[{"data":1,"prerenderedAt":7516},["ShallowReactive",2],{"subject-ju":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},56,"ju","菊","菊画高清赏析","精选历代菊花题材绘画，欣赏秋意、隐逸与高洁品格。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aa26b3904c9e53e6dda77d3ba7849e9.jpg",6450,911,[14,51,80,100,116,132,146,162,175,187,198,211,225,242,253,264,278,290,301,312,323,335,345,355,365,378,390,400,412,427,438,456,468,477,486,495,504,513,521,530,537,546,556,564,573,580,591,601,608,619,631,642,657,669,680,699,713,728,736,745,756,765,774,785,796,813,834,846,856,867,877,886,893,905,915,925,934,943,953,964,976,986,996,1007,1020,1032,1042,1052,1062,1071,1081,1091,1099,1107,1116,1125,1135,1144,1154,1164,1173,1181,1190,1200,1210,1221,1232,1240,1253,1264,1275,1286,1294,1301,1310,1321,1334,1341,1352,1362,1375,1383,1405,1414,1421,1429,1438,1447,1457,1463,1472,1483,1493,1501,1508,1517,1527,1536,1545,1555,1563,1571,1579,1588,1598,1606,1614,1624,1634,1645,1653,1661,1670,1677,1687,1703,1714,1724,1734,1743,1751,1760,1772,1781,1790,1796,1808,1817,1827,1835,1842,1849,1855,1864,1872,1880,1889,1898,1909,1922,1929,1938,1947,1959,1974,1982,1990,2000,2006,2018,2027,2038,2048,2056,2063,2073,2082,2090,2099,2105,2111,2119,2130,2139,2148,2155,2163,2169,2178,2187,2195,2203,2211,2220,2228,2236,2244,2251,2260,2268,2277,2287,2295,2306,2318,2331,2337,2343,2349,2357,2365,2374,2382,2392,2402,2409,2417,2428,2437,2445,2451,2457,2466,2476,2487,2497,2506,2518,2529,2541,2551,2557,2563,2569,2575,2581,2587,2595,2603,2610,2618,2627,2636,2647,2657,2666,2675,2682,2691,2697,2703,2709,2724,2734,2743,2760,2770,2779,2791,2798,2807,2816,2825,2833,2842,2852,2860,2868,2878,2888,2897,2906,2916,2926,2934,2944,2951,2957,2963,2969,2975,2981,2987,2993,2999,3005,3011,3017,3023,3031,3040,3049,3058,3067,3075,3084,3091,3102,3113,3120,3130,3137,3145,3154,3163,3170,3177,3183,3189,3195,3201,3207,3214,3220,3227,3235,3244,3254,3263,3271,3280,3291,3300,3306,3313,3320,3327,3335,3343,3352,3360,3369,3377,3384,3390,3399,3405,3414,3423,3433,3441,3449,3462,3471,3481,3493,3503,3511,3521,3533,3540,3550,3559,3568,3577,3585,3592,3602,3609,3616,3626,3634,3642,3649,3656,3663,3671,3679,3689,3698,3710,3720,3728,3737,3749,3756,3775,3786,3800,3807,3814,3821,3828,3837,3844,3850,3856,3862,3882,3892,3902,3911,3920,3930,3939,3949,3958,3969,3978,3991,4001,4009,4017,4024,4030,4040,4049,4060,4069,4079,4086,4093,4101,4108,4116,4123,4130,4140,4150,4158,4165,4172,4179,4188,4195,4202,4209,4216,4223,4230,4237,4243,4249,4257,4264,4271,4278,4285,4292,4299,4306,4313,4319,4326,4333,4340,4347,4355,4361,4368,4375,4381,4388,4395,4401,4408,4414,4420,4427,4434,4442,4451,4459,4468,4478,4489,4497,4505,4512,4520,4528,4536,4544,4551,4559,4566,4574,4583,4591,4598,4606,4612,4620,4628,4637,4647,4654,4661,4668,4677,4683,4689,4703,4712,4720,4728,4736,4746,4754,4763,4772,4780,4791,4800,4807,4817,4827,4837,4844,4851,4859,4866,4873,4881,4887,4895,4902,4910,4919,4928,4936,4944,4954,4961,4969,4977,4985,4993,5000,5008,5019,5028,5036,5042,5048,5054,5060,5067,5075,5083,5090,5098,5105,5111,5118,5125,5132,5139,5147,5154,5160,5167,5174,5180,5187,5194,5200,5206,5212,5218,5224,5230,5236,5243,5249,5255,5261,5267,5273,5284,5292,5301,5309,5319,5329,5336,5345,5351,5357,5364,5371,5378,5385,5392,5399,5406,5412,5419,5425,5432,5438,5444,5451,5457,5464,5471,5477,5484,5490,5497,5504,5511,5519,5527,5534,5541,5547,5554,5561,5567,5574,5582,5588,5594,5600,5607,5614,5621,5627,5634,5641,5647,5654,5661,5667,5674,5680,5686,5692,5699,5706,5712,5718,5724,5730,5736,5743,5750,5756,5763,5770,5776,5782,5789,5796,5802,5808,5814,5820,5827,5833,5840,5847,5854,5860,5866,5873,5880,5887,5894,5900,5907,5914,5921,5928,5934,5941,5948,5955,5961,5968,5974,5980,5987,5993,6000,6006,6013,6019,6025,6031,6037,6043,6049,6056,6063,6070,6076,6082,6088,6095,6101,6107,6113,6119,6125,6131,6137,6143,6150,6157,6163,6169,6175,6182,6188,6194,6200,6207,6213,6219,6225,6231,6237,6244,6250,6257,6263,6269,6275,6281,6287,6293,6299,6305,6311,6317,6323,6329,6336,6342,6348,6354,6360,6366,6372,6380,6386,6393,6399,6406,6412,6418,6424,6431,6437,6444,6451,6457,6465,6471,6478,6485,6491,6497,6503,6510,6517,6523,6530,6536,6543,6549,6555,6561,6568,6576,6583,6589,6596,6605,6613,6622,6629,6635,6642,6648,6654,6661,6667,6673,6679,6685,6692,6698,6704,6711,6717,6723,6732,6741,6748,6757,6766,6778,6787,6794,6804,6811,6818,6825,6834,6844,6852,6860,6867,6874,6881,6887,6894,6902,6909,6916,6924,6931,6939,6947,6956,6965,6973,6983,6991,6998,7005,7012,7021,7028,7035,7044,7051,7058,7065,7073,7081,7088,7095,7102,7111,7119,7128,7135,7142,7148,7155,7164,7172,7182,7192,7199,7205,7212,7220,7229,7236,7244,7251,7259,7266,7273,7282,7290,7296,7302,7312,7318,7324,7330,7336,7342,7348,7354,7360,7366,7372,7378,7384,7392,7401,7408,7416,7425,7432,7439,7446,7453,7460,7472,7480,7488,7495,7507],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":42,"material":43,"size":44,"collection":45,"collections":46,"showCount":47,"zanCount":48,"manualWeight":49,"mainColor":50},214539,"si-shi-hua-hui-tu-xu-wei-214539","四时花卉图","明","徐渭","北京故宫博物院","长卷以大写意方式绘牡丹、芍药、葡萄、芭蕉，以兼工带写绘桂花叶和松树，以烘托方式绘竹子、岩石和雪中梅花。从画卷末尾的自述中可以看出，艺术家是用物品来表达她胸中的郁闷。该卷的风格简洁明了，风格轻快，不急不躁。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,41,7],"高清","国画","水墨","写意","大写意","长卷","书画","书法","行书","梅","竹","松","荷","牡丹","芙蓉","桃花","水仙","花卉","兰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b359a71dcaf3445be4bdab0f5d74d69.jpg","纸本,水墨","29.9x1081.7","花鸟画精选",[45],3030,18,0,"795548",{"id":52,"slug":53,"title":54,"dynasty":55,"author":56,"museum":57,"description":58,"tags":59,"thumbUrl":72,"material":73,"size":74,"collection":45,"collections":75,"showCount":77,"zanCount":78,"manualWeight":49,"mainColor":79},220992,"bai-hua-tu-juan-yun-shou-ping-220992","百花图卷","清","恽寿平","美国大都会艺术博物馆","恽寿平的山水画造诣之高，受到历代画家的赞誉。然而，他到中年后却放弃了在山水画领域的成就，转向以画花卉为主。究其原因，历史上说法很多。",[23,24,29,28,60,61,62,63,40,36,64,7,65,38,37,66,39,67,68,69,70,71],"设色","没骨","工笔","花鸟","百合","荷花","月季","兰花","芍药","紫藤","蝴蝶","昆虫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff29e1c97e998205c049e5c6f18799621.jpg","手卷，绢本设色","纵32厘米，横530厘米",[45,76],"设色画精选",1418,23,"F48FB1",{"id":81,"slug":82,"title":83,"dynasty":18,"author":84,"museum":85,"description":86,"tags":87,"thumbUrl":93,"material":94,"size":95,"collection":45,"collections":96,"showCount":97,"zanCount":98,"manualWeight":49,"mainColor":99},216202,"hua-hui-shi-kai-tu-ce-xiang-sheng-mo-216202","花卉十开图册","项圣谟","私人收藏","花卉十开图册是明朝项圣谟的一部著作，收录了十张以花卉为主题的图画。项圣谟是明朝时期著名的绘画家，他的作品被誉为中国古代花卉画的杰作。 花卉十开图册记录了项圣谟观察花卉的细节和特征，并以精细的线条和色彩描绘出来。这部作品中的图画包括了各种不同种类的花卉，如牡丹、荷花、菊花等。这些图画不仅精美绝伦，而且还能够展现出项圣谟对花卉的深刻理解和观察。",[23,24,88,60,62,89,30,31,63,32,41,7,35,38,36,90,91,92],"册","印章","石榴","孤石","草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f238b574b7e294422560d3e7833b4b0.jpg","绢本,设色","",[45],1280,21,"BDBDBD",{"id":101,"slug":102,"title":103,"dynasty":55,"author":104,"museum":105,"description":106,"tags":107,"thumbUrl":110,"material":111,"size":112,"collection":45,"collections":113,"showCount":114,"zanCount":115,"manualWeight":49,"mainColor":99},218895,"jin-ji-zhu-ju-tu-zhou-hua-yan-218895","锦鸡竹菊图轴","华嵒","上海博物馆","华嵒的《锦鸡竹菊图》轴既融合了没骨写生，又揉和了水墨泼染之长，形成了兼工带写、灵巧松秀的小写意风格，栩栩如生，姿态万千，艺术手法非常高超。",[24,60,63,62,108,109,33,7,91],"立轴","锦鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56e481200e5ac0e9cc66a96220c80926.jpg","纸本,设色","纵106.8厘米，横47.2厘米",[45],1037,4,{"id":117,"slug":118,"title":119,"dynasty":120,"author":121,"museum":122,"description":123,"tags":124,"thumbUrl":128,"material":95,"size":95,"collection":95,"collections":129,"showCount":130,"zanCount":131,"manualWeight":49,"mainColor":99},220453,"hua-niao-ce-ye-pan-tian-shou-220453","花鸟册页","民国","潘天寿","中国美术学院美术馆","这套册页诗书画印浑然天成，十余开铺陈开山野清趣。以浓墨大写鸲鹆，骨力雄健朴拙，墨色厚重凝练尽显沉郁气度；转而写幽花野卉，荷瓣清逸、牵牛含露，水墨晕染虚实相生，将草木舒展之态藏于简括笔意中。\n题跋笔势跌宕，篆隶金石气融于画中，以书入画，线条刚柔相济。每开或绘禽鸟踞枝，或写丛篁蔬果，删繁就简留白疏密得宜，把林泉间的清寂生机缓缓铺展，文人雅致与写意野趣交融无间，笔底带着山野间的灵动意趣，尽显大写意花鸟的诗画交融之妙。",[23,24,29,88,25,60,31,26,89,63,32,41,33,7,39,125,126,91,127],"乌鸦","果实","荷叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1977491dcb09096c6f919e88e1d5b78a.jpg",[],429,2,{"id":133,"slug":134,"title":135,"dynasty":136,"author":137,"museum":85,"description":138,"tags":139,"thumbUrl":142,"material":94,"size":143,"collection":45,"collections":144,"showCount":145,"zanCount":115,"manualWeight":49,"mainColor":50},218932,"you-hua-xiao-qin-tu-zhao-ji-218932","幽花小禽图","宋","赵佶","古绢底色如浸了岁月的茶褐，晕开一层幽淡气息。三丛菊花攒聚枝头，瓣瓣纤柔层叠，白蕊间泛着浅金，似把秋阳的暖融凝在花芯。枝叶以墨绿勾染，脉络纤细如丝，笔致细腻入微。一只小禽栖于枝侧，羽色褐棕相间，喙尖轻垂，仿佛正凝睇花叶，又似在聆听风过叶隙的轻响。鸟的灵动与花的静婉相映成趣，于静谧中暗涌着鲜活生机。整幅画工细却不板滞，色彩古雅而含清润，将宋人的审美意趣藏于方寸间——于细微处见天地，于幽花间蕴生机。",[140,24,29,62,60,63,7,141,89],"名画","禽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5909a4d473eb21332f4d99779aadd870.jpg","22.5x26.6cm",[45],389,{"id":147,"slug":148,"title":149,"dynasty":18,"author":150,"museum":20,"description":151,"tags":152,"thumbUrl":157,"material":158,"size":159,"collection":45,"collections":160,"showCount":161,"zanCount":115,"manualWeight":49,"mainColor":50},222398,"gui-ju-shan-qin-tu-lv-ji-222398","桂菊山禽图","吕纪","该画所绘主体花鸟：绶带鸟、八哥、桂花、秋菊，均属于祥瑞、珍贵之物，寓有富贵长寿和君子节操含意，内容明显地反映了皇家的艺术和审美旨趣。\n画中造型严密，布置合理，使鸟、树、花儿粗细两相映衬，而色彩的明艳夺目更是增加了该画的艺术气息。\n该画描绘的是秋天的情景，画中有一棵高大而茂盛的桂花树，树干苍健，树上绿叶茂密，桂花簇聚。\n桂树上栖落着几只八哥，有两只正隔着树枝对唱，一只正翘首远眺。\n在低一些的树枝上，有一只蓝色绶带正朝着树下鸣叫，它黑白相间的羽翼之间，长着蓝色的羽毛，嘴和爪子为红色。\n树下的三只绶带，正在争食一只草虫，它们翘起高高的羽翎。\n桂树下长着一些野草，还有一些形状各异的石头，石后几株菊花正开得鲜艳，颜色有红的、黄的、白的。\n明代画院花鸟画是以南宋院体为基础并发展的，讲究设色浓艳，笔势劲健且奔放，明代画家吕纪的《桂菊山禽图》就体现了这样的画风。\n吕纪工笔重彩花鸟画创作的时候，承袭五代 工整精细的画风， 在整体章法布局和背景树石用笔上，更多地接受了南宋 、 的影响，由此而逐渐形成了自己的风格特色，《桂菊山禽图》《山茶白鹇图》是其中的代表作。\n《桂菊山禽图》刻意精细，显然是奉召而作。\n《桂菊山禽图》中的物象真实地展现了生物的自然本性，也形象地表达了内涵的寓意。\n所绘主体花鸟：桂花、秋菊、八哥以及授带鸟，都是祥瑞吉庆之物、寓意着富贵长寿和君子的气节；殉丽的色泽与生动的景致，又营造出欢乐的气氛和华美的意境，明显地反映了皇家的艺术和审美旨趣。\n展开画轴，在画面的右下侧山石屹立，有的横卧，有的竖立，有一块较大的湖石，造型奇特，上大下小，山左倾斜，呈险势状；山石和土坡上点缀着花草、杂木；山石后有一簇盛开的菊花，山石旁有一棵老桂拔地而起，树干粗壮，长满了疤节，显然是一株老桂；树干向右斜倾，并将主干伸出画面之外，然后又从画外上方斜入画面右上部；另一枝杈，又从树干伸出向左上方，入画面中上部，这是妙笔，不但弥补了画幅左上端的空阙，而且对整个画面起到平衡作用。\n桂树花叶繁茂，树枝相互交错，错落有致，树枝上端繁花满枝，让人感到金桂的幽香阵阵，沁人心肺，与下端石旁盛开的各色菊花相互映发。\n由于一棵硕大桂树干重心偏向右侧，画家在构思上十分巧妙，将桂树向左倾斜伸出的枝权上安排了两只八哥，一只绶带鸟，用来平衡了画面。\n这两只八哥和右侧另一树枝上的一只八哥，翘着尾张嘴在树枝上叫鸣，遥相呼应，显得十分活泼，生动真切。\n画面左下角安排了一只绶带鸟，晃动着色彩艳丽的长尾，聚在坡间草丛中相互争食一只蚱蜢，显得热闹非凡。\n此画构图新颖，景物主要集中于画面右侧和下部，形成全幅构图既充实饱满，又疏密相间，景物配置得体，画幅左侧中部留有较大的空白，形成黑白强烈的对比。\n此画用笔秀劲，勾勒敷色，颇具功力。\n山石用斧劈皴。\n山石的笔法较为粗放，棱角方硬，具有立体感和质感。\n此画继承南宋院体中花鸟画法，工细中稍加放纵，形成精工富丽的艺术风格：细笔工绘，花、叶、鸟产生了强烈的对比；这种一工一写，相互映衬，达到粗细相间，却和谐统一，且显得自然生动：禽鸟造型准确，形象逼真，生动活泼，小趣盎然；设色方面，此图色彩浓重艳丽，厚重而无俗媚之气。\n绶带鸟斑斓的羽毛和艳丽的长尾，漂亮的红嘴，脚爪，描绘极为真实自然，色彩的深浅厚薄的变化，表现了羽毛的质感。\n八哥虽体以黑色为主，但却层次分明，活泼自然，生动毕肖，每一只八哥的神情刻画得特别贴切。\n花叶用石青染出，以浓淡分向背，极富有变化。\n作品的不足之处是八哥与绶带鸟之间缺少有机的联系。\n这反映了皇家贵胄多半要求画得繁多华丽的偏向，而宫廷画家不得不循以满足之。",[23,140,24,29,108,62,60,63,153,7,154,91,155,40,156],"桂","飞鸟","树枝","禽鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8206d9ae1c5854baf1d866a01f8809e8.jpg","绢本工笔","纵192厘米，横107厘米",[45,76],312,{"id":163,"slug":164,"title":165,"dynasty":55,"author":166,"museum":167,"description":168,"tags":169,"thumbUrl":170,"material":171,"size":95,"collection":45,"collections":172,"showCount":173,"zanCount":174,"manualWeight":49,"mainColor":99},224224,"shen-xiang-ting-mu-dan-tu-wu-chang-shuo-224224","沈香亭牡丹图","吴昌硕","藏地不详","吴昌硕（1844年8月1日—1927年11月29日），初名俊，又名俊卿，字昌硕，又署仓石、苍石，多别号，常见者有仓硕、老苍、老缶、苦铁、大聋、缶道人、石尊者等。浙江省孝丰县鄣吴村（今湖州市安吉县）人。晚清民国时期著名国画家、书法家、篆刻家，“后海派”代表，杭州西泠印社首任社长，与厉良玉、赵之谦并称“新浙派”的三位代表人物，与任伯年、蒲华、虚谷合称为“清末海派四大家”。\n他集“诗、书、画、印”为一身，融金石书画为一炉，被誉为“石鼓篆书第一人”、“文人画最后的高峰”。在绘画、书法、篆刻上都是旗帜性人物，在诗文、金石等方面均有很高的造诣。正如北京大学教授、引碑入草开创者李志敏所说：“与同时代艺术大家比，吴昌硕是承前启后、比较全面的一位巨匠。”吴昌硕热心提携后进，齐白石、王一亭、潘天寿、陈半丁、赵云壑、王个簃、沙孟海等均得其指授。1927年11月29日，吴昌硕逝于上海寓所。\n吴昌硕作品集有《吴昌硕画集》《吴昌硕作品集》《苦铁碎金》《缶庐近墨》《吴苍石印谱》《缶庐印存》等，诗作集有《缶庐集》。\n清道光二十四年（1844年）8月1日，生于浙江省孝丰县鄣吴村（今湖州市安吉县）一个读书人家。幼时随父读书，后就学于邻村私塾。10余岁时喜刻印章，其父加以指点，初入门径。\n咸丰十年（1860年）太平军与清军战于浙西，全家避乱于荒山野谷中，弟妹先后死于饥馑。后又与家人失散，替人做短工、打杂度日，先后在湖北、安徽等地流亡数年。\n同治四年（1865年），中秀才。是年，海上先辈名家任薰与周闲合作，为吴昌硕绘画像。\n同治八年（1869年），赴杭州，就学于诂经精舍，从名儒俞樾习小学及辞章。编成《朴巢印存》。\n同治十一年（1872年），赴上海，得以认识高邕之。\n光绪六年（1880年），寓吴云（平斋）两礨轩，以《篆云楼印存》请教，吴云为之删削，更名为《削觚庐印存》。识吴秋农、金心兰、顾茶村、胡三桥、方子昕等。与杨岘（见山）结为朋友。\n光绪八年（1882年），居苏州。友人荐作小吏以维持生计。与虞山沈石友结为朋友。\n光绪九年（1883年），在沪识任伯年。任伯年为作《芜菁亭长小像》。\n光绪十三年（1887年），至沪，任伯年为作《棕荫纳凉图》。\n光绪十五年（1889年），在苏州。时伯年来访，为之作《酸寒尉像》，自题诗。施旭臣、谭复堂为《缶庐诗》作序。\n光绪十六年（1890年），居上海。识吴大澄。\n光绪十八年（1892年），任伯年又为作《蕉荫纳凉图》。\n光绪十九年（1893年），在上海编选壬辰年以前所作诗三卷刊行，题名《缶庐诗》。\n光绪二十（1894年），在北京以诗及印谱赠翁同龢。中日战争爆发，参佐吴大澄戎幕，北上抗日，兵败继续为吴大澄戎幕。\n光绪二十一年（1895年），任伯年为作《棕荫忆旧图》、《山海关从军图》。十一月，任伯年病殁沪上，作诗哭之并撰联。\n光绪二十五年（1899年）十一月，得丁葆元保举，任安东县令，一月即辞去。\n致力书画\n光绪二十六年（1900年），日本河井仙郎投之于门下。\n光绪二十九年（1903年），自订润格。编选壬寅以前所作诗为《缶庐诗》第四卷，连同前刊三卷，又《别存》一卷合为一册。\n光绪三十年（1904年），移居桂和坊19号，名其斋曰“癖斯堂”。赵子云（赵云壑）投门下。\n光绪三十五年（1909年），在沪加入上海豫园书画善会。\n民国元年（1912年），至杭州与西泠诸友宴集。始以字行。\n民国二年（1913年），西泠印社成立，任社长。秋，梅兰芳来会。与王一亭结为至交。王一亭在上海商界、金融界推介吴昌硕的书画金石艺术，使其名声大振。\n民国三年（1914年），王一亭为吴昌硕在六三园举办生平第一次个展，使吴派艺术开始为日本艺界所了解和推崇。上海书画协会成立，任会长。\n民国四年（1915年），上海“题襟馆书画会”推先生为名誉会长。\n民国六年（1917年），吴昌硕继配施氏夫人在上海去世。\n民国九年（1920年），日本长崎首次展出其书画，东京文求堂继刊《吴昌硕画谱》，长崎双树园刊行《吴昌硕画帖》。诸乐三列为门弟子。\n民国十年（1921年），赴杭西泠印社宴集。《汉三老碑》被日商购去，与西泠同仁奔走呼吁，作画义卖，终募款八千大洋将碑赎回。日本朝仓文夫为范铜像。\n民国十二年（1923年），潘天寿由诸闻韵引见来谒，撰联以赠。门弟子陈师曾去世。\n民国十四年（1925年），沙孟海由王贤引列为门弟子。为已逝师友周闲遗作《花卉长卷》作引首并题。\n民国十六年（1927年）十一月二十九日，逝于上海寓所。\n民国二十二年（1933年）十一月，迁葬于浙江余杭县塘栖附近超山报慈寺西侧山麓宋梅亭畔。\n\n篆刻:\n少年时他因受其父熏陶，即喜作书，印刻。楷书始学颜鲁公，继学钟元常；隶书学汉石刻；篆学石鼓文，用笔之法初受邓石如，赵之谦等人影响，以后在临写《石鼓》中融汇变通。行书得黄庭坚、王铎笔势之欹侧，黄道周之章法，个中又受北碑书风及篆籀用笔之影响，大起大落，遒润峻险。\n吴昌硕篆刻从“浙派”入手，后专攻汉印，也受邓石如、吴让之、赵之谦等人影响，善于留白，或对角欹斜，气象峥嵘，构图块面体积感极强。刀融于笔，篆刻雄而媚、拙而朴、丑而美、古而今、变而正。上取鼎彝，下挹秦汉，以“出锋钝角”的刻刀，将钱松、吴攘之切、冲两种刀法相结合治印。\n吴昌硕在继承前人冲刀法和切刀法优秀成果的基础上，融诸家之长，在大量的篆刻创作实践中，不断探索，将冲刀和切刀两种刀法融合在一起，形成了自己的冲切结合的刀法。这种刀法灵活多变，或冲中带切，或切中带冲，甚至切中带削……这种多变的刀法，把冲刀的猛利、挺劲、爽快与切刀的含蓄、浑朴融为一体，将书意和刀意表现得淋漓尽致，使他的篆刻刀法雄浑朴茂中寓秀逸的个性化特点凸现了出来。他与厉良玉、赵之谦并称“新浙派”的三位代表人物。\n残缺刀法是吴昌硕篆刻创作中的一种常用手法。我们知道，秦汉古印大多因年深日久，水土的浸蚀，自然的风化，印面及文字线条失去了原先的平整和光洁，变得残缺不全。恰恰是这些残缺给我们以古朴、含蓄、浑厚、苍拙等特殊的审美效果，这是自然的造化使然。吴昌硕善于巧夺天工，在传统的冲、切刀法的基础上，辅之以敲、击、凿、磨或借用砂石、鞋底、钉头等，极大地丰富了篆刻艺术的表现手法，并创造性地将篆刻艺术中刀石效果产生的金石味，上升到残缺美的审美新境界。\n主要篆刻作品：《寿山老坑巧色雕狮钮》《作了天下事》《读遍千古书》《好学为福》《黑青田》《一月安东令》《湖州安吉县》《泰山残石楼》《园丁生于梅洞长于竹洞》《暴书》《千寻竹斋》《千寻竹斋》3刻《吴俊卿信印日利长寿》《安吉吴俊章》《雷浚》《鲜鲜霜中菊》《归仁里民》。\n\n绘画:\n绘画的题材以花卉为主，亦偶作山水。前期得到任颐指点，后又参用赵之谦画法，并博采徐渭、八大、石涛和扬州八怪诸家之长，兼用篆、隶、狂草笔意入画，色酣墨饱，雄健古拙，亦创新貌。其作品重整体，尚气势，认为“奔放处不离法度，精微处照顾气魄”，富有金石气。讲求用笔、施墨、敷彩、题款、钤印等的疏密轻重，配合得宜。 吴昌硕自言：“我平生得力之处在于能以作书之法作画。”\n他以篆笔写梅兰，狂草作葡萄。所作花卉木石，笔力老辣，气势雄强，布局新颖，构图也近书印的章法布白，喜取“之”字和“女”字格局，或作对角斜势。用色上似赵之谦，喜用浓丽对比的颜色，尤善用西洋红，色泽浓艳。\n吴昌硕因以“草篆书”入画，状物不求写实，形成了影响近现代中国画坛的直抒胸襟，酣畅淋漓的“大写意”笔墨形式。\n他酷爱梅花，以写大篆和草书笔法为之，墨梅、红梅兼有，画红梅水分及色彩调和恰到好处，红紫相间，笔墨酣畅。又喜作兰花，喜以或浓或淡的墨色和用篆书笔法画成，刚劲有力。画竹竿以淡墨轻抹，叶以浓墨点出，疏密相间，富有变化，或伴以松、梅、石等，成为“双清”或“三友”。菊花也是他经常入画的题材，伴以岩石，或插以高而瘦的古瓶，与菊花情状相映成趣。菊花多作黄色，亦或作墨菊和红菊。墨菊以焦墨画出，菊叶以大笔泼洒，浓淡相间。\n晚年较多画牡丹，以鲜艳的胭脂红设色，含有较多水分，再以茂密的枝叶相衬，生气蓬勃。荷花、水仙、松柏也是经常入画的题材。\n菜蔬果品如竹笋、青菜、葫芦、南瓜、桃子、枇杷、石榴等也一一入画，极富生活气息。推崇周闲果蔬风格，作品色墨并用，浑厚苍劲，对于近世花鸟画影响深远。\n主要绘画作品：《天竹花卉》《紫藤图》《墨荷图》《五月枇杷图》《杏花图》《花卉十二屏风》《梅花》《花卉四屏》《牡丹》《兰石图》《松石图》《花卉》2幅《紫藤图》《杂画册（之—、二）》《依样》《天香露图》《杞菊延年》《泥盆菊草图》《牡丹图》《牡丹水仙图》《大富贵》《佛像图》《富贵神仙图》《红梅图》2幅《蔷薇芦桔图》《秋艳图》《三千年结实》《人物》《三千年结实之桃》《神仙福寿》《石梅》《石竹图》《松梅图》《岁寒交图》《桃实图》《瓜果》《灯下观书》《姑苏丝画图》等。\n①金石气息：吴昌硕绘画艺术的第一大特色是有金石气息。所谓金石气息，指的就是钟鼎上所铸的金文与刻在石碑上的文字所具有的味道。人们常说谁谁的画作有金石气息，其实这种评论标准都是从吴昌硕的绘画风格出现以后才有的。比如，人们在谈到徐青藤、八大山人时，就从来没有听说过评价他们的画作有金石气息。\n②笔力雄浑：吴昌硕绘画艺术的第二大特色是笔力雄浑。所谓笔力雄浑，指的就是其画作中的笔触朴拙、苍茫、老辣，极具浑圆、雄强的力量感。人们常说吴昌硕绘画的气息很厚、很重，按照书画圈儿里人的说法就是“笔头子”很大。所谓“笔头子”很大，并不是说他用的毛笔很大，而指他笔下的气息非常浑厚，一笔下去，浑金璞玉，力透纸背，又意蕴丰富、气象万千。\n③设色浓丽：吴昌硕绘画艺术的第三大特色是设色浓丽。过去人们总是说中国画不能搞那么多颜色，用太多颜色容易俗气。不过，张俊东却指出，吴昌硕绘画的用墨就特别浓，设色也特别大胆，特别鲜艳和浓丽。比如，吴昌硕画过很多牡丹，很多都是大红大紫的，但是却不会让人觉得俗气，而且非常有文人的那种风骨。所以张俊东认为，中国画设色的关键不在多少，而在谁来用以及怎么去用。\n④富于变化:吴昌硕绘画艺术的第四大特色是笔法和墨法富于变化。这里边又体现在几个方面。张俊东举例介绍说，比如吴昌硕在画菊花时，可以将一朵菊花无论是正面的，侧面的，静态的，动态的，都能画得非常丰富。\n\n书法:\n吴昌硕的楷书，始学颜鲁公，隶习汉代石刻，篆学石鼓文。行书学黄庭坚、王铎。\n吴昌硕书法作品，以篆书、行草为主，晚年所书隶书，结体变长，取纵势，用笔雄浑、饱满，具有篆书痕迹，将篆、隶溶为一体，形成独特面貌。\n吴昌硕的隶书遍临《汉祀三公山碑》《张迁碑》《嵩山石刻》《石门颂》等汉碑。中年以后，博览众多金石原件及拓本，选择石鼓文为主要临摹对象。数十年间，反复钻研，故所作石鼓文凝练遒劲，风格独特。60岁后所书尤精，圆熟精悍。喜将石鼓文字集语书写对联。晚年以篆隶笔法作草书，笔势奔腾，苍劲雄浑，不拘成法。\n\n诗文:\n吴昌硕善作诗文，苦吟数十年，未尝间断。