[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"subject-ju-die-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11526,"ju-die-wen","菊蝶纹","菊蝶纹画高清赏析","精选中国历代菊蝶纹题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33ad60558d097c1872130c5857118bd7.jpg",0,3,[14,33,44],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},266395,"xing-huang-se-ju-die-wen-shi-di-sha-hua-hu-pi-wen-jia-tao-ku-yi-ming-266395","杏黄色菊蝶纹实地纱画虎皮纹夹套裤","清","佚名","藏地不详","这是一件颇具巧思的民间服饰，采用经典中式套裤形制，系带固定可贴合腿部。底料暗织菊蝶纹样，细腻雅致晕开温婉古韵，其上手绘虎皮纹路，晕染自然灵动，仿拟虎斑栩栩如生，将纱料的柔润质感与虎纹的英武野趣相融碰撞。明快的杏黄底色搭配深褐纹路，配色鲜亮醒目，既满足日常穿着实用性，又将山野意趣融入日常装束，尽显旧时手工艺人的审美巧思，是兼具实用与装饰意趣的精巧之作。",[23,24,25,7,26],"衣帽","布料","虎皮纹","套裤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facde6bae7046140d4ea8fe585e18925a.jpg","未知","Xcm*Xcm","",[],"BDBDBD",{"id":34,"slug":35,"title":36,"dynasty":18,"author":19,"museum":20,"description":37,"tags":38,"thumbUrl":42,"material":28,"size":29,"collection":30,"collections":43,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},266394,"xing-huang-se-ju-die-wen-an-hua-shi-di-sha-mo-bi-hua-hu-wen-xiao-dan-tao-ku-yi-ming-266394","杏黄色菊蝶纹暗花实地纱墨笔画虎纹小单套裤","以杏黄实地纱为底，暗织菊蝶纹隐于纱间，雅致低调。又以墨笔晕染仿虎斑纹，线条灵动写意，将猛虎纹路柔化适配孩童衣物，童趣盎然。分体式形制精巧，上端米白系带固定腰胯，下端黑带束于大腿，兼顾美观与实用性。配色明快柔和，暗纹与手绘纹饰相得益彰，将吉祥意趣融入日常衣物，尽显旧时服饰工艺的细腻巧思，藏着中式童装独有的雅致鲜活。",[23,24,39,40,7,41],"虎","墨笔","暗花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04caeddbcf8b4e1fadc464718eb65b14.jpg",[],{"id":45,"slug":46,"title":47,"dynasty":18,"author":19,"museum":20,"description":48,"tags":49,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":50,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},266393,"xing-huang-se-ju-die-wen-shi-di-sha-hua-hu-pi-xiao-dan-pao-yi-ming-266393","杏黄色菊蝶纹实地纱画虎皮小单袍","清代皇帝服饰有朝服、吉服、常服、行服等。皇帝的龙袍属于吉服范畴，比朝服、衮服等礼服略次一等，平时较多穿着。穿龙袍时，必须戴吉服冠，束吉服带及挂朝珠。龙袍以明黄色为主也可用金黄杏黄等色。古时称帝王之位，为九五之尊。九、五两数，通常象征着高贵，在皇室建筑、生活器具等方面都有所反映。清朝皇帝的龙袍，据文献记载，也绣有九条龙。从实物来看，前后只有八条龙，与文字记载不符，缺一条龙。有人认为还有一条龙是皇帝本身。其实这条龙客观存在着，只是被绣在衣襟里面，一般不易看到。这样一来，每件龙袍实际即为九龙，而从正面或背面单独看时，所看见的都是五龙，与九五之数正好相吻合。另外，龙袍的下摆，斜向排列着许多弯曲的线条，名谓水脚。水脚之上，还有许多波浪翻滚的水浪，水浪之上，又立有山石宝物，俗称“海水江涯”，它除了表示绵延不断的吉祥含意之外，还有“一统山河”和“万世升平”的寓意。\n皇后常服样式，与满族贵妇服饰基本相似，圆领、大襟，衣领、衣袖及衣襟边缘，都饰有宽花边，只是图案有\n所不同。本图展示的服装纹样为凤穿牡丹。整件服装在鲜艳的蓝色缎地上，绣八只彩凤，彩凤中间，穿插数朵牡丹。牡丹的颜色处理得净穆而素雅，色彩变化惟妙，具有传统的山水画特点。与此相反，凤的颜色比较浓重，红绿对比度极为强烈，具有典型民族风格和时代特色。\n清代官服主要品种为长袍马褂。官帽与前朝截然不同，凡军士、差役以上军政人员都戴似斗笠而小的纬帽，按冬夏季节有暖帽、凉帽之分，还视品级高低安上不同颜色、质料的“顶子”，帽后拖一束孔雀翎。翎称花翎，高级的翎上有“眼”（羽毛上的圆斑），并有单眼、双眼、三眼之别，眼多者为贵，只有亲王或功勋卓著的大臣才被赏戴。皇帝有时还赏穿黄马褂，以示特别恩宠。影响所及，其他颜色的马褂遂在官员士绅中逐渐流行，成为一般的礼服。四、五品以上官员还项挂朝珠，用各种贵重珠宝、香木制成，构成清代官服的又一特点。丝纺绣染及各种手工专业的进步，为清代服饰品种的丰富创造了条件。\n清代男装主要是长袍和马褂，袖端呈马蹄形是历代不曾见过的。长袍造型简练，立领直身，偏大襟，前后衣身有接缝，下摆有两开衩（古时称“缺裤”），四开衩和无开衩几种类型。皇室贵族为便于骑射，着四面开衩长袍，即衣前后中缝和左右两侧均有开衩的式样，平民则着左右两侧开衩或称“一裹圆”的不开衩长袍。在我国文学名著《红楼梦》第九十四回“宴海棠贾母赏花妖”一节中，记述了一段内容“那日宝玉本来穿着”一裹圆的皮袄在家休息，忽听贾母要来，便去换了一件狐腋箭袖，罩了一件玄狐腿外褂。这里说明“一裹圆”，是休闲衣服，不可登大雅之堂，所以贾母的到来，必须换掉便装，改着正式穿戴。满清时期长袍外面的马褂身长不过膝，袖宽且短。衣服上的佩饰比较琐繁，一个金银牌上垂挂着数十件小东西，如耳挖子、镊子、牙签，还有一些古代兵器的小模型，如戟、枪之类，佩挂饰物在清代已经形成风尚。",[23,24,25,7],[],"F48FB1",1777535779491]