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Class - - Metropolitan Museum of Art (USA) - oil on panel","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis 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Dance Class - - Corcoran Gallery of Art 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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[88,90,221,222,95,86,85,7],"平金绣","钉线绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F377658dfa222163c456185de486a1392.jpg",[],{"id":226,"slug":227,"title":228,"dynasty":18,"author":82,"museum":59,"description":229,"tags":230,"thumbUrl":233,"material":97,"size":98,"collection":48,"collections":234,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":205},268375,"huang-se-duan-ding-ling-xiu-sheng-shou-wu-jiang-wen-huo-ji-jing-zi-yi-ming-268375","黄色缎钉绫绣圣寿无疆纹活计-镜子","此件活计取阮琴造型，明黄缎地为柄身，以钉绫绣出宝相花饰，蓝边盘绳勾勒如意卷草轮廓，华贵雅致。镜沿以彩辫绳镶边，撞色鲜明，层次灵动鲜活。顶端缀盘长结与双色流苏，暗喻福寿绵长的美好祈愿。\n\n整物融刺绣、编绳、结艺于一体，配色明丽和谐，工法精细考究，将祈福寓意暗藏于纹饰细节，既是闺阁理容的实用物件，又可作陈设清玩，尽显清代手工活计的雅致匠心。",[86,85,90,88,7,231,232],"钉绫绣","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2891896ed06fd42fb50795b3a8238b80.jpg",[],{"id":236,"slug":237,"title":238,"dynasty":18,"author":82,"museum":59,"description":239,"tags":240,"thumbUrl":242,"material":97,"size":98,"collection":48,"collections":243,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":124},267266,"huang-se-duan-ding-ling-xiu-hai-tang-hua-wen-huo-ji-jing-zi-yi-ming-267266","黄色缎钉绫绣海棠花纹活计-镜子","这枚八边形小镜，以蓝白辫绣缠裹镜边，素净镜面虽凝着裂痕，却衬得绣纹愈发鲜亮灵秀。柄间系着盘长结，挽起湖蓝与胭粉两缕流苏，绒线虽已因岁月变得毛糙，却带着被反复摩挲的温润暖意。\n它是闺阁日常的旧影，将女红巧思融于妆台小物，把实用妆具晕染出温婉雅致，藏着女子对镜理鬓的细碎温柔，静静承载着旧日闺中的柔缓时光。",[7,85,86,88,90,241],"流苏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbe83b57b6be891fcb445ecfb5ae0576.jpg",[],{"id":245,"slug":246,"title":247,"dynasty":57,"author":58,"museum":59,"description":137,"tags":248,"thumbUrl":254,"material":97,"size":98,"collection":48,"collections":255,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":52},232244,"dance-class-at-the-opera-musee-d-orsay-france-oil-on-canvas-de-jia-232244","Dance Class at the Opera - - Musee d'Orsay (France) - oil on canvas",[63,62,182,249,65,250,184,68,251,66,252,253,7,27,73],"舞裙","扶手","男士","墙壁","柱子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3e4c277b848ba1fdfb33864d12ec708.jpg",[],{"id":257,"slug":258,"title":259,"dynasty":57,"author":58,"museum":59,"description":137,"tags":260,"thumbUrl":264,"material":97,"size":98,"collection":48,"collections":265,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":52},232243,"dance-rehearsal-in-the-studio-of-the-opera-norton-simon-museum-usa-oil-on-canvas-de-jia-232243","Dance Rehearsal in the Studio of the Opera - - Norton Simon Museum (USA) - oil on 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