[{"data":1,"prerenderedAt":524},["ShallowReactive",2],{"subject-jing-wu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1308,"jing-wu","静物","静物画高清赏析","精选中国历代静物题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9cf54c3f7bd81efc6632c675afac9c4.jpg",0,40,[14,42,66,78,92,101,113,135,146,158,170,183,194,205,220,231,239,253,262,272,284,296,306,319,334,343,362,375,383,395,408,425,441,449,462,474,484,493,503,512],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":37,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},222770,"wu-rui-tu-lang-shi-ning-222770","午瑞图","清","郎世宁","北京故宫博物院","这是一幅近似于欧洲静物画的作品，青瓷瓶内插着蒲草叶、石榴花和蜀葵花，托盘里盛有李子和樱桃，几个粽子散落一旁。图中的粽子、蒲草等物暗示此画是为中国的传统节日——端午节而绘制的。就构图而言，画中物品聚散有致，呈正三角形布局，给人的视觉以稳定感。而绘制方法则采用色彩深浅及光影明暗的变化展示花叶、水果和瓷瓶的立体感，尤其是瓷瓶肩部见于欧洲绘画而中国画绝无的“高光”手法，能令观者清晰地体会到西方油画的技巧。虽然画面没有落年款，但根据清内务府造办处的档案记载，此图应作于雍正十年（1732年），属郎世宁在中国的早期作品。\n作为异域来客，为了使基督教广布中国，明末清初抵华的众多传教士们采取了将东西方文化相融合，而后循序渐进地推行教义的传教策略，郎世宁无疑是一位彻底的实践者。尽管此图中他对静物的表现技法源自欧洲油画，然而其内容反映的却是蕴含华夏民族两千余年文化精髓的风俗。正是由于借助兼得中外、博取东西的折衷技巧与迎合中国皇帝趣味的题材择选，才使郎世宁成为深得雍正、乾隆两位帝王赏识、并且大加重用的西洋画家，他有为数不少的画作存世亦得益于此。",[23,24,25,26,27,28,29,30,31,32,33,7],"高清","国画","工笔","设色","中西结合","清代","青瓷","花卉","果实","粽子","印章","绢本，设色","纵140厘米，横84厘米","山水画精选",[36,38],"设色画精选",514,8,"795548",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":59,"material":60,"size":61,"collection":62,"collections":63,"showCount":64,"zanCount":65,"manualWeight":11,"mainColor":41},225705,"a-bottle-of-white-roses-fan-gao-225705","A bottle of white roses","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[51,7,30,52,53,54,26,55,56,57,58],"油画","白色玫瑰","花瓶","厚涂","绿色","桌面","笔触奔放","色彩鲜明","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61092a1c7e00462e6c53a81e571c9644.jpg","未知","Xcm*Xcm","油画精选",[62],212,1,{"id":67,"slug":68,"title":69,"dynasty":46,"author":47,"museum":48,"description":49,"tags":70,"thumbUrl":75,"material":60,"size":61,"collection":62,"collections":76,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":41},225716,"basket-of-pansies-may-1887-fan-gao-225716","Basket of pansies May 1887",[51,71,7,26,72,73,30,74,57],"后印象派","篮子","三色堇","绿叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfc2736beb48dd5fefb91ea4af11c18c.jpg",[62],59,{"id":79,"slug":80,"title":81,"dynasty":46,"author":47,"museum":48,"description":49,"tags":82,"thumbUrl":89,"material":60,"size":61,"collection":62,"collections":90,"showCount":91,"zanCount":65,"manualWeight":11,"mainColor":41},225885,"sunflower-fan-gao-225885","sunFlower",[51,71,83,57,84,85,53,56,7,30,86,87,88],"厚涂技法","色彩浓烈","向日葵","暖色调","肌理感强","静物写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6095b24ac2c99234007434eb27e80996.jpg",[62],58,{"id":93,"slug":94,"title":95,"dynasty":46,"author":47,"museum":48,"description":49,"tags":96,"thumbUrl":98,"material":60,"size":61,"collection":62,"collections":99,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":41},225706,"a-crab-on-its-back-1888-fan-gao-225706","A crab on its back 1888",[51,26,7,97,54],"螃蟹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb701fd08d5fdaaf5d39775a0301012d2.jpg",[62],57,{"id":102,"slug":103,"title":104,"dynasty":46,"author":47,"museum":48,"description":49,"tags":105,"thumbUrl":110,"material":60,"size":61,"collection":62,"collections":111,"showCount":112,"zanCount":65,"manualWeight":11,"mainColor":41},225826,"sunflowers-1888-or-1889-fan-gao-225826","Sunflowers 