[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"subject-ju-can":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7477,"ju-can","聚餐","聚餐画高清赏析","精选中国历代聚餐题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd30bac3133ccdbe918c896e1bbc42162.jpg",0,2,[14,37],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},232509,"he-er-bai-yin-168-he-er-bai-yin-232509","荷尔拜因168","不详","荷尔拜因","藏地不详","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,24,25,26,27,7,28,29],"名画","油画","宗教","人物","最后的晚餐","写实","室内","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6a455de3e58967c29e87ac7fce63a34.jpg","未知","Xcm*Xcm","",[],8,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":18,"author":41,"museum":20,"description":42,"tags":43,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},289511,"bartolomeo-schedoni-the-last-supper-yi-ming-289511","Bartolomeo Schedoni--The Last Supper","佚名","这幅作品跳脱了传统构图的肃穆对称，以躁动群像打破定式。强烈明暗对比下，天光收束于画面中心，衬出耶稣的沉静悲悯，与门徒们哗然躁动的神态形成极致反差。有人愤然质询，有人颓然失神，有人私语猜忌，将那一瞬间的惊愕纠葛尽数铺展。盘中粗粝写实的烤禽晕开俗世烟火，更反衬出信仰裂隙下的拉扯张力。狂放率性的笔触，让衣袍褶皱化作厚重肌理，将情绪具象化，把经典宗教场景从神性叙事拉回满是人性纠葛的戏剧现场，让背叛的错愕与信仰的震荡跃然画面。",[24,25,44,27,7,28],"人物群像",[],6,"37474F",1777535791431]