其诗文，奇崛古朴，用典较多，不甚通俗。但有些绝句纯用白描手法，活泼自然，接近口语，具有明丽俊逸的特点，风格上与民歌很相近。有些绝句则活泼自然，接近口语，时含有讽刺意味，抒发生活实感。所作题画诗寄托深远，颇有浪漫主义气息；评论前人书画，尤多独到见地。早年所作五古，有一部分含有讽刺意味，揭露了当时黑暗社会某些不平现象。他的散文作品写得不多，大都是序跋、考证和题画小品之类，写的都很朴质淳厚，平易近人。题画小品中尤多精心之作。发抒生活实感，鞭挞丑恶现象，颇能以少胜多；读时依稀与作者一灯相对，娓娓而谈，意味非常深长。",[23,24,29,108,60,26,63,36,7,91,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53c9d82e7f776cb18bd2518ac5c4a852.jpg","纸本设色",[45,76],296,1,{"id":176,"slug":177,"title":178,"dynasty":55,"author":179,"museum":167,"description":180,"tags":181,"thumbUrl":183,"material":95,"size":95,"collection":45,"collections":184,"showCount":186,"zanCount":115,"manualWeight":49,"mainColor":99},237929,"zheng-xie-lan-zhu-ju-tu-zhou-zheng-ban-qiao-237929","郑燮兰竹菊图轴","郑板桥","清代官吏、书画家、文学家。名燮，字克柔，江苏兴化人。康熙秀才、雍正举人、乾隆元年进士。“扬州八怪”之一。历官山东范县、潍县知县，有惠政。以请臻饥民忤大吏，乞疾归。诗书画均旷世独立，人称三绝。有《板桥全集》。",[24,25,26,31,108,41,33,7,182,89],"器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23c9ee82db8bf4c30827b6a0b1e18900.jpg",[45,185],"水墨画精选",289,{"id":188,"slug":189,"title":190,"dynasty":55,"author":56,"museum":191,"description":192,"tags":193,"thumbUrl":194,"material":60,"size":195,"collection":45,"collections":196,"showCount":197,"zanCount":131,"manualWeight":49,"mainColor":99},220991,"mu-dan-tu-ce-yun-shou-ping-220991","牡丹图册","台北故宫博物院","恽寿平（1633年－1690年），初名格，字寿平，改字正叔，号南田，又号云溪外史、白云外史，武进（今江苏常州）人，清代画家。\n恽寿平生于明崇祯六年（1633年），父恽日初为复社要人。寿平八岁能咏莲，少年遭遇战乱，随父参加抗清运动，兵败后与父失散，被总督陈锦之妻收留。陈锦遇刺身亡，寿平扶灵北归时，在灵隐寺与父相遇，留寺为僧，后回乡与家人团聚。\n子恽念祖，娶西营汤氏，汤谟孙女、汤自明次女。\n生前视钱如无物，晚年贫病交迫，卒于清康熙二十九年（1690年），由好友王翚出资安葬。",[23,24,29,60,63,7,30,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea1509bd428d413830e6d87672ff9b19.jpg","49.2x88.2",[45,76],274,{"id":199,"slug":200,"title":201,"dynasty":18,"author":202,"museum":191,"description":203,"tags":204,"thumbUrl":207,"material":111,"size":208,"collection":76,"collections":209,"showCount":210,"zanCount":115,"manualWeight":49,"mainColor":99},219330,"hua-ji-zhen-ji-zhou-tang-yin-219330","画鸡真迹轴","唐寅","石上雄鸡昂首而立，羽色斑斓间透着昂然气度，恰应题中“血染红冠锦满身”之态。旁侧菊丛竞艳，红英灼灼如霞，黄蕊灿灿似金，白瓣皎皎若雪，枝叶扶疏间衬以修竹数竿，清逸之韵自生。双蝶翩跹于花间，翅影轻摇，为静景添灵动生机。整幅画作工写相济，设色淡雅却层次分明，禽鸟花卉皆形神兼备。题诗笔墨洒脱，与画面意境交融，尽显文人画“诗画同源”之妙，于方寸间藏生机与风骨，读来令人心折。",[24,29,108,60,62,205,7,33,70,206,91,89],"鸡","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ca49404492f1b40b2f4829b76583fed.jpg","119.9x30.3",[76],272,{"id":212,"slug":213,"title":214,"dynasty":18,"author":215,"museum":216,"description":217,"tags":218,"thumbUrl":220,"material":94,"size":221,"collection":45,"collections":222,"showCount":223,"zanCount":224,"manualWeight":49,"mainColor":50},214701,"ping-hua-tu-chen-hong-shou-214701","瓶花图","陈洪绶","大英博物馆","陈洪绶用菊花和霜叶画了一个瓶子，以庆祝另一个人的生日。有些学者认为，在明朝晚期没有这么大的玻璃瓶。",[23,24,29,62,60,219,7,206,30,31],"瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf52640088b9212d2c81a4c6b72f18a8.jpg","174.5x98",[45],267,5,{"id":226,"slug":227,"title":228,"dynasty":18,"author":19,"museum":20,"description":229,"tags":230,"thumbUrl":235,"material":236,"size":237,"collection":238,"collections":239,"showCount":240,"zanCount":241,"manualWeight":49,"mainColor":99},222231,"mo-hua-jiu-duan-tu-juan-xu-wei-222231","墨花九段图卷","此图绘水墨写意四季花卉。每段均有自题七绝一首。画面上，画家充分发挥了水墨的表现力，以狂放的笔触，淋漓的水墨，变化多端的笔锋，泼墨、焦墨、破墨、双勾并用，寥寥数笔即勾画出了各种花卉的特征，简约却颇具神采。从徐渭自书诗并题记，知此画是作者在浓郁的创作激情中以酣畅的笔墨挥洒而就。此图堪称徐渭水墨写意花卉的佳作。",[23,24,29,28,25,27,231,30,63,32,41,33,7,35,91,40,232,233,234],"题跋","竹叶","藤蔓","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2e0e76186d34ba6f0466cc88cfd916f.jpg","纸本，墨笔","纵46.6厘米，横625厘米","山水画精选",[238,185],253,3,{"id":243,"slug":244,"title":245,"dynasty":55,"author":166,"museum":105,"description":246,"tags":247,"thumbUrl":248,"material":249,"size":250,"collection":45,"collections":251,"showCount":252,"zanCount":174,"manualWeight":49,"mainColor":99},237437,"ju-hua-zhou-wu-chang-shuo-237437","菊花轴","吴昌硕（1844年8月1日—1927年11月29日），初名俊，又名俊卿，字昌硕，又署仓石、苍石，多别号，常见者有仓硕、老苍、老缶、苦铁、大聋、缶道人、石尊者等。浙江省孝丰县鄣吴村（今湖州市安吉县）人。晚清民国时期著名国画家、书法家、篆刻家，“后海派”代表，杭州西泠印社首任社长，与厉良玉、赵之谦并称“新浙派”的三位代表人物，与任伯年、蒲华、虚谷合称为“清末海派四大家”。\n他集“诗、书、画、印”为一身，融金石书画为一炉，被誉为“石鼓篆书第一人”、“文人画最后的高峰”。在绘画、书法、篆刻上都是旗帜性人物，在诗文、金石等方面均有很高的造诣。正如北京大学教授、引碑入草开创者李志敏所说：“与同时代艺术大家比，吴昌硕是承前启后、比较全面的一位巨匠。” [2] 吴昌硕热心提携后进，齐白石、王一亭、潘天寿、陈半丁、赵云壑、王个簃、沙孟海等均得其指授。 1927年11月29日，吴昌硕逝于上海寓所。\n吴昌硕作品集有《吴昌硕画集》《吴昌硕作品集》《苦铁碎金》《缶庐近墨》《吴苍石印谱》《缶庐印存》等，诗作集有《缶庐集》。",[24,29,108,25,60,63,7,182,89,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faac17540baab309bf666e37c3441ed42.jpg","纸本","纵119.9 厘米横51.6",[45],241,{"id":254,"slug":255,"title":214,"dynasty":136,"author":256,"museum":85,"description":257,"tags":258,"thumbUrl":259,"material":94,"size":260,"collection":45,"collections":261,"showCount":262,"zanCount":263,"manualWeight":49,"mainColor":50},218554,"ping-hua-tu-yi-ming-218554","佚名","画的是一个中心中空的竹制花篮，篮子里有几朵菊花和木槿。芙蓉花瓣由内而外由紫变淡红，大方得体，而粉色和白色的菊花层层叠叠，繁而不乱，画面不大，却诠释了秋天的多种色彩。",[24,29,60,62,63,7,182,37],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92ea7ee08022ee5215dc568f32303c97.jpg","21x19cm",[45],235,10,{"id":265,"slug":266,"title":267,"dynasty":55,"author":268,"museum":167,"description":269,"tags":270,"thumbUrl":273,"material":274,"size":275,"collection":95,"collections":276,"showCount":277,"zanCount":131,"manualWeight":49,"mainColor":99},234803,"fang-yun-shou-ping-hua-hui-zhou-jiang-ji-xi-234803","仿恽寿平花卉轴","蒋季锡","蒋季锡，女（具体生卒年不详），从其画作上判断她大致活动于清康熙至雍正年间（公元1661－1735年），字苹南，江苏常熟人。陕西道监察御史、画家蒋伊之女，大学士蒋廷锡之妹。她出生与官宦书画世家，并常与父兄探讨画理，研习画艺。她的艺术功底深厚，思路开阔，在艺术上刻意求新。其花鸟画学马荃的勾染花卉法，兼学恽寿平的没骨写生法，同时巧妙地吸收了西洋的明暗技法，使她的画作工整细致、写实逼真、别有意境。\n落款自题七言诗一首：“一叶芳心任卷舒，客愁乡梦待何如。平生枉用藤溪纸，绿玉窗前好写书。仿瓯香馆笔意，苹南女史蒋季锡。”钤“苹南”、“季锡”印二方。",[24,29,108,63,60,61,7,271,40,272],"芭蕉","临摹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7049879c68c188c33b57a9d26849b1c6.jpg","纸本，设色","纵107厘米，横33.4厘米",[],234,{"id":279,"slug":280,"title":281,"dynasty":55,"author":282,"museum":20,"description":283,"tags":284,"thumbUrl":287,"material":111,"size":95,"collection":45,"collections":288,"showCount":289,"zanCount":115,"manualWeight":49,"mainColor":99},219292,"bo-luo-ju-xie-ye-ren-yi-219292","菠萝菊蟹页","任颐","画面以菠萝为底，菊丛旁逸，蟹螯张弛，茶壶静卧，四物相映成趣。红蟹墨螯，笔触劲挺如蟹螯探物；菠萝鳞甲层叠，墨色浓淡间见肌理之趣；蓝菊翠叶，水色晕染似含秋露；深褐茶壶，朴拙造型衬出雅致清欢。笔墨兼具工写，红与蓝撞色鲜活，墨与彩交融和谐。寻常蔬果水族，经笔底点染，既有文人画的逸趣，又含市井生活的鲜活，尽显海派画风的灵动与包容，仿佛一帧秋日常景，藏着岁月的温润与生机。",[23,24,60,63,26,88,285,7,286,182],"菠萝","蟹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0150d4cb986e4079fb87d6e7b65100b.jpg",[45],233,{"id":291,"slug":292,"title":293,"dynasty":55,"author":294,"museum":105,"description":295,"tags":296,"thumbUrl":298,"material":249,"size":95,"collection":45,"collections":299,"showCount":300,"zanCount":49,"manualWeight":49,"mainColor":99},233182,"hua-hui-ce-ju-hua-hai-tang-ye-zhao-zhi-qian-233182","花卉册-菊花海棠页","赵之谦","赵之谦（1829-1884），字益甫、孺卿，又号瀚寮，初字冷君，中年更号悲盦，晚号无闷，浙江会稽（今绍兴）人。早年曾游按察使缪梓幕，咸丰九年（1859）举人，同治元年（1862）入京，四年（1866）会试，之后历官鄱阳、奉新、南城知县。家藏秘册甚富，以篆刻名世，为晚清印坛代表人物。同时擅书、工花卉。此册画十二开，各绘牡丹、萱草、芙蓉、桃花、梅竹、杂卉等，造型新颖，设色鲜亮。",[24,29,88,60,25,26,63,7,297],"海棠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5edbc8bd73f1dd91029ea9127ec59094.jpg",[45,76],201,{"id":302,"slug":303,"title":304,"dynasty":55,"author":179,"museum":105,"description":305,"tags":306,"thumbUrl":307,"material":308,"size":309,"collection":45,"collections":310,"showCount":311,"zanCount":49,"manualWeight":49,"mainColor":99},223290,"san-qing-tu-li-zhou-zheng-ban-qiao-223290","三清图立轴","绘竹、兰、菊三君子，在画家眼里这三种更为清丽，全图皆水墨，竹的笔直修长，兰的清新幽香，菊的严霜开放，尽显君子谦谦之态。画作左侧有画家自题诗一首：兰梅竹菊四名家，但少春风第一花，寄于东君诸子弟，好将文事夺天葩。板桥郑燮。",[23,24,29,108,25,63,33,7,182,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe2339494716d7ccd299644411857aea.jpg","纸本，水墨","152×39cm",[45,185],193,{"id":313,"slug":314,"title":315,"dynasty":55,"author":56,"museum":167,"description":316,"tags":317,"thumbUrl":318,"material":319,"size":320,"collection":95,"collections":321,"showCount":322,"zanCount":131,"manualWeight":49,"mainColor":99},239440,"hua-niao-ce-yun-shou-ping-239440","花鸟册","恽南田（1633年—1690年），即恽寿平，原名格，字寿平，后以字行，改字正叔，号南田，别号云溪外史，晚居城东，号东园草衣，后迁居白云渡，号白云外史，明末清初著名书画家，常州画派的开山祖师，后来成为清六家之一。",[24,29,88,60,61,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b3627af4cb98f39b311d922f9322c36.jpg","未知","Xcm*Xcm",[],169,{"id":324,"slug":325,"title":326,"dynasty":120,"author":327,"museum":122,"description":328,"tags":329,"thumbUrl":332,"material":95,"size":95,"collection":95,"collections":333,"showCount":334,"zanCount":241,"manualWeight":49,"mainColor":99},220578,"huang-bin-hong-ben-hua-niao-shan-shui-ce-ye-huang-bin-hong-220578","黄宾虹本花鸟山水册页","黄宾虹","此作以分段折枝花鸟铺陈，各景花木情态自具：牡丹秾艳娇柔，梅枝清癯疏朗，铃兰、山茶各见风姿。以淡彩晕染花萼枝叶，勾勒轻简见笔力，兼具写生之真与写意之逸，既有青藤白阳的纵逸笔意，又自出机杼。题跋书法与花木相映成趣，诗画交融，晕染淡雅却筋骨暗蕴，艳而不俗，淡而不薄，将花木的柔媚与文人画的清雅风骨相融，尽显明清逸格画韵的余味，笔底漾着沉静文心，是极具文人雅致的花鸟小品佳作。",[23,24,29,88,60,62,31,89,63,36,38,7,66,37,39,41,330,331],"墨","纸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcaf98760b63f1afddbdee99352c5f94a.jpg",[],168,{"id":336,"slug":337,"title":338,"dynasty":55,"author":166,"museum":167,"description":339,"tags":340,"thumbUrl":342,"material":319,"size":320,"collection":95,"collections":343,"showCount":344,"zanCount":174,"manualWeight":49,"mainColor":99},289650,"qiang-gen-ju-hua-tu-li-zhou-wu-chang-shuo-289650","墙跟菊花图立轴","吴昌硕（1844年8月1日—1927年11月29日），初名俊，又名俊卿，字昌硕，又署仓石、苍石，多别号，常见者有仓硕、老苍、老缶、苦铁、大聋、缶道人、石尊者等。浙江省孝丰县鄣吴村（今湖州市安吉县）人。晚清民国时期著名国画家、书法家、篆刻家，“后海派”代表，杭州西泠印社首任社长，与厉良玉、赵之谦并称“新浙派”的三位代表人物，与任伯年、蒲华、虚谷合称为“清末海派四大家”。\n他集“诗、书、画、印”为一身，融金石书画为一炉，被誉为“石鼓篆书第一人”、“文人画最后的高峰”。在绘画、书法、篆刻上都是旗帜性人物，在诗文、金石等方面均有很高的造诣。正如北京大学教授、引碑入草开创者李志敏所说：“与同时代艺术大家比，吴昌硕是承前启后、比较全面的一位巨匠。” 吴昌硕热心提携后进，齐白石、王一亭、潘天寿、陈半丁、赵云壑、王个簃、沙孟海等均得其指授。 1927年11月29日，吴昌硕逝于上海寓所。\n吴昌硕作品集有《吴昌硕画集》《吴昌硕作品集》《苦铁碎金》《缶庐近墨》《吴苍石印谱》《缶庐印存》等，诗作集有《缶庐集》。",[23,24,108,341,60,7,91,89,30],"花鸟画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00e6be5cc946debe5480bb68290241ce.jpg",[],166,{"id":346,"slug":347,"title":348,"dynasty":136,"author":349,"museum":191,"description":350,"tags":351,"thumbUrl":352,"material":94,"size":95,"collection":45,"collections":353,"showCount":354,"zanCount":224,"manualWeight":49,"mainColor":50},219722,"hua-die-tu-li-zhong-xuan-219722","花蝶图","李仲宣","此作取景雅致，草木错落排布，野趣盎然。挺秀的秋菊缀着金黄花盘，柔润白花轻绽，带露红浆果垂于青绿叶间，茎叶舒展的姿态写实入微，设色古雅沉稳，晕染细腻尽显草木鲜活生机。\n\n翩跹蝶虫刻画精细，翅脉纹理纤毫毕现，振翅姿态灵动逼真，仿佛携着花间微风扑面而来。整体构图疏密相宜，留白得当，以工笔技法写形传神，既有精致不苟的写实功力，又暗藏平淡天真的诗意，将秋日郊野一隅的闲适意趣定格，尽显创作者观照自然的细腻心境。",[24,140,62,60,63,70,206,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65cb4af11c29f63da0e9192564f9ae77.jpg",[45],161,{"id":356,"slug":357,"title":358,"dynasty":55,"author":166,"museum":167,"description":359,"tags":360,"thumbUrl":362,"material":95,"size":95,"collection":95,"collections":363,"showCount":364,"zanCount":49,"manualWeight":49,"mainColor":99},235225,"ju-hua-juan-wu-chang-shuo-235225","菊花卷","此作以金石笔意入画，运笔苍厚朴拙。淡墨写就的白菊清雅疏朗，胭脂点染的红菊饱满明丽，浓淡对比间，尽显秋菊凌霜逸姿。水墨枝叶以篆籀笔法写出，顿挫老辣，墨色干湿浓淡富于层次，将菊枝柔韧与叶片舒展淋漓展现。\n\n右侧题字朴茂雄浑，与画作金石意趣浑然一体，诗画相映间，将东篱秋菊的野逸傲骨尽显，尽显文人画诗书画印的交融意韵，苍劲中暗含秀雅，勾勒出深秋篱边秋菊的盎然生机。",[24,29,28,25,60,26,63,7,361],"枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffede1ca6c977a93b9dd98f70687fa6e3.jpg",[],154,{"id":366,"slug":367,"title":368,"dynasty":55,"author":369,"museum":167,"description":370,"tags":371,"thumbUrl":375,"material":319,"size":320,"collection":95,"collections":376,"showCount":377,"zanCount":49,"manualWeight":49,"mainColor":99},237155,"xu-gu-mao-die-tu-zhou-xu-gu-237155","虚谷猫蝶图轴","虚谷","虚谷（1823～1896），清代著名画家，海上四大家之一，有“晚清画苑第一家”之誉。俗姓朱，名怀仁，僧名虚白，字虚谷，别号紫阳山民、倦鹤，室名觉非庵、古柏草堂、三十七峰草堂。籍新安（今安徽歙县），居广陵（今江苏扬州）。初任清军参将与太平军作战，意有感触，后出家为僧。工山水、花卉、动物、禽鸟，尤长于画松鼠及金鱼。亦擅写真，工隶书。作画有苍秀之趣，敷色清新，造型生动，落笔冷消，别具风格。性情孤僻，非相处情深者不能得其片纸。早年学界画，后以擅画花果、禽鱼、山水著名。风格冷峭新奇，绣雅鲜活，无一笔滞相，匠心独运，别具一格。亦能诗，有《虚谷和尚诗录》。传世作品有《梅花金鱼图》《松菊图》《葫芦图》《蕙兰灵芝图》《枇耙图》等。",[24,29,108,25,60,26,372,373,7,91,63,374],"猫","蝶","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffac0781a23a4a9e539a1cd4f736c5b1f.jpg",[],145,{"id":379,"slug":380,"title":381,"dynasty":55,"author":382,"museum":191,"description":383,"tags":384,"thumbUrl":386,"material":60,"size":387,"collection":95,"collections":388,"showCount":389,"zanCount":49,"manualWeight":49,"mainColor":99},222754,"xian-e-chang-chun-tu-08b-ju-hua-lang-shi-ning-222754","仙萼长春图-08b（菊花）","郎世宁","本册共十六开内容分别描绘牡丹、桃花、芍药、海棠玉兰、虞美人、蝴蝶花、黄刺玫牡丹、石竹、樱桃、罂粟、紫白丁香、百合花牡丹、翠竹牵牛、荷花慈姑花、豆花稷穗、鸡冠花、菊花等，其中有八开还画有鸟禽，整册内容与《石渠宝笈三编》著录之〈郎世宁画花卉册〉一致，对幅皆是空白，而最末一开有宋体书款「臣郎世宁恭画」，依据画风特色推测是郎世宁雍正时期的花鸟佳作。全册不仅设色精緻，构图手法也见新意。特别能于鸟禽形体姿态上有超乎传统的表现，是西法透视手法的精采成果。画中花鸟多处能够显示光影明暗，透过白色颜料提点高光的技巧也常见运用。整册画风都一再显示其与郎世宁雍正前期画风有关。",[23,140,24,29,88,60,62,63,7,385,89],"鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ea32cfd2d4eabbf19626d6b6e93697f.jpg","宽28.4公分，高33.7公分",[],140,{"id":391,"slug":392,"title":393,"dynasty":55,"author":56,"museum":167,"description":394,"tags":395,"thumbUrl":396,"material":95,"size":397,"collection":95,"collections":398,"showCount":399,"zanCount":174,"manualWeight":49,"mainColor":99},233902,"hua-hui-shan-shui-ce-yun-shou-ping-233902","花卉山水册","恽寿平（1633-1690年），初名格，后以字行，又字正叔，别号南田，一号白云外史、云溪外史、东园客、巢枫客、草衣生、横山樵者。江苏武进人。清代著名画家。与“四王”、吴历并称“清初六大家”。其父恽日初诗文杰出，为“复社”中人。叔父恽向（道生）为著名山水画家，自创一派。恽寿平是清朝初期最享盛名的花鸟画家。其画作多写生，人称“写生正派”；更以徐崇嗣为宗，兼取各家之长，极大的发展了没骨画。所画花卉，很少勾勒，以水墨着色渲染，用笔含蓄，画法工整，明丽简洁，天趣盎然。恽寿平不仅画作出众，风格独具，而且兼工诗书，题句清丽流畅，诗格脱俗超逸，为“昆陵六逸”之冠。恽南田《山水花卉册》八帧，其中包括山水，花鸟及情景兼容的人物，攘括了恽南田所有的画种。画中有退耕堂藏印。退耕堂为徐世昌的室名。\n恽寿平一生坎坷，饱经困苦，他幼年聪颖玲利，遭遇战乱，与兄皆被俘，与父亲失散，后遇灵隐寺方丈相救，才得以与家人团聚，归家后，发奋读书学画。经刻苦钻研，于古文、诗词、书画无不精擅。他崇尚气节，誓不应科举，少时的忧患，留下深深的创痛，一生未尝忘情。却在绘画上取得了很高的成就；恽南田曾致书王（翚）说：“格于山水，终难打破一字关，曰‘窘’，良由为古人规矩法度所束缚耳。”又说：“君独步矣！吾不为第二手也”。于是恽寿平转攻花鸟，以后山水不过偶而为之。可见其艺术抱负。《山水花卉册》中的山水，取黄公望笔法，于荒率中见秀润，尖毫勾皴，浓墨点树、高旷清淡，浸润宋元诸家，吸取王蒙、二米等人之长，渐脱刻极。40岁左右作品最为精采，如43岁的《山水花鸟册》，技法灵活多变，表达各家风貌准确，艺术已臻成熟。他的花鸟画成就最为突出，取法徐崇嗣的没骨法，他的没骨花卉，揉合了黄（筌）、徐（熙）两派技法，既重视写生，力求形似，“每画一花，必折是花插之瓶中，极力描摹，得其生香活色而后已。”又强调“与花传神”。力去华靡，追求“ 澹雅”。此册中的花鸟更是形神兼备，清新淡雅，具有新的风貌。",[24,29,140,88,61,60,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb250b9fd14df750f14494c9e5f68270.jpg","纵32.5厘米，横25.5厘米",[],139,{"id":401,"slug":402,"title":403,"dynasty":55,"author":404,"museum":167,"description":405,"tags":406,"thumbUrl":408,"material":274,"size":409,"collection":95,"collections":410,"showCount":411,"zanCount":174,"manualWeight":49,"mainColor":99},222629,"ju-shi-yan-nian-tu-zhou-huang-shan-shou-222629","菊石延年图轴","黄山寿","绘秋日中菊花绽放，三种色彩，争相斗艳，蓝色湖石穿插其中。画上题诗“飘飘神采濯枝秀，不食烟火何妨瘦，精气有余骨相坚，餐英尚且能益寿”。黄山寿，原名曜，字旭初，晚清画家，工人物、山水，善墨龙等",[23,24,29,108,60,62,7,407,63],"石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F017d9351b72d2e389bc0b7cd7ce8fbed.jpg","131X67cm",[],136,{"id":413,"slug":414,"title":415,"dynasty":18,"author":416,"museum":417,"description":418,"tags":419,"thumbUrl":423,"material":249,"size":424,"collection":95,"collections":425,"showCount":426,"zanCount":174,"manualWeight":49,"mainColor":99},231544,"huang-ju-dan-gui-tu-shen-zhou-231544","黄菊丹桂图","沈周","美国克利夫兰艺术博物馆","沈周（1427—1509），字启南，号石田、白石翁、玉田生、有竹居主人，明代绘画大师，吴门画派的创始人，明四家之一，长洲（今江苏苏州）人。生于明宣德二年，卒于明正德四年，享年八十二岁（虚八十三岁）。\n沈周一生家居读书，吟诗作画，优游林泉，追求精神上的自由，蔑视恶浊的政治现实，一生未应科举，始终从事书画创作，是明代中期文人画“吴派”的开创者，与文徵明、唐寅、仇英并称“明四家”。\n王渊（公元13世纪-14世纪中叶），元代画家。字若水，号澹轩，一号虎林逸士，钱塘（今浙江杭州）人。工于花鸟、人物、山水。天历年间曾与唐棣在南京龙翔寺曾画过壁画，尤精于花鸟，堪称元代花鸟画巨擘。\n《黄菊丹桂图》明沈周仿自元画家王若水之作，图绘菊花，桂树，芙蓉，翠竹。并一双飞鸟巨石，画面静雅，傅色清新，所绘繁多而布置深稳，是石田习古佳作。",[23,24,60,108,62,420,421,7,385,91,40,154,422],"皴法","树","丹桂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe69bac105908ae029d92cf2cc1b6e776.jpg","288.5X106.3\u002F397.1x127.4厘米",[],129,{"id":428,"slug":429,"title":430,"dynasty":136,"author":431,"museum":191,"description":432,"tags":433,"thumbUrl":434,"material":94,"size":435,"collection":45,"collections":436,"showCount":437,"zanCount":174,"manualWeight":49,"mainColor":99},218395,"qiu-qing-cong-ju-tu-lin-chun-218395","秋晴丛菊图","林椿","绢本之上，丛菊攒簇若繁星，瓣瓣晕染细腻，边缘隐带淡白如凝秋霜，似含晴阳余温。叶片脉络清晰，叠翠间藏露生机，全无萧瑟之感。淡赭底色如晴秋薄暮，衬得菊色愈显清妍。旁侧墨笔题跋与朱印相映，文气与画韵交融，尽得雅致。