[{"data":1,"prerenderedAt":66},["ShallowReactive",2],{"subject-jiu-bei":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7020,"jiu-bei","酒杯","酒杯画高清赏析","精选中国历代酒杯题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46be6b128265edf939a62973069e4370.jpg",0,3,[14,35,48],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},262121,"fan-hong-long-wen-jiu-bei-yi-ming-262121","矾红龙纹酒杯","清","佚名","藏地不详","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[23,24,25,26,27,7,28],"陶瓷","饮酒器","龙","龙纹","矾红","器","未知","Xcm*Xcm","",[],2,"BDBDBD",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":21,"tags":39,"thumbUrl":44,"material":29,"size":30,"collection":31,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},262127,"tui-si-tang-kuan-mo-cai-shi-wen-jiu-bei-yi-ming-262127","退思堂款墨彩诗文酒杯",[23,24,40,41,42,43,7],"墨彩","书法","楷书","诗文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed90165567dc78b71f350a9b3fc87e47.jpg",[],1,"795548",{"id":49,"slug":50,"title":51,"dynasty":52,"author":53,"museum":20,"description":54,"tags":55,"thumbUrl":63,"material":29,"size":30,"collection":31,"collections":64,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":65},231985,"the-absinthe-drinker-musee-d-orsay-france-de-jia-231985","The Absinthe Drinker - - Musee d'Orsay (France)","不详","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[56,57,58,59,60,7,61,62],"油画","印象派","人物画","室内场景","饮酒","酒瓶","咖啡馆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c5a526fa0137dcda5ab25a012ba597f.jpg",[],"FFFFFF",1777535775368]