32],"海石榴纹","贯耳瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca001d43eb8066727a98d1a7c916c5b8.jpg",[],{"id":143,"slug":144,"title":145,"dynasty":18,"author":19,"museum":20,"description":146,"tags":147,"thumbUrl":149,"material":69,"size":70,"collection":35,"collections":150,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":86},258488,"qian-long-kuan-huang-di-you-li-hong-jiao-ye-wen-yu-hu-chun-ping-yi-ming-258488","乾隆款黄地釉里红蕉叶纹玉壶春瓶","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[82,23,148,119,7],"釉里红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97c3b7d6cef137825b555c095a10fe97.jpg",[],{"id":152,"slug":153,"title":126,"dynasty":77,"author":19,"museum":20,"description":78,"tags":154,"thumbUrl":155,"material":69,"size":70,"collection":35,"collections":156,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":86},256358,"qing-hua-hai-shui-jiao-ye-wen-zun-yi-ming-256358",[77,82,80,128,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faecd11b3224d6c8fcf715b9fc7b8b491.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":77,"author":19,"museum":20,"description":161,"tags":162,"thumbUrl":165,"material":69,"size":70,"collection":35,"collections":166,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":86},249606,"qia-si-fa-lang-kai-guang-hua-hui-jiao-ye-wen-zhi-kou-ping-yi-ming-249606","掐丝珐琅开光花卉蕉叶纹直口瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[77,93,163,164,7,118,32],"开光","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfc58ce9f1632f10c8aa4e1bbcfac2df.jpg",[],{"id":168,"slug":169,"title":170,"dynasty":18,"author":19,"museum":20,"description":171,"tags":172,"thumbUrl":176,"material":69,"size":70,"collection":35,"collections":177,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":39},249587,"qian-long-kuan-yin-shao-lan-wu-gong-jiao-ye-shou-mian-wen-chao-tian-er-san-zu-lu-yi-ming-249587","乾隆款银烧蓝五供-蕉叶兽面纹朝天耳三足炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[18,173,118,95,7,96,97,174,66,175,32],"银烧蓝","银器","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2a34cac2dc191c5f7ea9fd79881cfa1.jpg",[],{"id":179,"slug":180,"title":181,"dynasty":18,"author":19,"museum":20,"description":91,"tags":182,"thumbUrl":184,"material":69,"size":70,"collection":35,"collections":185,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":39},249403,"qia-si-fa-lang-gou-lian-jiao-ye-wen-zhi-kou-ping-yi-ming-249403","掐丝珐琅勾莲蕉叶纹直口瓶",[18,93,94,27,7,32,183],"瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68fb034b591d0b54d16b0486736fef7d.jpg",[],{"id":187,"slug":188,"title":189,"dynasty":18,"author":19,"museum":20,"description":190,"tags":191,"thumbUrl":195,"material":69,"size":70,"collection":35,"collections":196,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":39},246199,"hei-qi-miao-jin-jiao-ye-wen-ling-zhi-pen-jing-yi-ming-246199","黑漆描金蕉叶纹灵芝盆景","此作是清隽雅致的案头珍玩。盆身髹黑漆为底，描金绘就蕉叶缠枝纹饰，金彩莹亮，在沉郁底色衬托下尽显华贵端庄，线面排布工整细腻，尽显匠人之工。芝株枝干仿天然虬曲苍劲，铜鎏金灵芝朵朵饱满莹润，仿若撷取仙山灵草移至案头，既有写实生趣，又承载着祥瑞长寿的美好寓意。整器将金属细工与漆作工艺精妙融合，雅静古拙中透着规整工细，陈设于案上自带清贵文气，尽显中式古典赏玩器物的含蓄风雅。",[46,192,193,7,194],"描金","灵芝","盆景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F715ed399ba1758d6f5fca27c7f51e201.jpg",[],{"id":198,"slug":199,"title":200,"dynasty":18,"author":19,"museum":20,"description":161,"tags":201,"thumbUrl":203,"material":69,"size":70,"collection":35,"collections":204,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":39},269722,"pao-zhi-chan-zhi-lian-jiao-ye-wen-ping-yi-ming-269722","匏制缠枝莲蕉叶纹瓶",[32,26,202,27,7],"匏器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F941288ab8413648e58ce56d4c4a7f6e8.jpg",[],1,{"id":207,"slug":208,"title":209,"dynasty":18,"author":19,"museum":20,"description":78,"tags":210,"thumbUrl":213,"material":69,"size":70,"collection":35,"collections":214,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":86},261595,"qing-hua-jiao-ye-wen-hua-pen-yi-ming-261595","青花蕉叶纹花盆",[82,80,7,211,32,212],"花盆","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71f729315aa21cd9dcf6abd887fe089e.jpg",[],{"id":216,"slug":217,"title":218,"dynasty":18,"author":19,"museum":20,"description":78,"tags":219,"thumbUrl":221,"material":69,"size":70,"collection":35,"collections":222,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":56},261058,"qing-hua-jiao-ye-wen-wan-yi-ming-261058","青花蕉叶纹碗",[82,80,7,220,212],"碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5101474ed88ebead7b8209a6a29d7d7.jpg",[],{"id":224,"slug":225,"title":226,"dynasty":18,"author":19,"museum":20,"description":227,"tags":228,"thumbUrl":230,"material":69,"size":70,"collection":35,"collections":231,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":86},251142,"bi-yu-jiao-ye-shou-mian-wen-chang-fang-gu-yi-ming-251142","碧玉蕉叶兽面纹长方觚","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[24,229,26,7,95,66,32],"碧玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bc84f76b0d6a18f3a5e368a10aa5085.jpg",[],{"id":233,"slug":234,"title":235,"dynasty":18,"author":19,"museum":20,"description":91,"tags":236,"thumbUrl":239,"material":69,"size":70,"collection":35,"collections":240,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":39},250069,"qia-si-fa-lang-jiao-ye-bian-fu-wen-bi-ping-yi-ming-250069","掐丝珐琅蕉叶蝙蝠纹壁瓶",[93,118,7,237,238],"蝙蝠纹","壁瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa10ce2e3f6f8cdb59992df794050dba9.jpg",[],{"id":242,"slug":243,"title":244,"dynasty":18,"author":19,"museum":20,"description":91,"tags":245,"thumbUrl":249,"material":69,"size":70,"collection":35,"collections":250,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":56},249773,"qia-si-fa-lang-gou-lian-jiao-ye-wen-kai-guang-shi-ju-bi-ping-yi-ming-249773","掐丝珐琅勾莲蕉叶纹开光诗句壁瓶",[93,163,246,247,7,118,248,18,32],"诗句","勾莲纹","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71cae9aeca7a5e070c8cf9bad55936d8.jpg",[],{"id":252,"slug":253,"title":254,"dynasty":18,"author":19,"museum":20,"description":91,"tags":255,"thumbUrl":259,"material":69,"size":70,"collection":35,"collections":260,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":39},249430,"qia-si-fa-lang-kui-long-jiao-ye-wen-shuang-er-fang-ping-yi-ming-249430","掐丝珐琅夔龙蕉叶纹双耳方瓶",[93,94,32,256,48,7,257,258],"龙","双耳","方瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb388c235761496c940be9d201588a0ca.jpg",[],{"id":262,"slug":263,"title":264,"dynasty":18,"author":19,"museum":20,"description":91,"tags":265,"thumbUrl":266,"material":69,"size":70,"collection":35,"collections":267,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":39},249409,"qia-si-fa-lang-gou-lian-jiao-ye-wen-hai-tang-shi-suan-tou-ping-yi-ming-249409","掐丝珐琅勾莲蕉叶纹海棠式蒜头瓶",[18,93,94,247,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffcf81ede9ba27fa2f52b7246384c80f1.jpg",[],{"id":269,"slug":270,"title":271,"dynasty":18,"author":19,"museum":20,"description":91,"tags":272,"thumbUrl":273,"material":69,"size":70,"collection":35,"collections":274,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":39},249390,"qia-si-fa-lang-gou-lian-jiao-ye-wen-pie-kou-ping-yi-ming-249390","掐丝珐琅勾莲蕉叶纹撇口瓶",[93,94,247,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14bcca8dcfa6577aea9a227e60a374c6.jpg",[],{"id":276,"slug":277,"title":278,"dynasty":18,"author":19,"museum":20,"description":91,"tags":279,"thumbUrl":283,"material":69,"size":70,"collection":35,"collections":284,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":39},249363,"qian-long-kuan-qia-si-fa-lang-gou-lian-jiao-ye-wen-mei-ping-yi-ming-249363","乾隆款掐丝珐琅勾莲蕉叶纹梅瓶",[18,93,32,280,7,118,281,282],"莲","勾莲","蕉叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf1a45c660e1a6abc0fbba666e00d9b9.jpg",[],{"id":286,"slug":287,"title":288,"dynasty":18,"author":19,"museum":20,"description":161,"tags":289,"thumbUrl":291,"material":69,"size":70,"collection":35,"collections":292,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":56},246923,"ti-hong-san-shi-jiao-ye-shou-mian-wen-ping-yi-ming-246923","剔红三事-蕉叶兽面纹瓶",[46,47,290,23,26,7,95,183],"雕漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b331c1c47bd824e3fde5799a7665869.jpg",[],{"id":294,"slug":295,"title":296,"dynasty":61,"author":19,"museum":20,"description":62,"tags":297,"thumbUrl":298,"material":69,"size":70,"collection":35,"collections":299,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":39},243508,"jiao-ye-wen-zun-yi-ming-243508","蕉叶纹尊",[64,65,32,66,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa18472dca238f694b6e376daa9adc626.jpg",[],{"id":301,"slug":302,"title":296,"dynasty":18,"author":19,"museum":20,"description":303,"tags":304,"thumbUrl":10,"material":69,"size":70,"collection":35,"collections":306,"showCount":205,"zanCount":11,"manualWeight":11,"mainColor":86},243063,"jiao-ye-wen-zun-yi-ming-243063","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[64,129,33,305,7,65,26,32],"盛酒器",[],{"id":308,"slug":309,"title":310,"dynasty":18,"author":19,"museum":20,"description":311,"tags":312,"thumbUrl":315,"material":69,"size":70,"collection":35,"collections":316,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},275105,"fen-cai-jiao-ye-wen-shuang-er-san-zu-ci-lu-yi-ming-275105","粉彩蕉叶纹双耳三足瓷炉","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[82,313,7,257,97,314],"粉彩","饪食器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d3c9dd61088bc2b7454616b2d97dbce.jpg",[],{"id":318,"slug":319,"title":320,"dynasty":18,"author":19,"museum":20,"description":321,"tags":322,"thumbUrl":325,"material":69,"size":70,"collection":35,"collections":326,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},271369,"duan-shi-jiao-ye-shi-yan-yi-ming-271369","端石蕉叶式砚","砚台历经秦汉、魏晋，至唐代起，各地相继发现适合制砚的石料，开始以石为主的砚台制作。其中采用甘肃岷县的洮河石、广东端州的端石、安徽歙州的歙石制作的砚台，被分别称作洮砚、端砚、歙砚。史书将洮、端、歙称作三大名砚。清末，又将河南洛阳的澄泥砚与洮、端、歙，并列为中国四大名砚。也有人主张，以天然砚石雕制的鲁砚中的红丝石砚代替澄泥砚，合称四大名砚。\n谈起砚的种类有许多种，从砚的材质可分为：玉砚、银砚、铜砚、铁砚、陶砚、瓷砚、石砚、漆砚等，其中石砚是最为普遍，也最实用的一种砚。砚台起源于新石器时代。最早的砚是半坡村遗址出土的研磨颜料的研磨器，在1980年，大陆考古学家曾在陕西省临潼县姜寨一处原始社会的遗址中，发现了一套原始人用以陶器彩绘的工具，其中有一方石砚，砚有盖，砚面微凹，凹处并有一根石质磨杵，砚旁留存数块黑色颜料。很显然，这是先民们借助磨杵研磨颜料的早期砚的形制。由于这处遗址归属于母系氏族时期的仰韶文化，故这方砚台的实际寿龄已超过了五千年了。\n清代端石砚要求因材施艺，因石构图，在题材、立意、构图、造型、利用何种雕法都要精心推敲，刻划得当。保持了端砚的古雅、朴实，古色古香、形态自然的特点。如北京故宫收藏的「端石双龙砚」、「猫蝶砚」是端砚中的佳品。",[323,324,26,7],"砚","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c3041da4a6860c61289df12a6f4ae51.jpg",[],{"id":328,"slug":329,"title":330,"dynasty":18,"author":19,"museum":20,"description":321,"tags":331,"thumbUrl":334,"material":69,"size":70,"collection":35,"collections":335,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},271181,"duan-shi-diao-jiao-ye-wen-yan-yi-ming-271181","端石雕蕉叶纹砚",[323,332,26,7,324,333],"端石","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57605128e61d2a97672d7bb3fa5ff3a0.jpg",[],{"id":337,"slug":338,"title":339,"dynasty":77,"author":19,"museum":20,"description":303,"tags":340,"thumbUrl":342,"material":69,"size":70,"collection":35,"collections":343,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},270318,"tong-qian-yin-si-jiao-ye-shou-mian-wen-zun-yi-ming-270318","铜嵌银丝蕉叶兽面纹尊",[64,65,341,7,95,129,66,26,32],"嵌银丝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52cafc7956798265fe8a1f51be29c669.jpg",[],{"id":345,"slug":346,"title":347,"dynasty":18,"author":19,"museum":20,"description":348,"tags":349,"thumbUrl":353,"material":69,"size":70,"collection":35,"collections":354,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":355},269814,"xi-jiao-diao-tao-tie-jiao-ye-wen-mei-zhi-bei-yi-ming-269814","犀角雕饕餮蕉叶纹梅枝杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[26,350,33,351,7,352,32],"犀角","饕餮纹","梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a4408a39fc67656983cc18362c733d8.jpg",[],"F48FB1",{"id":357,"slug":358,"title":359,"dynasty":77,"author":19,"museum":20,"description":348,"tags":360,"thumbUrl":361,"material":69,"size":70,"collection":35,"collections":362,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},269801,"xi-jiao-diao-tao-tie-jiao-ye-wen-chi-er-bei-yi-ming-269801","犀角雕饕餮蕉叶纹螭耳杯",[350,26,33,32,256,351,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76e0a9f53c1158f537d5efc202c67dd7.jpg",[],{"id":364,"slug":365,"title":366,"dynasty":18,"author":19,"museum":20,"description":367,"tags":368,"thumbUrl":370,"material":69,"size":70,"collection":35,"collections":371,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},269399,"hua-mu-diao-jiao-ye-shou-mian-wen-yuan-he-yi-ming-269399","桦木雕蕉叶兽面纹圆盒","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[333,369,26,95,7,212,32],"木刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac59003175c1d4c2867457d74a7a331d.jpg",[],{"id":373,"slug":374,"title":375,"dynasty":18,"author":19,"museum":20,"description":376,"tags":377,"thumbUrl":379,"material":69,"size":70,"collection":35,"collections":380,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},269197,"wen-zhu-jiao-ye-wen-fang-gu-yi-ming-269197","文竹蕉叶纹方觚","此器取商周青铜方觚之形，挺拔端方，古韵悠然。