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　擅人物、花鸟、山水，其人物画取材广泛，作品能反映现实生活，针砭社会，寄托个人情怀，具有一定思想性。造型简练、准确，生动传神，手法多变。他的花鸟画师法陈淳、徐渭、石涛、恽寿平、华喦及北宋诸家。博采众长，转益多师，成为集工笔、写意、勾勒、没骨于一身的画家。他于传统的笔墨之中掺以水彩画法，淡墨与色彩相交溶，风格明快、温馨、清新、活泼，极富创造性。山水画虽不多作，但也构图布局变化多端，笔墨技巧能跳出传统窠臼，别具一格。任颐的绘画在当时及现当代具有极大影响。有《苏武牧羊》《女娲炼石》《关河一望萧索》《树荫观刀》《群仙祝寿》及大量的花鸟、山水等作品传世，后人出版有多种画册、画集。\n任颐是我国近代杰出画家，在“四任”之中成就最为突出，是海上画派中的佼佼者。他的杰出艺术成就受到世人瞩目。\n任颐初名润，字小楼，后字伯年，浙江山阴（今杭州市萧山区瓜沥镇）人。生于鸦片战争的清道光十九年（1840年），卒于光绪二十二年（1896年）。父亲任声鹤是民间画像师，大伯任熊，二伯任熏，已是名声显赫的画家。少时受家庭的熏染，已能绘画。十来岁时，一次家中来客，坐了片刻就告辞了，父亲回来问是谁来，伯年答不上姓名，便拿起纸来，把来访者画出，父亲看了，便知是谁了。这说明任伯年幼年就掌握了写真画技巧。\n任伯年曾在十几岁青年时期，在太平天国的军中“掌大旗”，当时军旗较大，“战时麾之，以为前驱”。直到天京沦陷，任伯年才回家乡，后至上海随任熊、任熏学画。以后长期在上海以卖画为生。任伯年为人率真，不修边幅，学画时近30岁，画多而名声渐大，但其身心深受鸦片之害，损伤元气，这也是他年仅56岁就过早去世的原因。 任伯年的绘画发轫于民间艺术，他重视继承传统，融汇诸家之长，吸收了西画的速写、设色诸法，形成自己丰姿多采、新颖生动的独特画风。\n工细的仕女画近费晓楼，夸张奇伟的人物画法陈洪绶，装饰性强的街头描则学自任熏，后练习铅笔速写，变得较为奔逸，晚年吸收华岩笔意。\n就任伯年的个人艺术造诣来看，花鸟画的本领比较高，若以当时画坛的情况而言，他的人物影响比较大，原因是当时画人物画家少，成就高者更少，象任伯年这样造诣，自然推至旁首。\n作者早期的仕女画多较工细。此图中仕女以手支颐，眼望春柳，惆怅若失。构图虽简单，用笔却十分细致。以细笔描绘青丝盘头，淡墨写面部、手指；衣纹线条流畅，起笔多顿点，用富有装饰性的钉头鼠尾描形成有节奏的白描效果。",[24,58,59,27,29,60,61,62,7],"名画","扇面","钟馗","饮酒","仕女","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4803edd800a66a10441ec9bc33737417.jpg","未知","Xcm*Xcm","",[],39,{"id":70,"slug":71,"title":72,"dynasty":73,"author":74,"museum":55,"description":75,"tags":76,"thumbUrl":86,"material":66,"size":66,"collection":87,"collections":88,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":48},242990,"ge-he-yi-ming-242990","戈盉","商","佚名","袋足分裆饱满，四足高挑撑举器身，长流斜出挺括，兽首鋬手勾连器身与盖，浑朴厚重又兼具灵动之势。盖面与颈腹的兽面纹饰线条古拙狞厉，带着独有的威严肃穆之气。青绿色锈迹覆裹周身，凝萃着千年岁月痕迹，将祭祀重器的庄重质感拉满，既是用以挹酒注酒的实用礼器，又尽显上古青铜铸造的精湛匠心，承载着狞厉古朴的殷商青铜美学底蕴。",[77,78,79,80,7,81,82,83,84,85],"青铜器","雕刻","纹饰","商代","礼器","青铜","器物","古物","青铜纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F141f46c50016f4f941a275401a17b51b.jpg","青铜器精选",[87],10,{"id":91,"slug":92,"title":93,"dynasty":94,"author":74,"museum":55,"description":95,"tags":96,"thumbUrl":99,"material":66,"size":66,"collection":87,"collections":100,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":102},243031,"xi-zun-yi-ming-243031","牺尊","宋","此器作瑞牺形，昂首挺躯，独角斜挑，嵌饰的双目灵光暗蕴，神形古雅生动。周身以错银技法勾勒卷云纹，线条回旋舒展，与浑朴厚重的器身相映，让古拙中生出精巧灵秀之气。颈间项圈纹饰环环规整，背部设开合之盖，兼顾礼器的实用属性，又让造型浑然一体。\n\n器物包浆厚润沉穆，带着时光浸润的温润质感，将复古摹古的巧思融于其中，既有上古青铜礼器的庄重遗韵，又尽显工艺雅致内敛的审美意趣。",[77,97,98,78,7],"铜制","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f3d040c4bd4dfd1f92c0f1ce095f326.jpg",[87],9,"BDBDBD",{"id":104,"slug":105,"title":106,"dynasty":73,"author":74,"museum":55,"description":107,"tags":108,"thumbUrl":111,"material":64,"size":65,"collection":66,"collections":112,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":114},243743,"wo-wen-lei-yi-ming-243743","涡纹罍","青铜器（Bronze Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[77,81,7,97,109,110],"涡纹","容器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ea8d4eaf7b24d4a74fa1206684e3bd5.jpg",[],6,"37474F",{"id":116,"slug":117,"title":118,"dynasty":73,"author":74,"museum":55,"description":107,"tags":119,"thumbUrl":121,"material":64,"size":65,"collection":66,"collections":122,"showCount":123,"zanCount":11,"manualWeight":11,"mainColor":114},243387,"she-fu-ding-you-yi-ming-243387","射父丁卣",[77,97,78,7,81,120],"商代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1612511e82968e2f382c7945bfeba58.jpg",[],4,{"id":125,"slug":126,"title":127,"dynasty":73,"author":74,"museum":55,"description":107,"tags":128,"thumbUrl":130,"material":64,"size":65,"collection":