1888 or 1889",[51,54,7,85,53,106,107,57,30,108,109],"桌子","色彩浓郁","黄色花朵","绿色背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11b7012642ae4a499ee94b8edb2aaa05.jpg",[62],52,{"id":114,"slug":115,"title":116,"dynasty":46,"author":117,"museum":48,"description":118,"tags":119,"thumbUrl":131,"material":60,"size":61,"collection":62,"collections":132,"showCount":133,"zanCount":11,"manualWeight":11,"mainColor":134},226035,"still-life-with-a-melon-1872-mo-nai-226035","Still Life with a Melon, 1872","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[51,120,7,121,122,123,124,125,126,127,128,129,130],"印象派","光影","色彩","盘子","蓝白花纹盘","桃子","甜瓜","葡萄","碗","果碗","桌布","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7a5572925d8db1c1e48fff9a93ed034.jpg",[62],48,"BDBDBD",{"id":136,"slug":137,"title":138,"dynasty":46,"author":47,"museum":48,"description":49,"tags":139,"thumbUrl":143,"material":60,"size":61,"collection":62,"collections":144,"showCount":133,"zanCount":11,"manualWeight":11,"mainColor":145},225711,"apples-september-october-fan-gao-225711","Apples (September - October )",[51,54,7,140,84,57,141,88,58,142],"苹果","织物","笔触生动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F712c9e825bf4dd690fc04b249027d3cc.jpg",[62],"37474F",{"id":147,"slug":148,"title":149,"dynasty":46,"author":117,"museum":48,"description":118,"tags":150,"thumbUrl":155,"material":60,"size":61,"collection":62,"collections":156,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":134},225913,"chrysanthemums-1878-mo-nai-225913","Chrysanthemums, 1878",[120,51,151,53,121,122,152,30,7,153,154],"菊花","笔触","色彩明快","光影表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F033c88fc20a4c43111a72f5eef88ce46.jpg",[62],43,{"id":159,"slug":160,"title":161,"dynasty":46,"author":47,"museum":48,"description":49,"tags":162,"thumbUrl":167,"material":60,"size":61,"collection":62,"collections":168,"showCount":169,"zanCount":11,"manualWeight":11,"mainColor":41},225766,"imperial-fritillaries-in-a-copper-vase-1887-fan-gao-225766","Imperial Fritillaries in a Copper Vase 1887",[51,71,26,7,163,164,165,166],"花","铜制","器","台面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fed36cbf8bf4db654071c4d067686a2.jpg",[62],39,{"id":171,"slug":172,"title":173,"dynasty":46,"author":47,"museum":48,"description":49,"tags":174,"thumbUrl":180,"material":60,"size":61,"collection":62,"collections":181,"showCount":182,"zanCount":65,"manualWeight":11,"mainColor":41},225865,"vase-with-chinese-asters-and-gladioli-august-september-fan-gao-225865","Vase with Chinese asters and gladioli (August - September )",[51,71,83,7,53,30,175,176,56,177,178,179,57],"紫菀","剑兰","散落花朵","红色背景","深色器皿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F086318f3ed97b0c97e87d1ca1c19c319.jpg",[62],37,{"id":184,"slug":185,"title":186,"dynasty":46,"author":47,"museum":48,"description":49,"tags":187,"thumbUrl":191,"material":60,"size":61,"collection":62,"collections":192,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":41},225707,"a-pair-of-leather-clogs-march-fan-gao-225707","A