口沿下浮雕蕉叶纹，叶片舒展灵动，柔雅清隽；腹部开光内剔刻仿古兽面，线条刚劲古朴，威严内敛。文竹包镶工艺精湛，器表莹洁温润，竹质天然肌理与雕刻纹饰相得益彰。\n整体将青铜礼器的肃穆厚重，与竹作工艺的清隽秀逸相融，既复刻古器威仪，又尽显文玩雅趣，陈设于室独显静雅古朴之韵，尽显匠人巧思。",[333,26,32,33,7,378],"文竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c5b06ba5661a77eabab0f7f7eb7db83.jpg",[],{"id":382,"slug":383,"title":384,"dynasty":18,"author":19,"museum":20,"description":385,"tags":386,"thumbUrl":389,"material":69,"size":70,"collection":35,"collections":390,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},261854,"dong-qing-you-an-hua-chan-zhi-jiao-ye-wen-zhi-jing-ping-yi-ming-261854","冬青釉暗划缠枝蕉叶纹直颈瓶","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[82,183,387,388,81,7],"冬青釉","暗划纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc66664a8f16284f6a5119942804cb560.jpg",[],{"id":392,"slug":393,"title":394,"dynasty":18,"author":19,"museum":20,"description":395,"tags":396,"thumbUrl":400,"material":69,"size":70,"collection":35,"collections":401,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},261459,"cheng-hua-kuan-dou-cai-zhe-zhi-jiao-ye-hua-guo-wen-pan-yi-ming-261459","成化款斗彩折枝蕉叶花果纹盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[82,397,7,398,399,212,119],"斗彩","花果纹","盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e76ebcadfcbcb19a4567c83cee06cc7.jpg",[],{"id":403,"slug":404,"title":405,"dynasty":18,"author":19,"museum":20,"description":395,"tags":406,"thumbUrl":407,"material":69,"size":70,"collection":35,"collections":408,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},261125,"fen-cai-jiao-ye-wen-pan-yi-ming-261125","粉彩蕉叶纹盘",[82,313,7,399,212],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa001a9c714a54b10436147eac9a4099f.jpg",[],{"id":410,"slug":411,"title":412,"dynasty":18,"author":19,"museum":20,"description":146,"tags":413,"thumbUrl":416,"material":69,"size":70,"collection":53,"collections":417,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},260344,"chao-zhou-yao-bai-you-jiao-ye-wen-pie-kou-bi-tong-yi-ming-260344","潮州窑白釉焦叶纹撇口笔筒",[82,414,415,7,324],"笔筒","白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70d5dde9f2359915388c1b9fe6cf6596.jpg",[53],{"id":419,"slug":420,"title":421,"dynasty":18,"author":19,"museum":20,"description":422,"tags":423,"thumbUrl":424,"material":69,"size":70,"collection":35,"collections":425,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},258213,"yong-zheng-kuan-qing-hua-chan-zhi-hua-jiao-ye-wen-ping-yi-ming-258213","雍正款青花缠枝花蕉叶纹瓶","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[18,82,80,81,7,107,183],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66864267b9789316ec65d568724f5948.jpg",[],{"id":427,"slug":428,"title":421,"dynasty":18,"author":19,"museum":20,"description":422,"tags":429,"thumbUrl":431,"material":69,"size":70,"collection":35,"collections":432,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},258212,"yong-zheng-kuan-qing-hua-chan-zhi-hua-jiao-ye-wen-ping-yi-ming-258212",[82,80,430,7,32],"缠枝花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e9bc2e1b06d2a54e84385ee4d88e0bb.jpg",[],{"id":434,"slug":435,"title":421,"dynasty":18,"author":19,"museum":20,"description":422,"tags":436,"thumbUrl":437,"material":69,"size":70,"collection":35,"collections":438,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},258211,"yong-zheng-kuan-qing-hua-chan-zhi-hua-jiao-ye-wen-ping-yi-ming-258211",[82,80,430,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f0cff431400786dcad6e623756acd7d.jpg",[],{"id":440,"slug":441,"title":442,"dynasty":77,"author":19,"museum":20,"description":443,"tags":444,"thumbUrl":448,"material":69,"size":70,"collection":53,"collections":449,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},257636,"long-quan-yao-qing-you-hua-hua-jiao-ye-wen-zhang-jing-ping-yi-ming-257636","龙泉窑青釉划花蕉叶纹长颈瓶","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[82,445,446,7,447],"青釉","划花","长颈瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a3a7e384a7b85395a6f3168f9d21319.jpg",[53],{"id":451,"slug":452,"title":453,"dynasty":18,"author":19,"museum":20,"description":422,"tags":454,"thumbUrl":457,"material":69,"size":70,"collection":35,"collections":458,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},256903,"yong-zheng-kuan-fen-qing-you-tu-hua-jiao-ye-wen-gu-yi-ming-256903","雍正款粉青釉凸花蕉叶纹觚",[82,455,456,7,32],"粉青釉","凸花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F912e6f5f6956f70eff3d7d89f4f66016.jpg",[],{"id":460,"slug":461,"title":462,"dynasty":18,"author":19,"museum":20,"description":116,"tags":463,"thumbUrl":466,"material":69,"size":70,"collection":35,"collections":467,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},256650,"gu-tong-cai-jiao-ye-wen-chu-ji-hua-gu-yi-ming-256650","古铜彩蕉叶纹出戟花觚",[82,64,32,464,26,119,7,465],"古铜彩","出戟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a737438de6f5386c4a88d5b8b51d2c2.jpg",[],{"id":469,"slug":470,"title":471,"dynasty":18,"author":19,"museum":20,"description":146,"tags":472,"thumbUrl":477,"material":69,"size":70,"collection":35,"collections":478,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},256549,"kong-que-lv-you-an-hua-jiao-ye-tao-tie-wen-zun-yi-ming-256549","孔雀绿釉暗划蕉叶饕餮纹尊",[82,473,474,7,351,32,475,476,23],"孔雀绿釉","暗划","釉色","装饰技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F792a12f9dddc5f19db84ae6272a83a55.jpg",[],{"id":480,"slug":481,"title":482,"dynasty":18,"author":19,"museum":20,"description":227,"tags":483,"thumbUrl":487,"material":69,"size":70,"collection":35,"collections":488,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},252072,"bi-yu-fang-gu-jiao-ye-wen-chu-ji-fang-gu-yi-ming-252072","碧玉仿古蕉叶纹出戟方觚",[24,484,26,7,66,485,486,229],"仿古","方觚","出戟纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5f977b1844a662bf404f63a35135f75.jpg",[],{"id":490,"slug":491,"title":482,"dynasty":18,"author":19,"museum":20,"description":227,"tags":492,"thumbUrl":493,"material":69,"size":70,"collection":35,"collections":494,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},252071,"bi-yu-fang-gu-jiao-ye-wen-chu-ji-fang-gu-yi-ming-252071",[24,484,26,7,465,66,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9254e0511eed00d95c1b6f03c9102b8c.jpg",[],{"id":496,"slug":497,"title":498,"dynasty":18,"author":19,"museum":20,"description":499,"tags":500,"thumbUrl":503,"material":69,"size