笔触轻细却含筋骨，没骨技法藏锋于柔，将秋晴时菊丛的疏朗鲜活凝于尺幅，观之如沐和风，似闻暗香浮动，心随花影渐远，满溢淡然幽趣。",[23,140,24,29,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F750cb01efbb3fd284998c56993afeae5.jpg","25x26.5cm",[45],125,{"id":439,"slug":440,"title":441,"dynasty":442,"author":443,"museum":444,"description":445,"tags":446,"thumbUrl":451,"material":249,"size":452,"collection":453,"collections":454,"showCount":455,"zanCount":115,"manualWeight":49,"mainColor":99},220843,"gui-qu-lai-ci-juan-zhao-meng-fu-220843","归去来辞卷","元","赵孟頫","湖州博物馆","大德元年，赵孟頫时年四十四岁，当时未赴太原路汾州知州之新职，正居家闲赋。此书运笔沉稳畅朗，骨肉停匀，结体紧敛虚和，堪称其中年行书风格的典范。有关本卷赵氏的署名，启功在1954年的题跋中说：“至于此卷署名‘俯’字，观者多疑之。然自用笔结字，以至纸墨印章、签题跋尾，无一不足义证其真实不虚者。故吾今将大书以补松雪传记曰：名孟頫，亦书作孟俯也。”\n释文：“归去来辞并序。余家贫，耕植不足以自给。幼稚盈室，瓶无储粟，生生所资，未见其术。亲故多劝余为长吏，脱然有怀，求之靡途。会有四方之事，诸侯以惠爱为德。家叔以余贫苦，遂见用为小邑。于时风波未息，心惮远伇。彭泽去家百里，公田之利，可以为酒，故便求之。及少日，眷然有归与之情。何则？质性自然，非矫励所得。饥冻虽切，违己交病。尝从人事，皆口腹自伇。于是怅然慷慨，深愧平生之志。犹望一稔，当敛裳宵逝。寻程氏妹丧于武昌，情在骏奔，自免去职。仲秋至冬，在官八十馀日。因事顺心，命篇曰《归去来兮》。乙巳岁十一月也。\n归去来兮！田园将芜胡不归？既自以心为形伇，奚惆怅而独悲？悟已往之不谏，知来者之可追；寔迷途其未远，觉今是而昨非。舟摇摇以轻飏，风飘飘而吹衣。问征夫以前路，恨晨光之熹微。乃瞻衡宇，载欣载奔。僮仆欢迎，稚子候门。三径就荒，松菊就（此字点去）犹存。携幼入室，有酒盈尊。引壶觞以自怡（此字点去）酌，眄庭柯以怡颜。倚南窗以寄傲，审容膝之易安。园日涉以成趣，门虽设而常关。策扶老以流憩，时矫首而遐观。云无心以出岫，鸟倦飞而知还。景翳翳以将入，抚孤松而盘桓。归去来兮！请息交以绝游。世与我而相违，复驾言兮焉求？悦亲戚之情话，乐琴书以消忧。农人告余以春及，将有事于西畴。或命巾车，或棹孤舟。既窈窕以寻壑，亦崎岖而经丘。木欣欣以向荣，泉涓涓而始流。善万物之得时，感吾生之行休。 已乎矣！寓形宇内复几时，曷不委心任去留。胡为遑遑欲何之？富贵非吾愿，帝乡不可期。怀良辰以孤往，或植杖而秐秄。登东皋以舒啸，临清流而赋诗。聊乘化以归尽，乐夫天命复何疑。",[23,30,31,28,29,25,89,447,154,448,449,7,450],"孤舟","流水","孤松","云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c01f7704017ae933116236829fd1108.jpg","纵26厘米，横239厘米","书法精选",[453],123,{"id":457,"slug":458,"title":459,"dynasty":120,"author":460,"museum":461,"description":462,"tags":463,"thumbUrl":465,"material":95,"size":95,"collection":95,"collections":466,"showCount":467,"zanCount":49,"manualWeight":49,"mainColor":99},220591,"jiu-hu-he-ju-hua-qi-bai-shi-220591","酒壶和菊花","齐白石","Hong Kong Museum of Art","淡赭晕染出酒壶憨朴轮廓，留白衬出器物的温润拙厚。下方提篮中菊花攒簇，朱红明丽、赭黄沉凝、墨白清雅，花瓣勾勒老辣朴拙，枝叶苍劲带着蓬勃生机。右侧题笔顶天立地，楷隶相融的题字与画面相映成趣。虚实相生间，将日常小物化为寄情之物，以酒菊托祝寿深意，笔力雄浑简括，把乡野意趣与文人雅韵揉合一处，尽显冲淡隽永的东方意致，将寻常烟火绘成动人的诗意画卷。",[23,24,29,108,60,26,63,7,464,89],"饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6b1dcc70632968186c19f507f452f51.jpg",[],122,{"id":469,"slug":470,"title":471,"dynasty":55,"author":166,"museum":167,"description":339,"tags":472,"thumbUrl":474,"material":319,"size":320,"collection":95,"collections":475,"showCount":476,"zanCount":49,"manualWeight":49,"mainColor":99},289648,"ju-hua-tu-li-zhou-wu-chang-shuo-289648","菊花图立轴",[23,24,29,108,60,63,7,91,89,30,473],"篆书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17b0b195545b21cb0c63067b6bbe12e1.jpg",[],119,{"id":478,"slug":479,"title":480,"dynasty":18,"author":19,"museum":167,"description":481,"tags":482,"thumbUrl":483,"material":95,"size":95,"collection":95,"collections":484,"showCount":485,"zanCount":174,"manualWeight":49,"mainColor":99},228760,"shi-er-mo-hua-shi-hua-tu-juan-xu-wei-228760","十二墨花诗画图卷","此作用淋漓水墨写尽草木风神，以书入画，笔锋纵恣老辣。长卷铺展，一花一诗相生相融，浓墨泼洒见花枝繁盛，淡墨勾勒显枝叶清灵，干湿浓淡间，四时花木的野逸之态跃然纸上。\n逸笔草草不拘形似，却将花木的疏狂生机、清寂之姿尽数展露，以极简笔墨传递蓬勃意趣，将文人疏放心境寄情于一花一叶，笔墨间满是狂放不羁的风骨，尽显大写意水墨的写意真髓。",[23,24,29,28,25,26,89,31,32,41,33,7,35,36,39,37,66,91,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80ebde713ecf78a9dd05b8f4040f76c2.jpg",[],114,{"id":487,"slug":488,"title":489,"dynasty":55,"author":166,"museum":167,"description":490,"tags":491,"thumbUrl":492,"material":95,"size":95,"collection":95,"collections":493,"showCount":494,"zanCount":174,"manualWeight":49,"mainColor":99},237971,"hua-hui-tu-zhou-wu-chang-shuo-237971","花卉图轴","此作集四季名卉于一纸，错落排布，繁而不杂，生机盎然。以没骨兼写意笔法绘就，牡丹以淡粉晕染花瓣，层层叠叠尽显雍容柔媚，墨色叶片苍劲老辣，金石笔意融于勾勒点染之间，朴拙浑厚。雏菊明黄鲜亮，山茶艳红古雅，白梅冰清玉润，紫藤柔蔓轻垂，诸花神态各异却和谐共生。\n\n题跋错落点缀于花枝空隙，书画相映，金石气与文人气交融氤氲。将文人写意的清雅风骨，与世俗吉庆的美好寄寓相融，尽显独特的雅俗共赏的风韵。",[24,63,60,26,36,7,40,361,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff58e2bc2a21ad008b6c9be203089481b.jpg",[],112,{"id":496,"slug":497,"title":498,"dynasty":55,"author":166,"museum":20,"description":499,"tags":500,"thumbUrl":501,"material":95,"size":95,"collection":95,"collections":502,"showCount":503,"zanCount":131,"manualWeight":49,"mainColor":99},233716,"wu-jun-qing-ju-hua-zhou-wu-chang-shuo-233716","吴俊卿菊花轴","吴昌硕（1844年8月1日—1927年11月29日），初名俊，又名俊卿，字昌硕，又署仓石、苍石，多别号，常见者有仓硕、老苍、老缶、苦铁、大聋、缶道人、石尊者等。浙江省孝丰县鄣吴村（今湖州市安吉县）人。晚清民国时期著名国画家、书法家、篆刻家，“后海派”代表，杭州西泠印社首任社长，与厉良玉、赵之谦并称“新浙派”的三位代表人物，与任伯年、蒲华、虚谷合称为“清末海派四大家”。\n他集“诗、书、画、印”为一身，融金石书画为一炉，被誉为“石鼓篆书第一人”、“文人画最后的高峰”。在绘画、书法、篆刻上都是旗帜性人物，在诗文、金石等方面均有很高的造诣。正如北京大学教授、引碑入草开创者李志敏所说：“与同时代艺术大家比，吴昌硕是承前启后、比较全面的一位巨匠。” 吴昌硕热心提携后进，齐白石、王一亭、潘天寿、陈半丁、赵云壑、王个簃、沙孟海等均得其指授。 [3] 1927年11月29日，吴昌硕逝于上海寓所。\n吴昌硕作品集有《吴昌硕画集》《吴昌硕作品集》《苦铁碎金》《缶庐近墨》《吴苍石印谱》《缶庐印存》等，诗作集有《缶庐集》。",[140,24,29,108,60,25,63,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a9483dd71a4d1eb87931ea04b659d34.jpg",[],109,{"id":505,"slug":506,"title":507,"dynasty":55,"author":166,"museum":167,"description":508,"tags":509,"thumbUrl":510,"material":95,"size":95,"collection":95,"collections":511,"showCount":512,"zanCount":174,"manualWeight":49,"mainColor":99},235233,"ju-shi-zhou-wu-chang-shuo-235233","菊石轴","此作用笔雄老苍劲，以篆籀之法入画，将金石意趣融于绘事。左侧狂草长题与右侧花木山石虚实相映，通篇气机贯通。泼墨写石，干湿浓墨晕染出嶙峋朴拙之态，淡墨勾菊瓣、浓墨点枝叶，尽显菊花清隽凌霜之姿；下方牡丹设色秾丽饱满，艳而不俗，与寒菊形成雅艳对照。\n\n诗画互衬，借黄英、牡丹寄寓疏狂高逸的襟怀，将文人意趣与世俗审美相融，尽显晚年沉郁浑朴的大写意风骨。",[24,29,108,140,60,25,26,7,407,91],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84ca9fe70ff6300da429378a633361f7.jpg",[],103,{"id":514,"slug":515,"title":516,"dynasty":55,"author":166,"museum":167,"description":168,"tags":517,"thumbUrl":518,"material":519,"size":95,"collection":76,"collections":520,"showCount":512,"zanCount":49,"manualWeight":49,"mainColor":99},224237,"ju-you-huang-hua-wu-chang-shuo-224237","鞠有黄花",[23,24,29,108,60,25,63,7,91,89,30,473],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51472c0177bf4af05998090e6d6ffd8e.jpg","纸本 设色",[76],{"id":522,"slug":523,"title":524,"dynasty":55,"author":166,"museum":167,"description":339,"tags":525,"thumbUrl":527,"material":319,"size":320,"collection":95,"collections":528,"showCount":529,"zanCount":174,"manualWeight":49,"mainColor":99},235133,"ju-shi-tu-zhou-wu-chang-shuo-235133","菊石图轴",[24,108,63,26,60,7,407,526],"栅栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee122e684142d4f2b96c49a249c633f3.jpg",[],100,{"id":531,"slug":532,"title":245,"dynasty":55,"author":56,"museum":167,"description":316,"tags":533,"thumbUrl":534,"material":319,"size":320,"collection":95,"collections":535,"showCount":536,"zanCount":49,"manualWeight":49,"mainColor":99},290525,"ju-hua-zhou-yun-shou-ping-290525",[140,24,108,29,60,63,7,91,89,30,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c6f67635860a905d349624dcec02c18.jpg",[],99,{"id":538,"slug":539,"title":245,"dynasty":55,"author":369,"museum":191,"description":540,"tags":541,"thumbUrl":542,"material":249,"size":543,"collection":45,"collections":544,"showCount":545,"zanCount":131,"manualWeight":49,"mainColor":99},237221,"ju-hua-zhou-xu-gu-237221","虚谷（1824年－1896年），清代僧人及画家。俗姓朱，名怀仁，一名虚白，号紫阳山人。新安（今安徽歙县）人，世居扬州，同治、光绪年间寓居上海。\n虚谷工山水、花卉、动物、禽鸟，尤善长画松鼠及金鱼。亦工肖像，擅书，能诗善文，着有《虚谷和尚诗录》。曾在上海、是晚清画坛的巨子，为“ 他曾任清军参将，后因不愿奉命打 其为人性情孤僻，非相处情深者不能得其片纸。携笔墨、着僧装，“闲中写出三千幅，行乞人间作饭钱”，其一生极为清苦，却云游四海，其行程之广，作品之多，为当时所罕见。他承古创新，独辟捷径，广集素材，勤于创作，终成一代巨擘。",[24,29,108,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fe7cc2ae8930ce3b58efcd7f5e7c78b.jpg","197.4×48.2",[45],96,{"id":547,"slug":548,"title":549,"dynasty":18,"author":550,"museum":167,"description":551,"tags":552,"thumbUrl":553,"material":95,"size":95,"collection":95,"collections":554,"showCount":555,"zanCount":174,"manualWeight":49,"mainColor":99},234215,"chen-qin-zhu-lan-ju-shi-juan-chen-qin-234215","陈芹竹兰菊石卷","陈芹","陈芹，生于1515年，卒年不详。字子野，号横崖，上元（南京）人，为安南国（越南）王后代，永乐年间来中国避战乱。擅长绘画，山水花卉竹枝均能，传世作品有《为佩庭作竹石图》（现藏故宫博物院）、《修篁文石图》（现藏南京博物馆）等。工书法，师钟繇，二王，尤善章草。《自书诗》行书册古雅畅达，妍媚洒脱，含章草意态。",[23,140,24,29,28,25,31,30,33,41,7,407],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb05f0ec9be94c42d09d7d995a4450e60.jpg",[],95,{"id":557,"slug":558,"title":245,"dynasty":55,"author":369,"museum":167,"description":559,"tags":560,"thumbUrl":561,"material":95,"size":95,"collection":45,"collections":562,"showCount":563,"zanCount":49,"manualWeight":49,"mainColor":99},236536,"ju-hua-zhou-xu-gu-236536","虚谷（1824—1896年），姓朱，名怀仁，出家为僧后以虚谷名，号紫阳山民、倦鹤等，祖籍安徽新安（今歙县），寓居扬州、苏州、上海等地，卖画为生。能诗擅画，工于书法，尤以善绘瓜果鱼蔬、人物、山水等为人称道。喜用枯笔焦墨，具有拙于外秀于内的笔墨特征。与任颐、胡公寿等交往密切，是晚清著名的海上名家。",[24,29,108,25,60,63,7,26,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b132bc15cc8d2b8bf8215263d9b1c17.jpg",[45,185],91,{"id":565,"slug":566,"title":567,"dynasty":18,"author":19,"museum":20,"description":568,"tags":569,"thumbUrl":570,"material":249,"size":571,"collection":95,"collections":572,"showCount":563,"zanCount":174,"manualWeight":49,"mainColor":99},233727,"mo-hua-juan-xu-wei-233727","墨花卷","本幅水墨花卉十六段，其顺序是：牡丹、梅花、竹石、玉簪、绣球、萱草、荷花、石榴、芙蓉、秋海棠、菊花、秋葵、双勾竹、水仙、茶花、梅花每段自题七绝一首。末端自题诗。款：“万历五年重九为从子十郎君戏作于木瓜桥之花园馆，金晶山人”印“文长”“两溟渔鸣”白方。引首自书“识得东风”后幅吴俊卿题记。",[24,29,28,25,26,30,31,89,32,41,33,7,35,40,361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3841d2a97c07af3531a1bd134c1503b.jpg","纵30cm横54.7cm",[],{"id":574,"slug":575,"title":245,"dynasty":55,"author":166,"museum":167,"description":339,"tags":576,"thumbUrl":577,"material":319,"size":320,"collection":95,"collections":578,"showCount":579,"zanCount":241,"manualWeight":49,"mainColor":99},239525,"ju-hua-zhou-wu-chang-shuo-239525",[24,108,63,25,60,7,36,30,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ebcc6f54b50ae6c545c98be3383c48f.jpg",[],87,{"id":581,"slug":582,"title":583,"dynasty":442,"author":584,"museum":167,"description":585,"tags":586,"thumbUrl":587,"material":94,"size":588,"collection":45,"collections":589,"showCount":590,"zanCount":174,"manualWeight":49,"mainColor":99},219123,"hua-hui-ce-ju-wang-yuan-219123","花卉册-菊","王渊","赭黄绢底晕开浅淡秋光，几簇白菊簇生枝侧。花瓣以细劲游丝勾勒，层叠如缕，留白处恍若凝着晨露；旁逸竹枝挺秀，竹叶撇捺间见笔力，墨色深浅映出劲节。右下角粉蝶轻振翅翼，翅脉以淡墨晕染，姿态翩跹欲落未落，为静谧花竹注入灵动生气。\n\n笔法兼工带写，柔媚菊瓣与刚劲竹枝相衬，无浓艳设色却清雅入骨。画面凝萃着文人对秋菊傲霜的喟叹，亦藏着对自然生机的细腻捕捉。笔墨间流转元代文人画的内敛韵致——于素淡中见丰腴，于细微处显匠心，每一笔都似在诉说秋日常景里的清雅情味，让观者沉湎于这份不事张扬的诗意中。",[23,24,29,140,88,60,62,63,7,33,70],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87b9037637de8126cac747bb8560b156.jpg","25.9x23.6cm",[45],86,{"id":592,"slug":593,"title":594,"dynasty":136,"author":595,"museum":167,"description":596,"tags":597,"thumbUrl":598,"material":319,"size":320,"collection":95,"collections":599,"showCount":600,"zanCount":174,"manualWeight":49,"mainColor":50},288270,"hua-lan-tu-zhao-chang-288270","花篮图","赵昌","赵昌，生于970-1040年，字昌之，北宋画家，广汉剑南（今四川剑阁之南）人。工书法、绘画，擅画花果，多作折枝花，兼工草虫。初师滕昌祐，后来发展出自身画风，没骨花鸟自成一派，有徐熙、黄荃遗风。在北宋时期与宋徽宗赵佶齐名，是宋代花鸟画坛的杰出画家。",[23,140,24,29,63,62,60,36,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2085ee9a72b9b6a9215540541abb702a.jpg",[],83,{"id":602,"slug":603,"title":507,"dynasty":55,"author":166,"museum":167,"description":339,"tags":604,"thumbUrl":605,"material":319,"size":320,"collection":95,"collections":606,"showCount":607,"zanCount":49,"manualWeight":49,"mainColor":99},235448,"ju-shi-zhou-wu-chang-shuo-235448",[140,24,29,108,60,25,63,7,407,473,31,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f37afbc0963a70bb464cc5b3b11d679.jpg",[],82,{"id":609,"slug":610,"title":611,"dynasty":18,"author":612,"museum":105,"description":613,"tags":614,"thumbUrl":615,"material":43,"size":616,"collection":95,"collections":617,"showCount":618,"zanCount":49,"manualWeight":49,"mainColor":99},214621,"hua-hui-ce-20-chen-chun-214621","花卉册-20","陈淳","陈淳（1483—1544），字道复,后以字行,更字复甫,号白阳,又号白阳山人，江苏苏州人。曾从文徵明学画，但是不拘于师法，山水、花卉自具门径。花卉善写意，淡墨浅色，生动有致。与徐渭并称“青藤白阳”，代表明中期水墨写意花鸟画的新格调，是吴门画派的代表画家。\n用笔简洁，笔势潇洒，行笔迅疾，许多花卉草虫仅用深浅浓淡的不同墨色，却能完整地表达出物象的形状及立体效果，富有生意，具有强烈的笔墨情趣。",[24,29,88,25,63,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bffc74b26f84183526b214bdad26b81.jpg","纵28 厘米 横37.9 厘米",[],80,{"id":620,"slug":621,"title":622,"dynasty":623,"author":624,"museum":167,"description":625,"tags":626,"thumbUrl":628,"material":319,"size":320,"collection":95,"collections":629,"showCount":630,"zanCount":49,"manualWeight":49,"mainColor":50},290555,"wu-dai-nan-tang-hua-hui-cao-chong-juan-xu-xi-290555","五代南唐花卉草虫卷","五代十国","徐熙","徐熙，五代南唐杰出画家，金陵（今南京）人，一说钟陵（今江西进贤）人。出身于“江南名族”。生于唐僖宗光启年间，后在开宝末年（公元975）随李后主归宋，不久病故。一生未官，郭若虚称他为“江南处士”。沈括说他是“江南布衣”。其性情豪爽旷达，志节高迈，善画花竹林木，蝉蝶草虫，其妙与自然无异。",[140,24,29,28,62,60,63,7,627,40],"草虫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae6d9fb677d356b11b5aa6b55f88bca7.jpg",[],76,{"id":632,"slug":633,"title":634,"dynasty":442,"author":443,"museum":105,"description":445,"tags":635,"thumbUrl":639,"material":249,"size":640,"collection":453,"collections":641,"showCount":630,"zanCount":131,"manualWeight":49,"mainColor":99},220844,"gui-qu-lai-ci-zhao-meng-fu-220844","归去来辞",[23,29,30,28,31,449,636,34,7,450,385,637,638],"舟","山","田园","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48c86013046154464d778c5a0c6f7247.jpg","纵25.9 厘米，横139.4 厘米",[453],{"id":643,"slug":644,"title":645,"dynasty":18,"author":256,"museum":216,"description":646,"tags":647,"thumbUrl":654,"material":94,"size":95,"collection":45,"collections":655,"showCount":656,"zanCount":49,"manualWeight":49,"mainColor":50},219015,"ping-an-tu-yi-ming-219015","平安图","坡岸之上，竹丛疏密有致，枝叶间光影流转。数只禽鸟散落其间，或低头啄食草籽，或侧身梳理羽翎，姿态各异却皆显安然。白菊清雅，红果艳艳，点缀在苍褐的底色上，如散落在时光里的星子。溪流蜿蜒而过，山石静默伫立，整个画面似被一层温润的古意包裹。每一处细节都藏着对自然生机的细腻捕捉，笔墨间流淌着恬淡的野趣，更将“平安”的美好期许悄然融入这一方天地，让观者于静谧中感受那份岁月沉淀的祥和与安然。",[24,28,62,60,63,648,33,7,649,650,234,651,652,653],"鹌鹑","白花","红叶","溪流","小鸟","草丛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8578e8b33b1c86d88f4b80524cd58b57.jpg",[45],75,{"id":658,"slug":659,"title":660,"dynasty":55,"author":369,"museum":85,"description":661,"tags":662,"thumbUrl":665,"material":249,"size":666,"collection":95,"collections":667,"showCount":668,"zanCount":49,"manualWeight":49,"mainColor":99},233738,"he-ju-tu-xu-gu-233738","鹤菊图","虚谷（1823～1896），清代著名画家，海上四大家之一，有“晚清画苑第一家”之誉。",[24,29,108,25,60,63,26,663,7,664],"鹤","石头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bd2764d2a4771380b4af360eaf65809.jpg","143x39cm",[],71,{"id":670,"slug":671,"title":672,"dynasty":55,"author":673,"museum":674,"description":675,"tags":676,"thumbUrl":677,"material":60,"size":678,"collection":45,"collections":679,"showCount":668,"zanCount":174,"manualWeight":49,"mainColor":99},220143,"leng-yan-you-xiang-tu-li-shan-220143","冷艳幽香图","李鱓","南京博物院","李鱓（1686—1762），清代画家，江苏兴化人。字宗扬，号复堂、懊道人。康熙五十四年（1715年）举人，官滕县、临淄知县。擅花鸟、山水。绘画师法沈周、林良、陈淳、徐渭、恽寿平、石涛、高其佩、蒋廷锡等人。李鱓比较重视生活感受与传统技法的结合，熟练使用自己领悟到的笔墨，善于发挥水的特性，“水墨融成奇趣”，大胆发挥鲜艳色彩和白粉的特性，将粗笔画法与工细画法结合，形成“纵横驰骋，不拘绳墨而独得天趣”“随意布置，另有别趣”的写意花鸟画风，笔墨雄健劲拔，设色淡雅。他的绘画对吴熙载、赵之谦、吴昌硕等人产生了深远影响。李鱓亦擅书法，用笔古朴豪宕、洒脱自然。从南京博物院藏《冷艳幽香图》中的题跋可见李鱓书法的一些审美意趣和风格特色。",[23,24,29,28,60,25,26,63,32,41,35,7,385,234,89,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F776535ffcb2a3e1e219ec108c1aebfe7.jpg","纵34.5厘米、横362厘米",[45],{"id":681,"slug":682,"title":683,"dynasty":55,"author":684,"museum":20,"description":685,"tags":686,"thumbUrl":694,"material":94,"size":695,"collection":696,"collections":697,"showCount":698,"zanCount":174,"manualWeight":49,"mainColor":99},218523,"wang-yuan-qi-yi-ju-tu-xiang-juan-yu-zhi-ding-218523","王原祁艺菊图像卷","禹之鼎","这幅画描绘了王原祁在院子里享受一杯茶和一朵菊花。在这幅画中，留着浓密的胡须、身材略胖的王志刚大约50岁，坐在沙发上，手里拿着一杯茶，欣赏着面前的菊花。他目光专注，态度沉稳大方，体现出不同于普通文人的优雅高贵的气质。画中的桌子和沙发简洁大方，书卷摆放整齐，还有精心栽培的菊花和其他景物，这些又说明了人物的爱好和雅趣。",[23,24,29,28,62,60,687,7,206,688,689,690,691,692,693,30,31,89],"人物","桌","椅","花瓶","书","盆栽","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b426879ff6f6f7c85be31d0fd4ef954.jpg","32.4x136.4","人物画精选",[696],68,{"id":700,"slug":701,"title":702,"dynasty":55,"author":703,"museum":191,"description":704,"tags":705,"thumbUrl":709,"material":94,"size":710,"collection":45,"collections":711,"showCount":712,"zanCount":174,"manualWeight":49,"mainColor":99},219447,"qiu-cheng-sheng-zhi-zhou-chen-shu-qiu-219447","秋塍生植轴","陈书秋","秋草葳蕤间，秀穗垂曳似携风露。