pair of leather clogs (March - )",[51,54,26,7,188,189,190],"木屐","皮革","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9c89542ff43294ed52472a855581ee1.jpg",[62],30,{"id":195,"slug":196,"title":197,"dynasty":46,"author":117,"museum":48,"description":118,"tags":198,"thumbUrl":202,"material":60,"size":61,"collection":62,"collections":203,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":41},225995,"peaches-1882-mo-nai-225995","Peaches, 1882",[120,51,7,125,199,153,200,57,86,201],"叶子","光影捕捉","切开的果实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb82bfbad8aadad1d70c26a5112c9efc.jpg",[62],24,{"id":206,"slug":207,"title":208,"dynasty":18,"author":209,"museum":48,"description":210,"tags":211,"thumbUrl":217,"material":218,"size":218,"collection":218,"collections":219,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":41},224115,"xian-chun-ru-yi-tu-qian-long-224115","先春如意图","乾隆","此作以淡墨写就岁朝清供之景，素净瓷瓶斜插早梅，虬曲瘦枝缀着冰蕊，冷意里暗透早春暗香。下方朱柿圆润饱满、灵芝卷叶层叠、水仙含苞待放，暗合事事如意、福寿延绵的新春祈愿。\n\n全画笔墨清润雅致，瓶身晕染出莹润瓷光，梅枝苍劲见疏朗之态，蔬果花木写实生动，既有宋院画的精工雅致，又具文人墨戏的淡远意趣。右侧题诗笔致秀逸，诗画相映，将文人雅怀与世俗祈盼相融，淡和清雅间，晕开新春的温婉期许，是意趣俱佳的清供小品。",[24,212,213,214,25,215,165,33,216,7],"书画","水墨","白描","梅","灵芝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1356a5120fad8c5835ba6f0bc99ddd19.jpg","",[],{"id":221,"slug":222,"title":223,"dynasty":46,"author":47,"museum":48,"description":49,"tags":224,"thumbUrl":228,"material":60,"size":61,"collection":62,"collections":229,"showCount":230,"zanCount":11,"manualWeight":11,"mainColor":145},225720,"bobbin-winder-march-april-fan-gao-225720","Bobbin winder (March - April )",[51,54,152,7,225,72,226,227],"纺车","日常器具","暗色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9df98ac5c24338dfb318abf5de74dccc.jpg",[62],23,{"id":232,"slug":233,"title":234,"dynasty":46,"author":47,"museum":48,"description":49,"tags":235,"thumbUrl":236,"material":60,"size":61,"collection":62,"collections":237,"showCount":238,"zanCount":11,"manualWeight":11,"mainColor":134},225886,"sunflowers-fan-gao-225886","sunflowers",[51,54,26,85,53,30,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73923c830e19996a7c98e2d65604e2ab.jpg",[62],22,{"id":240,"slug":241,"title":242,"dynasty":46,"author":47,"museum":48,"description":49,"tags":243,"thumbUrl":250,"material":60,"size":61,"collection":62,"collections":251,"showCount":252,"zanCount":65,"manualWeight":11,"mainColor":41},225823,"still-life-with-quinces-fan-gao-225823","Still Life with Quinces ( - )",[7,244,31,130,245,51,71,83,57,246,247,248,249,88],"榅桲","背景布","色彩对比","设色鲜艳","黄色调","绿色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ffd494e3b668c5456c7204edd11bc4b.jpg",[62],20,{"id":254,"slug":255,"title":256,"dynasty":46,"author":47,"museum":48,"description":49,"tags":257,"thumbUrl":260,"material":60,"size":61,"collection":62,"collections":261,"showCount":252,"zanCount":11,"manualWeight":11,"mainColor":145},225730,"cineraria-1886-fan-gao-225730","Cineraria 