":70,"collection":35,"collections":504,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},251829,"dai-pi-bai-yu-jiao-ye-shou-mian-wen-guan-er-bian-ping-yi-ming-251829","带皮白玉蕉叶兽面纹贯耳扁瓶","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[25,26,501,7,95,502,175],"带皮","贯耳扁瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff50ea379701e048560ab9d211515149c.jpg",[],{"id":506,"slug":507,"title":508,"dynasty":18,"author":19,"museum":20,"description":227,"tags":509,"thumbUrl":511,"material":69,"size":70,"collection":35,"collections":512,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},251602,"qing-yu-kui-feng-jiao-ye-wen-bei-yi-ming-251602","青玉夔凤蕉叶纹杯",[24,26,510,7,33],"夔凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc4920912487fe3fc3e9d99035ec85d9.jpg",[],{"id":514,"slug":515,"title":516,"dynasty":18,"author":19,"museum":20,"description":227,"tags":517,"thumbUrl":518,"material":69,"size":70,"collection":35,"collections":519,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},251141,"qian-long-kuan-bi-yu-jiao-ye-shou-mian-wen-chu-ji-gu-yi-ming-251141","乾隆款碧玉蕉叶兽面纹出戟觚",[24,26,7,95,66,23,465],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0f266d1110a0071ed5d233187cfbb02.jpg",[],{"id":521,"slug":522,"title":523,"dynasty":18,"author":19,"museum":20,"description":227,"tags":524,"thumbUrl":526,"material":69,"size":70,"collection":35,"collections":527,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},250981,"qing-yu-jiao-ye-hai-shui-hua-hui-wen-zhu-tai-yi-ming-250981","青玉蕉叶海水花卉纹烛台",[23,24,26,7,128,107,525,32],"烛台","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4844e5df6e61283714779981635e61e8.jpg",[],{"id":529,"slug":530,"title":531,"dynasty":77,"author":19,"museum":20,"description":227,"tags":532,"thumbUrl":534,"material":69,"size":70,"collection":35,"collections":535,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},250880,"qing-yu-jiao-ye-shou-mian-wen-xie-fang-hua-gu-yi-ming-250880","青玉蕉叶兽面纹斜方花觚",[533,24,26,7,95,32,175],"明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F630d09b99d0058d7ead0e1a8a843af53.jpg",[],{"id":537,"slug":538,"title":539,"dynasty":77,"author":19,"museum":20,"description":227,"tags":540,"thumbUrl":543,"material":69,"size":70,"collection":35,"collections":544,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},250860,"qing-yu-jiao-ye-hui-wen-chi-er-bei-yi-ming-250860","青玉蕉叶回纹螭耳杯",[77,24,26,33,7,541,542,256,175],"回纹","螭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea33e3161586494750eac7336171e31e.jpg",[],{"id":546,"slug":547,"title":548,"dynasty":18,"author":19,"museum":20,"description":499,"tags":549,"thumbUrl":552,"material":69,"size":70,"collection":35,"collections":553,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},250390,"hen-dou-si-tan-bai-yu-jiao-ye-wen-zhi-hu-yi-ming-250390","痕都斯坦白玉蕉叶纹执壶",[24,550,551,7,25,212,26],"白玉","执壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb893d58c4d5a9cb120e426070556478c.jpg",[],{"id":555,"slug":556,"title":557,"dynasty":18,"author":19,"museum":20,"description":91,"tags":558,"thumbUrl":560,"material":69,"size":70,"collection":35,"collections":561,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},250180,"qia-si-fa-lang-gou-lian-jiao-ye-jin-wen-zhang-jing-ping-yi-ming-250180","掐丝珐琅勾莲蕉叶锦纹长颈瓶",[23,93,118,247,7,559,183],"锦纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2fefd2751ad07b8432f439160313db0.jpg",[],{"id":563,"slug":564,"title":565,"dynasty":18,"author":19,"museum":20,"description":91,"tags":566,"thumbUrl":568,"material":69,"size":70,"collection":35,"collections":569,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249953,"qia-si-fa-lang-fang-kui-jiao-ye-wen-ping-yi-ming-249953","掐丝珐琅方夔蕉叶纹瓶",[23,93,118,65,567,7],"方夔纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48095dfd29ae60e86258a0ddb93ee6eb.jpg",[],{"id":571,"slug":572,"title":573,"dynasty":18,"author":19,"museum":20,"description":91,"tags":574,"thumbUrl":575,"material":69,"size":70,"collection":35,"collections":576,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249949,"qia-si-fa-lang-chan-zhi-lian-jiao-ye-wen-zhi-kou-ping-yi-ming-249949","掐丝珐琅缠枝莲蕉叶纹直口瓶",[23,93,94,32,106,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c5e59291b38e8d5be5b6f4f97336b18.jpg",[],{"id":578,"slug":579,"title":580,"dynasty":18,"author":19,"museum":20,"description":91,"tags":581,"thumbUrl":582,"material":69,"size":70,"collection":35,"collections":583,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249849,"qia-si-fa-lang-jiao-ye-hua-hui-wen-zhu-tai-yi-ming-249849","掐丝珐琅蕉叶花卉纹烛台",[93,118,65,7,107,18,525,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F822af7f0ed563325aa654562dffcfac9.jpg",[],{"id":585,"slug":586,"title":587,"dynasty":18,"author":19,"museum":20,"description":91,"tags":588,"thumbUrl":589,"material":69,"size":70,"collection":35,"collections":590,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249817,"qian-long-kuan-qia-si-fa-lang-gou-lian-jiao-ye-wen-gao-zu-bei-yi-ming-249817","乾隆款掐丝珐琅勾莲蕉叶纹高足杯",[93,118,33,247,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f1b1ffd053ccc444190fa62147dba86.jpg",[],{"id":592,"slug":593,"title":594,"dynasty":18,"author":19,"museum":20,"description":91,"tags":595,"thumbUrl":597,"material":69,"size":70,"collection":35,"collections":598,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249729,"qia-si-fa-lang-jiao-ye-kai-guang-gou-lian-wen-zhi-hu-yi-ming-249729","掐丝珐琅蕉叶开光勾莲纹执壶",[93,94,551,7,596,247,18],"开光纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa61b9eae65f20ee059243aa2128bf44b.jpg",[],{"id":600,"slug":601,"title":602,"dynasty":18,"author":19,"museum":20,"description":116,"tags":603,"thumbUrl":604,"material":69,"size":70,"collection":35,"collections":605,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249728,"qia-si-fa-lang-gou-lian-jiao-ye-wen-hua-gu-yi-ming-249728","掐丝珐琅勾莲蕉叶纹花觚",[23,93,247,7,118,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbc3c8ee2b1a1a4533da30ad47b3441b.jpg",[],{"id":607,"slug":608,"title":609,"dynasty":18,"author":19,"museum":20,"description":116,"tags":610,"thumbUrl":611,"material":69,"size":70,"collection":35,"collections":612,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249727,"qia-si-fa-lang-jiao-ye-wen-hua-gu-yi-ming-249727","掐丝珐琅蕉叶纹花觚",[93,118,7,65,119,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa06ca3e29ab1092c749d9ef308bc9cc6.jpg",[],{"id":614,"slug":615,"title":616,"dynasty":18,"author":19,"museum":20,"description":116,"tags":617,"thumbUrl":619,"material":69,"size":70,"collection":35,"collections":620,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249726,"qia-si-fa-lang-xi-zi-gou-lian-jiao-ye-wen-hua-gu-yi-ming-249726","掐丝珐琅喜字勾莲蕉叶纹花觚",[18,93,618,247,7,118,32,119],"喜字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a3dec5d2f72a0ee8e31717b4155cba7.jpg",[],{"id":622,"slug":623,"title":602,"dynasty":18,"author":19,"museum":20,"description":116,"tags":624,"thumbUrl":625,"material":69,"size":70,"collection":35,"collections":626,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249725,"qia-si-fa-lang-gou-lian-jiao-ye-wen-hua-gu-yi-ming-249725",[23,118,93,32,247,7,119],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b83c4570b4e7a6e997d68e52e36bea8.jpg",[],{"id":628,"slug":629,"title":115,"dynasty":18,"author":19,"museum":20,"description":116,"tags":630,"thumbUrl":631,"material":69,"size":70,"collection":35,"collections":632,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249723,"qia-si-fa-lang-bao-xiang-hua-jiao-ye-shou-mian-wen-hua-gu-yi-ming-249723",[93,118,120,7,95,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b07df9b1bbbe1215e7fa673bd67efb6.jpg",[],{"id":634,"slug":635,"title":636,"dynasty":18,"author":19,"museum":20,"description":116,"tags":637,"thumbUrl":638,"material":69,"size":70,"collection":35,"collections":639,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},249721,"qia-si-fa-lang-jiao-ye-wen-chu-ji-hua-gu-yi-ming-249721","掐丝珐琅蕉叶纹出戟花觚",[93,94,7,32,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19756384b0454d74a67d4d7526e9e290.jpg",[],{"id":641,"slug":642,"title":643,"dynasty":18,"author":19,"museum":20,"description":116,"tags":644,"thumbUrl":645,"material":69,"size":70,"collection":35,"collections":646,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249720,"qian-long-kuan-qia-si-fa-lang-gou-lian-jiao-ye-wen-chu-ji-hua-gu-yi-ming-249720","乾隆款掐丝珐琅勾莲蕉叶纹出戟花觚",[23,93,118,32,247,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82b866d3c54f4177ae2d6559c669b89b.jpg",[],{"id":648,"slug":649,"title":650,"dynasty":18,"author":19,"museum":20,"description":91,"tags":651,"thumbUrl":654,"material":69,"size":70,"collection":35,"collections":655,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249684,"qia-si-fa-lang-jiao-ye-shou-mian-wen-ding-shi-san-zu-gai-lu-yi-ming-249684","掐丝珐琅蕉叶兽面纹鼎式三足盖炉",[23,93,94,652,98,97,653,7,95,32,175],"铜胎","盖炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b290d3c73f5ad2a2b318b4dfdf16e2b.jpg",[],{"id":657,"slug":658,"title":659,"dynasty":18,"author":19,"museum":20,"description":91,"tags":660,"thumbUrl":661,"material":69,"size":70,"collection":35,"collections":662,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249671,"qian-long-kuan-qia-si-fa-lang-kui-long-jiao-ye-wen-chu-ji-shuang-er-fang-lu-yi-ming-249671","乾隆款掐丝珐琅夔龙蕉叶纹出戟双耳方炉",[93,118,256,48,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F145bd703947278f3dabddca509bed206.jpg",[],{"id":664,"slug":665,"title":666,"dynasty":18,"author":19,"museum":20,"description":667,"tags":668,"thumbUrl":669,"material":69,"size":70,"collection":35,"collections":670,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249590,"qian-long-kuan-yin-shao-lan-wu-gong-jiao-ye-shou-mian-wen-zhu-tai-yi-ming-249590","乾隆款银烧蓝五供-蕉叶兽面纹烛台","整体造型层叠有序，端方沉稳。银胎衬底，烧蓝晕染出幽谧宝蓝，冷暖相映更显华贵沉静。灯针挺括纤直，承托灯火的盏盘錾刻缠枝卷草，线条柔婉舒展，消解了器物的肃穆感。\n\n基座自上而下，先以覆莲瓣纹铺陈出清雅禅意，再以兽面纹样彰显威严古朴，回纹勾边周正规整，将祥瑞暗喻藏入细节肌理。金属细作的精谨，搭配烧蓝珐琅的明丽，尽显雍容考究的造物气度。",[173,118,95,7,32,525,174,66],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0f15aa3016b7056ab5d81ab93b14feb.jpg",[],{"id":672,"slug":673,"title":674,"dynasty":18,"author":19,"museum":20,"description":116,"tags":675,"thumbUrl":677,"material":69,"size":70,"collection":35,"collections":678,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249589,"qian-long-kuan-yin-shao-lan-wu-gong-jiao-ye-shou-mian-wen-hua-gu-yi-ming-249589","乾隆款银烧蓝五供-蕉叶兽面纹花觚",[18,174,118,676,95,7,66,26],"烧蓝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2f95f1d7509681195bcd9d2e8a133fe.jpg",[],{"id":680,"slug":681,"title":674,"dynasty":18,"author":19,"museum":20,"description":116,"tags":682,"thumbUrl":683,"material":69,"size":70,"collection":35,"collections":684,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249588,"qian-long-kuan-yin-shao-lan-wu-gong-jiao-ye-shou-mian-wen-hua-gu-yi-ming-249588",[23,174,118,676,26,7,95,66,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9e591d9df5d4c9b22a222cda1e37fae.jpg",[],{"id":686,"slug":687,"title":666,"dynasty":18,"author":19,"museum":20,"description":688,"tags":689,"thumbUrl":690,"material":69,"size":70,"collection":35,"collections":691,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249586,"qian-long-kuan-yin-shao-lan-wu-gong-jiao-ye-shou-mian-wen-zhu-tai-yi-ming-249586","此烛台造型端庄层叠，节奏分明。银胎之上施以烧蓝工艺，宝蓝釉色沉静明丽，与银质底色交相辉映，尽显华贵雅致。纹饰排布颇具章法，自上而下饰以回纹、缠枝卷草、蕉叶与兽面纹，回纹古拙、卷草柔婉、蕉叶清雅、兽面威严，糅合上古礼器的肃穆庄重与清代造办处的精巧工细。烧蓝填色饱满匀净，走线利落流畅，细节处尽显匠者用心。整体既带着庙堂礼器的端方厚重，又不失金属细作的灵动精巧，是清代珐琅与银作工艺合璧的典范之作，尽显典雅雍容的气韵。",[23,173,118,174,95,7,525,66,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6ed030816bb323972fd82f3881f1cf9.jpg",[],{"id":693,"slug":694,"title":695,"dynasty":18,"author":19,"museum":20,"description":91,"tags":696,"thumbUrl":699,"material":69,"size":70,"collection":35,"collections":700,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249488,"qia-si-fa-lang-jiao-ye-shou-mian-wen-shou-er-huo-huan-zun-yi-ming-249488","掐丝珐琅蕉叶兽面纹兽耳活环尊",[93,118,95,7,697,698,175,32],"兽耳","活环","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc87b8d679046a46db78d09e2a38ad74e.jpg",[],{"id":702,"slug":703,"title":704,"dynasty":18,"author":19,"museum":20,"description":91,"tags":705,"thumbUrl":706,"material":69,"size":70,"collection":35,"collections":707,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249485,"qia-si-fa-lang-gou-lian-jiao-ye-wen-xi-er-zun-yi-ming-249485","掐丝珐琅勾莲蕉叶纹牺耳尊",[93,118,32,247,7,175,119,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e123219d5f6a105af77bf637886f79b.jpg",[],{"id":709,"slug":710,"title":711,"dynasty":18,"author":19,"museum":20,"description":91,"tags":712,"thumbUrl":713,"material":69,"size":70,"collection":35,"collections":714,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