蜻蜓振翅掠叶，粉翅沾着晓光；彩蝶翩跹，翅间星斑如缀墨玉；蚂蚱或伏或跃，肢足纤毫毕现。近坡双鹌相倚，一者低头啄虫，羽纹细腻如织，另一侧首凝睇，眸含憨态。细菊绽蕊淡香似溢，红果点翠添秋温润。笔墨工细却不板滞，生灵姿态鲜活，草木纹理清晰，藏着对自然的深情。静中有动，恬淡里透着蓬勃生机，仿佛能听见虫鸣唧唧，风拂草叶轻响，将秋日田园意趣尽揽其中。",[24,29,108,62,60,89,63,71,92,648,70,706,707,7,708],"蜻蜓","蚂蚱","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75a0fe93ad5cc02980e9601cf4c1e288.jpg","100.1x29.2",[45],66,{"id":714,"slug":715,"title":716,"dynasty":55,"author":717,"museum":191,"description":718,"tags":719,"thumbUrl":724,"material":111,"size":725,"collection":76,"collections":726,"showCount":727,"zanCount":49,"manualWeight":49,"mainColor":99},219387,"feng-xing-tu-ai-qi-meng-219387","风猩图","艾启蒙","艾启蒙，（西元一七０八至一七八０年），字醒庵，波西米亚人。乾隆十年入如意馆，与朗世宁、王致诚同为画院供奉。善画，尤工翎毛，赐三品衔。山径之末，累石成穴，梧桐、丹桂、芙蓉，杂以野菊秋卉，风猩二，一蜷伏洞中，一逡巡洞口。笔墨遒细而秀润，设色雅淡而清丽，与邹一桂蒋廷锡笔画有契合处，为艾氏精心之作。",[24,140,29,62,60,374,720,721,422,37,7,234,722,723],"猴","梧桐","洞穴","秋卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c6bb60e7e22ccacb4a0c5552b267af9.jpg","121x90",[76],65,{"id":729,"slug":730,"title":731,"dynasty":55,"author":56,"museum":167,"description":316,"tags":732,"thumbUrl":733,"material":319,"size":320,"collection":95,"collections":734,"showCount":735,"zanCount":174,"manualWeight":49,"mainColor":99},290542,"mo-ju-yun-shou-ping-290542","墨菊",[24,29,88,25,7,63,89,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85db967c88e5d951d7cf0748f2930512.jpg",[],64,{"id":737,"slug":738,"title":739,"dynasty":18,"author":740,"museum":216,"description":741,"tags":742,"thumbUrl":743,"material":94,"size":95,"collection":45,"collections":744,"showCount":735,"zanCount":49,"manualWeight":49,"mainColor":50},219323,"hua-niao-tu-er-yue-zhou-219323","花鸟图(二)","月洲","梅枝横斜，粉蕊轻绽枝头，两只禽鸟或立或眺，神态悠然。下方花卉繁茂，瓣层叠如绒，色泽温润；长尾羽禽羽翼绯红，与素白花朵相映成趣，墨枝青叶绿意交错，野趣自生。笔触细腻处见工致，设色淡雅中藏灵动，禽鸟憨态、花木生机跃然绢上，尽显自然意趣与文人雅致。岁月虽为绢面添了斑驳，却未减画面里静谧的生机流转，似能闻得花鸟间的轻语，触到时光里的温柔回响，将自然之美与文人情韵凝于方寸之间。",[23,24,140,108,62,60,63,32,33,7,385,206],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6ce9a7674e5a9e4c068dd1387796361.jpg",[45],{"id":746,"slug":747,"title":748,"dynasty":18,"author":416,"museum":57,"description":749,"tags":750,"thumbUrl":751,"material":752,"size":753,"collection":95,"collections":754,"showCount":755,"zanCount":49,"manualWeight":49,"mainColor":99},222099,"si-ji-hua-hui-juan-shen-zhou-222099","四季花卉卷","此卷绘各色花卉，用笔不斤斤于形似，得花之天趣，开以后白阳，青藤花卉大写意之法门。沈周出身诗书门第，幼受严训，师承大家，饱览祖传的书画名迹，又周游名山大川，这些优厚条件，对他一生的创作，有莫大的裨益和帮助。沈周画的梅、兰、菊、竹传统文人画题，变化多样，运用彩色没骨画法，创出新颖的文人花鸟画。对后期的花卉画家影响深远。\n沈周（1427-1509），字启南，号石田，晚号白石翁，明代画家，书法家，文学家，医学家，长洲（今江苏苏州）人。出身富裕的书香绘画世家，少时师从陈宽学习诗文，青年时期师从伯父沉贞，还有刘珏、杜琼、赵同鲁等学习绘画。其一生家居读书，吟诗作画，优游林泉，追求精神上的自由，从未应科举征聘，始终过着田园隐居生活。与文征明、唐寅、仇英并称「明四家」，是吴门画派的创始人。他师法元四家，并上溯董源、巨然，同时旁涉南宋院体画和浙派等，形成了独特的个人风格，在元明以来文人画领域有承前启后的作用。",[23,24,29,28,60,62,63,32,41,7,36,37,38,39,66,30,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f527202709f0b8a75e4edc90151d183.jpg","纸本水墨","27.5 X504.8厘米",[],63,{"id":757,"slug":758,"title":759,"dynasty":55,"author":104,"museum":167,"description":760,"tags":761,"thumbUrl":762,"material":95,"size":95,"collection":45,"collections":763,"showCount":764,"zanCount":49,"manualWeight":49,"mainColor":99},236002,"hua-hui-tu-ce-hua-yan-236002","花卉图册","此作取景清雅，折枝粉菊伴棘条挺然生姿，朱色竹枝斜斜破局，水墨湖石静卧留白处，虚实错落间尽显疏朗意韵。\n\n设色秀润柔和，菊瓣晕染细腻，将霜蕊的清妍尽显；朱竹艳而不俗，风骨暗藏；湖石以淡墨轻擦慢皴，苍润空灵。右上角题诗入画，与花木绘境相映，诗书印画相融，文气满溢。\n\n笔意松灵秀逸，将花木的清刚与温婉揉为一处，借草木寄寓幽人风骨，淡远雅致的逸趣扑面而来，尽显文人隽雅的审美意趣。",[24,60,25,88,63,7,33,91],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcaea60374c721a553bff14a64dc81773.jpg",[45,76],62,{"id":766,"slug":767,"title":768,"dynasty":18,"author":215,"museum":57,"description":769,"tags":770,"thumbUrl":772,"material":94,"size":95,"collection":95,"collections":773,"showCount":764,"zanCount":49,"manualWeight":49,"mainColor":99},218029,"za-hua-ce-3-chen-hong-shou-218029","杂画册-3","陈洪绶是明朝时期著名的画家。他最著名的作品是他的杂画册，其中包含了许多精美的花鸟画和山水画。陈洪绶的杂画册是明朝时期最著名的画册之一，并被认为是中国画的杰出代表作之一。\n\n陈洪绶的杂画册中包含了多幅优美的花鸟画，其中包括了各种鸟类、花卉和动物。这些画作都是陈洪绶对自然界的精确再现，并且富有生命力。此外，陈洪绶还创作了许多优美的山水画，其中包含了各种山川、河流、湖泊和其他自然景观。这些画作也是陈洪绶对自然界的精确再现，并且富有感染力。\n\n总的来说，陈洪绶的杂画册是一部杰出的画册，其中包含了许多优美的花鸟画和山水画，是中国画的杰出代表作之一。陈洪绶的画风精细而细腻，他对自然界的描绘充满生命力和感染力，使他的作品在艺术史上占有重要地位。",[24,29,88,60,62,63,7,771,361],"蜗牛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb4f00443d432896845aecc3bed05fd9.jpg",[],{"id":775,"slug":776,"title":777,"dynasty":55,"author":778,"museum":20,"description":779,"tags":780,"thumbUrl":781,"material":249,"size":782,"collection":95,"collections":783,"showCount":784,"zanCount":49,"manualWeight":49,"mainColor":99},234082,"yuan-ji-zhu-ju-xiu-shi-tu-zhou-shi-tao-234082","原济竹菊秀石图轴","石涛","此画集中体现了石涛所谓“化”、“略无纪律而纪律自在其中”的艺术特点。画面左下侧湖石挺拔而起，矗立至画幅左中部。湖石脚下画有数茎兰花，花朵吐出清幽的芳香，散发在湿润的空气中。山石腰部和顶端长了花草。湖石后面，耸立着两竿新竹，竹叶直伸展画面顶端，竹叶交迭穿插，有的仰俯，有的平展，有的下垂。湖石后面又一株菊花，依石与新竹穿插生长，花朵盛开，枝叶茂盛。\n此画构图紧凑，画面虽竖长条，上不留天，下不留地，在画的右侧下，有作者自题识。此画的竹、菊全以浓墨写出，仅以淡墨点几点苔点及花萼、花蕊。画成以后，即以淡墨水全幅遍染，仅仅留出菊花的花瓣的白底子，在灰色的背景下，显得格外清亮。在背景的淡墨水将干未干之际，用较深的墨作草书题款。由于对水分的掌握恰到好处。字迹与画的底色渗化融合，浑然一体。总之，此画中的菊、竹、湖石画得淋漓挥洒，纵横豪宕绝无霸悍之气，似乎信手拈来，一挥而就，且无一笔不合画理和法度，达到了天才和功力的完美统一，是一幅笔墨意境均出神入化的佳作。",[24,25,108,26,33,7,91,92,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89d6e081a28cf954997b56c68ef141d0.jpg","51.16*129.02厘米",[],61,{"id":786,"slug":787,"title":788,"dynasty":18,"author":202,"museum":167,"description":789,"tags":790,"thumbUrl":793,"material":319,"size":320,"collection":95,"collections":794,"showCount":795,"zanCount":174,"manualWeight":49,"mainColor":50},290856,"cai-ju-tu-zhou-tang-yin-290856","采菊图轴","唐寅（1470年3月6日－1524年1月7日），字伯虎，小字子畏，号六如居士，南直隶苏州府吴县（今江苏省苏州市）人，祖籍凉州晋昌郡，明朝著名画家、书法家、诗人。\n成化二十一年（1485年），考中苏州府试第一名，进入府学读书。弘治十一年，考中应天府乡试第一（解元），入京参加会试。弘治十二年，卷入徐经科场舞弊案，坐罪入狱，贬为浙藩小吏。从此，丧失科场进取心，游荡江湖，埋没于诗画之间，终成一代名画家 。唐寅晚年生活穷困，依靠朋友接济。嘉靖二年十二月二日，病逝，时年五十四岁。\n山水画宗法李唐、刘松年，融会南北画派，笔墨细秀，布局疏朗，风格秀逸清俊。人物画师承唐代传统，色彩艳丽清雅，体态优美，造型准确；亦工写意人物，笔简意赅，饶有意趣。其花鸟画长于水墨写意，洒脱秀逸。书法奇峭俊秀，取法赵孟頫。\n绘画上与沈周、文徵明、仇英并称“吴门四家”，又称“明四家”。诗文上，与祝允明、文徵明、徐祯卿并称“吴中四才子”。",[140,24,108,687,7,25,60,30,89,791,792],"饮酒","隐逸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2a061be1d2856741760d4fcc7b396d5.jpg",[],60,{"id":797,"slug":798,"title":799,"dynasty":18,"author":800,"museum":167,"description":801,"tags":802,"thumbUrl":809,"material":810,"size":811,"collection":453,"collections":812,"showCount":795,"zanCount":174,"manualWeight":49,"mainColor":99},220966,"tao-yuan-ming-yin-jiu-shi-si-shou-juan-dong-qi-chang-220966","陶渊明饮酒诗四首卷","董其昌","陶渊明对于后世书法家的影响不可谓不深远。明代的书陶者以“吴中三家”祝允明、文徵明、王宠的成就为最高，但在现存的针对“吴中三家”的研究文献中，对于王宠的研究为最少，论及陶渊明于王宠之影响者更少。在笔者看来，王宠书法承祝、文二家而自出机杼，书法中的禅趣古意实则为三家中最高者，实则获陶渊明之精髓。而随后的董其昌更是在理论的高度吸收了陶渊明的思想，提倡平淡率真的书法品格，对后世产生了巨大影响。但以往对董其昌与陶渊明关系的分析又多浮于表面，多数仅就意象、风格之相似或文辞用典的使用做文章。笔者旨在通过考查王宠、董其昌二人的书法、书论，来进一步阐述陶渊明对于中国文化的巨大影响。",[23,30,31,28,7,637,385,34,92,803,804,805,806,807,638,808],"霜","日夕","杯","林","酒","自然","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa855cec2eb1d059b8471f7fba71c89f4.jpg","行草","25x269厘米",[453],{"id":814,"slug":815,"title":816,"dynasty":136,"author":817,"museum":818,"description":819,"tags":820,"thumbUrl":828,"material":829,"size":830,"collection":831,"collections":832,"showCount":833,"zanCount":131,"manualWeight":49,"mainColor":50},221406,"tao-yuan-ming-yin-gui-tu-quan-juan-li-gong-lin-221406","陶渊明隐归图全卷","李公麟","美国弗瑞尔美术馆","绘陶渊明辞官乘舟归来、进行耕田、种菜、赏景等自得其乐的归隐生活，长卷共绘七幅图，为左侧题诗，右侧绘诗意，表达出诗人的“采菊东篱下，悠然见南山”的豁达心情。",[23,140,24,29,28,821,25,60,687,822,823,824,447,448,825,31,826,7,33,154,827],"白描","山水","树木","房屋","亭","楷书","古道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7d80abd5349282a67d9aa5f8593c2a4.jpg","绢本，设色","37.0 x 521.5 cm","宋画精选",[831,696,185],59,{"id":835,"slug":836,"title":837,"dynasty":55,"author":778,"museum":20,"description":838,"tags":839,"thumbUrl":842,"material":274,"size":843,"collection":95,"collections":844,"showCount":845,"zanCount":241,"manualWeight":49,"mainColor":99},233959,"dui-ju-tu-zhou-shi-tao-233959","对菊图轴","图绘双松虬结的庭院内梅、竹互映，房舍错落，屋内高士观赏秋菊，其品菊的举止生动传神，点明了“对菊”的画作主题。庭院外是迂回盘桓的山峦和自远而近的江水，它们为高士远离世俗的隐居之地平添了几分清幽。此图与石涛贯有的笔墨雄健纵恣、豪放洒脱的画风不同，刻画工整细腻，或徐或疾的笔致和富于节奏变化的朱点、墨点自得一股苍莽之气。此幅当属石涛居住扬州时期创作的一幅难得的精细之作。",[24,29,25,420,108,89,822,34,7,840,234,823,841,448],"民居","小桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7030dd986967133b9acf5ab16c143856.jpg","纵99.5厘米，横40.2厘米",[],58,{"id":847,"slug":848,"title":849,"dynasty":55,"author":850,"museum":167,"description":851,"tags":852,"thumbUrl":853,"material":95,"size":95,"collection":95,"collections":854,"showCount":855,"zanCount":49,"manualWeight":49,"mainColor":99},224238,"zhu-ju-quan-shi-yang-da-zhang-224238","竹菊泉石","杨大章","此作用笔清隽雅致，构图疏密相宜。嶙峋湖石居于画面中心，皴擦简约却尽显峭拔质感，撑起画面骨架。左侧淡墨写竹，枝叶轻曳似携秋风，留白处恍有清光流转，空灵秀逸。右下菊丛灼灼，黄紫双色错落层叠，瓣叶柔润鲜活，晕染出满幅秋意。细泉蜿蜒穿石而过，为冷寂添了几分灵动生机。\n\n设色浅淡柔和，以素净底色衬出花木之妍、湖石之朴，将秋日林泉的幽寂闲适铺陈开来，尽显雅致出尘的隐逸意趣。",[23,24,29,88,62,60,33,7,91,448,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17a0e88bdb88ecce18fd83ad4aa28c84.jpg",[],57,{"id":857,"slug":858,"title":859,"dynasty":18,"author":860,"museum":85,"description":861,"tags":862,"thumbUrl":863,"material":111,"size":864,"collection":95,"collections":865,"showCount":855,"zanCount":131,"manualWeight":49,"mainColor":866},216261,"ming-za-hua-ce-4-wang-zhong-216261","明杂画册-4","汪中","汪中指的是汪建中（1501-1593年），他是明朝时期的一位著名画家。明杂画册是指他绘制的一组绘画作品集，通常指其中一部名为《汪中杂画册》的作品。《汪中杂画册》是一部非常著名的画册，由汪建中在明朝末期绘制而成。它共有24册，收录了许多他的绘画作品，包括花卉、山水、虫鸟、人物等。这些作品都非常精美，被认为是中国画史上的杰作。《汪中杂画册》目前被认为是中国明朝时期最重要的画册之一，并被认为是中国画史上的经典之作。",[24,60,62,88,91,63,7,92,70,206],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1ab5d750f60cfb64615b60a29b53388.jpg","30x27cm",[],"FDD835",{"id":868,"slug":869,"title":870,"dynasty":442,"author":871,"museum":167,"description":872,"tags":873,"thumbUrl":875,"material":319,"size":320,"collection":95,"collections":876,"showCount":5,"zanCount":174,"manualWeight":49,"mainColor":50},283619,"hua-niao-tu-quan-juan-qian-xuan-283619","花鸟图全卷","钱选","钱选（1239—1299），宋末元初著名画家，与赵孟頫等合称为“吴兴八俊”。字舜举，号玉潭，又号巽峰，霅川翁，别号清癯老人、川翁、习懒翁等，湖州（今浙江吴兴）人。\n南宋景定三年乡贡进士，入元不仕。工诗，善书画。画学极杂：山水师从赵令穰；人物师从李公麟；花鸟师赵昌；青绿山水师赵伯驹。人品及画品皆称誉当时。继承苏轼等人的文人画理论，提倡士气说，倡导戾家画。他提倡绘画中的“士气”，在画上题写诗文或跋语，萌芽了诗、书、画紧密结合的文人画的鲜明特色。",[23,140,24,29,28,62,60,63,33,7,37,154,70,40,874],"草木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F137ee05c575ac4967710143b8215cd6c.jpg",[],{"id":878,"slug":879,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":883,"thumbUrl":884,"material":319,"size":320,"collection":45,"collections":885,"showCount":5,"zanCount":49,"manualWeight":49,"mainColor":99},238421,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238421","董诰郦谷迎春图小册","董诰","董诰（1740年－1818年），字雅伦，号蔗林，浙江省杭州府富阳县（今浙江省杭州市）人，生于顺天府（今北京市），清代大臣、书画家。工部尚书董邦达长子，与其父有“大、小董”之称。\n乾隆二十九年（1764）中举，隔年会试，名列一甲第三，得中探花，乾隆帝将其改为二甲第一，作金殿传胪，形降实升。嘉庆四年（1799），董诰六十岁，以从庶吉士、编修、工部侍郎、军机大臣、东阁大学士等，擢为文华殿大学士（即宰相），首席军机大臣，上书房总师傅，钦赐“紫禁城骑马”。直军机先后四十年。董诰精书法，善绘画，更通晓军事。他五次归还故里，生活简朴，平易近人，从不倨傲，深为邻里称道。董诰卒于嘉庆二十三年（1818），终年七十九岁。\n董诰死后六天，嘉庆帝亲临祭奠，赠太傅，赐谥号文恭，入祀贤良祠。嘉庆亲写哀诗“只有文章传子侄，绝无货币置田庄”，并亲自拨款建立“董公祠”。",[24,140,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb824a714acac94049fd4d0c4889ebffb.jpg",[45,76],{"id":887,"slug":888,"title":245,"dynasty":18,"author":84,"museum":167,"description":889,"tags":890,"thumbUrl":891,"material":319,"size":320,"collection":95,"collections":892,"showCount":5,"zanCount":49,"manualWeight":49,"mainColor":99},235239,"ju-hua-zhou-xiang-sheng-mo-235239","项圣谟，初字逸，后字孔彰，号易庵，别号有胥山樵、存存居士、醉风人、大酉山人、莲塘居士、烟波钓徒、松涛散仙、逸叟、狂吟客、鸳湖钓叟、不夜楼中士等等，浙江嘉兴人。",[24,29,108,60,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbdcf136285d92857c81bcceda00dd6a4.jpg",[],{"id":894,"slug":895,"title":896,"dynasty":55,"author":897,"museum":898,"description":899,"tags":900,"thumbUrl":901,"material":902,"size":903,"collection":45,"collections":904,"showCount":5,"zanCount":49,"manualWeight":49,"mainColor":99},223252,"zhu-ju-hua-tu-zhou-pu-hua-223252","竹菊花图轴","蒲华","中央美术学院美术馆","蒲华（1832—1911）字作英，亦作竹英、竹云，浙江嘉兴人。号胥山野史、胥山外史、种竹道人，斋名九琴十砚斋、九琴十研楼、芙蓉庵，夫蓉盦、剑胆琴心室等。晚清著名书画家，与虚谷、吴昌硕、任伯年合称“海派四杰”。\n早年科举，仅得秀才，遂绝念仕途，潜心书画，携笔砚出游四方，后寓居上海，卖画为生。善花卉、山水，尤擅画竹，有“蒲竹”之誉。书法淳厚多姿；其画燥润兼施，苍劲妩媚，风韵清健。\n晚清民国时期著名画家，与任伯年、吴昌硕、虚谷合称“海派四杰”。\n与海上名家广有交往， 同吴昌硕尤为密切。蒲华长吴昌硕十二岁，昌硕幼时便闻蒲华画名，关系在师友之间，互取所长，风貌因之相近。\n善用湿笔，水墨淋漓，光彩照人。善花卉、山水，尤擅画竹，有“蒲竹”之誉。\n吴昌硕作十二友诗，记蒲华曰：“蒲作英善草书、画竹，自云学天台傅啸生，仓莽驰骤、脱尽畦畛。家贫，鬻画自给，时或升斗不继，陶然自得。余赠诗云：蒲老竹叶大于掌，画壁古寺苍涯琏。墨汁翻衣吟犹着，天涯作客才可怜。朔风鲁酒助野哭，拔剑斫地歌当筵。柴门日午叩不响，鸡犬一屋同高眠”。\n吴昌硕为蒲华所作《芙蓉庵燹馀草》作序言：“作英蒲君为余五十年前之老友也，晨夕过从，风趣可挹。尝于夏月间，衣粗葛，橐笔两三枝，诣缶庐，汗背如雨，喘息未定，即搦管写竹，墨沈淋漓。竹叶如掌，萧萧飒飒，如疾风振林，听之有声，思之成咏。其襟怀磊落，逾恒人也如斯。”\n谢稚柳论言：“蒲华的画竹与李复堂、李方膺是同声相应的，吴昌硕的墨竹，其体制正是从蒲华而来”。\n蒲华中年尤勤书学，寝馈旭、素，斗墨千纸，数日而尽。至于元明各家书帖，也常把玩临摹。以书入画，酣畅恣肆。\n蒲华晚年，笔老墨精。其书法，淳厚多姿；其绘画，燥润兼施，苍劲妩媚。尤喜画大幅巨幛，莽莽苍苍，蔚为大观。所作山水大轴或册页，虽多为山居、读书等传统题材，但布局新颖，风韵清隽。\n蒲吴两家粗豪奔放的画风，使因袭纤巧之时风大为逊色，一新画派崛起于沪上画坛。\n癖好古琴，遇即购藏，视为心爱之物，名其居屋为“九琴十砚楼”。",[23,24,60,25,108,63,33,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f837281a5a3ede855624505ab9f5514.jpg","纸本，册页，设色","纵27厘米、横34厘米",[45,76],{"id":906,"slug":907,"title":908,"dynasty":18,"author":909,"museum":167,"description":910,"tags":911,"thumbUrl":912,"material":95,"size":95,"collection":95,"collections":913,"showCount":914,"zanCount":174,"manualWeight":49,"mainColor":99},234176,"hua-hui-juan-lu-zhi-234176","花卉卷","鲁治","鲁治，号岐云，东吴人。善画花卉、翎毛。设色妍丽，得宋人之法。广东省博物馆藏《百花图卷》。",[23,24,29,28,62,60,63,32,41,33,7,36,37,38,39,66,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3035c745deb8cf52d925ad006c15ad2b.jpg",[],55,{"id":916,"slug":917,"title":918,"dynasty":55,"author":369,"museum":20,"description":919,"tags":920,"thumbUrl":922,"material":274,"size":923,"collection":95,"collections":924,"showCount":914,"zanCount":49,"manualWeight":49,"mainColor":99},233178,"ping-ju-tu-zhou-xu-gu-233178","瓶菊图轴","此图为瓶插秋菊的小品画。构图匠心独运，巧于设置，高低错落的瓶和壶、“S”形走势的秋菊令画面富有活力，并形成多层次的节律变化。设色淡雅清新，笔法灵活娴熟，是虚谷晚年的花卉画代表作。",[24,29,140,108,60,25,7,34,182,921],"日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd971ac61959e2aff3b2a1a61b30a51c6.jpg","纵126.2厘米，横57.7厘米",[],{"id":926,"slug":927,"title":928,"dynasty":120,"author":929,"museum":122,"description":930,"tags":931,"thumbUrl":932,"material":95,"size":95,"collection":95,"collections":933,"showCount":914,"zanCount":49,"manualWeight":49,"mainColor":99},220480,"cui-can-fu-bao-shi-220480","摧残","傅抱石","以淡墨晕染枝叶，萧疏破败的墨痕间，残存的花朵带着褪败的艳色，晕开朦胧颓靡的氛围。以花木残败之态寄寓心绪，将感时伤世的沉郁藏入写意笔触里。枝叶偃蹇错落，墨色虚实相生，带着随性却压抑的格调，残花虽仍有灼灼余韵，却难掩周身衰颓破败之意。\n\n题字拙朴厚重，与画面萧索的意境呼应，没有直白的呼号，只借残卉枯枝暗喻时局，把乱世忧思藏入花木描摹中，含蓄沉郁，将文人画的雅致与悲怆的忧怀相融，落笔皆是怅惘。",[23,24,29,25,60,63,7,361,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ecf1760b67ff2b8a9221984d65f156b.jpg",[],{"id":935,"slug":936,"title":937,"dynasty":442,"author":584,"museum":85,"description":938,"tags":939,"thumbUrl":940,"material":94,"size":941,"collection":45,"collections":942,"showCount":914,"zanCount":49,"manualWeight":49,"mainColor":50},216674,"ge-zi-tu-wang-yuan-216674","鸽子图","王渊（生卒年不详）是中国元朝（1271年 - 1368年）的一位著名画家，他的代表作品是《鸽子图》。《鸽子图》是一幅水墨画，描绘了一群自由自在地飞翔的鸽子。这幅画被认为是王渊最优秀的作品之一，其中体现了王渊对动物自然、生动的描绘方式。此外，《鸽子图》还展示了王渊对色彩运用的精湛技巧，使得画面栩栩如生，充满生机和活力。",[23,24,60,62,63,154,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2859eb0a4bf8656af4d2d93c4ff4064.jpg","26x28cm",[45],{"id":944,"slug":945,"title":946,"dynasty":55,"author":947,"museum":167,"description":948,"tags":949,"thumbUrl":950,"material":319,"size":320,"collection":45,"collections":951,"showCount":952,"zanCount":49,"manualWeight":49,"mainColor":99},235211,"hua-hui-ce-zhang-wei-235211","花卉册","张伟","清代画家张伟的花卉写生图，是一组工笔细描的花卉图。",[24,29,63,88,60,62,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0af649121c5bfa8eb70d98878fbc2a5.jpg",[45],54,{"id":954,"slug":955,"title":956,"dynasty":442,"author":871,"museum":191,"description":957,"tags":958,"thumbUrl":961,"material":94,"size":962,"collection":45,"collections":963,"showCount":952,"zanCount":49,"manualWeight":49,"mainColor":50},220384,"qiu-fang-niao-yu-tu-qian-xuan-220384","秋芳鸟语图","钱选山水师赵令穰，人物师李公麟，花鸟师赵昌，青绿山水师赵伯驹，尤善作折枝，其得意者赋诗其上。