[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"subject-jiu-niao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2368,"jiu-niao","鸠鸟","鸠鸟画高清赏析","精选中国历代鸠鸟题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39e184a2fc8dcb999a8961cf13e487a0.jpg",0,2,[14,39],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":37,"manualWeight":11,"mainColor":38},219118,"shuang-jiu-tu-qian-xuan-219118","双鸠图","元","钱选","辛辛那提艺术博物馆","画面描绘了一根梨枝的主干，枝头有许多枝条，枝条上盛开着洁白的梨花。 树枝上栖息着两只鸽子，一只低着脖子哼了一声，一只好奇地盯着树枝。",[23,24,25,26,7,27,28,29,30],"国画","书画","工笔","设色","树枝","花卉","书法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0c9c5dce479a9ec47c315e8badbe4e8.jpg","纸本,设色","30.5x97.8cm","花鸟画精选",[34],111,3,"BDBDBD",{"id":40,"slug":41,"title":42,"dynasty":43,"author":44,"museum":20,"description":45,"tags":46,"thumbUrl":51,"material":52,"size":53,"collection":34,"collections":54,"showCount":55,"zanCount":11,"manualWeight":11,"mainColor":56},220315,"li-hua-shuang-jiu-tu-yu-yuan-220315","梨花双鸠图","明","虞沅","陶渊明的诗作在清新自然的氛围中营造了一种恬淡宁静、纯朴自然的境界，这正是老庄艺术境界与人生境界的合一。钱选追慕陶渊明式的的隐逸生活，他曾画了多幅《归去来图》以示对陶潜的景仰之情，画中曾经题诗：“衡门植五柳，东篱采丛菊。长啸有余清，无奈酒不足。当世宜沈酣，作色召侮辱。乘兴赋归欤，千载一辞独。”钱选的传世作品《柴桑翁像》卷描绘陶渊明头戴明纱巾，脚着木屐，携杖款款而行的样子。画中题道：“晋陶渊明得天真之趣，无青州从事而不可陶写胸中磊落，尝命童子佩酒以随，故时人模写之。余不敏，亦写此以况。”可见钱选是借陶渊明来书写胸臆，仿陶潜之隐逸，寻道老庄，建自身之心隐，表达对陶潜自喻的隐居素志和平淡生活情趣的田园生活的向往，钱选在生活和绘画创作中极力营造心目中“桃花源”，一个平和、繁华但又远离尘世，隐心俗世之外，又从世外深情俯视人间之境。",[47,23,24,48,25,26,49,50,7],"高清","立轴","花鸟","梨花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f327fd3c66d28a0a0a4df196d628d00.jpg","绢本,设色","97cm×30.2cm",[34],75,"795548",1777535782211]