249406,"qia-si-fa-lang-gou-lian-jiao-ye-wen-shuang-shou-mian-huo-huan-fang-ping-yi-ming-249406","掐丝珐琅勾莲蕉叶纹双兽面活环方瓶",[23,93,94,95,7,247,175,698,652,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b755771117253287b9586e9e53d3a42.jpg",[],{"id":716,"slug":717,"title":718,"dynasty":18,"author":19,"museum":20,"description":91,"tags":719,"thumbUrl":721,"material":69,"size":70,"collection":35,"collections":722,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249350,"qia-si-fa-lang-jiao-ye-kui-long-wen-yuan-xing-xiang-shou-san-zu-xun-lu-yi-ming-249350","掐丝珐琅蕉叶夔龙纹圆形象首三足熏炉",[93,118,65,32,175,256,720,97,48,7],"象首","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c0824d47c8563eeacdd4e92c3e635aa.jpg",[],{"id":724,"slug":725,"title":726,"dynasty":18,"author":19,"museum":20,"description":116,"tags":727,"thumbUrl":728,"material":69,"size":70,"collection":35,"collections":729,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249243,"qian-long-kuan-qia-si-fa-lang-jiao-ye-wen-hua-gu-yi-ming-249243","乾隆款掐丝珐琅蕉叶纹花觚",[118,93,7,32,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30327da257b4549b67deb27b85e4dbac.jpg",[],{"id":731,"slug":732,"title":733,"dynasty":18,"author":19,"museum":20,"description":116,"tags":734,"thumbUrl":736,"material":69,"size":70,"collection":35,"collections":737,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249177,"qian-long-kuan-hua-fa-lang-gou-lian-jiao-ye-wen-hua-gu-yi-ming-249177","乾隆款画珐琅勾莲蕉叶纹花觚",[23,735,119,247,7,94,32],"画珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c50ccafc76cc10fed494ba33ea849c0.jpg",[],{"id":739,"slug":740,"title":733,"dynasty":18,"author":19,"museum":20,"description":116,"tags":741,"thumbUrl":742,"material":69,"size":70,"collection":35,"collections":743,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249176,"qian-long-kuan-hua-fa-lang-gou-lian-jiao-ye-wen-hua-gu-yi-ming-249176",[23,118,735,247,7,32,119],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa24f3c7c0fed3b82766123307cb941a3.jpg",[],{"id":745,"slug":746,"title":747,"dynasty":18,"author":19,"museum":20,"description":91,"tags":748,"thumbUrl":749,"material":69,"size":70,"collection":35,"collections":750,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249073,"qian-long-kuan-qia-si-fa-lang-gou-lian-jiao-ye-wen-gan-lu-ping-yi-ming-249073","乾隆款掐丝珐琅勾莲蕉叶纹甘露瓶",[23,93,118,247,7,119,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88cbbc88416e89dd63905946d8c1411b.jpg",[],{"id":752,"slug":753,"title":754,"dynasty":18,"author":19,"museum":20,"description":116,"tags":755,"thumbUrl":756,"material":69,"size":70,"collection":35,"collections":757,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249066,"qian-long-kuan-qia-si-fa-lang-jiao-ye-wen-chu-ji-hua-gu-yi-ming-249066","乾隆款掐丝珐琅蕉叶纹出戟花觚",[93,94,32,7,66],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34f52de9128671e76c0725ce1c71b5fd.jpg",[],{"id":759,"slug":760,"title":754,"dynasty":18,"author":19,"museum":20,"description":116,"tags":761,"thumbUrl":763,"material":69,"size":70,"collection":35,"collections":764,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249064,"qian-long-kuan-qia-si-fa-lang-jiao-ye-wen-chu-ji-hua-gu-yi-ming-249064",[762,23,7,66,65,32],"掐丝珐琅器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F362c40e109a6dd8b5f34815dd7e5a248.jpg",[],{"id":766,"slug":767,"title":768,"dynasty":18,"author":19,"museum":20,"description":161,"tags":769,"thumbUrl":770,"material":69,"size":70,"collection":35,"collections":771,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},248779,"ti-hong-jiao-ye-shou-mian-wen-bi-ping-yi-ming-248779","剔红蕉叶兽面纹壁瓶",[46,47,95,7,32,175,282],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8723cb5ad80ed8c37e350efb6af9342.jpg",[],{"id":773,"slug":774,"title":775,"dynasty":18,"author":19,"museum":20,"description":161,"tags":776,"thumbUrl":777,"material":69,"size":70,"collection":35,"collections":778,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},248732,"ti-hong-jiao-ye-kui-long-wen-shuang-er-fang-ping-yi-ming-248732","剔红蕉叶夔龙纹双耳方瓶",[18,46,47,26,48,7,257,258],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a307558387cb3db492afba2538f9c32.jpg",[],{"id":780,"slug":781,"title":782,"dynasty":18,"author":19,"museum":20,"description":783,"tags":784,"thumbUrl":788,"material":69,"size":70,"collection":35,"collections":789,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},247284,"ti-hong-kui-feng-jiao-ye-chan-wen-yuan-he-yi-ming-247284","剔红夔凤蕉叶蝉纹圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[23,46,47,26,785,7,786,787],"夔凤纹","蝉纹","圆盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2d8b883b8b76970ad6bab38af5bd1a5.jpg",[],{"id":791,"slug":792,"title":793,"dynasty":18,"author":19,"museum":20,"description":794,"tags":795,"thumbUrl":796,"material":69,"size":70,"collection":35,"collections":797,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246939,"ti-hong-jiao-ye-wen-dai-zuo-gu-yi-ming-246939","剔红蕉叶纹带座觚","此器以青铜觚为造型蓝本，朱红剔漆层次分明，外壁满布精工纹饰。上部镂雕蕉叶纹衬以寿字，古雅吉祥；腹间浮雕兽面与回纹，复刻青铜古意，沉稳端方。下承卷足底座，回纹环绕，纹饰排布疏密有致，雕工圆润细腻，尽显雕漆工艺的精妙质感。\n搭配成套鎏金香具，铜箸高挑，顶饰鎏金团花，金辉与朱漆相映，华贵雅致。作为文房清供，它将复古形制与吉祥寓意相融，把雕漆的厚重温润与鎏金的明丽光泽结合，尽显旧时案头清赏的文雅意趣，是清代工艺美学的精巧缩影。",[18,46,47,26,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13af4a95becd4782bcfc0cdf6ff6bed8.jpg",[],{"id":799,"slug":800,"title":801,"dynasty":18,"author":19,"museum":20,"description":116,"tags":802,"thumbUrl":803,"material":69,"size":70,"collection":35,"collections":804,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246925,"ti-hong-jiao-ye-shou-mian-wen-hua-gu-yi-ming-246925","剔红蕉叶兽面纹花觚",[18,46,47,26,7,95,175],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8b0662879a17ab883ca018b2a797b7a.jpg",[],{"id":806,"slug":807,"title":288,"dynasty":18,"author":19,"museum":20,"description":161,"tags":808,"thumbUrl":809,"material":69,"size":70,"collection":35,"collections":810,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246918,"ti-hong-san-shi-jiao-ye-shou-mian-wen-ping-yi-ming-246918",[23,46,47,26,95,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb7d63eb7a4bf1015ed1fdf2d680ba1d.jpg",[],{"id":812,"slug":813,"title":43,"dynasty":18,"author":19,"museum":20,"description":814,"tags":815,"thumbUrl":817,"material":69,"size":70,"collection":35,"collections":818,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246898,"ti-hong-kui-long-jiao-ye-wen-dai-zuo-fang-sheng-shi-si-ceng-hua-cha-yi-ming-246898","此花取方胜造型，自带吉庆古雅之意。