[{"data":1,"prerenderedAt":58},["ShallowReactive",2],{"subject-jin-shu-zhi-pin":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8732,"jin-shu-zhi-pin","金属制品","金属制品画高清赏析","精选中国历代金属制品题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5a24112bfcc2bbf201e125d19cead97.jpg",0,3,[14,34,47],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},275645,"xiang-lan-qi-kui-jia-yi-ming-275645","镶蓝旗盔甲","清","佚名","藏地不详","这套甲胄以靛蓝为底，朱红镶边勾勒硬朗筋骨，鎏金铜钉如星子错落排布，沉稳配色间尽显威仪。高挑宝顶配黑缨束于盔顶，黄铜护面冷光暗藏，自带肃杀之气。甲身分段严整，披膊、胸甲与腿裙贴合身形，既保障实战防护，又循着八旗武备制式排布，规整中带着鲜明的旗属辨识度。冷硬甲片凝着清代武备的森严规制，沉静靛蓝晕开旗属专属的肃穆格调，静静诉说着往昔戎马岁月的肃然荣光。",[23,24,25,7,26],"盔甲","兵器","布料","镶蓝旗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5e30a84729ab512fcccdbce566bc5a6.jpg","未知","Xcm*Xcm","",[],1,"BDBDBD",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":44,"material":28,"size":29,"collection":30,"collections":45,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},273949,"bai-jin-xie-yi-ming-273949","白金屑","方形玻璃瓶配磨口玻璃塞，瓶中银灰色金属碎屑质感依旧冷峻。配套纸盒印刷精致复古，蓝白纹饰衬以烫金铭牌，带着百年前西洋牙科舶来品的雅致格调。\n\n它是近代西医牙科物料入华的实物缩影，将工业印刷美学与实用药剂相融，承载着清末中西商贸与医疗技术东渐的细节脉络。历经岁月洗礼，包装与药剂仍留存完好，静静诉说西风东渐背景下日常医疗器物的独特风貌，藏着旧时光里中西交汇的细腻印记。",[40,41,42,7,43],"器","日用具","玻璃器皿","牙科用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa98f12b3d59728bc0e7103d4e9ce0f39.jpg",[],"795548",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":57,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},245791,"jia-qing-kuan-yin-pan-yi-ming-245791","嘉庆款银盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[53,41,54,7,55,56],"银器","清代","盘形器物","金属工艺",[],1777535776596]