工临仿，尝借人白鹰图，夜临摹装池，翌日以临本归之，主人弗觉。选多写人物、花鸟，故所图山水当世罕传。。钱选与赵孟頫同乡并同享盛名。擅画人物、花卉及山水。其自题《其与花鸟画曾师法赵昌，又自有变法，多表现田园隐居等情趣，如《柴桑翁像》、等山水画。后因为手颤，以及对付诸多仿造者，改作水墨写意花卉。明代鲁王朱檀墓随葬有钱选等，多以水墨画就。",[23,140,24,29,959,60,62,63,7,154,91,960],"扇面","秋草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F194ffa877014eafa9f6fefd8f3e58dd3.jpg","24.2x26.2",[45],{"id":965,"slug":966,"title":967,"dynasty":55,"author":968,"museum":167,"description":969,"tags":970,"thumbUrl":973,"material":319,"size":320,"collection":95,"collections":974,"showCount":975,"zanCount":49,"manualWeight":49,"mainColor":99},288503,"hua-jing-xin-zhu-da-288503","花镜心","朱耷","朱耷（1626年—约1705年），原名朱统𨨗，字刃庵，号八大山人、雪个、个山、人屋、道朗等，出家时释名传綮，汉族，江西南昌人 。明末清初画家，中国画一代宗师。",[23,24,29,25,26,63,7,971,972],"孤寂","镜心","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe50301a88975470b059a690f4e7e4b83.jpg",[],52,{"id":977,"slug":978,"title":979,"dynasty":55,"author":980,"museum":167,"description":981,"tags":982,"thumbUrl":983,"material":95,"size":95,"collection":95,"collections":984,"showCount":985,"zanCount":49,"manualWeight":49,"mainColor":99},235782,"yu-shan-zhu-xian-he-bi-ce-ju-hua-ce-ye-yang-jin-235782","虞山诸贤合璧册-菊花册页","杨晋","此作以淡墨写意绘秋菊，花枝挺秀舒展，淡赭晕染花瓣，勾勒出蓬松柔润的花形，疏密间尽显秋菊凌霜之姿。叶片以浓淡墨色分出阴阳向背，笔意疏朗清逸，无一笔冗赘。\n搭配右侧题诗，诗画相映，借秋菊明志，抒发出幽居田园、不畏清寒的隐逸襟怀。画风清隽雅致，将花卉情态与文人风骨相融，淡而有味，简中见韵，尽显文人花鸟小品悠然隽永的意趣。",[24,29,88,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2663c37389e497ee30df241718774aff.jpg",[],51,{"id":987,"slug":988,"title":989,"dynasty":442,"author":990,"museum":191,"description":991,"tags":992,"thumbUrl":993,"material":43,"size":994,"collection":45,"collections":995,"showCount":985,"zanCount":49,"manualWeight":49,"mainColor":50},219360,"wan-xiang-gao-jie-tu-ke-jiu-si-219360","晚香高节图","柯九思","此图描述了“石如飞白木如籀，写竹应须八法通”，是元代画家赵孟頫为柯九思《墨竹图》题写的诗句的情景。画面的主要表现是精竹秀石，还有野菊花作点缀。 此图以菊花“晚香”之意，竹子节高，故有晚香高节之画意。",[140,24,25,26,420,33,407,7,92,231,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff64ea458d2092b5764321504018ff651.jpg","126.5厘米，横75.2厘米",[45],{"id":997,"slug":998,"title":999,"dynasty":18,"author":1000,"museum":57,"description":1001,"tags":1002,"thumbUrl":1003,"material":43,"size":1004,"collection":696,"collections":1005,"showCount":1006,"zanCount":174,"manualWeight":49,"mainColor":99},219726,"tao-yuan-ming-shang-ju-tu-du-jin-219726","陶渊明赏菊图","杜堇","陶渊明所处的时代，正属朝代更迭、战乱频发的乱世。况且当时的官制延续自汉代起的“九品中正制”，很多寒门士子无法入朝为官施展抱负，他们只能屈居于无能世家子弟的治下屡屡碰壁，故而纷纷绝望，选择归隐避世。",[23,24,108,25,62,687,7,34,234,30,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06c5282b11790f03544ec06823922541.jpg","48 x 36 厘米",[696],50,{"id":1008,"slug":1009,"title":1010,"dynasty":55,"author":1011,"museum":85,"description":1012,"tags":1013,"thumbUrl":1017,"material":94,"size":1018,"collection":45,"collections":1019,"showCount":1006,"zanCount":131,"manualWeight":49,"mainColor":50},218934,"lu-yan-tu-tong-heng-218934","芦雁图","童衡","翔雁振翅俯冲，羽色斑斓层次分明；轻禽蜷卧石畔，茸毛细腻如触可感。疏苇劲挺，穗芒随风轻扬；蓝花数点，点缀坡岸野趣。画面动静相宜，工致笔触间藏逸气，温润绢底衬得草木禽鸟鲜活灵动。飞者姿态矫健，似携风声掠空；栖者神情悠然，若享片刻安宁。芦苇的苍劲与花草的柔媚相映，禽鸟的生动与背景的静谧相和，尽显清代花鸟写生之清雅生机，于简约构图中蕴自然意趣，观之如临郊野，满溢鲜活灵动的生命气息。",[24,29,60,62,154,1014,1015,7,91,63,1016],"雁","芦苇","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74094fc2a952daf18c529cd8039ea047.jpg","81x33cm",[45],{"id":1021,"slug":1022,"title":1023,"dynasty":442,"author":256,"museum":167,"description":1024,"tags":1025,"thumbUrl":1029,"material":95,"size":95,"collection":95,"collections":1030,"showCount":1031,"zanCount":49,"manualWeight":49,"mainColor":99},238130,"qian-xuan-ba-hua-tu-juan-yi-ming-238130","钱选八花图卷","此作以淡墨轻勾花叶轮廓，设色清妍柔润，晕染细腻自然，依次绘就八种折枝花木：水仙挺秀清逸，冰姿玉骨；海棠秾艳温婉，娇蕊含露；梅枝疏朗俏立，花苞嫣红。各花神采独具，鲜活灵动，尽展草木清致。\n画面配行书题跋，书画合璧，兼具院体花鸟的精工雅致与元人简淡的文人意趣。绢色经岁月晕染泛黄，更添沉静古意，尽显元代写生花鸟的精妙造诣，将折枝花卉的生机与清雅神韵尽数铺陈，是设色花鸟中的上乘之作。",[23,24,28,63,62,60,39,38,297,1026,1027,7,1028],"栀子","茉莉","腊梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff84d35e5ec06aaca0c1139e0bd88396b.jpg",[],49,{"id":1033,"slug":1034,"title":1035,"dynasty":18,"author":1036,"museum":167,"description":1037,"tags":1038,"thumbUrl":1039,"material":95,"size":95,"collection":45,"collections":1040,"showCount":1041,"zanCount":49,"manualWeight":49,"mainColor":99},222405,"fang-chen-dao-fu-hua-hui-juan-quan-juan-du-da-zhong-222405","仿陈道复花卉卷全卷","杜大中","陈道复也是明代极富名气的绘画大家之一。他在传统写意绘画的基础上，将草书笔意融入写意花卉画中，开创了大写意花卉画的新风貌，其作品价值亦不俗！该作同时融入了两大绘画艺术家的风格特色，可谓魅力非凡\n继承了陈道復清新隽雅的画法，作品具有典型的晚明时期花卉画风格。卷尾署款“万历戊戌夏日汝南周之冕写。” 钤白文方印“服卿氏”、“周之冕印”。画面中有吴幼培、杜大中题诗数首，图后有朱鹭题跋。\n吴门画派是明中期重要的绘画流派，尤以山水画成就最高，标志着文人画走向极盛！而周之冕画得最多也最有成就的是山水画。",[23,24,29,28,272,25,821,63,32,7,35,36,30,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feff15bf087597467f842c177242ffd37.jpg",[45,185],48,{"id":1043,"slug":1044,"title":1045,"dynasty":18,"author":1046,"museum":167,"description":1047,"tags":1048,"thumbUrl":1050,"material":95,"size":95,"collection":45,"collections":1051,"showCount":1041,"zanCount":49,"manualWeight":49,"mainColor":99},221878,"xie-sheng-hua-hui-juan-zhou-tao-cheng-221878","写生花卉卷轴","陶成","此作所绘湖石、竹簧、水仙与山茶树，松竹花石高与纸齐，往往笔力苍挺，气象峥嵘，而乏悠远层迭之趣。水仙与新竹双钩留白，与浓变化的山茶叶呼应对比，煞是美妙。虽率意布置，而秀润苍老，清气满幅，笔情墨法，令人不能窥其稚奥，真独步艺苑。\n陶成，字孟学，一作懋学，后更字敬学，号云湖、云湖山人，尝自署云湖仙人。江苏宝应人，成化七年举人。陶成为明代中前期以“诗书画三绝”盛名于世的奇才，他生性疏狂、不拘小节、放荡不羁，有米南宫、郭忠恕之风而豪荡过之。其艺术活动主要在成化、弘治年间，画芙蓉最著名且为世人所珍。陶成晚年因坐谪而被戍边，虽时间不久，然放归后即离世。",[23,24,29,28,25,60,1049,40,7,33,92,234,30,89],"写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90df80a9b3832e286d021025ff6327e5.jpg",[45,185],{"id":1053,"slug":1054,"title":1055,"dynasty":136,"author":256,"museum":85,"description":1056,"tags":1057,"thumbUrl":1059,"material":94,"size":95,"collection":45,"collections":1060,"showCount":1061,"zanCount":49,"manualWeight":49,"mainColor":50},218622,"dou-que-tu-yi-ming-218622","斗雀图","翅羽翻飞如墨染云团，喙爪相搏间迸出野性张力。两只雀鸟凝眸对峙，每根翎毛都透着较劲的劲儿——墨色浓淡勾绒羽之软，焦墨点染翅尖之利，连尾羽弧度都带着不甘示弱の倔强。旁侧野菊舒蕊，兰叶斜欹，石苔细点铺就，似能闻露水滴落轻响。静穆草木与躁动生灵相映，恰是宋代小品妙趣：笔墨简劲却藏入微观察，将小生灵瞬间酣斗定格为古绢上鲜活永恒。泛黄绢色里时光凝住，只留这场雀鸟嬉戏，在雅致构图中透出自然生趣与生命蓬勃。\n\n（注：此处の为日式助词？不，换回来，用“的”更合适。修改：连尾羽弧度都带着不甘示弱的倔强。）\n\n调整后：\n\n翅羽翻飞如墨染云团，喙爪相搏间迸出野性张力。两只雀鸟凝眸对峙，每根翎毛都透着较劲的劲儿——墨色浓淡勾绒羽之软，焦墨点染翅尖之利，连尾羽弧度都带着不甘示弱的倔强。旁侧野菊舒蕊，兰叶斜欹，石苔细点铺就，似能闻露水滴落轻响。静穆草木与躁动生灵相映，恰是宋代小品妙趣：笔墨简劲却藏入微观察，将小生灵瞬间酣斗定格为古绢上鲜活永恒。泛黄绢色里时光凝住，只留这场雀鸟嬉戏，在雅致构图中透出自然生趣与生命蓬勃。\n\n完美，符合所有要求。\u003C\u002Fthink_never_used_51bce0c785ca2f68081bfa7d91973934>翅羽翻飞如墨染云团，喙爪相搏间迸出野性张力。两只雀鸟凝眸对峙，每根翎毛都透着较劲的劲儿——墨色浓淡勾绒羽之软，焦墨点染翅尖之利，连尾羽弧度都带着不甘示弱的倔强。旁侧野菊舒蕊，兰叶斜欹，石苔细点铺就，似能闻露水滴落轻响。静穆草木与躁动生灵相映，恰是宋代小品妙趣：笔墨简劲却藏入微观察，将小生灵瞬间酣斗定格为古绢上鲜活永恒。泛黄绢色里时光凝住，只留这场雀鸟嬉戏，在雅致构图中透出自然生趣与生命蓬勃。",[23,140,24,29,62,60,63,1058,7,91,154],"雀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba0aefe9c75944a321bf250100378bff.jpg",[45],47,{"id":1063,"slug":1064,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":1067,"thumbUrl":1068,"material":319,"size":320,"collection":45,"collections":1069,"showCount":1070,"zanCount":49,"manualWeight":49,"mainColor":99},238386,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238386","董诰陶篱益寿图小册","董诰（1740—1818年），字雅伦，号蔗林，清浙江富阳人。乾隆二十八年（1763年）进士，官至内阁学士，充四库馆副总裁。甚得高宗、仁宗宠遇。朝廷编修，多有由其主持者。善画。谥文恭。著有《满洲源流考》、《高宗实录》等。",[24,29,88,60,62,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0eb8691a4eb4254aa7a1767cfe05698c.jpg",[45,76],46,{"id":1072,"slug":1073,"title":1074,"dynasty":55,"author":778,"museum":20,"description":1075,"tags":1076,"thumbUrl":1077,"material":1078,"size":1079,"collection":95,"collections":1080,"showCount":1070,"zanCount":49,"manualWeight":49,"mainColor":99},233404,"yuan-ji-jiao-ju-zhou-shi-tao-233404","原济蕉菊轴","本幅水墨，自题五言诗一首，款：“蕉诗偶书其意，石涛济”。钤“搜尽奇锋打草稿。”朱方。下钤：“问亭鉴赏图书”等收藏印。\n原济(1642—1707年)，俗姓朱，名若极，广西全州(今全县)人，明宗室靖江王后裔。明亡之际出家为僧，僧名原济，号石涛、清湘老人、苦瓜和尚等。他最擅画山水，兼擅花竹、人物等。所绘山水之景苍润雄浑，风格新奇，笔墨淋漓酣畅，墨气浓润，笔意苍逸，手法变幻无穷，独成一家。在绘画理论上贡献卓著。他主张“笔墨当随时代”和“借古以开今”，强调对大自然要有真切的艺术感受，在艺术创作时要“我自用我法”，反对泥古不化。",[24,25,108,63,271,7,33,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa59523118ad25166a662d1dd8cd731f9.jpg","纸本 ，水墨","纵91.8cm，横49.5cm",[],{"id":1082,"slug":1083,"title":1084,"dynasty":55,"author":1085,"museum":167,"description":1086,"tags":1087,"thumbUrl":1088,"material":319,"size":320,"collection":95,"collections":1089,"showCount":1090,"zanCount":49,"manualWeight":49,"mainColor":99},236083,"ju-shi-hai-tang-tu-zhou-shen-huan-236083","菊石海棠图轴","沈焕","沈焕，字章明，上海人。工花卉，得徐、黄没骨法。",[24,29,108,60,62,63,7,407,297],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fa445bd5dc1caf7216292e7c19a92e9.jpg",[],45,{"id":1092,"slug":1093,"title":1094,"dynasty":136,"author":256,"museum":167,"description":1095,"tags":1096,"thumbUrl":1097,"material":95,"size":95,"collection":95,"collections":1098,"showCount":1090,"zanCount":49,"manualWeight":49,"mainColor":99},227832,"cong-ju-tu-ye-yi-ming-227832","丛菊图页","《丛菊图页》是南宋画家佚名创作的一幅绢本设色画。\n本幅无款。\n鉴藏印钤“□藤仙馆书画”、“云谷”、“□华宝有”，另有一印残。\n图绘秋菊一丛，红白相间，繁枝茂叶，生机勃发，不见肃杀秋意。\n花瓣用中锋细笔勾描，再以朱红或白粉晕染；花蕊用细笔点出；茂密的叶片或用赭石、或略入汁绿、或稍加藤黄染出，以示老嫩不同的色彩。\n花之欲开、盛开、将残，叶之翻卷及明暗向背，刻画得恰到好处。\n画风工致细腻，构图丰满，繁而不乱，密而不窒，设色艳而不俗，为南宋写生画佳作。",[23,140,24,29,88,62,60,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5312cc31255d3afb48112f73e8e7a3f.jpg",[],{"id":1100,"slug":1101,"title":1102,"dynasty":18,"author":84,"museum":167,"description":889,"tags":1103,"thumbUrl":1104,"material":319,"size":320,"collection":95,"collections":1105,"showCount":1106,"zanCount":49,"manualWeight":49,"mainColor":99},287750,"hua-hui-shi-kai-he-tu-xiang-sheng-mo-287750","花卉十开(合图)",[24,140,88,62,60,63,40,32,41,7,35,36,90,38,39,37],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7dc877eba84263d9e3018bb06e2fb25.jpg",[],44,{"id":1108,"slug":1109,"title":1110,"dynasty":55,"author":1111,"museum":167,"description":1112,"tags":1113,"thumbUrl":1114,"material":95,"size":95,"collection":45,"collections":1115,"showCount":1106,"zanCount":49,"manualWeight":49,"mainColor":99},237469,"mo-ju-zhou-liang-ding-fen-237469","墨菊轴","梁鼎芬","梁鼎芬（1859—1919），晚清文学家、藏书家、诗人，广东番禺（今广州市）人。字星海，一字心海，又字伯烈，号节庵，别号不回山民、孤庵、病翁、浪游词客、葵霜、藏山、藏叟等；室名有耻堂、葵霜阁、栖凤楼、抗愤堂等。\n光绪六年进士，授编修。历任知府、按察使、布政使，曾因弹劾李鸿章，名震朝野。后应张之洞聘，主讲广东广雅书院和江苏钟山书院，为《昌言报》主笔。辛亥革命前有反帝主战思想。后任爱新觉罗.溥仪的老师，被授予“毓庆宫行走”。诗词多慷慨愤世之作，与罗惇曧等人并称“岭南近代四家”。",[24,29,108,25,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeefe3abfc7a226970d3e72815c667d0.jpg",[45,453],{"id":1117,"slug":1118,"title":1119,"dynasty":55,"author":1120,"museum":167,"description":1121,"tags":1122,"thumbUrl":1123,"material":95,"size":95,"collection":95,"collections":1124,"showCount":1106,"zanCount":49,"manualWeight":49,"mainColor":99},224371,"hua-hui-qi-shi-ce-shi-er-kai-11-ju-lian-224371","花卉奇石册-十二开-11","居廉","此作以淡墨晕染奇石，皴擦间尽显朴拙质感，留白透气，清润雅致。红草以没骨法点染，色泽明丽却不俗艳，叶片舒展柔态毕现；蓝黄雏菊娇俏鲜活，枝蔓穿插错落，野趣自生。石上蜻蜓纤毫细致，翼脉清晰可见，悄然驻足为画面添灵动生机。\n整体兼工带写，将草木清隽与顽石朴拙相融，静中生趣。画面简淡空灵，把秋日小景的闲逸意蕴铺陈开来，笔底藏着雅致的审美意趣，于方寸间尽显自然小景的幽恬清宁，带着悠然静穆的中式美学韵味。",[23,24,88,60,62,89,91,40,7,154,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c03336a008070491717018219acd353.jpg",[],{"id":1126,"slug":1127,"title":1128,"dynasty":136,"author":137,"museum":20,"description":1129,"tags":1130,"thumbUrl":1131,"material":1132,"size":320,"collection":95,"collections":1133,"showCount":1134,"zanCount":49,"manualWeight":49,"mainColor":50},287891,"fu-rong-jin-ji-tu-zhao-ji-287891","芙蓉锦鸡图","此画以花蝶、锦鸡构成画面，画中两只芙蓉花娴静的半开着，一只锦鸡蓦然飞临芙蓉的枝头，压弯了枝头，打破了宁静，枝头还在颤动，而锦鸡却浑然不顾，已回首翘望右上角那对翩翩起舞的彩蝶，跃跃欲试。\n画中赵佶自题：“秋劲拒霜盛，峨冠锦羽鸡，已知全五德，安逸胜凫鷖”。\n画内藏印有“万历之宝”、“乾隆御览之宝”、“嘉庆御览之宝”、“宣统御览之宝”等。 [2]\n画中还有签名画押，据说是天下一人四字拼合而成。",[24,63,62,60,37,7,109,70,30,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53ed80cbf2e91b8137c11c7a56795b76.jpg","绢本",[],43,{"id":1136,"slug":1137,"title":1138,"dynasty":623,"author":1139,"museum":167,"description":1140,"tags":1141,"thumbUrl":1142,"material":95,"size":95,"collection":95,"collections":1143,"showCount":1134,"zanCount":49,"manualWeight":49,"mainColor":50},227261,"hua-hui-xie-sheng-tu-ce-huang-ju-cai-227261","花卉写生图册","黄居寀","黄居寀(933—?),字伯鸾,成都(今属四川)人,五代后蜀名画家黄筌季子。擅绘花竹禽鸟,精于勾勒,用笔劲挺工稳,填彩浓厚华丽,其园竹翎毛形象逼真,妙得自然;怪石山水超过乃父。与父同仕后蜀,为翰林待诏。乾德三年(965)随蜀主降宋,进京供职宫廷,仍授翰林待诏,负责收罗和鉴定名画,淳化四年(993)曾出使成都府。太宗尤加宠遇,委以搜访名画、诠定品目只重责。",[140,24,29,88,60,62,63,40,70,1049,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc391f878cf5f9eadb56dcc0c84f4c326.jpg",[],{"id":1145,"slug":1146,"title":1147,"dynasty":55,"author":1148,"museum":191,"description":1149,"tags":1150,"thumbUrl":1151,"material":111,"size":1152,"collection":45,"collections":1153,"showCount":1134,"zanCount":174,"manualWeight":49,"mainColor":99},219651,"dong-li-xiu-se-tu-yu-sheng-219651","东篱秀色图","余省","以没骨晕染绘就秋菊数本，黄紫菊瓣蓬松柔润，敷色雅致清妍，毫无艳俗之感。叶片以淡赭勾筋、绿墨晕染，枯荣交叠，将秋霜侵染后的清隽姿态尽显。坡石细草点缀其间，衬出幽寂清旷的篱边秋境。\n\n整幅画作兼工带写，写生精准又饱含文人写意悠然，配搭题咏书画合璧，将菊花凌霜自持的君子风骨尽融笔底，诠释出东篱赏菊的古典雅韵，尽显秋日花绘的雅致格调。",[24,62,60,63,7,664,92,30,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85c50a6857276b799ebb1f6a3c6622e6.jpg","84.3x67.8",[45],{"id":1155,"slug":1156,"title":1157,"dynasty":55,"author":1158,"museum":167,"description":1159,"tags":1160,"thumbUrl":1161,"material":319,"size":320,"collection":95,"collections":1162,"showCount":1163,"zanCount":49,"manualWeight":49,"mainColor":99},237944,"hua-die-tu-shan-ye-ren-xun-237944","花蝶图扇页","任薰","任薰（1835年—1893年），字舜琴，又字阜长，其父任椿，兄任熊都是画家。少丧父，从兄学画，青年时在宁波卖画为生，1868年与任颐去苏州，后寓居苏州、上海。任颐、任预均从其习画。人物与其兄同师陈洪绶，常用高古游丝、铁线、行云流水、兰叶几种描法。任薰治学严谨，在写生、临摹上均下了苦功夫。任薰兼工人物、花鸟、山水、肖像、仕女，画法博采众长，面貌多样，富有新意。 与顾文彬子顾承相友善，曾为设计怡园。1888年54岁时双目失明，后病卒于苏州。与任熊、任颐时称“三任”，合任预为“四任”，并为海上画派代表画家之一。",[140,24,29,959,60,62,63,373,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57bd5590052ab002d16d24d19df57820.jpg",[],41,{"id":1165,"slug":1166,"title":1167,"dynasty":442,"author":990,"museum":191,"description":1168,"tags":1169,"thumbUrl":1170,"material":43,"size":994,"collection":185,"collections":1171,"showCount":1163,"zanCount":49,"manualWeight":49,"mainColor":99},221831,"wan-xiang-gao-jie-zhou-ke-jiu-si-221831","晚香高节轴","此图描述了“石如飞白木如籀，写竹应须八法通”，是元代画家赵孟頫为柯九思《墨竹图》题写的诗句的情景。画面的主要表现是精竹秀石，还有野菊花作点缀。 此图以菊花“晚香”之意，竹子节高，故有晚香高节之画意。\n此景物主要集中于下端：画幅下部画湖石，中间高出，两侧低矮，形成“山”字型。湖石为杂草点缀，右侧的杂草向右倾斜，左侧杂草向左倾斜。湖间有几簇修竹倚石生长，其中一株翠竹拔地而起，枝竿挺拔，竹节较长，枝叶茂密，顶天立地。另有野菊花倚石而长，花朵盛开于茎端。\n款识：五云阁吏为正臣作。\n虞集题：敬仲此幅，清楚出尘，真平日合作也。奎章阁侍书学士虞集题。\n弘历题：绿筠挺出苏卿节，黄菊喷来陶令香。何必其间论世代，忘年交合石渠藏。庚寅秋日御题。",[23,24,25,108,33,407,7,92,26,420,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8549ad8c921d08b75438863fa146dd22.jpg",[185,1172],"竹石精选",{"id":1174,"slug":1175,"title":430,"dynasty":136,"author":431,"museum":191,"description":1176,"tags":1177,"thumbUrl":434,"material":94,"size":1179,"collection":45,"collections":1180,"showCount":1163,"zanCount":49,"manualWeight":49,"mainColor":99},218678,"qiu-qing-cong-ju-tu-lin-chun-218678","晴光轻洒，簇簇秋菊绽于绢素间。瓣瓣舒展如凝霜，或嫩黄带暖，或素白含清，层叠纹理似能触到柔润质感。叶片墨色浓淡相宜，脉络隐现风中之姿，转折处藏着未褪的生机。圆形构图里，花枝错落有致，留白处似有余晖漫漾。笔触细腻却不刻意，设色温润清雅，将秋晴下菊的恬淡与灵动凝于方寸。仿佛能嗅到淡淡的菊香，随微风漫过画面，静享这秋日里的一抹雅致闲逸。每一处细节皆见匠心，把晴秋的清和与菊的风骨，悄然融于这一方团扇之中。",[23,140,24,29,62,60,63,7,1178,89],"秋","25x26.5",[45],{"id":1182,"slug":1183,"title":1184,"dynasty":55,"author":1120,"museum":167,"description":1185,"tags":1186,"thumbUrl":1187,"material":95,"size":95,"collection":95,"collections":1188,"showCount":1189,"zanCount":49,"manualWeight":49,"mainColor":99},224374,"hua-hui-qi-shi-ce-shi-er-kai-3-ju-lian-224374","花卉奇石册-十二开-3","此作笔致秀润恬和，淡墨勾皴湖石，奇崛古拙，空灵苍润间尽显嶙峋意趣。素盆秋菊柔色轻绽，嫩蕊鲜妍和素净瓷盆相映，晕开一室清雅文气。\n\n角落散落的花生、坠果带着日常烟火意趣，石畔小兽探头轻觑，为幽寂的文房清供添上灵动野趣。整体设色浅淡明净，衬着绢底古雅底色，将文人闲居的恬淡意兴融于尺幅，工写兼济间，把清供小品的雅静与鲜活日常交织，尽显平淡天真的悠然情致。",[23,24,29,88,62,60,63,91,7,182,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90b4da7d3931604a708831e97b24647c.jpg",[],40,{"id":1191,"slug":1192,"title":1193,"dynasty":55,"author":369,"museum":167,"description":1194,"tags":1195,"thumbUrl":1197,"material":95,"size":95,"collection":95,"collections":1198,"showCount":1199,"zanCount":49,"manualWeight":49,"mainColor":99},230975,"hua-guo-tu-xu-gu-230975","花果图","虚谷《花果图》轴，正如其好友杨逸所言：“落笔冷隽，蹊径别开”（《海上墨林》），独具清俊冷峭、静寂虚和的风姿，亦狂亦狷，奇奇怪怪，不事规模陈迹，纯是胸中盘郁。\n款识“鉴中老和尚清玩”，书风一如其画之清隽，图中种种绝俗之物，正应清玩之题，同时暗示了老和尚清俊绝尘的修为与品味。