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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[284,160,7,116,285,23],"金器","素面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13cc9c32f9bb3ebd13fd41905b3ecc25.jpg",[],{"id":289,"slug":290,"title":291,"dynasty":18,"author":19,"museum":20,"description":292,"tags":293,"thumbUrl":296,"material":30,"size":31,"collection":32,"collections":297,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":108},245528,"jin-guang-su-pen-yi-ming-245528","金光素盆","它通体素净无饰，弃绝了繁复雕缛，将金质本身的矜贵作为唯一的注脚。敞口浅腹搭配利落圈足，器型饱满圆润，线条舒展柔和，流露着内敛沉静的气度。沉实的金色凝于器身，岁月晕开温润的包浆，每一寸弧度都晕着暖调柔光，简约却尽显华贵雍容，以极简形制勾勒出沉静雅致的东方意韵，将材质本味的美感发挥到了极致。",[23,284,285,190,294,7,295,243],"日用品","无纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff543e8e1e08862c1d9e3d2eee914f447.jpg",[],{"id":299,"slug":300,"title":301,"dynasty":18,"author":19,"museum":20,"description":302,"tags":303,"thumbUrl":306,"material":30,"size":31,"collection":32,"collections":307,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},243257,"mu-bing-jing-yi-ming-243257","木柄镜","中国铜镜的制作和使用具有悠久的历史，根据考古发掘，年代最早的铜镜为4000多年前的齐家文化。从齐家文化至西周末春秋早期制作的铜镜，多以纹饰简单、形体小、种类少。此一时期为中国铜镜制作早期阶段。\n春秋中晚期开始，我国铜镜制作和使用就发展起来了，特别是战国时期，铜镜的种类复杂，题材广泛，制作工艺精细，包括此时期铜镜的合金成分，其锡含量是最适合铜镜的使用，这些充分反应了铜镜在此时期制作技术已达到成熟阶段。汉代开始铜镜得到了进一步的发展，这时期的铜镜出现了新的类型，铭纹也正逐渐成为铜镜的纹饰组成部分，反映了汉代铸镜业的发达及铜镜商品化的发展。\n隋唐时期是中国铜镜高度发展时期，此时的铜镜突破了以往圆形与方形的传统形式，出现了菱花形、葵花形铜镜。特别是盛唐时期铜镜工艺精湛，著名的瑞兽葡萄镜更是闻名于世，这一时期铜镜发展达到了顶峰。\n从唐末，五代起中国的铜镜艺术日趋衰落，宋、金、元时期的铜镜，从造型、纹饰和合金成分上都有不同于传统铜镜的特点。明，清时期虽然铜镜还在人们日常生活当中使用，但到清代中后期随着玻璃的使用，铜镜逐渐退出了历史舞台。当今虽然不再有人使用铜镜整装容，但古代铜镜给予我们的除了收藏价值，还有对古代形制、纹饰、铭文、艺术、制作工艺、成分等等的研究价值。中历收藏品鉴定中心，为我国合法第三方专业鉴定平台，证书得到了专业人士及社会各界的高度认可，藏品鉴定可咨询。",[23,159,304,27,160,221,7,305],"铜制","装饰元素","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41ece203acecfc30932b21735392c00a.jpg",[],{"id":309,"slug":310,"title":311,"dynasty":18,"author":19,"museum":20,"description":312,"tags":313,"thumbUrl":316,"material":30,"size":31,"collection":32,"collections":317,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":247},241939,"shan-hu-xiang-bao-shi-hua-yi-ming-241939","珊瑚镶宝石花","它将多种工艺织就方寸浪漫，点翠的蓝如同揉碎了霁色长空，晕在花瓣之上，静谧又灵动。橘红珊瑚攒作花簇，凝着深海暖光，鲜活热烈。宝石点缀枝梢，似星芒轻落，鎏金叶片晕着温柔哑光，舒展如春日新叶。\n\n整体取庭院花枝之态，枝桠错落自然，仿佛将一捧春日凝在簪间。匠人把对草木生机的细致摹写，融于花丝、点翠、镶嵌的精巧工艺中，温婉雅致又自带夺目光华，藏着旧时东方首饰的细腻审美与浪漫意趣。",[23,26,43,44,55,314,315,7],"宝石","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F135976bd8e13887515584d854671a84c.jpg",[],{"id":319,"slug":320,"title":321,"dynasty":18,"author":19,"museum":20,"description":322,"tags":323,"thumbUrl":327,"material":30,"size":31,"collection":32,"collections":328,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":247},241938,"shan-hu-xiang-cui-hua-yi-ming-241938","珊瑚镶翠花","以珊瑚镂作层叠花瓣，暖艳朱红如榴花绽于梢头，将仲夏芳华凝于钗间。点翠为叶，深浅碧色晕染出鲜活生机，珠蕊挺立、小苞缀枝，处处藏着细腻巧思。天然珍材与传统工艺相融，把珠宝的矜贵揉进花艺灵韵，静立时分，恍可见旧时闺阁里，佳人斜簪鬓侧的温婉情致，方寸之间藏尽东方雅致美学，是传统细金工艺精巧造诣的鲜活缩影。",[23,324,43,55,325,326,28,26,7,135],"工笔","翠","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4508147269c02627ae1d342e2614d52.jpg",[],{"id":330,"slug":331,"title":332,"dynasty":18,"author":19,"museum":20,"description":333,"tags":334,"thumbUrl":337,"material":30,"size":31,"collection":32,"collections":338,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},230100,"yin-kou-yi-ming-230100","银扣","包浆厚重的银面凝着旧时光的哑光，币面龙纹虽经岁月磨蚀，盘旋的身姿依旧带着沉敛威严。苍劲墨笔题就的黄签系于其上，带着市井辗转的烟火余温。\n\n它们曾被反复摩挲，每一道浅痕都藏着过往日常的细碎印记，不再是冰冷饰件，更像是攒着百年余温的时光容器，将旧时工艺的风骨与佩戴者的日常揉为一处，沉默又温润地定格住岁月里的片刻温度。",[23,115,335,190,336,7],"金属工艺","银质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ff0415da9ca80f7748442dc1f795d28.jpg",[],{"id":340,"slug":341,"title":342,"dynasty":18,"author":19,"museum":20,"description":343,"tags":344,"thumbUrl":346,"material":30,"size":31,"collection":32,"collections":347,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},230071,"shan-hu-mu-zi-nian-zhu-yi-ming-230071","珊瑚木子念珠","以温润木子为主体串珠，深褐底色沉静内敛，珊瑚圆珠提亮配色，冷暖撞色雅致和谐。错落搭配的银质坠饰、古朴挂饰，带着手工打磨的细腻温度，细碎饰件随动线轻晃，晕开旧时光的松弛禅意。器物藏着旧时礼佛的虔诚心意，质朴底色配亮眼点缀，将肃穆禅意与日常美感相融，尽显手作器物的沉静韵味，藏着独属于旧时光的温柔质感。",[23,26,345,55,159,143,27,7],"念珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2591220c3414c2a93881ca506d66df1e.jpg",[],{"id":349,"slug":350,"title":351,"dynasty":18,"author":19,"museum":20,"description":176,"tags":352,"thumbUrl":357,"material":30,"size":31,"collection":32,"collections":358,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},229878,"bi-yu-yun-long-da-xiang-tong-yi-ming-229878","碧玉云龙大香筒",[23,24,27,353,3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