朱红细线勾连起四层纹饰，口沿下以回纹界开篇章，夔龙蜿蜒流转，蕉叶舒展雅致，剔刻线条细腻灵动，将青铜古纹的厚重意蕴揉入文房花器之中。\n\n岁月晕开了表层色泽，却让刀工肌理更显温润沉朴，既是案头挹花清供的雅物，也藏着传统剔红工艺的精巧心思，静静晕染出旧时书斋里的闲雅意趣。",[23,46,47,26,816,7,32,51,49],"夔龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4787d95d55141f8a693c7c56fe86a70.jpg",[],{"id":820,"slug":821,"title":43,"dynasty":18,"author":19,"museum":20,"description":822,"tags":823,"thumbUrl":825,"material":69,"size":70,"collection":35,"collections":826,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246897,"ti-hong-kui-long-jiao-ye-wen-dai-zuo-fang-sheng-shi-si-ceng-hua-cha-yi-ming-246897","此花插取方胜连体造型，形制别致清雅，自带古吉意趣。朱漆层层髹涂，雕工精湛细腻，四层纹饰疏密得宜：首以回纹卷草打底，浅浮雕夔龙盘桓辗转，线条劲健古拙；次为仰覆蕉叶，舒展柔婉，尽显清雅之态；下一层缠枝花卉饱满繁茂，生机盎然。口沿包铜提亮，更衬红漆莹润厚重。整器繁饰而不冗杂，雕纹层次分明，刀锋圆融利落，将传统纹饰与吉祥形制相融，尽显庄重雅致的审美意韵，陈设插花皆相宜，是清代雕漆工艺的精巧之作。",[46,47,26,48,7,49,51,824],"清代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55307201fbee5b9868292f49a359238d.jpg",[],{"id":828,"slug":829,"title":43,"dynasty":18,"author":19,"museum":20,"description":830,"tags":831,"thumbUrl":832,"material":69,"size":70,"collection":35,"collections":833,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246896,"ti-hong-kui-long-jiao-ye-wen-dai-zuo-fang-sheng-shi-si-ceng-hua-cha-yi-ming-246896","此作取方胜联体形制，铜口包边古雅沉静，朱漆堆髹厚重鲜亮。四层纹饰排布井然，口沿回纹勾连环绕，上层夔龙缠枝辗转灵动，中层蕉叶垂坠舒展如凝露含光，下层锦地细密如织。雕工峻深圆润，刀痕利落凝练，将纹样的层次立体感尽数凸显，朱红漆面莹润亮泽，尽显剔刻工艺的精湛功力。整体器型挺拔端方，繁饰却丝毫不显冗杂，将吉瑞形制与髹饰匠心融于一体，尽显清代雕漆华贵工致的风韵，是古典髹漆造物中的精巧之作。",[23,46,47,26,816,7,51,32,256],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b3f3867645700848d7917414f40d3b7.jpg",[],{"id":835,"slug":836,"title":837,"dynasty":18,"author":19,"museum":20,"description":838,"tags":839,"thumbUrl":840,"material":69,"size":70,"collection":35,"collections":841,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246862,"ti-hong-jiao-ye-wen-shuang-er-san-zu-xi-yi-ming-246862","剔红蕉叶纹双耳三足洗","此器雅致端庄，外壁剔刻蕉叶纹，回纹勾边工整肃穆，浅浮雕肌理自带古拙青铜意趣。口沿包镶鎏金内里，朱红与赤金相映，暖调交织尽显华贵雍容。两侧兽首耳造型圆融浑朴，柔润线条暗合威严气度，与器身纹饰呼应成趣。三足塑作兽足姿态，敦实沉稳，稳稳承托器身。髹漆肥厚饱满，刀工爽利流畅，将雕漆工艺的精湛展露无遗，既携仿古铜器的厚重古韵，又不失剔红工艺的细腻雅致，是融汇古意与匠心的精妙之作。",[23,46,26,47,7,257,97,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7b7b4a66586b127b0f6dd9a120c0031.jpg",[],{"id":843,"slug":844,"title":845,"dynasty":18,"author":19,"museum":20,"description":161,"tags":846,"thumbUrl":851,"material":69,"size":70,"collection":35,"collections":852,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},246705,"ti-hong-jiao-ye-yun-fu-ba-bao-wen-da-ji-hu-lu-shi-ping-yi-ming-246705","剔红蕉叶云蝠八宝纹大吉葫芦式瓶",[23,46,47,26,7,847,848,849,850],"云蝠纹","八宝纹","葫芦式瓶","大吉文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47e528c8083b52c8d64e047c3573533f.jpg",[],{"id":854,"slug":855,"title":845,"dynasty":18,"author":19,"museum":20,"description":161,"tags":856,"thumbUrl":857,"material":69,"size":70,"collection":35,"collections":858,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246704,"ti-hong-jiao-ye-yun-fu-ba-bao-wen-da-ji-hu-lu-shi-ping-yi-ming-246704",[23,47,26,46,7,847,848,850,849],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb387da1b45fa8002b54e04731e0d020.jpg",[],{"id":860,"slug":861,"title":845,"dynasty":18,"author":19,"museum":20,"description":161,"tags":862,"thumbUrl":865,"material":69,"size":70,"collection":35,"collections":866,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246703,"ti-hong-jiao-ye-yun-fu-ba-bao-wen-da-ji-hu-lu-shi-ping-yi-ming-246703",[23,47,26,46,7,847,848,863,864],"葫芦式","大吉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e530273bc57b20b8ccce319e0b1c535.jpg",[],{"id":868,"slug":869,"title":845,"dynasty":18,"author":19,"museum":20,"description":161,"tags":870,"thumbUrl":872,"material":69,"size":70,"collection":35,"collections":873,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":86},246702,"ti-hong-jiao-ye-yun-fu-ba-bao-wen-da-ji-hu-lu-shi-ping-yi-ming-246702",[23,46,47,26,119,871,7,847,848,864,32],"葫芦形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2fa6e7772e133c247fe0957957303fd.jpg",[],{"id":875,"slug":876,"title":845,"dynasty":18,"author":19,"museum":20,"description":161,"tags":877,"thumbUrl":879,"material":69,"size":70,"collection":35,"collections":880,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246699,"ti-hong-jiao-ye-yun-fu-ba-bao-wen-da-ji-hu-lu-shi-ping-yi-ming-246699",[46,47,26,878,847,848,7,850],"葫芦瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b091f7b3d640d7122555b7cccccb149.jpg",[],{"id":882,"slug":883,"title":884,"dynasty":18,"author":19,"museum":20,"description":161,"tags":885,"thumbUrl":886,"material":69,"size":70,"collection":35,"collections":887,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246693,"ti-hong-chan-zhi-lian-jiao-ye-wen-yuan-ping-yi-ming-246693","剔红缠枝莲蕉叶纹圆瓶",[46,47,26,27,7,23,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05f6579866136f90c8e9637f169501d5.jpg",[],{"id":889,"slug":890,"title":891,"dynasty":18,"author":19,"museum":20,"description":161,"tags":892,"thumbUrl":895,"material":69,"size":70,"collection":35,"collections":896,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246690,"ti-hong-mu-feng-jiao-ye-wen-yuan-ping-yi-ming-246690","剔红牡凤蕉叶纹圆瓶",[46,47,26,893,894,7,32],"牡丹","凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15b0a5fffbbaaf0721cff54886fca323.jpg",[],{"id":898,"slug":899,"title":884,"dynasty":18,"author":19,"museum":20,"description":161,"tags":900,"thumbUrl":901,"material":69,"size":70,"collection":35,"collections":902,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246686,"ti-hong-chan-zhi-lian-jiao-ye-wen-yuan-ping-yi-ming-246686",[23,46,47,26,106,7,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9bf1b99cf405a6d5b8eea04bc0f2f00.jpg",[],{"id":904,"slug":905,"title":906,"dynasty":18,"author":19,"museum":20,"description":161,"tags":907,"thumbUrl":908,"material":69,"size":70,"collection":35,"collections":909,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246676,"ti-hong-jiao-ye-kui-long-wen-shou-er-fang-ping-yi-ming-246676","剔红蕉叶夔龙纹兽耳方瓶",[46,47,26,7,48,697,258,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf28a076402384fa961de3815b3d293c.jpg",[],{"id":911,"slug":912,"title":775,"dynasty":18,"author":19,"museum":20,"description":161,"tags":913,"thumbUrl":914,"material":69,"size":70,"collection":35,"collections":915,