1886",[51,152,26,7,30,258,199,259,56],"植物","花盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff71ceede03367886e17a4c572f56e1f8.jpg",[62],{"id":263,"slug":264,"title":265,"dynasty":46,"author":47,"museum":48,"description":49,"tags":266,"thumbUrl":269,"material":60,"size":61,"collection":62,"collections":270,"showCount":271,"zanCount":11,"manualWeight":11,"mainColor":134},225800,"red-cabbages-and-onions-october-november-fan-gao-225800","Red cabbages and onions (October - November )",[71,51,54,7,267,268,152],"红球甘蓝","洋葱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e259c43b21256c4720195fbbf79ef36.jpg",[62],18,{"id":273,"slug":274,"title":275,"dynasty":46,"author":47,"museum":48,"description":49,"tags":276,"thumbUrl":282,"material":60,"size":61,"collection":62,"collections":283,"showCount":271,"zanCount":11,"manualWeight":11,"mainColor":145},225715,"basket-of-apples-september-fan-gao-225715","Basket of apples (September - )",[51,7,72,140,83,107,277,278,88,279,280,281],"笔触明显","后印象派风格","衬布","光影对比","写实与表现结合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5609be8697daf3522ead83e6b8c3cb18.jpg",[62],{"id":285,"slug":286,"title":287,"dynasty":46,"author":47,"museum":48,"description":49,"tags":288,"thumbUrl":293,"material":60,"size":61,"collection":62,"collections":294,"showCount":295,"zanCount":11,"manualWeight":11,"mainColor":145},225824,"still-life-with-bible-october-fan-gao-225824","Still life with Bible (October - )",[51,54,71,7,289,290,291,106,292],"典籍","蜡烛","烛台","书本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c3aa4e9d613c061cd554434971d94be.jpg",[62],17,{"id":297,"slug":298,"title":299,"dynasty":46,"author":47,"museum":48,"description":49,"tags":300,"thumbUrl":303,"material":60,"size":61,"collection":62,"collections":304,"showCount":305,"zanCount":11,"manualWeight":11,"mainColor":41},225857,"three-books-fan-gao-225857","Three books",[51,71,7,289,301,302,152,86,88,107],"厚涂法","椭圆形构图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee4ff6fc81c1fa5fa7c343945d698fd6.jpg",[62],11,{"id":307,"slug":308,"title":309,"dynasty":46,"author":47,"museum":48,"description":49,"tags":310,"thumbUrl":316,"material":60,"size":61,"collection":62,"collections":317,"showCount":318,"zanCount":11,"manualWeight":11,"mainColor":41},225818,"shoes-fan-gao-225818","Shoes",[51,71,54,7,311,312,313,86,314,121,315],"日常用品","鞋子","笔触粗犷","表现主义","质感","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F902309acd60f38b7f6033e2f62eccf8c.jpg",[62],10,{"id":320,"slug":321,"title":322,"dynasty":46,"author":323,"museum":48,"description":324,"tags":325,"thumbUrl":331,"material":60,"size":61,"collection":218,"collections":332,"showCount":333,"zanCount":11,"manualWeight":11,"mainColor":134},289092,"jean-jacques-lagrene-e-still-life-vases-a-cassolette-on-a-pedestal-yi-ming-289092","Jean Jacques Lagrenée--Still Life Vases, a Cassolette on a Pedestal","佚名","帷幔轻展，铺陈出一方古典雅致的陈列空间。利落的线条勾勒出洛可可式柔婉的器物轮廓，台座上的香炉浮雕精巧，两侧银壶缠枝纹饰华贵细腻。左侧藤篮倾溢出饱满鲜果与葡萄，搭配角落贝壳，将人工造物的精致与自然野趣柔和相融。