\n所钤“虚谷书画”一印系著名篆刻家徐三庚 所刻，有学者根据虚谷用印推断作品所在时期，认为此印或为虚谷1876-1887这十年间所用，则此画大约作于这一时期，当时画家多在苏州。\n大致可推测，虚谷此图作于1876-1887这十年中，当时他多活动于苏州一带，即为苏州僧人鉴中作此图，一直流传至今，其尺幅、楮墨及品相皆可圈可点。\n虚谷三十岁以后弃戎出家，广泛往来于上海、扬州、苏州等地鬻画为生，他虽“不茹素，不礼佛”，却与众多方外友人维持着良好的关系。\n他与苏州寺院的关系尤为密切，《寒松阁谈艺琐录》的作者张鸣珂结识虚谷即由狮林寺僧诺瞿邀约所致，尝为瑞莲寺画《瑞莲放参图》，为光福古铜佛寺画《古铜佛寺图》，且一度担任狮林寺的住持，退居后到与狮林寺有法系关系的石壁寺养老，并葬于此。\n至于为鉴中所作除了《花果轴》，尚有《瑞莲放参图》。\n鉴中的题跋，曾出现在顾澐为顾曾寿（字子长，号棱伽山民）所作《惟德堂图》后，同卷后有苏州文人书画家顾澐、潘锺瑞、刘履芬、顾文彬、潘遵祁众多题跋，鉴中题后钤有“释日升”、“鉴中”二印，由是可知“日升”即鉴中法名，以及鉴中与晚清苏州文坛、画坛的交往。\n虚谷这一时期侨居苏州为多，与鉴中和尚结缘绝非偶然，故先后以《瑞莲放参图》、《花果轴》相赠。\n此图所写皆案头清供：画面主体写一长瓶，上有老梅数丛，挺拔如剑，右下角配以三丛偃枝，古奥奇绝。\n传统梅干交叉法皆恪守“女”字形的原则，虚谷画梅是自出机轴，不尽拘此绳墨。\n花瓣利用底色以粉点出，附以红色花萼加以烘托，为梅干的古拙平添几分生趣。\n虚谷自作咏梅诗云：“无端白雪落沙来，古本疏枝上粉苔。\n似雪似花花似雪，梅花又向雪中开。\n”写寒梅之高洁，亦可为此清供之梅传神。\n丛梅左侧陪衬了些许松枝，松针逸笔草草却不乏韵致。\n瓶下右侧则有佛手一枝二果，以破墨画叶，墨彩清润浑厚；又有连根百合二枚；前有红柿一枚，反复渲染，隐隐透出红晕，亦各尽其妙。\n瓶后露出如意半枝，是为改变花瓶左侧垂直线的单调而加，使画面显得更为和谐、丰富。\n（182-1896），安徽新安（今歙县）人。\n清代画家， 。\n俗姓朱，名怀仁，移居江苏广陵（今扬州）。\n初任清军参将，后出家，名虚白字虚谷，号倦鹤、紫阳山民。\n以字竹，室名觉非庵、古柏草堂、三十七峰草堂。\n不茹素，不礼佛，也“从不卓锡僧寺”，往来于上海、苏州、扬州一带，卖画为业，是“海上画派”杰出代表人物。\n他携笔墨、着僧装，“闲中写出三千幅,行乞人间作饭钱”，云游四海，清贫于世却笔墨人间，他行程之广、画作之多，己为当时罕见。\n他承古创新，另辟捷径，广集素材，勤奋垦作，终成一代巨擘。\n早年学界画，后以擅画花果、禽鱼、山水著名。\n风格冷峭新奇，绣雅鲜活，无一笔滞相，匠心独运，别具一格。\n亦能诗，有《虚谷和尚诗录》。\n传世作品有《梅花金鱼图》、《松菊图》、《葫芦图》、《蕙兰灵芝图》、《枇耙图》等。",[23,24,60,63,7,1196,182],"果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d67027df7898465725f2bb0928bb54d.jpg",[],39,{"id":1201,"slug":1202,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":1206,"thumbUrl":1207,"material":95,"size":95,"collection":45,"collections":1208,"showCount":1209,"zanCount":49,"manualWeight":49,"mainColor":99},238160,"hong-wu-yang-ju-tu-ce-hong-wu-238160","弘旿洋菊图册","弘旿","爱新觉罗·弘旿（1743-1811），清朝宗室、画家。字卓亭，号恕斋，一号醉迂，别号瑶华道人，又号一如居士。康熙帝爱新觉罗·玄烨孙，爱新觉罗·胤秘第二子。封固山贝子，两次缘事革退，复赏封奉恩将军。能诗，工书、画，以三绝称。弘旿工画，师董邦达，自署瑶华道人，名与紫琼道人胤禧并。论者称其“山水得董、黄之妙谛。”永珠既夺爵 [1] ，以弘旿孙绵勋袭贝子。子孙递降，以镇国公世袭。\n观其传世作品，似受董邦达影响为多。此卷笔墨秀润，细皴密擦，林麓滃郁华滋，功力不浅。卷末落“臣”字款，又自称“恭绘”，可见是进御之作。《石渠宝笈》著录弘旿画计有三十多件，内府收藏的估计还有不少。可见弘旿作画之勤，亦可见乾隆对这位同宗兄弟笔墨的赞许。但从流传的弘旿作品看，此卷却是其中极为精彩的一幅，且保存完好，值得珍视。",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a5a4823fcb39f418b46b4852488828b.jpg",[45,76],38,{"id":1211,"slug":1212,"title":1213,"dynasty":55,"author":256,"museum":167,"description":1214,"tags":1215,"thumbUrl":1217,"material":94,"size":1218,"collection":696,"collections":1219,"showCount":1220,"zanCount":49,"manualWeight":49,"mainColor":99},215915,"qing-ren-xiao-xiang-tu-ce-yi-ming-215915","清人肖像图册","绢本泛黄的底色里，端坐的身影裹着靛蓝长袍，红顶小帽衬得面容温润沉静。案几上器物默然伫立，似凝住一室清寂时光。左侧圆窗裁取山石花木之景，墨色浅淡间晕染出中式居停的雅致意趣。衣纹线条简洁却见功底，面部晕染细腻，将人物温婉神态悄然托出。整幅画无繁复铺陈，却以简淡笔触勾勒出清代人家的日常片段——那份浸润在时光里的从容娴静，仿佛能透过画面漫溢开来，引人沉浸于岁月沉淀的悠然。",[24,60,687,62,88,1216,182,91,7],"衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F283674bde9cfd07398bfe9ae23ea3a59.jpg","44x40",[696],37,{"id":1222,"slug":1223,"title":1224,"dynasty":18,"author":1225,"museum":167,"description":1226,"tags":1227,"thumbUrl":1229,"material":95,"size":95,"collection":453,"collections":1230,"showCount":1231,"zanCount":49,"manualWeight":49,"mainColor":99},239226,"song-xu-ju-shi-zhou-song-xu-239226","宋旭菊石轴","宋旭","宋旭（1525―1606年后），字初穤，号石门、石门山人，（明画录作字初旸，式古堂书画汇考作字初旸，号石门）。后为僧，法名祖玄，又号天池发僧、景西居士。湖州（今浙江省湖州市）人，为“苏松派”的先声，为吴门派支流。博宗内外典，通禅理。善山水，兼长人物。万历间名重海内。",[24,29,108,1228,60,420,91,7,92,89],"明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d509212452eb2f4f3e429a23d830191.jpg",[453],36,{"id":1233,"slug":1234,"title":1235,"dynasty":18,"author":612,"museum":167,"description":1236,"tags":1237,"thumbUrl":1238,"material":319,"size":320,"collection":95,"collections":1239,"showCount":1231,"zanCount":49,"manualWeight":49,"mainColor":99},235796,"chen-dao-fu-tian-xiang-tu-shan-ye-chen-chun-235796","陈道复天香图扇页","陈淳（1483年—1544年），字道复，后以字行，更字复甫，号白阳，又号白阳山人，长洲（今江苏苏州）人，明代绘画大师。\n陈淳少年作画以元人为法，深受水墨写意的影响。他的写生画，一花半叶，淡墨欹毫，自有疏斜历乱之致。他的有些作品，所画质朴，可以看出受沈周画法的影响， 从他现存作品中即可见风格和用笔，既能放得开，又能收得住。他能诗文，擅书法，尤精绘画。陈淳与徐渭并称白阳、青藤。陈氏少年作画工细，中年后笔法放纵，自立门户。陈淳从师文徵明，在其门下声誉最高。擅长写意花卉，其作品虽表现一花半叶，却淋漓疏爽，深受当时文人士大夫的赞赏；他是继沈周、唐寅之后对水墨写意花鸟画的发展作出了重要贡献的画家。",[959,25,63,7,30,31,89,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc792f32bb6847098aa7d32e3c97c6c5e.jpg",[],{"id":1241,"slug":1242,"title":1243,"dynasty":55,"author":256,"museum":167,"description":1244,"tags":1245,"thumbUrl":1250,"material":319,"size":320,"collection":95,"collections":1251,"showCount":1252,"zanCount":174,"manualWeight":49,"mainColor":50},273086,"mu-bian-xiu-mei-hua-tu-ping-yi-ming-273086","木边绣梅花图屏","这对挂屏以刺绣摹绘花鸟意趣，左侧虬梅斜出，蓓蕾轻绽，竹影清疏间青鸟振翅穿飞，生机跃然绣面；右侧折枝错落，菊瓣舒展柔婉，幽禽静栖枝头，尽显娴静秋意。\n\n绣线晕染自然细腻，配色清雅柔和，针脚匀净细密，将花木柔态、禽鸟灵动一一摹尽，兼具文人水墨的淡远意趣与闺阁绣艺的精巧工致。红木装框配织锦镶边，古雅沉静，将四时清景凝于尺幅之上，静动相映，尽显雅致韵味，是民间刺绣中的精巧之作。",[1246,1247,1248,63,154,32,33,7,60,1249],"刺绣","绣品","挂屏","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8df9601fe3b0934c9c34174ffa6f899a.jpg",[],35,{"id":1254,"slug":1255,"title":1256,"dynasty":55,"author":256,"museum":167,"description":1257,"tags":1258,"thumbUrl":1262,"material":319,"size":320,"collection":95,"collections":1263,"showCount":1252,"zanCount":49,"manualWeight":49,"mainColor":99},266475,"xue-qing-se-ke-si-ju-die-wen-hui-shu-pi-pi-pa-jin-ma-gua-yi-ming-266475","雪青色缂丝菊蝶纹灰鼠皮琵琶襟马褂","缂（kè，同：刻）丝（英文：K’o-ssu 、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[1216,1259,7,373,1249,1260,1261],"缂丝","马褂","灰鼠皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe68a40534b10af494cd15ffe4a9dea12.jpg",[],{"id":1265,"slug":1266,"title":1267,"dynasty":1268,"author":460,"museum":105,"description":1269,"tags":1270,"thumbUrl":1271,"material":95,"size":95,"collection":45,"collections":1272,"showCount":1273,"zanCount":49,"manualWeight":49,"mainColor":1274},202806,"ji-ju-tu-zhou-qi-bai-shi-202806","鸡菊图轴","近代","画面以水墨写意成趣，雄鸡昂首伫立，羽毛以浓淡墨色皴染，笔触苍劲灵动，尽显其昂扬神态；旁侧菊枝舒展，花朵墨痕淋漓，花瓣层叠有致，与雄鸡的刚健形成动静相宜的呼应。整体构图疏朗却意韵饱满，墨色的干湿浓淡变化丰富，传递出质朴自然的生机与雅趣，尽显画家对生活物象的深刻体察与笔墨功底。",[24,25,63,205,7,26,108,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1af34c7c8b82143b509b5676ed69522.jpg",[45],34,"d0cab3",{"id":1276,"slug":1277,"title":1278,"dynasty":136,"author":1279,"museum":191,"description":1280,"tags":1281,"thumbUrl":1282,"material":1132,"size":1283,"collection":453,"collections":1284,"showCount":1285,"zanCount":174,"manualWeight":49,"mainColor":79},221448,"tao-qian-shang-ju-tu-quan-juan-zhao-ling-rang-221448","陶潜赏菊图全卷","赵令穰","描绘了幽林内、小亭中，陶渊明与访友坐对赏花，江干水渚，群卉争发，树本、房舍、池沼、小路等表现很精致，具有化平凡的事物为美丽的事物的艺术效果，设色艳丽，画中人亦无特殊造形，但拖尾诸跋，均以陶潜赏菊故事为题咏，意境颇为优美。卷尾分别有董其昌、詹同、蔡哲、中山居士、张羽、苏伯衡的跋文。",[23,24,29,28,60,62,822,687,7,825,823,650,31,140],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd7176750b8b30929f53c7de7d6e7f76.jpg","全卷纵30厘米，横416.4厘米，画心纵30厘米，横84厘米",[453],33,{"id":1287,"slug":1288,"title":1289,"dynasty":18,"author":84,"museum":167,"description":889,"tags":1290,"thumbUrl":1291,"material":319,"size":320,"collection":95,"collections":1292,"showCount":1293,"zanCount":49,"manualWeight":49,"mainColor":99},290350,"ju-hua-zhu-shi-zhou-xiang-sheng-mo-290350","菊花竹石轴",[24,108,25,63,7,33,91,30,89,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88993b9b7cc8037876cb5a27b4424100.jpg",[],30,{"id":1295,"slug":1296,"title":1297,"dynasty":55,"author":881,"museum":167,"description":882,"tags":1298,"thumbUrl":1299,"material":319,"size":320,"collection":45,"collections":1300,"showCount":1293,"zanCount":49,"manualWeight":49,"mainColor":99},238320,"yu-pu-fei-xiang-tu-xiao-ce-dong-gao-238320","玉圃霏香图小册",[24,29,88,60,62,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F475255c6acc359abf01bc8ea3ff6976d.jpg",[45,76],{"id":1302,"slug":1303,"title":315,"dynasty":18,"author":1304,"museum":167,"description":1305,"tags":1306,"thumbUrl":1308,"material":319,"size":320,"collection":95,"collections":1309,"showCount":1293,"zanCount":49,"manualWeight":49,"mainColor":99},235733,"hua-niao-ce-tan-zhi-yi-235733","谈志伊","谈志伊，字公望，号学山，一字思重，无锡人，明代画家。",[24,60,62,88,63,7,361,1307,89],"枝干","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4176ac9d5c01d070e14ab41ce4d20973.jpg",[],{"id":1311,"slug":1312,"title":1313,"dynasty":18,"author":1314,"museum":20,"description":1315,"tags":1316,"thumbUrl":1318,"material":829,"size":1319,"collection":95,"collections":1320,"showCount":1293,"zanCount":174,"manualWeight":49,"mainColor":50},234955,"ju-shi-ye-tu-tu-xu-lin-ju-234955","菊石野兔图","徐霖菊","《菊石野兔图》轴，明，徐霖绘，绢本，设色，纵160厘米，横52厘米。徐霖（1462—1538年），字子仁，号九峯道人，又号快园叟、髯仙等，江苏苏州人，徙居金陵。解音律，精篆法，善画。九岁能作大书，操笔成体，正书出入欧、颜，大书初法朱熹，几乱其真，后喜赵孟頫，笔力遒劲，结构端饬，自成一家。篆书始尚雄丽，晚益朴古。著有《丽藻堂文集》、《快园诗文集》等。",[24,29,108,62,60,7,91,1317,374],"兔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe4419186ef37cfbb681f6bb8d51bf21.jpg","纵160厘米，横52厘米",[],{"id":1322,"slug":1323,"title":1324,"dynasty":55,"author":256,"museum":167,"description":1325,"tags":1326,"thumbUrl":1330,"material":319,"size":320,"collection":95,"collections":1331,"showCount":1332,"zanCount":174,"manualWeight":49,"mainColor":1333},267678,"ci-xiu-bai-ju-ba-ge-tu-zhou-yi-ming-267678","刺绣柏菊八哥图轴","此作以靛蓝为底，清雅沉静。苍柏虬曲伸展，祥云状针叶以异色绒线锁边，层次饱满古拙。两只八哥意态灵动，枝头静立者侧目凝神，振翅穿空者羽翮舒展，绒线施色细腻，黑白晕染自然，将禽鸟的鲜活神采尽数勾勒。下方湖石以钉线绣勾边，蓝白晕染出剔透空灵，秋菊盛放，绒丝晕出花瓣明暗层次，枝叶舒展如生。\n整件绣品以针代笔，将院体花鸟的雅致意趣融于丝线间，既有工笔写实的生动，又带着绣物独有的柔润肌理，把秋日清旷悠然的氛围藏入绢底，尽显巧思匠心。",[29,108,1246,63,60,1327,7,154,1328,1329],"八哥","柏","湖石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b73b1aa1617a1f9fdd7d61efc5a53f9.jpg",[],29,"37474F",{"id":1335,"slug":1336,"title":1337,"dynasty":18,"author":612,"museum":167,"description":1236,"tags":1338,"thumbUrl":1339,"material":319,"size":320,"collection":95,"collections":1340,"showCount":1332,"zanCount":49,"manualWeight":49,"mainColor":99},235798,"zhu-ju-shan-chen-chun-235798","竹菊扇",[24,29,959,25,63,33,7,31,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff13ad5e4256b3c5c649deb37133f7c7.jpg",[],{"id":1342,"slug":1343,"title":1344,"dynasty":18,"author":1046,"museum":167,"description":1345,"tags":1346,"thumbUrl":1350,"material":95,"size":95,"collection":95,"collections":1351,"showCount":1332,"zanCount":49,"manualWeight":49,"mainColor":99},228321,"shu-guo-xie-sheng-tu-tao-cheng-228321","蔬果写生图","此作用水墨写意绘蔬果蔬叶，以浓淡墨色晕染出鲜活生姿，脱略形似，尽显野逸生机，寥寥数笔便将寻常菜蔬勾勒出超脱意趣。\n长卷后一众明清文人题咏相伴，行草书法笔致纵逸跌宕，诗画合璧，尽显雅集风流。诗书画印融为一体，以极简笔墨托物言志，将日常田家风物，晕染出林下清逸的文人情致，是文人写意花鸟的上乘佳制，空灵雅致，余韵悠长。",[23,140,24,29,28,25,60,1049,31,1347,89,1348,1349,92,7,33,234],"草书","蔬果","白菜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0591c51b34bf7336630bd522fa6a437d.jpg",[],{"id":1353,"slug":1354,"title":1355,"dynasty":55,"author":1356,"museum":105,"description":1357,"tags":1358,"thumbUrl":1359,"material":95,"size":95,"collection":45,"collections":1360,"showCount":1332,"zanCount":131,"manualWeight":49,"mainColor":1361},201840,"ju-hua-tu-zhou-wu-xi-zai-201840","菊花图轴","吴熙载","此图笔墨疏朗灵动，以水墨为基，淡彩点染，尽显菊花清逸之姿。两朵白菊花瓣层叠舒展，勾勒细腻却含写意之趣；墨叶泼写而成，浓淡干湿交错，叶脉隐于晕染间，苍劲中带秀润。旁逸枝蔓穿插自然，小花嫩叶添生机。构图虚实相生，留白悠远，笔墨渗透书家功底，清雅脱俗，尽显菊花傲霜品格，予人静谧淡远之感。",[24,29,108,25,60,63,7,140,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc8cfec34c764d9f76d0033964da2fc2.jpg",[45],"d7c9b9",{"id":1363,"slug":1364,"title":1365,"dynasty":18,"author":150,"museum":167,"description":1366,"tags":1367,"thumbUrl":1372,"material":319,"size":320,"collection":95,"collections":1373,"showCount":1374,"zanCount":49,"manualWeight":49,"mainColor":50},289794,"liu-kui-shou-ji-tu-lv-ji-289794","榴葵绶鸡图","深秋时分，石榴树上硕果累累，引得各色禽鸟双双对对地聚于其前。绶带鸟停落在树枝上欢快地鸣叫。树下，丛生的秋葵与菊花五彩杂陈，雄鸡昂首前视，雌鸡匍匐于花间。\n整幅画表现出“院体”画工整富丽的特点，又稍加写意画的随意洒脱。鸡采用钩写结合的画法，先以极淡的墨线勾勒外部轮廓，再用各种淡色平涂晕染，雄鸡的尾羽以含水饱满的墨笔加淡汁绿写出，极具质感，爪子则用蛤白勾点，细致入微，甚为写实。画面构图繁复而不拥塞，在着色上尤为讲究，湖石、花叶上的淡绿与雄鸡身上的暗赭红色隐约可见，互为衬托，使得全画的色彩不仅丰富而且和谐统一。整体风格兼工带写，设色艳丽而不媚俗，既保持了华贵的皇家风范，亦兼具了纵逸的笔墨意趣。\n绶带鸟与公鸡相结合的题材，又赋予了此画吉祥富贵的涵义，是对位授三公、加官进爵的美好祝福。",[24,140,62,60,63,1368,154,33,7,1369,1370,1371],"公鸡","榴花","葵花","老树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5401404af7f723495f6895547298d6cc.jpg",[],28,{"id":1376,"slug":1377,"title":1378,"dynasty":55,"author":104,"museum":167,"description":1379,"tags":1380,"thumbUrl":1381,"material":95,"size":95,"collection":95,"collections":1382,"showCount":1374,"zanCount":174,"manualWeight":49,"mainColor":50},224183,"hua-niao-cao-chong-tu-ba-02-hua-yan-224183","花鸟草虫图八-02","此作以折枝秋菊入画，兼工带写间尽显秋花意韵。艳红团菊秾丽雅致，绒花攒簇，尽显盛放之态；白瓣舒展清逸，纤条轻曳自带疏朗之气。墨叶枯润相济，笔致松灵，晕染出秋意萧疏却生机不减的情态。\n左侧行书题诗与绘景呼应，诗书入画融成清雅文心，淡赭底色晕开古雅沉静氛围，将秋菊傲霜之姿与文人寄寓的高洁品格融为一体，寥寥数笔便将秋花神韵与清冷意趣尽显，雅致脱俗，意韵悠长。",[23,24,60,63,7,361,31,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe20b48cd30353e2ac00ef4f5e148df1f.jpg",[],{"id":1384,"slug":1385,"title":1386,"dynasty":18,"author":202,"museum":20,"description":1387,"tags":1388,"thumbUrl":1401,"material":1402,"size":1403,"collection":453,"collections":1404,"showCount":1374,"zanCount":49,"manualWeight":49,"mainColor":99},222354,"zi-shu-ci-juan-tang-yin-222354","自书词卷","此为唐寅所作词并自书，分《集贤宾》、《锦衣公子》、《山坡羊》三组曲牌，共24首。 唐寅博学多能，吟诗作曲，能书善画。他的传世绘画较多，书法甚少。其书以行楷见长，学赵孟頫并参以李北海笔意，笔画婉转流畅，风格俊秀潇洒。此书结构严谨，圆转遒丽，丰润优雅，形成了劲骨于内、美形于外、缜密流便的独特风格，词、书并美，堪称珠联璧合，从中可欣赏到往昔“江南第一风流才子”的儒雅韵致及其纯熟的书法功力。",[23,1228,30,31,28,25,89,1389,1390,822,447,841,448,825,154,1391,1371,32,41,33,7,35,36,38,39,1392,1393,1394,1395,450,1396,1397,1398,1399,1178,1400],"明月","夕阳","枯藤","鱼","风","雨","雪","日","夜","春","夏","冬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47d4bbb43b2575078730ba53af232464.jpg","纸本，行书","纵23.3厘米，横551.3厘米",[453],{"id":1406,"slug":1407,"title":1408,"dynasty":55,"author":56,"museum":167,"description":316,"tags":1409,"thumbUrl":1411,"material":319,"size":320,"collection":95,"collections":1412,"showCount":1413,"zanCount":49,"manualWeight":49,"mainColor":99},290537,"dong-li-qiu-se-zhou-yun-shou-ping-290537","东篱秋色轴",[140,24,108,60,63,7,30,89,1410],"秋景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d1914b9a2c88f461957b447b8d8f763.jpg",[],27,{"id":1415,"slug":1416,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":1418,"thumbUrl":1419,"material":319,"size":320,"collection":45,"collections":1420,"showCount":1413,"zanCount":49,"manualWeight":49,"mainColor":99},238376,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238376","金英凝露图小册",[24,29,88,62,60,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca8dd959dd7f8e67a3b4a11cdf0ce96d.jpg",[45,76],{"id":1422,"slug":1423,"title":1424,"dynasty":55,"author":166,"museum":167,"description":339,"tags":1425,"thumbUrl":1427,"material":319,"size":320,"collection":95,"collections":1428,"showCount":1413,"zanCount":49,"manualWeight":49,"mainColor":99},235372,"yan-lai-hong-ju-shi-zhou-wu-chang-shuo-235372","雁来红菊石轴",[24,108,26,25,60,91,7,1426],"雁来红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe10537ad466e4ea98abfce0b4a1dcd9.jpg",[],{"id":1430,"slug":1431,"title":1432,"dynasty":55,"author":1433,"museum":167,"description":1434,"tags":1435,"thumbUrl":1436,"material":95,"size":95,"collection":95,"collections":1437,"showCount":1413,"zanCount":174,"manualWeight":49,"mainColor":99},234518,"hua-hui-ce-ye-jiang-ting-xi-234518","花卉册页","蒋廷锡","蒋廷锡先生绘画最初是学恽寿平的没骨技法，但是他把恽寿平的没骨画进行了改变，一改其纤丽之风，形成了他自己的兼顾工细与文人大写意画风相融合的'蒋派'花鸟画风。\n在这套策略当中，共有12帧，每一帧都画的极为精美秀丽，在蒋廷锡的安排组合下又平添了几分贵气，绘画的花卉在抓住自然的基础上，又把花卉的神韵进行了很好的描绘，在淡淡的笔墨当中施以淡色，以工笔点心，用淡墨层层渲染，把花卉的层次展现出来，这种绘画的方式极为细腻，稍有插翅就容易将一幅画面毁掉，这考究的是画家对笔墨的高度把握，用'以画作诗诗细腻，以诗作画画入神。'这句诗来描述蒋廷锡的最为恰当。",[24,29,88,60,62,63,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c01863c4280c138a261be04736e8923.jpg",[],{"id":1439,"slug":1440,"title":1441,"dynasty":55,"author":256,"museum":167,"description":1442,"tags":1443,"thumbUrl":1444,"material":319,"size":320,"collection":45,"collections":1445,"showCount":1446,"zanCount":49,"manualWeight":49,"mainColor":99},238908,"qing-ren-ju-pu-ce-yi-ming-238908","清人菊谱册","此作以秋菊为绘，主瓣描红如霞，瓣心晕染素白，将盛放的雍容与清柔揉于一处，层次柔和雅致，把秋菊柔中带傲的姿态尽显。淡绿晕染枝叶，细勾叶脉，叶片舒展间带着清隽生机，新苞小花错落排布，疏密得宜，让画面满溢悠然秋意。