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246673,"ti-hong-jiao-ye-kui-long-wen-shuang-er-fang-ping-yi-ming-246673",[46,26,47,48,7,258,257,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe46c26066d5fafc9973b2f275f06294d.jpg",[],{"id":917,"slug":918,"title":775,"dynasty":18,"author":19,"museum":20,"description":161,"tags":919,"thumbUrl":920,"material":69,"size":70,"collection":35,"collections":921,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246669,"ti-hong-jiao-ye-kui-long-wen-shuang-er-fang-ping-yi-ming-246669",[23,46,47,26,7,48,258,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6075c3f4ee8344d0515d37e9b56d0ba.jpg",[],{"id":923,"slug":924,"title":775,"dynasty":18,"author":19,"museum":20,"description":161,"tags":925,"thumbUrl":926,"material":69,"size":70,"collection":35,"collections":927,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246668,"ti-hong-jiao-ye-kui-long-wen-shuang-er-fang-ping-yi-ming-246668",[824,47,26,46,48,7,256,282,258],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc1af3a97957f5a26e3af862a67e5aa3.jpg",[],{"id":929,"slug":930,"title":931,"dynasty":18,"author":19,"museum":20,"description":161,"tags":932,"thumbUrl":933,"material":69,"size":70,"collection":35,"collections":934,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":355},246627,"ti-hong-chan-zhi-lian-jiao-ye-shou-mian-wen-shuang-er-tuo-yuan-ping-yi-ming-246627","剔红缠枝莲蕉叶兽面纹双耳椭圆瓶",[23,46,47,26,106,7,95,257,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7be664143990f14e46ccccad50ab54f4.jpg",[],{"id":936,"slug":937,"title":931,"dynasty":18,"author":19,"museum":20,"description":161,"tags":938,"thumbUrl":940,"material":69,"size":70,"collection":35,"collections":941,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246626,"ti-hong-chan-zhi-lian-jiao-ye-shou-mian-wen-shuang-er-tuo-yuan-ping-yi-ming-246626",[23,46,47,26,95,27,7,257,939,32],"椭圆瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7b9409da6149810c20f5fd86e029b76.jpg",[],{"id":943,"slug":944,"title":945,"dynasty":18,"author":19,"museum":20,"description":161,"tags":946,"thumbUrl":948,"material":69,"size":70,"collection":35,"collections":949,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246625,"ti-hong-chan-zhi-lian-jiao-ye-wen-shuang-er-fang-ping-yi-ming-246625","剔红缠枝莲蕉叶纹双耳方瓶",[23,46,47,26,106,7,947,258],"龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe22106ab0afbd290441b1b6156ba6e0a.jpg",[],{"id":951,"slug":952,"title":945,"dynasty":18,"author":19,"museum":20,"description":161,"tags":953,"thumbUrl":954,"material":69,"size":70,"collection":35,"collections":955,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246624,"ti-hong-chan-zhi-lian-jiao-ye-wen-shuang-er-fang-ping-yi-ming-246624",[23,46,47,26,27,7,258,257,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6df5895b8c4e9c725003d85362c4ae71.jpg",[],{"id":957,"slug":958,"title":959,"dynasty":18,"author":19,"museum":20,"description":116,"tags":960,"thumbUrl":962,"material":69,"size":70,"collection":35,"collections":963,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246432,"ti-hong-chan-zhi-lian-jiao-ye-wen-liu-fang-hua-gu-yi-ming-246432","剔红缠枝莲蕉叶纹六方花觚",[23,46,26,27,7,961,32],"六方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6d8d02959382fc7993c824bb94f7768.jpg",[],{"id":965,"slug":966,"title":967,"dynasty":18,"author":19,"museum":20,"description":968,"tags":969,"thumbUrl":971,"material":69,"size":70,"collection":35,"collections":972,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246431,"qian-tai-ti-hong-jiao-ye-wen-chu-ji-gu-yi-ming-246431","铅胎剔红蕉叶纹出戟觚","此器取古器形制，色泽朱红润泽饱满。器身以出戟界分装饰区间，口沿回纹勾边，舒展的蕉叶纹覆于上下器段，叶脉勾勒细腻分明，自带古雅庄重的沉静气质。中部开光浮雕纹饰，层次错落有致，刀法圆熟利落，藏锋不露。整器将雕漆工艺的柔润精致，与青铜古器的厚重气韵相融，尽显仿古造物的巧思，把传统审美意趣凝于刀笔漆色之间，是一件兼具古韵与匠心的精巧之作。",[46,47,970,26,7,66,32],"铅胎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf0c965ea81ddb1d6571c5ea285340fe.jpg",[],{"id":974,"slug":975,"title":959,"dynasty":18,"author":19,"museum":20,"description":116,"tags":976,"thumbUrl":978,"material":69,"size":70,"collection":35,"collections":979,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},246427,"ti-hong-chan-zhi-lian-jiao-ye-wen-liu-fang-hua-gu-yi-ming-246427",[47,26,106,7,32,977,18,46],"花觚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa12ccb01f2f0705016eaf8e54fadbfd5.jpg",[],{"id":981,"slug":982,"title":983,"dynasty":18,"author":19,"museum":20,"description":116,"tags":984,"thumbUrl":987,"material":69,"size":70,"collection":35,"collections":988,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},246184,"jiang-se-qi-jiao-ye-kui-wen-hua-gu-shi-bi-ping-yi-ming-246184","酱色漆蕉叶夔纹花觚式壁瓶",[46,26,7,985,986,238,32],"夔纹","花觚式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F056805bcae6200fc09f126de46201a7e.jpg",[],{"id":990,"slug":991,"title":992,"dynasty":18,"author":19,"museum":20,"description":161,"tags":993,"thumbUrl":995,"material":69,"size":70,"collection":35,"collections":996,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},246183,"huang-qi-jiao-ye-chan-zhi-lian-wen-hu-shi-bi-ping-yi-ming-246183","黄漆蕉叶缠枝莲纹壶式壁瓶",[46,26,7,27,32,238,994,119],"壶式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a302aed1501e4cb8d806b898721aaa3.jpg",[],{"id":998,"slug":999,"title":1000,"dynasty":18,"author":19,"museum":20,"description":1001,"tags":1002,"thumbUrl":1003,"material":69,"size":70,"collection":35,"collections":1004,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},243180,"jiao-ye-wen-ding-yi-ming-243180","蕉叶纹鼎","立耳高挑敛口，三足敦实沉稳，形制追摹上古青铜鼎的肃穆厚重。颈部回纹勾连蟠螭，间以涡纹点缀，古雅灵动。器腹满饰蕉叶纹，叶脉舒展、雷纹填地，刚劲与柔婉相融，层次分明，华丽庄重。足身兽面与蕉叶纹样上下呼应，浑然一体。整体包浆沉厚，铜色古朴，精准复刻三代彝器的雄浑气象，尽显青铜礼器的庙堂威仪，是仿古铜器中的精妙之作，承载着对上古礼制美学的追慕与传承。",[64,65,26,7,66,314,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf6c30c8e75798c6498a02cc30e45a27.jpg",[],{"id":1006,"slug":1007,"title":1000,"dynasty":18,"author":19,"museum":20,"description":1008,"tags":1009,"thumbUrl":1011,"material":69,"size":70,"collection":35,"collections":1012,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},243164,"jiao-ye-wen-ding-yi-ming-243164","立耳敞口，三足沉稳敦实，复刻上古礼器威仪。颈间兽面纹线条狞厉古拙，带着先秦祭祀重器的肃穆气韵；腹身蕉叶纹层叠舒展，细密走线勾出叶脉肌理，将青铜的厚重冷硬融于叶片的灵秀舒展，刚柔相济。整体包浆沉厚莹润，器形周正大气，既有古鼎的庄重肃穆，又带着仿古作器的精工考究，把商周青铜的上古风华复刻得传神到位，静穆之中尽显古韵雅致，是一件兼具古风意蕴与匠造心思的青铜佳器。",[64,65,66,314,26,7,95,1010,23,30],"仿古风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1357c0cd23f28c71f2e6f842ccb8af0.jpg",[],1777535703622]