淡灰水色晕染出明暗层次，烘托出静谧庄重的氛围，让华丽的陈设褪去张扬，尽显复古沉静的美学张力，将巴洛克式的装饰感与松弛的写生意趣平衡恰好，勾勒出古典静物独有的典雅质感。",[7,326,26,327,328,329,330],"素描","银器","器皿","果物","帷幔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff044dca9bd7f90a110e95738f9a4fe4e.jpg",[],2,{"id":335,"slug":336,"title":337,"dynasty":46,"author":338,"museum":48,"description":339,"tags":340,"thumbUrl":341,"material":60,"size":61,"collection":218,"collections":342,"showCount":333,"zanCount":11,"manualWeight":11,"mainColor":145},232326,"a-er-ma-53-lao-lun-si-a-er-ma-ta-de-ma-232326","阿尔玛53","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[51,26,7,30,53,106],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa84512972f91c6433da5d6c7ce102e58.jpg",[],{"id":344,"slug":345,"title":346,"dynasty":46,"author":347,"museum":48,"description":348,"tags":349,"thumbUrl":360,"material":60,"size":61,"collection":218,"collections":361,"showCount":333,"zanCount":11,"manualWeight":11,"mainColor":145},230624,"rembrandt-harmensz-van-rijn-0259-lun-bo-lang-230624","Rembrandt Harmensz.van Rijn - 0259","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[51,350,121,7,351,352,130,353,354,355,356,357,358,359],"人物","黑色衣饰","白色领饰","水果","戒指","椅子","织物卷","明暗对比","写实","肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b09bb45ee88cde158b9bd2146551e43.jpg",[],{"id":363,"slug":364,"title":365,"dynasty":46,"author":323,"museum":48,"description":366,"tags":367,"thumbUrl":373,"material":60,"size":61,"collection":218,"collections":374,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":134},289282,"peter-flptner-perspectival-drawing-with-three-cubes-yi-ming-289282","Peter Flptner--Perspectival Drawing with Three Cubes","这幅铜版画以精妙透视打破规整秩序，三个方体错位咬合、倾斜介入，糅合几何理性与荒诞观感。构件顶部的1528年标注暗藏时间印记，细密直线排线铺陈块面明暗，精准区分形体边界，兼具透视实验的科学性与超现实的戏谑感。下方浅淡水波纹与稚拙水草柔化冷硬几何体，理性秩序与自然意趣奇妙对冲，让肃穆的透视习作生出荒诞诗意，仿佛方体正从水中浮现，模糊图纸与幻境的边界，是文艺复兴透视探索里极具先锋性的趣味尝试，将制图的严谨与天马行空的遐想融为一体。",[368,369,370,371,372,326,7],"透视画","几何形体","线描","水景","蟹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff169c5a1c9c2a273c8789412a96f43b6.jpg",[],{"id":376,"slug":377,"title":378,"dynasty":18,"author":323,"museum":48,"description":379,"tags":380,"thumbUrl":381,"material":60,"size":61,"collection":218,"collections":382,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":41},273937,"feng-yan-cao-yi-ming-273937","凤眼草","此作为写实本草写生，平铺的凤眼草以枯褐为主色调，形制舒展如敛翅的细羽，风干后自然褶皱与纤维纹理被细致留存。没有繁复着色晕染，以素朴直白的方式还原药材本貌，将寻常草木的枯寂质感全然呈现。笔触克制沉静，带着记录本草的严谨，将不起眼的草本药材定格成兼具实用记录性与朴素审美的视觉载体，于静默间流露对世间风物的细致观察，藏着对本草的珍视与敬意。",[378,258,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7138b992cef5f2822c34164222aad817.jpg",[],{"id":384,"slug":385,"title":386,"dynasty":46,"author":323,"museum":48,"description":387,"tags":388,"thumbUrl":393,"material":60,"size":61,"collection":218,"collections":394,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":145},241906,"zhen-zhu-yi-ming-241906","珍珠","它凝萃深海潮汐的私语，轮廓带着自然赋予的随性弧度，全无刻意雕琢的规整。珠光内敛莹润，流转间晕开虹彩柔光，似揉碎了深海朝暮的霞光，将幽蓝深海的柔婉静谧凝于一体。\n\n没有人工修饰的匠气，每一寸肌理都藏着岁月沉淀，自带海洋独有的呼吸感。静静安放间，以本真的形态诉说着造物的精妙，褪去浮华，温润的晕泽自带直击人心的柔和力量，自成一方温柔沉静的天地。",[358,7,389,390,391,386,392],"珠宝","饰品","器物","光泽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38165a69e2083be97b327b98e875845c.jpg",[],{"id":396,"slug":397,"title":398,"dynasty":46,"author":399,"museum":48,"description":400,"tags":401,"thumbUrl":406,"material":60,"size":61,"collection":218,"collections":407,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":134},232563,"mi-lai-si-107-yue-han-ai-fu-li-te-mi-lai-si-232563","米莱斯107","