[{"data":1,"prerenderedAt":154},["ShallowReactive",2],{"subject-jing-wu-2999":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2999,"jing-wu-2999","景物","景物画高清赏析","精选中国历代景物题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52813534dd45106294016e482651eab3.jpg",0,8,[14,43,66,83,97,118,131,141],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":27,"size":37,"collection":38,"collections":39,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":42},221852,"hua-ke-jiu-si-xie-bin-feng-tu-juan-wang-zhen-peng-221852","画柯九思写豳风图卷","元","王振鹏","台北故宫博物院","豳，在岐山北，为周先世立国之地。据说成王（？－西元前1021）幼年继位，周公（？－西元前1032）摄政，为令成王了解农桑为政教首务，并关心百姓的四季生活，作豳风晓谕周人祖先后稷、公刘稼穑重农的传统。此卷图绘〈豳风?七月〉，为孔子所辑《诗经》十五国风中最长的一首，由农事之始写至农事之终，先写衣食，次叙农耕蚕桑，最后论至打猎与秋收冬藏，共计八段，全卷青绿设色，每段旁书原文参照。旧题与跋均以为是元代王振鹏（活动于十四世纪前半），及柯九思（1290－1343）作品，然画中已见明代仇英（约1494－1552）影响，推测应为十六世纪后苏州托名之作。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7],"高清","名画","国画","长卷","设色","工笔","人物","山水","小桥","流水","树木","花卉","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2cb935cec3f8c3cf1b21654d10eed78a.jpg","高53.8隔12本893隔12拖127厘米","人物画精选",[38,40],"设色画精选",73,"795548",{"id":44,"slug":45,"title":46,"dynasty":47,"author":48,"museum":49,"description":50,"tags":51,"thumbUrl":10,"material":60,"size":61,"collection":38,"collections":62,"showCount":63,"zanCount":64,"manualWeight":11,"mainColor":65},216770,"xiao-jing-tu-chang-juan-li-gong-lin-216770","孝经图长卷","宋","李公麟","美国大都会艺术博物馆","李公麟的孝经形象在宋代以来的各种作品中被反复提及，而且大多以不止一种形式流传。",[23,24,25,52,26,53,54,29,55,56,57,58,59,7],"书画","白描","水墨","树","石","亭","案几","桌椅","绢本,水墨","21.9x475.6",[38],46,2,"BDBDBD",{"id":67,"slug":68,"title":69,"dynasty":70,"author":71,"museum":72,"description":73,"tags":74,"thumbUrl":78,"material":79,"size":79,"collection":80,"collections":81,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":65},238768,"shan-shui-ren-wu-xiao-ce-dong-gao-238768","山水人物小册","清","董诰","藏地不详","此作取半边构图造境，左畔崖岸虬松错立，丹黄枝叶点染秋韵，苍林幽泉尽纳尺幅之间。右侧留白以细劲墨线勾出水波纡徐，浅赭轻描远渚，一叶扁舟悠然凌波，以简驭繁铺展出秋水长天的空茫逸趣。笔墨清隽秀雅，皴擦柔婉不失骨力，设色轻淡明净，以少胜多，将林泉幽寂与江湖远意相融，尽显留白造境的悠然意趣，淡远萧散的林下之风跃然纸上。",[25,75,27,76,30,29,77,33,35,32,54,52,7],"册","皴法","孤舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F647239f68b0592221cd30bfb0b9043b3.jpg","","山水画精选",[80,40],19,{"id":84,"slug":85,"title":86,"dynasty":70,"author":87,"museum":72,"description":88,"tags":89,"thumbUrl":93,"material":79,"size":79,"collection":79,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":96},235177,"shan-shui-ce-ye-xin-235177","山水册","叶欣","此作用笔松秀温润，浅绛设色晕染出清寂秋意。近景古松虬曲苍劲，与朴拙顽石相伴，侧旁矮木扶疏，点簇出细碎秋华，野趣盎然。中景茅篱村居错落，隐于林畔，篱舍俨然透着幽居闲情。远景以淡墨轻烘浅染，虚化山影，凭立二人又为冷寂添了几分烟火暖意。整幅意境萧散淡远，将江南村居的秋日闲逸铺陈开来，藏着静穆清和的林下意趣，引人沉湎于这避世幽居的松弛意韵之中。",[25,52,75,27,54,30,55,90,57,91,92,7],"岩石","远山","屋舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32fabbe8f9f9767e04fb87cddb801f23.jpg",[],6,"F48FB1",{"id":98,"slug":99,"title":100,"dynasty":101,"author":102,"museum":72,"description":103,"tags":104,"thumbUrl":112,"material":113,"size":114,"collection":79,"collections":115,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":117},248880,"kuan-cai-you-yue-gong-tu-cha-ping-yi-ming-248880","款彩游月宫图插屏","明","佚名","此件以款彩工艺成作，黑漆为地，刀刻轮廓间填饰彩料、描金点缀。画面里众人凌波徐行，侍从擎伞随侍，众人抬首望向天际，祥云之间月宫琼楼隐现，仙意悠然弥散。配色沉古雅致，朱红、金彩与墨色底地相映，愈发衬出画面幽谧出尘的仙气。边框缠草金纹匀净华丽，与画面相得益彰。整体构图虚实相宜，将赴月寻仙的浪漫遐想具象呈现，尽显古朴悠远的仙道意趣，是一件韵味独具的漆绘珍品。",[105,106,107,27,29,108,30,109,110,111,55,7],"明代","款彩","漆器","云","明月","龙","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac2e59b2acda225877e8f28cd175e52b.jpg","未知","Xcm*Xcm",[],5,"37474F",{"id":119,"slug":120,"title":121,"dynasty":70,"author":102,"museum":72,"description":122,"tags":123,"thumbUrl":129,"material":113,"size":114,"collection":79,"collections":130,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":65},251035,"qing-yu-tian-jin-ti-shi-shuang-mian-cha-ping-yi-ming-251035","青玉填金题诗双面插屏","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[70,124,125,126,30,127,7,128],"玉石","填金","雕刻","书法","风格技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49198113e6dacb03c0427a2aa6661c81.jpg",[],{"id":132,"slug":133,"title":134,"dynasty":70,"author":102,"museum":72,"description":122,"tags":135,"thumbUrl":139,"material":113,"size":114,"collection":79,"collections":140,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":42},251034,"qing-yu-tian-jin-ti-shi-cha-ping-yi-ming-251034","青玉填金题诗插屏",[124,125,126,127,30,27,136,137,138,7,33,35],"孤石","老树","题诗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f3dbf760c1d83416bf946e1ed188d96.jpg",[],{"id":142,"slug":143,"title":144,"dynasty":70,"author":102,"museum":72,"description":145,"tags":146,"thumbUrl":152,"material":113,"size":114,"collection":79,"collections":153,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":65},247466,"ti-hong-shan-shui-ren-wu-tu-kai-guang-hua-hui-wen-ba-fang-he-yi-ming-247466","剔红山水人物图开光花卉纹八方盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[107,147,126,148,30,29,34,33,149,150,7,151],"剔红","开光","八方器物","清代","工艺技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ad914a14efae5ddd8cb87fb27a55d07.jpg",[],1777535738912]