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。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[107,60,7,108,48],"掐丝珐琅","三果纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F818736d8aa6a01a0678ca5f7074c3282.jpg",[],{"id":112,"slug":113,"title":114,"dynasty":39,"author":19,"museum":20,"description":105,"tags":115,"thumbUrl":119,"material":29,"size":30,"collection":31,"collections":120,"showCount":52,"zanCount":11,"manualWeight":11,"mainColor":69},249416,"qia-si-fa-lang-jin-di-gou-lian-wen-kai-guang-ping-yi-ming-249416","掐丝珐琅锦地勾莲纹开光瓶",[84,107,60,116,7,117,118],"瓶","勾莲纹","开光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5340efedef88b0810d04fea878363b24.jpg",[],{"id":122,"slug":123,"title":81,"dynasty":39,"author":19,"museum":20,"description":124,"tags":125,"thumbUrl":126,"material":29,"size":30,"collection":31,"collections":127,"showCount":52,"zanCount":11,"manualWeight":11,"mainColor":53},248797,"ti-hong-jin-di-hua-guo-an-ba-xian-wen-fang-xia-yi-ming-248797","此件雕漆方匣，锦地细密如织，妥帖衬起花果与暗八仙纹样。盖面以回纹界分区域，每区构图饱满有致，垂坠的花果鲜活灵动，暗八仙纹饰暗藏祥瑞意趣，将人间烟火的鲜活与仙家清韵雅致相融。\n\n五屉配鎏金铜质兽首锁面，朱漆沉实莹润，金边勾勒提亮形制，方正底座牙板古雅沉稳，将收纳实用与陈设之美揉合无间，凝缩着旧时雕漆工艺的极致匠心，静述着往昔造物里的雅致意涵。",[84,85,86,87,7,88,89,90],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf7215d8a24796021c4a867da2cab3f7.jpg",[],{"id":129,"slug":130,"title":81,"dynasty":39,"author":19,"museum":20,"description":131,"tags":132,"thumbUrl":137,"material":29,"size":30,"collection":31,"collections":138,"showCount":52,"zanCount":11,"manualWeight":11,"mainColor":53},248030,"ti-hong-jin-di-hua-guo-an-ba-xian-wen-fang-xia-yi-ming-248030","此匣朱漆莹润厚重，满工精雕。盖面以回字开光界分空间，花果柔婉、暗八仙灵动暗藏其间，瑞意悠长。通体以规整锦纹为地，如织似绣，衬得主体纹饰层次分明、古拙雅致。四壁锦地匀净齐整，铜质小钮点饰其间，更添沉静古意。方足挺括端庄，将整器稳稳承托，兼顾收纳实用与陈设美感。刀工圆熟流畅，雕饰饱满细密，把吉祥意趣融于日常器用，尽显含蓄雅致的传统工艺之美。",[84,85,86,87,7,88,89,98,133,134,135,136],"红漆","锦地","花果","暗八仙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdf7ce9c5058ffcb1c80fb51bda859f3.jpg",[],{"id":140,"slug":141,"title":81,"dynasty":39,"author":19,"museum":20,"description":142,"tags":143,"thumbUrl":145,"material":29,"size":30,"collection":31,"collections":146,"showCount":52,"zanCount":11,"manualWeight":11,"mainColor":53},248026,"ti-hong-jin-di-hua-guo-an-ba-xian-wen-fang-xia-yi-ming-248026","此件以剔红工艺精雕而成，通体朱红沉雅。盖面借回纹勾出对称构图，内藏花果与暗八仙纹样，瑞实垂坠、仙纹灵动，暗寓吉祥福祉。周身以细密锦地铺满，仿若织就工整肌理，四侧设屉，铜饰点缀，质朴古雅。刀工圆熟利落，纹饰层次井然，将雕漆工艺的妍丽雅致悉数展现，兼纳收纳之用与陈设之美，静述传统工艺的雅致底蕴与吉祥意涵。",[84,85,86,87,7,88,89,90,144],"器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6235d04d6320c2dbefd82b8d0353562f.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":39,"author":19,"museum":20,"description":151,"tags":152,"thumbUrl":157,"material":29,"size":30,"collection":31,"collections":158,"showCount":52,"zanCount":11,"manualWeight":11,"mainColor":53},224014,"shou-zi-jin-di-wen-zhi-jin-ru-yi-shi-han-tao-yi-ming-224014","寿字锦地纹织锦如意式函套","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[84,153,154,7,155,156],"织锦","寿字纹","如意式","函套","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37e345effa30d85364d0814284d58879.jpg",[],{"id":160,"slug":161,"title":162,"dynasty":18,"author":19,"museum":20,"description":163,"tags":164,"thumbUrl":168,"material":29,"size":30,"collection":31,"collections":169,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},269807,"xi-jiao-diao-jin-di-pan-chi-wen-bei-yi-ming-269807","犀角雕锦地蟠螭纹杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[87,165,166,167,7],"饮酒器","犀角杯","蟠螭纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdb3e9467249542c786d1651d99e4d19.jpg",[],{"id":171,"slug":172,"title":173,"dynasty":39,"author":19,"museum":20,"description":174,"tags":175,"thumbUrl":181,"material":29,"size":30,"collection":31,"collections":182,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},267071,"huang-se-duan-wang-xiu-jin-di-wen-kou-dai-yi-ming-267071","黄色缎网绣锦地纹口袋","整体形制饱满雅致，明黄缎面自带华贵暖意，抽束口沿褶皱均匀利落，尽显规整之美。腰间以网绣织就锦地纹样，线条细密回旋如簇簇繁花，暗合圆满绵长的吉庆寓意。\n\n暖调抽绳晕染色流苏柔化了缎面挺括，添几分灵动韵致。一针一线皆见匠心，将日常收纳的实用功能融于细腻织造工艺里，把随身小物化作雅致佩饰，藏着旧时生活里的温柔巧思，是手工造物里的精巧佳作。",[176,177,178,179,180,7],"日用具","饰品","布料","缎面","网绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c716f9187e433b0f21e0896e8fb102c.jpg",[],{"id":184,"slug":185,"title":173,"dynasty":39,"aut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