\n设色清丽秀雅，工细却不失写意舒展，将文人推崇的秋菊风骨与温婉韵致融于笔端，尽显秋日名花的雅致姿态，晕染出淡然出尘的文人意趣。",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cee3d06092af8e0fb0a7df961aa8060.jpg",[45,76],26,{"id":1448,"slug":1449,"title":1450,"dynasty":136,"author":1451,"museum":167,"description":1452,"tags":1453,"thumbUrl":1454,"material":319,"size":320,"collection":95,"collections":1455,"showCount":1456,"zanCount":49,"manualWeight":49,"mainColor":99},288493,"dan-ping-qiu-hui-tu-yang-huang-hou-288493","胆瓶秋卉图","杨皇后","图中瓶架上置一蓝釉长颈瓶，内插菊花。花朵施以勾勒填色法，花叶用没骨法出之，刻画自然细腻，渲染柔和润泽。秋菊艳丽而不失于秀雅，此图为南宋写生画中的优秀作品。",[23,959,24,140,29,62,60,63,7,182,31,89,1178],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc19493cd623f181dc873fb990329bed7.jpg",[],25,{"id":1458,"slug":1459,"title":946,"dynasty":55,"author":881,"museum":167,"description":882,"tags":1460,"thumbUrl":1461,"material":319,"size":320,"collection":95,"collections":1462,"showCount":1456,"zanCount":174,"manualWeight":49,"mainColor":99},238891,"hua-hui-ce-dong-gao-238891",[24,29,88,60,62,63,7,33,40,361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9845914cd78244b783f9f157edfc671c.jpg",[],{"id":1464,"slug":1465,"title":1466,"dynasty":55,"author":1467,"museum":167,"description":1468,"tags":1469,"thumbUrl":1470,"material":95,"size":95,"collection":95,"collections":1471,"showCount":1456,"zanCount":49,"manualWeight":49,"mainColor":99},224168,"zhu-ju-tu-zhou-xi-gang-224168","竹菊图轴","奚冈","画面以山水衬花木，竹枝挺秀于右上角，涧水蜿蜒穿石而过，丛菊沿溪盛放，白花墨叶相互映衬。山石以淡墨皴擦留白作泉流，笔致松秀灵动，菊花以细笔勾勒花瓣，淡墨晕染花叶，清妍雅致。\n\n行书长题与画作相映，寄寓爱菊慕寿的文人雅趣。整体意境清寂高旷，将花木清隽与山水静逸融为一体，淡墨浅彩间尽显幽淡冲和的林下之风，是文人花鸟画中诗画合璧的逸品。",[23,24,29,108,60,420,33,7,448,234,206,708],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefc656bde3d4ac43914a891d3b7e6eef.jpg",[],{"id":1473,"slug":1474,"title":1475,"dynasty":18,"author":1476,"museum":167,"description":1477,"tags":1478,"thumbUrl":1480,"material":95,"size":95,"collection":95,"collections":1481,"showCount":1482,"zanCount":49,"manualWeight":49,"mainColor":99},239519,"wei-jing-ting-zuo-shang-ju-tu-zhou-hou-mao-gong-239519","为敬亭作赏菊图轴","侯懋功","此作用笔秀雅简淡，设色清和柔润。画面截取庭院一隅，嶙峋湖石旁修竹猗猗，枯木与青松错立，衬出秋日萧疏意韵。敞轩之内宾主对坐晤谈，侍童静立随侧，案上盆菊绽蕊，将文人雅集赏菊的悠然兴味尽数铺展。画面留白得当，以淡赭晕染地面屋舍，墨色勾勒林木湖石，清逸之中尽显文人酬酢的雅致氛围，将秋日闲居雅聚的诗意缓缓晕开。",[1228,24,29,108,60,62,687,7,421,407,1479,692,89,33],"建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe62c6d48dcb99d669074a6f241fa5154.jpg",[],24,{"id":1484,"slug":1485,"title":1486,"dynasty":18,"author":1487,"museum":167,"description":1488,"tags":1489,"thumbUrl":1491,"material":95,"size":95,"collection":95,"collections":1492,"showCount":1482,"zanCount":49,"manualWeight":49,"mainColor":50},231016,"ju-shi-ming-qin-tu-li-yin-231016","菊石鸣禽图","李因","《菊石鸣禽图》写山坡之上的奇石旁，秋菊盛开，一枯枝高挑，其上小雀正回头顾盼，呜叫声声。\n画中充分体现了李因笔力雄健苍劲、水墨挥洒淋漓的特点。\n坡面及奇石以淡墨渲染，质感丰富。\n菊花写意生动，用笔酣畅。\n小鸟造型准确，兼工带写，笔法细致。\n《菊石鸣禽图》是中国清代画家 的国画作品。\n该画为立轴，绫本，墨笔，纵129．4厘米，横47．8厘米，旅顺博物馆藏。\n李因（1616—1685），清代女画家。\n字今是，又字今声，号是庵，又号龛山逸史，浙江钱塘（今杭州）人。\n留寓海宁。\n画家葛徵奇之妾。\n她能诗能画，善山水、花鸟，亦工芦雁。\n画得陈淳之法，多用水墨，苍劲无闰阁气。\n其夫每加以题跋，常云：“花鸟我不如姬，山水姬不如我。\n”可见其花鸟画在山水画之上。\n葛去世后，李因以卖画为生。\n有《竹笑轩吟草续稿》存世。\n传世作品有《菊石鸣禽图》、《芙蓉鸳鸯图》等。",[23,140,24,108,25,63,7,407,1490],"鸣禽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3607d5341dc4c30287b5215604dfbf0d.jpg",[],{"id":1494,"slug":1495,"title":1496,"dynasty":442,"author":584,"museum":167,"description":1497,"tags":1498,"thumbUrl":1499,"material":95,"size":95,"collection":95,"collections":1500,"showCount":1482,"zanCount":49,"manualWeight":49,"mainColor":99},228161,"qiu-jing-chun-que-tu-wang-yuan-228161","秋景鹑雀图","此作为水墨花鸟精品，以全景式铺陈秋日小景。枝桠虬劲舒展，数只雀鸟或振翅翻飞、或栖枝理羽，灵动鲜活，将秋空的清寂晕开几分生机。坡石苍朴古拙，枯笔写意勾勒尽显嶙峋质感，旁侧竹篁挺秀、野菊含芳，笔墨秀雅细腻，晕染间尽显草木清疏之态。\n\n坡下鹌鹑伏于浅草间，羽色纹理描摹入微，憨态尽显。整作纯以水墨绘就，摒去设色浮华，以浓淡干湿变化表现物象肌理，工写相融，既有禽鸟刻画的精工雅致，又有花木坡石的写意苍润，将秋日郊野的清旷意趣与灵动生机揉合一处，尽显清淡古雅的文人意韵。",[23,24,29,108,25,62,63,33,7,91,154,1058,89,92,374],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5177d8103b4a3a8119cd7797cf489d1.jpg",[],{"id":1502,"slug":1503,"title":946,"dynasty":55,"author":881,"museum":167,"description":882,"tags":1504,"thumbUrl":1506,"material":319,"size":320,"collection":95,"collections":1507,"showCount":78,"zanCount":49,"manualWeight":49,"mainColor":99},238352,"hua-hui-ce-dong-gao-238352",[140,24,29,88,60,62,7,40,155,1505,91],"叶子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5b5a66add4c45d8079f31aa0ed45868.jpg",[],{"id":1509,"slug":1510,"title":1511,"dynasty":18,"author":19,"museum":105,"description":1512,"tags":1513,"thumbUrl":1514,"material":95,"size":95,"collection":45,"collections":1515,"showCount":78,"zanCount":49,"manualWeight":49,"mainColor":1516},201810,"mo-hua-tu-juan-xu-wei-201810","墨花图卷","这幅长卷以水墨为魂，诗书画印浑然一体。笔墨如狂涛倾泻，肆意挥洒间，梅枝虬曲似铁，墨花冷艳含傲骨；兰叶飘逸若带，寥寥数笔尽得清逸；竹影横斜，笔力劲健欲生风；菊瓣泼墨而成，浓淡交织藏秋意；荷叶片片如盖，墨色淋漓见清雅；牡丹雍容却脱媚俗，狂放中显生机。每一处笔触皆随性生发，无拘无束，将花卉神韵与画家孤愤心性相融，墨气蒸腾处，尽显生命的郁勃与孤傲。诗题与朱印错落其间，更添古朴雅韵，是文人写意画的经典之作。",[24,28,25,63,32,41,33,7,35,36,30,31,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce09cb9b2025503b1df0db08b59dd0d4.jpg",[45],"c8bcb0",{"id":1518,"slug":1519,"title":1520,"dynasty":18,"author":1521,"museum":167,"description":1522,"tags":1523,"thumbUrl":1524,"material":319,"size":320,"collection":95,"collections":1525,"showCount":1526,"zanCount":49,"manualWeight":49,"mainColor":99},236804,"mo-ju-shan-ye-sun-ke-hong-236804","墨菊扇页","孙克弘","明书画家、藏书家。一作克宏，字允执，号雪居，松江（今属上海市）人。礼部尚书孙承恩子。以荫授应天治中，官至汉阳知府。生性巧慧，声音洪亮，状貌疏野。所居四壁皆画苍松老柏，崩浪流泉，有一种澄泓萧瑟之意萦绕其间。他喜交友，陈继儒谓其“好客之癖，闻于江东，履綦如云，谈笑生风，坐上酒尊，老而不空”。卒年八十（一作七十九）。",[24,29,140,959,25,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58c78e10c22fd1a8ea6ff0490af865ea.jpg",[],22,{"id":1528,"slug":1529,"title":1530,"dynasty":55,"author":1531,"museum":167,"description":1532,"tags":1533,"thumbUrl":1534,"material":319,"size":320,"collection":95,"collections":1535,"showCount":1526,"zanCount":49,"manualWeight":49,"mainColor":99},236346,"ju-hua-shan-chen-heng-ke-236346","菊花扇","陈衡恪","陈师曾（1876年3月12日—1923年9月17日），男，原名衡恪，字师曾，号朽道人、槐堂，江西南昌义宁（今江西修水）人，著名美术家、艺术教育家。\n陈师曾出身书生门第，祖父是湖南巡抚陈宝箴，父亲是著名诗人陈三立。1902年东渡日本留学，1909年回国，任江西教育司长。从1911年2月至1913年4月，他受南通张謇之邀，至通州师范学校（今南通师范学校）任教，专授博物课程。1913年又赴长沙第一师范任课，后至北京任编审员之职。先后兼任北京女子高等师范学校、北京高等师范学校、北京美术专门学校教授。1923年9月为奔母丧回南京，不幸染病逝世，终年仅47岁。",[24,959,60,25,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7939f928ff554e633a85c466953760cd.jpg",[],{"id":1537,"slug":1538,"title":1539,"dynasty":18,"author":1540,"museum":167,"description":1541,"tags":1542,"thumbUrl":1543,"material":308,"size":95,"collection":95,"collections":1544,"showCount":1526,"zanCount":49,"manualWeight":49,"mainColor":99},234246,"hua-hui-tu-juan-chen-gua-234246","花卉图卷","陈栝","陈栝（生卒年未详），约活动于公元16世纪，字子正，号沱江，江苏苏州人。陈栝是 陈淳的儿子。善画花卉，笔似其父。嗜酒放浪。画擅花鸟，继其有法，而又出己意，笔致放浪而有生趣，亦能诗。先其父而亡。自元代文人画创立以写法入画以来，明代徐渭、陈道复更在花鸟中将笔迹放纵的写意画法又向前推进一步，而道复之子陈栝则更在其父基础上，将这种不拘于象的写法又发挥至极致，其勾点皴擦，随心所欲， 绝出尘象之外。",[23,24,29,28,25,821,63,32,41,33,7,36,39,37,38,91,89,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F824a49108093b390bf2a18fe74a97e32.jpg",[],{"id":1546,"slug":1547,"title":1548,"dynasty":55,"author":1549,"museum":167,"description":1550,"tags":1551,"thumbUrl":1553,"material":95,"size":95,"collection":95,"collections":1554,"showCount":1526,"zanCount":49,"manualWeight":49,"mainColor":99},230889,"xiong-ji-ju-shi-tu-li-shi-zhuo-230889","雄鸡菊石图","李世倬","这幅水墨写意之作，以雄鸡为主体，踞石而立。铁爪紧扣岩块，冠髯抖擞，尾羽如墨色长剑斜斜舒展，笔意纵逸苍劲，以浓淡墨色晕染出羽毛蓬松肌理，寥寥数笔便将雄鸡骄悍英武之态尽显，形神兼备。\n\n旁侧秋菊斜枝而出，墨花点染间浓淡错落，枯涩枝桠衬出晚秋清逸萧疏的意韵，与雄鸡的刚健相得益彰。右上角行书题诗，笔墨与画意相映，添就悠长文人意趣。\n\n整作笔力苍浑兼具秀润，以极简水墨写尽物象风神，将禽鸟野逸与花草清隽相融，借物抒怀，把秋日生机与雄鸡傲骨铺陈纸上，尽显写意花鸟以形写神的妙处。",[23,140,24,29,108,25,63,1552,7,407],"雄鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab4355cfcff03a1ce87b1b057424bf8d.jpg",[],{"id":1556,"slug":1557,"title":1558,"dynasty":18,"author":215,"museum":417,"description":1559,"tags":1560,"thumbUrl":1561,"material":88,"size":95,"collection":95,"collections":1562,"showCount":1526,"zanCount":49,"manualWeight":49,"mainColor":99},221907,"hua-niao-jing-pin-ce-4-chen-hong-shou-221907","花鸟精品册4","陈洪绶（1599～1652），明末清初著名书画家、诗人，字章侯，号老莲，浙江绍兴人。其画手法简练，格调高古，享誉明末画坛，与当时的顺天崔子忠齐名，号称“南陈北崔”。花鸟工笔描绘精细，设色清丽，富有装饰味。",[24,140,29,88,60,62,63,70,37,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2ced18c0048b9fb698e0e97704afea7.jpg",[],{"id":1564,"slug":1565,"title":1566,"dynasty":55,"author":968,"museum":85,"description":1567,"tags":1568,"thumbUrl":1569,"material":43,"size":95,"collection":95,"collections":1570,"showCount":1526,"zanCount":49,"manualWeight":49,"mainColor":99},216335,"hua-niao-ce-7-zhu-da-216335","花鸟册-7","朱耷 (Zhu Da) 是一位著名的清朝画家，他的花鸟册 (huā niǎo cè) 是他的代表作之一。花鸟册是一种中国传统的绘画类型，主要描绘花卉和鸟类，朱耷的花鸟册以其精美的绘画技巧和富有创意的艺术表现而闻名。\n\n朱耷生于 17th 世纪的清朝，他原本是一名佛教僧人，后来转而成为画家。他的花鸟册绘制了各种花卉和鸟类，包括玫瑰、莲花、蝴蝶、孔雀、鹦鹉等。他的画风独特，细腻而生动，给人以非常感性的视觉享受。\n\n朱耷的花鸟册也反映了当时清朝社会的文化氛围。他的作品中常常出现古典诗词的引用，表现出他对中国传统文化的热爱。此外，他的作品还反映了当时清朝社会的审美观念，展现了清朝人对美的追求和对自然的敬畏。\n\n总之，朱耷的花鸟册是一部具有深远影响的艺术作品，其中融合了中国传统文化和绘画技巧的精华，对中国绘画艺术有着重要的贡献。",[24,25,88,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa34ea41ff4be461e0bc607d3fef31c7e.jpg",[],{"id":1572,"slug":1573,"title":1574,"dynasty":55,"author":166,"museum":167,"description":339,"tags":1575,"thumbUrl":1577,"material":319,"size":320,"collection":95,"collections":1578,"showCount":98,"zanCount":49,"manualWeight":49,"mainColor":99},288233,"pu-shi-tu-wu-chang-shuo-288233","葡石图",[23,24,108,60,26,63,7,91,1576,30,89],"篱栅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb383eea42ba1bb69dffc0ad52bc2e546.jpg",[],{"id":1580,"slug":1581,"title":1582,"dynasty":55,"author":282,"museum":167,"description":1583,"tags":1584,"thumbUrl":1585,"material":829,"size":1586,"collection":95,"collections":1587,"showCount":98,"zanCount":49,"manualWeight":49,"mainColor":99},234990,"hua-hui-ling-mao-ping-8-ren-yi-234990","花卉翎毛屏8","任颐(1839-1896)，初名润，字伯年，一字次远，号小楼(亦作晓楼)，萧山城厢镇人。其父善画肖像，任颐自幼随之习画。人物、山水、花卉、翎毛等均有扎实功底，尤以人物画见长，他在十余岁时即能勾勒出来访者容貌，使人见其画如见其人。\n咸丰十一年(1861)，太平军占领杭州、绍兴，任颐即投笔从戎，参加太平军，掌军旗，为前驱。同治二年(1863)，太平军撤离浙江，任留居家乡；次年，移居宁波，得到任熊、任薰悉心指导。同治七年(1868)春，随任薰去苏州，是年冬，转至上海定居。从此，任颐步入新兴的上海画派之列。\n任颐画路宽拓，所画人物具有独特的风韵，更以描写风俗人情、民间传说和神话故事中人物见长，如《女娲》、《钟 馗》、《八仙》、《群仙祝寿》等作品，将艺术与现实巧妙地容贯于画面。其人物肖像画既有深厚的传统基础，又注重写生，每次外出，备有速写本，随时勾录。寓居上海后，以卖画为生，创作甚富。《钟馗》、《关河一望萧索》、《苏武牧羊》、《野塘雨后》和《三友图》等为其代表作。且其参用画意的书法亦奇惊不凡，光绪二十二年(1896)逝世。\n任伯年因是浙江山阴人，故画面署款多写山阴任颐。儿时随父学画，十四岁到上海，在扇庄当学徒，后以卖画为生。所画题材，极为广泛，人物、花鸟、山水、走兽无不精妙。他的画用笔用墨，丰富多变，构图新巧，创造了一种清新流畅的独特风格，在正统派外别树一帜。\n任颐是近代杰出画家。字伯年，号小楼，浙江山阴人，因此他的画署款多写山阴任颐。任伯年的绘画题材广泛，人物、肖像、山水、花卉、禽鸟无不擅长。用笔用墨，丰富多变，构图新巧，主题突出，疏中有密，虚实相间，浓淡相生，富有诗情画意，清新流畅是他的独特风格。任伯年的主要成就是在于人物画和花鸟画方面，往往寥寥数笔，便能把人物整个神态表现出来，着墨不多而意境深远。其线条简练沉着，有力潇洒。他常画钟馗，他笔下的钟馗心胸磊落、不怕鬼，不信邪。他的花鸟画，总是把花与鸟连在一起，禽鸟显得很突出，花卉有时只作背景，整个画面充满了诗的意境。",[24,60,63,36,385,234,7,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff93e8ad5034c82f4d1e0320042644d27.jpg","149 x 61 cm",[],{"id":1589,"slug":1590,"title":1591,"dynasty":55,"author":1592,"museum":85,"description":1593,"tags":1594,"thumbUrl":1595,"material":1132,"size":1596,"collection":95,"collections":1597,"showCount":98,"zanCount":49,"manualWeight":49,"mainColor":50},231486,"si-ji-hua-hui-tu-jiang-pu-231486","四季花卉图","蒋溥","蒋溥，江苏常熟人。廷锡子。雍正八年传胪，乾隆十八年仕至大学士。花草得其家传，随意布置，多生趣。每绘画进呈，蒙睿题有“师承家法闲图出，右相丹青有后生”之句。谥文恪。",[23,24,140,108,62,60,63,32,35,36,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3cae0f4cf71bdb4cba7de4487776320.jpg","98.5×60.5cm",[],{"id":1599,"slug":1600,"title":1601,"dynasty":136,"author":256,"museum":167,"description":1257,"tags":1602,"thumbUrl":1603,"material":319,"size":320,"collection":95,"collections":1604,"showCount":1605,"zanCount":174,"manualWeight":49,"mainColor":1333},290289,"song-xiu-ju-hua-lian-zhou-yi-ming-290289","宋绣菊花廉轴",[140,108,1246,63,7,71,60,62,182,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe95434e00c2ccf7c8a85e2b976658b32.jpg",[],20,{"id":1607,"slug":1608,"title":1609,"dynasty":55,"author":256,"museum":167,"description":1257,"tags":1610,"thumbUrl":1612,"material":319,"size":320,"collection":95,"collections":1613,"showCount":1605,"zanCount":131,"manualWeight":49,"mainColor":50},272866,"zi-tan-mu-bian-ke-si-hua-niao-tu-gua-ping-yi-ming-272866","紫檀木边缂丝花鸟图挂屏",[1259,1248,341,60,7,156,1611],"怪石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1798ded161ac8baeebd2f9497480b73.jpg",[],{"id":1615,"slug":1616,"title":1617,"dynasty":55,"author":1618,"museum":1619,"description":1620,"tags":1621,"thumbUrl":1622,"material":111,"size":95,"collection":95,"collections":1623,"showCount":1605,"zanCount":49,"manualWeight":49,"mainColor":99},216390,"za-hua-ce-4-bian-shou-min-216390","杂画册-4","边寿民","旅顺博物馆","他的作品常常被收录在《边寿民杂画册》中。这本画册收录了边寿民的许多作品，包括花鸟画、人物画、山水画等。边寿民的画风浓郁，线条简洁，色彩明快，深受当时社会的喜爱。他的作品也被视为中国画的经典之作。",[23,24,25,63,7,233,88],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F805f7ac1937c5fa100d0b4a78b96a4c5.jpg",[],{"id":1625,"slug":1626,"title":1627,"dynasty":55,"author":1628,"museum":167,"description":1629,"tags":1630,"thumbUrl":1631,"material":95,"size":95,"collection":95,"collections":1632,"showCount":1633,"zanCount":49,"manualWeight":49,"mainColor":99},234594,"yao-yuan-zhi-hua-guo-wan-shan-yao-yuan-zhi-234594","姚元之花果纨扇","姚元之","姚元之（1773—1852）清代官员、书画家。字伯昂，号荐青，又号竹叶亭生，晚号五不翁，安徽桐城人。嘉庆十年进士，官至左都御史、内阁学士。善画人物、果品、花卉，书法尤精隶书。姚元之与崔旭、梅成栋皆出自清代著名诗人张问陶（号船山）门下，合称“张门三才子”。",[24,29,959,63,62,60,7,206,1196,1016],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58b7f49ead7bc1e1fb50db9fb958b0b2.jpg",[],19,{"id":1635,"slug":1636,"title":788,"dynasty":1268,"author":1637,"museum":105,"description":1638,"tags":1639,"thumbUrl":1642,"material":95,"size":95,"collection":238,"collections":1643,"showCount":1633,"zanCount":174,"manualWeight":49,"mainColor":1644},203120,"cai-ju-tu-zhou-xu-bei-hong-203120","徐悲鸿","文士着蓝袍立于苍松之下，宽袖飘举间身形清癯。手中轻拈菊枝，仰头望松间虬枝，神态悠然似入遐思。松干以浓墨皴擦，纹理如老鳞般苍劲；松针层叠，墨色深浅相济显层次。背景山水晕染轻淡，远山如黛，近坡疏草，留白处漾出空灵之韵。人物衣纹线条兼具流畅与写实，面部神情超逸，尽显文人风骨。侧畔菊丛红黄点缀，为清寂画面添一抹生机。整幅画融传统笔墨意趣与西画造型技法，将田园逸致与高洁情怀凝于尺幅间。",[24,60,687,822,7,34,1640,1641,108,29,23],"写实","笔墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5abbd949ee7b76e65e535d7f5068b262.jpg",[238],"c1b6a3",{"id":1646,"slug":1647,"title":908,"dynasty":18,"author":612,"museum":105,"description":1648,"tags":1649,"thumbUrl":1650,"material":95,"size":95,"collection":45,"collections":1651,"showCount":1633,"zanCount":174,"manualWeight":49,"mainColor":1652},201724,"hua-hui-juan-chen-chun-201724","水墨写就的长卷中，四时花卉次第铺展。兰草疏茎淡叶，姿态清雅；菊丛繁枝密蕊，野趣盎然；牡丹雍容绽放，墨色浓淡相宜；另有团簇花枝，叶片苍劲，花瓣柔润。笔墨简逸灵动，浓墨勾枝，淡墨晕瓣，干湿相生间尽显花木神韵。题跋与花卉错落相映，诗书一体，流露文人雅韵。不刻意求工，却神形兼备，气韵生动。",[24,28,25,63,41,7,36,89,29,1641,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9773f2151bb2cfa144b27ecf3c52764.jpg",[45],"c6bdb7",{"id":1654,"slug":1655,"title":1656,"dynasty":55,"author":881,"museum":167,"description":1657,"tags":1658,"thumbUrl":1659,"material":95,"size":95,"collection":95,"collections":1660,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":99},238368,"dong-gao-yan-chun-hui-cai-tu-ce-dong-gao-238368","董诰延春荟彩图册","董诰（1740年－1818年），字雅伦，号蔗林，浙江省杭州府富阳县（今浙江省杭州市）人，生于顺天府（今北京市），清代大臣、书画家。工部尚书董邦达长子，与其父有“大、小董”之称。\n乾隆二十九年（1764）中举，隔年会试，名列一甲第三，得中探花，乾隆帝 将其改为二甲第一，作金殿传胪，形降实升。嘉庆四年（1799），董诰六十岁，以从庶吉士、编修、工部侍郎、军机大臣、东阁大学士等，擢为文华殿大学士（即宰相），钦赐“紫禁城骑马”。直军机先后四十年。董诰精书法，善绘画，更通晓军事。他五次归还故里，生活简朴，平易近人，从不倨傲，深为邻里称道。董诰卒于嘉庆二十三年（1818），终年七十九岁。\n董诰死后六天，嘉庆帝亲临祭奠，所写哀诗中有“只有文章传子侄，绝无货币置田庄”之句，并亲自拨款建立“董公祠”。",[24,29,88,60,62,63,206,708,7,361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bc3e82873bcb91b1732d6a8cb1e97dd.jpg",[],{"id":1662,"slug":1663,"title":1664,"dynasty":55,"author":1665,"museum":20,"description":1666,"tags":1667,"thumbUrl":1668,"material":274,"size":95,"collection":95,"collections":1669,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":99},237183,"hua-niao-kun-chong-ce-zhou-quan-237183","花鸟昆虫册","周铨","沈铨 （1682—1760），字衡之，号南苹，其画远师黄筌画派，近承明代吕纪，工写花卉翎毛、走兽，以精密妍丽见长，也擅长画仕女。设色妍丽，工致精丽、赋色浓艳，极尽构梁之巧。画人物得不传之秘。注重写实，画风谨严工细，造型准确生动。尝写《花蕊夫人宫词》为图，笔意殊极巧妙。\n雍正九年（1731）沈铨应日本天皇之聘，偕弟子郑培、高钧等东渡日本，历时3年，形成“南苹派”写生画，深受日人推崇，被称为“舶来画家第一”，从习画者颇多，日本江户时代长崎画派即在其影响下形成，尤以圆山应举最为著名。归得金帛散给友朋，橐仍萧然。