66,"collections":131,"showCount":123,"zanCount":11,"manualWeight":11,"mainColor":114},242872,"fu-yi-you-yi-ming-242872","父乙卣",[77,7,81,129],"铜制容器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c353ce3f035d8a15b638726b95b4e4c.jpg",[],{"id":133,"slug":134,"title":135,"dynasty":73,"author":74,"museum":55,"description":107,"tags":136,"thumbUrl":138,"material":64,"size":65,"collection":66,"collections":139,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":114},244147,"ya-wei-jue-yi-ming-244147","亚囗爵",[77,97,7,81,137],"饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F280f6943f35b03f52f2ef1f28faaa1a8.jpg",[],3,{"id":142,"slug":143,"title":135,"dynasty":73,"author":74,"museum":55,"description":107,"tags":144,"thumbUrl":145,"material":64,"size":65,"collection":66,"collections":146,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":48},243849,"ya-wei-jue-yi-ming-243849",[77,7,81,97,137],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ab1529d10c18174c2ad3cc47a78c934.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":73,"author":74,"museum":55,"description":107,"tags":151,"thumbUrl":154,"material":64,"size":65,"collection":66,"collections":155,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":48},243475,"wei-you-yi-ming-243475","囗卣",[80,77,97,7,81,78,152,153],"兽面纹","兽形装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7add77b89d3b3539d3afee9010c239c.jpg",[],{"id":157,"slug":158,"title":159,"dynasty":73,"author":74,"museum":55,"description":107,"tags":160,"thumbUrl":161,"material":64,"size":65,"collection":66,"collections":162,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":114},242874,"wei-fu-xin-you-yi-ming-242874","囗父辛卣",[77,7,81,80,97,78],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F984e91d232f2f5343289fb6f2adcf759.jpg",[],{"id":164,"slug":165,"title":150,"dynasty":73,"author":74,"museum":55,"description":107,"tags":166,"thumbUrl":172,"material":64,"size":65,"collection":66,"collections":173,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":48},242870,"wei-you-yi-ming-242870",[77,78,7,167,168,169,79,170,120,171],"兽纹","古朴","提梁","青铜工艺","盛酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7333abf0b847ff9f7aa54b67588452c.jpg",[],{"id":175,"slug":176,"title":177,"dynasty":73,"author":74,"museum":55,"description":107,"tags":178,"thumbUrl":179,"material":64,"size":65,"collection":66,"collections":180,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":114},242868,"wei-fu-gui-you-yi-ming-242868","囗父癸卣",[77,97,7,81,110],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16ca57c8e84a456be22a23c4f46fa1eb.jpg",[],{"id":182,"slug":183,"title":150,"dynasty":73,"author":74,"museum":55,"description":107,"tags":184,"thumbUrl":194,"material":64,"size":65,"collection":66,"collections":195,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":48},242867,"wei-you-yi-ming-242867",[77,81,7,185,186,152,187,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Battista Tiepolo--The Meeting of Anthony and