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[402,7,403,165,404,199,405,26,121],"水彩","陶瓷","藤蔓","草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff45d86557a589b2c0e37015586c9a3e0.jpg",[],{"id":409,"slug":410,"title":411,"dynasty":46,"author":338,"museum":48,"description":339,"tags":412,"thumbUrl":423,"material":60,"size":61,"collection":218,"collections":424,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":145},232296,"a-er-ma-23-lao-lun-si-a-er-ma-ta-de-ma-232296","阿尔玛23",[51,358,26,413,350,414,7,415,416,30,353,417,141,418,419,258,420,421,422],"古典题材","乐器","布料","金属器","卧榻","雕塑","饮酒器","室内场景","写实技法","人物场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18351da96fe54544990753c4fb0b325a.jpg",[],{"id":426,"slug":427,"title":428,"dynasty":46,"author":429,"museum":48,"description":430,"tags":431,"thumbUrl":439,"material":60,"size":61,"collection":218,"collections":440,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":41},232143,"hortense-valpin-on-minneapolis-institute-of-arts-usa-de-jia-232143","Hortense Valpinзon - - - Minneapolis Institute of Arts (USA)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[51,120,350,432,433,130,141,434,7,122,121,358,152,435,436,437,438],"帽子","连衣裙","室内","衣物","家具","花纹","背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d2594aacd912cb97a9800bb8053940b.jpg",[],{"id":442,"slug":443,"title":444,"dynasty":46,"author":429,"museum":48,"description":430,"tags":445,"thumbUrl":447,"material":60,"size":61,"collection":218,"collections":448,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":145},232096,"de-jia-46-de-jia-232096","德加46",[51,120,350,446,30,53,130,7,434,121,152],"女性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e4fd3666dc246376c4996f371904d3d.jpg",[],{"id":450,"slug":451,"title":452,"dynasty":46,"author":429,"museum":48,"description":430,"tags":453,"thumbUrl":460,"material":60,"size":61,"collection":218,"collections":461,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":41},232048,"portrait-of-a-man-circa-brooklyn-museum-of-art-usa-de-jia-232048","Portrait of a Man - circa - Brooklyn Museum of Art (USA)",[51,120,454,420,455,456,355,457,106,7,121,152,458,459],"人物肖像","男子","胡须","白布","深色上衣","浅色裤子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd587611bc3461aa4c6df4a79f5e657e4.jpg",[],{"id":463,"slug":464,"title":465,"dynasty":46,"author":466,"museum":48,"description":467,"tags":468,"thumbUrl":472,"material":60,"size":61,"collection":218,"collections":473,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":134},231148,"su-miao-402-xi-fang-231148","素描402","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[402,26,30,469,74,404,470,7,471],"花篮","木门","西方风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52d25f577af61c9515d6810ee3a10236.jpg",[],{"id":475,"slug":476,"title":477,"dynasty":46,"author":347,"museum":48,"description":348,"tags":478,"thumbUrl":482,"material":60,"size":61,"collection":218,"collections":483,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":145},230612,"rembrandt-harmensz-van-rijn-0192-lun-bo-lang-230612","Rembrandt Harmensz.van Rijn - 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