Cleopatra","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[272,273,213,274,275,276,7,277],"人物画","历史画","淡墨","古典人物","侍从","历史事件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94b1d132e5db8f2b93cc6d2b16f05aab.jpg",[],1,{"id":282,"slug":283,"title":284,"dynasty":285,"author":74,"museum":55,"description":286,"tags":287,"thumbUrl":290,"material":64,"size":65,"collection":66,"collections":291,"showCount":280,"zanCount":11,"manualWeight":11,"mainColor":48},244871,"su-zun-yi-ming-244871","素尊","汉","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[288,77,97,7,289,249],"汉代","素面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59745975034e88a6d034477d7c239e33.jpg",[],{"id":293,"slug":294,"title":295,"dynasty":200,"author":74,"museum":55,"description":107,"tags":296,"thumbUrl":299,"material":64,"size":65,"collection":66,"collections":300,"showCount":280,"zanCount":11,"manualWeight":11,"mainColor":114},244602,"shou-er-fang-hu-yi-ming-244602","兽耳方壶",[77,81,7,97,297,298,79],"壶","兽耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d2f86ac2fdbf53418e6e9a96a4431d8.jpg",[],{"id":302,"slug":303,"title":304,"dynasty":73,"author":74,"museum":55,"description":107,"tags":305,"thumbUrl":306,"material":64,"size":65,"collection":66,"collections":307,"showCount":280,"zanCount":11,"manualWeight":11,"mainColor":114},244363,"zuo-yi-you-yi-ming-244363","作彝卣",[73,77,78,79,7,81,202],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F521ec333dca8b1bee8fb6f0c1440f91b.jpg",[],{"id":309,"slug":310,"title":311,"dynasty":73,"author":74,"museum":55,"description":107,"tags":312,"thumbUrl":313,"material":64,"size":65,"collection":66,"collections":314,"showCount":280,"zanCount":11,"manualWeight":11,"mainColor":48},244324,"xian-you-yi-ming-244324","先卣",[77,97,81,7,249,78],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6e2de8be0409c7e6fbafbd8f329a01e.jpg",[],{"id":316,"slug":317,"title":318,"dynasty":73,"author":74,"museum":55,"description":107,"tags":319,"thumbUrl":321,"material":64,"size":65,"collection":66,"collections":322,"showCount":280,"zanCount":11,"manualWeight":11,"mainColor":48},243989,"sheng-wen-you-yi-ming-243989","绳纹卣",[80,77,97,320,7,202],"绳纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbdbb503ffc69a4f731e536403de2b1c4.jpg",[],{"id":324,"slug":325,"title":326,"dynasty":73,"author":74,"museum":55,"description":107,"tags":327,"thumbUrl":329,"material":64,"size":65,"collection":66,"collections":330,"showCount":280,"zanCount":11,"manualWeight":11,"mainColor":114},243698,"shou-mian-wen-jue-yi-ming-243698","兽面纹爵",[77,328,7,81,152],"爵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17a3e086a0a45d2fbacee4fbfe5e368a.jpg",[],{"id":332,"slug":333,"title":334,"dynasty":73,"author":74,"museum":55,"description":107,"tags":335,"thumbUrl":336,"material":64,"size":65,"collection":66,"collections":337,"showCount":280,"zanCount":11,"manualWeight":11,"mainColor":114},243602,"shou-mian-wen-gu-yi-ming-243602","兽面纹觚",[77,7,81,152],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16e4ce5b3f5627b6836a198909deea8c.jpg",[],{"id":339,"slug":340,"title":341,"dynasty":73,"author":74,"museum":55,"description":107,"tags":342,"thumbUrl":345,"material":64,"size":65,"collection":66,"collections":346,"showCount":280,"zanCount":11,"manualWeight":11,"mainColor":48},242866,"shou-mian-wen-fang-you-yi-ming-242866","兽面纹方卣",[77,152,7,78,80,167,343,344],"青铜制","纹饰雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e5574125aa17c93aac89459699b73c7.jpg",[],{"id":348,"slug":349,"title":350,"dynasty":200,"author":74,"museum":55,"description":107,"tags":351,"thumbUrl":352,"material":64,"size":65,"collection":66,"collections":353,"showCount":280,"zanCount":11,"manualWeight":11,"mainColor":48},224070,"jing-you-2-yi-ming-224070","静卣-2",[77,78,81,7,202],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8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