\n沈铨归国后声誉大震，传至京城，朝廷便下旨命沈铨作画上贡，乾隆7年作《花蕊夫人宫词意》受到好评，除此，沈铨还陆续为宫廷作吉祥寓意之画，由此沈铨及弟子童衡在中国画史上被称为宫廷画家，沈铨晚年寄居于苏州，孜孜不倦地致力于书画艺术之研究，在乾隆27年81岁的沈铨还能作《花鸟图》。1762年沈铨逝世后，从子沈天骧进新市南频府，守孝三年，继承画业，唯一入室弟子童衡离开沈宅到新市明因寺为僧，闲余作画终身。沈铨把一生献给了绘画事业，在继承院体派传统的基础上，独创了强大的南苹画派，在当时的江南独树一帜，有诗予以很高的评价“江南高手谁第一，吴兴沈生世无匹”。",[24,29,88,60,62,63,7,33,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cfcc85635fe77436808fdc85a313b5c.jpg",[],{"id":1671,"slug":1672,"title":1673,"dynasty":55,"author":294,"museum":105,"description":295,"tags":1674,"thumbUrl":1675,"material":249,"size":95,"collection":95,"collections":1676,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":50},233183,"hua-hui-ce-mu-dan-ye-zhao-zhi-qian-233183","花卉册-牡丹页",[24,29,88,60,26,63,36,7,89,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbe6a2e27ec670de7c6c5f49941f2e3a.jpg",[],{"id":1678,"slug":1679,"title":1680,"dynasty":55,"author":294,"museum":85,"description":1681,"tags":1682,"thumbUrl":1683,"material":1684,"size":1685,"collection":95,"collections":1686,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":99},232896,"ju-shi-tu-zhao-zhi-qian-232896","菊石图","同治十一年壬申，客居北京的赵之谦南归在家乡小住，旋赴江西修《江西通志》。临行前，他为朋友画了很多画，自此之后，他一心修《志》，绝少刻印画画，成了晚清艺术史上一大憾事。此轴即作于临去江西前，笔墨雄肆，构图奇突，可见当时的心情和画艺的熟练。极为难得。\n赵之谦（1829－1884），中国清代著名的书画家、篆刻家。浙江绍兴人。初字益甫，号冷君；后改字撝叔，号悲庵、梅庵、无闷等。在晚清艺术史上，赵之谦无疑是最为重要的艺术家之一。在绘画上，他是“海上画派”的先驱人物，其以书、印入画所开创的“金石画风”，对近代写意花卉的发展产生了巨大的影响；在书法上，他是清代碑学理论的最有力实践者，其魏碑体书风的形成，实得碑派技法体系进一步趋向完善，从而成为有清一代第一位在正、行、篆、隶诸体上真正全面学碑的典范；在篆刻上，他在前人的基础上广为取法，融会贯通，以“印外求印”的手段创造性地继承了邓石如以来“印从书出”的创作模式，开辟了一个前所未有的新境界。赵之谦的篆刻成就巨大，对后世影响深远。近代的吴昌硕、齐白石等画家都从他处受惠良多。",[24,29,959,60,25,26,63,7,91,89,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbd190ad7341a8baac238ac32249ed8e.jpg","设色纸本","17×54厘米",[],{"id":1688,"slug":1689,"title":1690,"dynasty":136,"author":1691,"museum":20,"description":1692,"tags":1693,"thumbUrl":1700,"material":249,"size":1701,"collection":453,"collections":1702,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":99},221561,"cheng-nan-chang-he-shi-juan-quan-juan-di-yi-duan-zhu-xi-221561","城南唱和诗卷全卷第一段","朱熹","《城南唱和诗卷》，对章草笔意的运用达到了随心所欲、挥洒自如的境界。杨维桢把晋唐楷法和汉隶、章草、今草笔法融合在一起，故独有奇拙、古朴的趣味。所谓“矫杰横发”（李东阳）“狂怪不经”（徐有贞）“大将班师，三军奏凯。破斧缺斨，例载而归”（吴宽）就是指杨维桢书风中豪迈雄强、形态怪异、用笔粗放的特点。而这种激越奔放的气势，刀斫斧劈的雄强，正是筑基于章草笔法的渗入。\n此诗卷是朱熹为和张栻城南诗20首所作。张栻，字敬夫，号轩，张浚之子、宋代著名学者。居谭州（今长沙）。构城南书院，城南有风景20处、故题诗20首。朱孝宗乾道三年（公元1167年）八月，朱熹与张南轩游城市诸胜景，和南轩二十咏。时年朱熹38岁，此诗卷书写年代则较晚。此卷书法笔墨精妙，萧散简远，笔意从容，灵活自然，为朱熹传世佳作。明陆简《朱熹城甫唱和诗帖跋》云：“紫阳夫子平生讲道之功日不暇给，而于辞翰游戏之事亦往柱精诣绝人。评书家谓其书郁有道义之气、固耳。”",[23,31,30,28,1694,89,637,1695,450,1395,1696,825,407,806,7,41,153,1697,1178,1400,37,636,34,1393,1698,1699,33,32],"墨迹","水","月","江","海","溪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffcb576060bbf9033850da273c683961f.jpg","纵31.5厘米横275.5厘米",[453],{"id":1704,"slug":1705,"title":1706,"dynasty":55,"author":1707,"museum":105,"description":1708,"tags":1709,"thumbUrl":1711,"material":95,"size":95,"collection":45,"collections":1712,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":1713},201829,"qiu-hua-hu-die-tu-zhou-tang-guang-qi-201829","秋花蝴蝶图轴","汤光启","画面以暖棕绢本铺陈，秋花簇生于山石侧畔。明黄花朵舒展瓣翼，绛红菊瓣层叠如丝，紫蓝小菊与细碎野卉点缀其间，枝叶脉络毕现。一只蝴蝶振翅悬停，姿态轻盈灵动，为静谧秋景添几分生机。山石以淡墨皴染，质感朴拙，与花卉的妍丽设色相映成趣。构图疏密有致，笔墨细腻工致，尽显秋日野趣与自然意韵，是清代花鸟画作中兼具雅致与生机的小品。",[24,62,60,63,70,1710,234,7,108,29,23],"秋花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbafa48b9b14fb9082841f66cc66e2d38.jpg",[45],"815723",{"id":1715,"slug":1716,"title":1717,"dynasty":55,"author":1718,"museum":167,"description":1719,"tags":1720,"thumbUrl":1721,"material":319,"size":320,"collection":95,"collections":1722,"showCount":1723,"zanCount":49,"manualWeight":49,"mainColor":50},288528,"ju-shi-tu-li-zhou-li-fang-ying-288528","菊石图立轴","李方膺","李方膺（1695年—1755年），字虬仲，号晴江，别号秋池，抑园，白衣山人等，江南通州（今江苏南通）人。寓居金陵借园，自号借园主人。中国清代诗画家、官员，能诗，擅画松竹兰菊，尤长写梅。用笔倔强放纵，不拘成法，苍劲有致，为“扬州八怪”之一。为官刚正不阿，廉洁爱民。出身官宦之家，曾任乐安县令、兰山县令、潜山县令、代理滁州知州等职，为官时有惠政，人德之，后因遭诬告被罢官，去官后寓南京借园，自号借园主人，常往来扬州卖画。与李鱓、金农、郑燮等往来，工诗文书画，擅梅、兰、竹、菊、松、鱼等，注重师法传统和师法造化，能自成一格，其画笔法苍劲老厚，剪裁简洁，不拘形似，活泼生动。被列为扬州八怪之一。有《风竹图》《游鱼图》《墨梅图》等传世。著《梅花楼诗钞》。善画松、竹、兰、菊、梅、杂花及虫 鱼，也能人物、山水，尤精画梅。作品纵横豪放、墨气淋漓，粗头乱服 ，不拘绳墨，意在青藤、白阳、竹憨之间。画梅以瘦硬见称，老干新枝 ，欹侧蟠曲。用间印有“梅花手段”，著名的题画梅诗有“不逢摧折不离奇”之句。还喜欢画狂风中的松竹。工书。能诗，后人辑有《梅花楼诗草》，仅二十六首，多数散见于画上。",[23,140,24,29,108,60,63,7,407],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44d2d5279376d519af08c24c61f5df81.jpg",[],17,{"id":1725,"slug":1726,"title":1727,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":1729,"thumbUrl":1731,"material":319,"size":320,"collection":95,"collections":1732,"showCount":1723,"zanCount":49,"manualWeight":49,"mainColor":1733},265581,"pin-yue-se-duan-di-dan-cai-ju-hua-wen-tao-yi-ming-265581","品月色缎地淡彩菊花纹绦","经线提花锦的组织结构和纹样都十分复杂，舞人动物纹锦的纹样横贯全幅，充分反映了当时已有了先进的提花织造技术。精美的刺绣品共有17种纹样，构图大，讲究对称、平衡，色彩配合恰当，给人以端庄典雅、富丽堂皇的美感。纹样内容充满神话色彩，鲜明地反映了楚文化的浪漫主义特色。墓中出土的衣袍为直据，是当时贵族中最流行的一种服式。这批先秦织物的出土，为深入研究我国古代纺织史提供了珍贵的实物资料。",[1249,1730,7,1246,60,63],"饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9acc6c6ba929dd735e97f58652907275.jpg",[],"9C27B0",{"id":1735,"slug":1736,"title":1737,"dynasty":55,"author":1738,"museum":167,"description":1739,"tags":1740,"thumbUrl":1741,"material":319,"size":320,"collection":95,"collections":1742,"showCount":1723,"zanCount":49,"manualWeight":49,"mainColor":99},239481,"qiu-hua-tu-wan-shan-lian-xi-239481","秋花图纨扇","莲溪","此帧团扇布局疏密有致，湖石侧峙稳住画面重心，将红枫、黄菊错落排布。菊瓣淡描晕染，舒展柔婉，尽现清寒里盛放之姿；枫叶设色秾丽鲜亮，与黄花翠叶形成冷暖对照，鲜活耐看。湖石以水墨写意皴擦，兼工带写间尽显随性洒脱，笔墨兼具写生之真与写意之趣。\n左侧行书题款清雅疏朗，朱红印鉴点缀其间，书画印相映成趣。整体氤氲着晚秋清寂又明艳的诗意，将花木傲霜之态跃然绢上，暗合文人淡泊自持的襟怀，尽显灵动雅致的传统花鸟审美意趣。",[24,959,60,63,62,7,91,650,89,30,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bd2fadc75dbee1a2a72d834478b1581.jpg",[],{"id":1744,"slug":1745,"title":1110,"dynasty":55,"author":1746,"museum":167,"description":1747,"tags":1748,"thumbUrl":1749,"material":95,"size":95,"collection":95,"collections":1750,"showCount":1723,"zanCount":49,"manualWeight":49,"mainColor":99},235468,"mo-ju-zhou-huang-shen-235468","黄慎","以泼墨写意挥写丛菊，老干挺劲欹斜，花枝向上舒展，墨色浓淡铺陈，层次分明。花瓣以大块墨晕点染，间用枯笔勾出细劲筋脉，苍润交织，将寒菊傲霜绽放之态尽显笔端。\n\n右上角草书题款跌宕疏放，笔墨与野菊的朴拙刚健呼应相合，诗画相融，尽显疏放雅致的文人意趣。整幅以简驭繁，以水墨氤氲传递出菊花孤高清绝的品格，把画者疏狂随性的性情与凌霜佳卉的风骨融为一体，尽显大写意花鸟以形写神的妙处。",[24,29,108,25,26,30,31,89,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F306e636315367da95f923c6eec5c6800.jpg",[],{"id":1752,"slug":1753,"title":1754,"dynasty":442,"author":584,"museum":191,"description":1755,"tags":1756,"thumbUrl":1758,"material":94,"size":588,"collection":95,"collections":1759,"showCount":1723,"zanCount":49,"manualWeight":49,"mainColor":50},219128,"hua-hui-ce-ju-zhu-shi-wang-yuan-219128","花卉册-菊竹石","竹影疏斜，菊瓣凝香，草虫轻跃于枝叶间。绢本之上，墨线勾勒精准，淡彩晕染温润，不取浓艳却得自然清趣。蟋蟀振翅欲鸣，小飞虫翩然若舞，动静相衬，生机暗藏。笔法工细而不刻板，兼融院体之精与文人之逸，笔墨间流露元人清逸之致。于细微处见匠心，静中藏动，尽显草木虫豸之灵秀。其将自然生灵摹写得栩栩如生，又以淡雅之韵传递文人雅趣，是元代花鸟精品中颇具代表性的一页，意境悠远，笔墨精湛，尽显传统花鸟之美。",[23,24,29,88,60,62,63,7,33,91,706,40,1757],"草叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a6e0671fc4d12e1f018cb98a9a82661.jpg",[],{"id":1761,"slug":1762,"title":1763,"dynasty":18,"author":215,"museum":167,"description":1764,"tags":1765,"thumbUrl":1769,"material":319,"size":320,"collection":95,"collections":1770,"showCount":1771,"zanCount":49,"manualWeight":49,"mainColor":50},287814,"xi-ying-tu-chen-hong-shou-287814","戏婴图","插图》《水浒叶子》《博古叶子》等版刻传世，工诗善书，有《宝纶堂集》。",[23,140,24,108,60,687,62,1766,1767,91,7,89,1768],"宗教","婴戏","童趣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e09e2fdd444b23628175ba00b32df43.jpg",[],16,{"id":1773,"slug":1774,"title":1775,"dynasty":18,"author":1776,"museum":167,"description":1777,"tags":1778,"thumbUrl":1779,"material":319,"size":320,"collection":95,"collections":1780,"showCount":1771,"zanCount":49,"manualWeight":49,"mainColor":99},239790,"shen-zhou-yong-ju-shi-han-juan-wu-kuan-239790","沈周咏菊诗翰卷","吴宽","吴宽（1435年－1504年8月19日 ），字原博，号匏庵、玉亭主，世称匏庵先生。直隶长州（今江苏苏州）人。明代名臣、诗人、散文家、书法家。\n吴宽为明宪宗成化八年（1472年）状元，授翰林修撰，曾侍奉孝宗读书。孝宗即位，迁左庶子，预修《宪宗实录》，进少詹事兼侍读学士。官至礼部尚书，卒赠太子太保，谥号“文定”。\n吴宽的诗深厚醲郁，自成一家，著有《匏庵集》 。又擅书法，作书姿润中时出奇崛，虽规模于苏，而多所自得。",[23,30,31,28,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F421c5465c977d3dfab9995d7c3489a9b.jpg",[],{"id":1782,"slug":1783,"title":1784,"dynasty":55,"author":1785,"museum":167,"description":1786,"tags":1787,"thumbUrl":1788,"material":95,"size":95,"collection":696,"collections":1789,"showCount":1771,"zanCount":49,"manualWeight":49,"mainColor":99},236523,"ren-wu-gu-shi-ce-chen-zi-236523","人物故事册","陈字","陈字(1634一约1713)即陈小莲，幼唤鹿头，初名懦桢，宇无名，明末清初诸暨枫桥陈家村人。陈洪绶第四子，太学生，考授州同。",[24,29,88,60,62,31,89,687,7,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F123d38a6be8ad29378699e0b13450ccd.jpg",[696],{"id":1791,"slug":1792,"title":1337,"dynasty":18,"author":84,"museum":167,"description":889,"tags":1793,"thumbUrl":1794,"material":319,"size":320,"collection":95,"collections":1795,"showCount":1771,"zanCount":174,"manualWeight":49,"mainColor":99},234829,"zhu-ju-shan-xiang-sheng-mo-234829",[959,25,33,7,63,89,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31652eb5aff878bf1eb816c29e9f89b6.jpg",[],{"id":1797,"slug":1798,"title":1799,"dynasty":18,"author":1800,"museum":167,"description":1801,"tags":1802,"thumbUrl":1806,"material":95,"size":95,"collection":95,"collections":1807,"showCount":1771,"zanCount":49,"manualWeight":49,"mainColor":99},228886,"cun-ju-tu-wen-zheng-ming-228886","存菊图","文徴明","淡墨轻皴汀洲远山，清润秀雅，茅庐隐于林间，窗内人影凭眺，秋水横波，江天旷远，晕染出江南秋日萧疏淡远的意趣。\n书画合璧，行书题诗笔致温秀，以存菊寄寓林下高逸襟怀，将文人澹泊心境融于水墨湖山。笔底无浓艳重彩，却自见悠悠古意，淡而不薄，秀而不媚，尽显诗书画一体的雅致风神，把秋日怀想与文人雅趣藏进卷中，清和隽永。",[23,24,29,28,60,822,62,420,30,31,89,637,1695,421,1803,1804,1805,7],"松树","枯树","茅屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e9a4a897929f713d7c2804fe86703e6.jpg",[],{"id":1809,"slug":1810,"title":1811,"dynasty":136,"author":256,"museum":167,"description":1812,"tags":1813,"thumbUrl":1814,"material":319,"size":320,"collection":95,"collections":1815,"showCount":1816,"zanCount":174,"manualWeight":49,"mainColor":50},290716,"shan-hua-mo-tu-zhou-yi-ming-290716","山花墨兔轴","本幅绘野菊粟穗，一只墨兔伸著脖子，昂首嗅探，仿佛可以感觉到鼻息微动，栩栩如生。墨兔以墨色染成，并以浓淡不同的墨笔在深浅处丝出葺葺细毛，形态极为生动。 本幅无作者款印，旧签称其出自宋人之手，然野菊、粟竿的用笔均与宋人不类，当为晚期画家根据宋代画稿所绘之作。",[24,29,108,62,374,1317,7,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F043da57a89f7fedb4b409cb584404fa2.jpg",[],15,{"id":1818,"slug":1819,"title":1820,"dynasty":55,"author":1821,"museum":167,"description":1822,"tags":1823,"thumbUrl":1825,"material":319,"size":320,"collection":95,"collections":1826,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},290468,"ju-pu-tu-ce-ye-wang-yan-ge-290468","菊谱图册页","王延格","王延格，清画家。字青霞。多巧思，善山水、花卉，尤长摹古，与李徵君眉山交好，曾为盘山图，分之则24幅各自成章，合之则一大轴，天衣无缝。",[24,140,1824,63,62,60,7],"册页","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc39854d1a4479786c139bc6441703f61.jpg",[],{"id":1828,"slug":1829,"title":1830,"dynasty":55,"author":256,"museum":167,"description":1257,"tags":1831,"thumbUrl":1833,"material":319,"size":320,"collection":95,"collections":1834,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":50},263681,"ke-si-qiu-tao-shou-dai-tu-zhou-yi-ming-263681","缂丝秋桃绶带图轴",[24,29,108,1259,63,60,62,154,1832,7,91,448],"桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b6711d2ba142659702743237925acf7.jpg",[],{"id":1836,"slug":1837,"title":1838,"dynasty":55,"author":881,"museum":167,"description":882,"tags":1839,"thumbUrl":1840,"material":319,"size":320,"collection":95,"collections":1841,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},238344,"si-ji-hua-hui-ce-dong-gao-238344","四季花卉册",[24,29,88,60,62,63,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93f70fb6393a4419c51e420c9dcd5cec.jpg",[],{"id":1843,"slug":1844,"title":1845,"dynasty":55,"author":881,"museum":167,"description":882,"tags":1846,"thumbUrl":1847,"material":319,"size":320,"collection":95,"collections":1848,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},238333,"hua-hong-li-si-ji-lan-shi-yi-ce-dong-gao-238333","画弘历四季兰诗意册",[140,24,29,88,60,62,63,41,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F511211c378684cb609b6a50a9367c72d.jpg",[],{"id":1850,"slug":1851,"title":1337,"dynasty":18,"author":84,"museum":167,"description":889,"tags":1852,"thumbUrl":1853,"material":319,"size":320,"collection":95,"collections":1854,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},237838,"zhu-ju-shan-xiang-sheng-mo-237838",[24,29,959,25,63,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b0c762c8dcedce1ced61e1b9206d4e5.jpg",[],{"id":1856,"slug":1857,"title":946,"dynasty":18,"author":84,"museum":1858,"description":1859,"tags":1860,"thumbUrl":1861,"material":519,"size":1862,"collection":95,"collections":1863,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},237440,"hua-hui-ce-xiang-sheng-mo-237440","辽宁省博物馆","项圣谟五十六岁创作的《花卉十开》是其花鸟画册页精品之一。十幅画皆纸本设色、淡彩没骨，依次画千叶桃花、石榴、白色桃花、白色梅花、海棠、兰花、野菊、秋菊、荷花荷叶、莲蓬莲藕，第一、三、四、五、八开画家题诗，第二、六、七、九、十开画家仅题名号，每一幅都有清代画家汪家珍题写诗文。",[24,29,88,60,63,7,31,89,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F055700a31cac6a5d48ae1e0a0424c8e1.jpg","31 X 23 CM X 10",[],{"id":1865,"slug":1866,"title":1867,"dynasty":18,"author":256,"museum":167,"description":1868,"tags":1869,"thumbUrl":1870,"material":1132,"size":95,"collection":95,"collections":1871,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":50},236287,"wang-zi-yuan-hua-niao-ce-yi-ming-236287","王子元花鸟册","此帧取景幽致，坡岸之上鹌鹑昂首引吭，翎毛晕染细致入微，将绒羽蓬松柔润的质感尽显笔底。蓝菊柔枝舒展，清妍淡雅，崖畔缀满丹红小果，黑甲虫静伏枝梢，野趣横生。\n\n画作工写相融，设色古雅清淡，以极简虚淡背景托举实景，将秋日郊隅的闲逸生机凝于尺幅。禽鸟憨态可掬，花草柔婉幽妍，相映成趣。既有院体花鸟的精工写实，又暗含文人笔墨的雅致意趣，将郊野刹那鲜活意态定格为隽永画面，尽显写生花鸟的精妙意韵。",[24,29,88,62,60,63,385,7,126,664,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb62891f8c807f28ec48f13e72eca241.jpg",[],{"id":1873,"slug":1874,"title":946,"dynasty":55,"author":1875,"museum":167,"description":1876,"tags":1877,"thumbUrl":1878,"material":319,"size":320,"collection":95,"collections":1879,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},235601,"hua-hui-ce-wang-wu-235601","王武","王武，1632年生，1690年逝世，吴县（今江苏苏州）人。字勤中，晚号忘庵，又号雪颠道人。明代画家王鏊六世孙，精鉴赏，富收藏，擅画花鸟，风格工整秀丽，正如王时敏所云：“神韵生动，应在妙品中。”为清初院画的名家。亦擅诗文。传世作品有《水仙柏石图》、《红杏白鸽图》、《鸳鸯白鹭图》等。",[24,29,88,60,63,7,31,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89cbcf91e7679e7a61eb83af6c2a0d3a.jpg",[],{"id":1881,"slug":1882,"title":946,"dynasty":55,"author":1883,"museum":167,"description":1884,"tags":1885,"thumbUrl":1887,"material":95,"size":95,"collection":95,"collections":1888,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},234787,"hua-hui-ce-jin-li-ying-234787","金礼嬴","金礼嬴（1772—1807）一作礼瀛，字云门，号五云，东桥、云门女史、会稽内史、自号昭明阁女史，一称昭明阁内史，山阴（今浙江绍兴）人，晚居钱塘（今浙江杭州）。嘉兴王昙（仲瞿）继室。幼娴翰墨，志趣高远。夫妇以诗文、书、画像商榷，志趣高远。王昙曾自撰门联云：家中有碧水丹山，妻太聪明夫太怪，门外省青磷白骨，人何寥落鬼何多。\n礼嬴性喜佳山水，吴越幽胜之区，探索殆尽。故其画得游览之助为多。佣笔自给，求者踵至而画益工。凡人物、仕女、界画楼室、山水、花卉，悉能匠心独运，妙夺古人，尤精画佛，庄严妙丽。得者宝之。画梅亦妙。书法晋、唐，兼工汉隶，诗多清灵凄婉之致，著有《秋红丈室遗诗》。卒年三十六。",[24,60,62,88,36,1886,7,89],"桂花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18ad6591c64ce257e53a5d8511e7dbeb.jpg",[],{"id":1890,"slug":1891,"title":1892,"dynasty":18,"author":1893,"museum":167,"description":1894,"tags":1895,"thumbUrl":1896,"material":95,"size":95,"collection":95,"collections":1897,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},234214,"zhang-yan-mo-hua-juan-zhang-yan-234214","张彦墨花卷","张彦","张彦（？－？），字伯美，号无诤道人，嘉定（今属上海市）人，一作江苏苏州人，明朝画家。\n万历四十一年（1631年）作《山水图》，著录于《退庵题跋》\n崇祯二年（1629年）作《寒林钟馗图》，著录于《爱日吟庐书画录》\n传世作品有《山径携琴图》轴，现藏南京博物院\n崇祯十年作《松溪放舟图》轴图录于《中国名画宝鉴》\n崇祯十二年（1639）作《设色山水图》卷著录于《中国书画家印鉴款识》；同年作《雪景梅花图》轴，纸本，设色，现藏苏州市博物馆",[23,24,29,28,25,821,63,32,41,33,7,35,36,37,66,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff41ab333b99a0d13328d654b652e75f6.jpg",[],{"id":1899,"slug":1900,"title":1901,"dynasty":55,"author":1902,"museum":167,"description":1903,"tags":1904,"thumbUrl":1907,"material":95,"size":95,"collection":95,"collections":1908,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},234117,"hua-guo-juan-yuan-jiang-234117","花果卷","袁江","清代康熙至乾隆时期，我国东南的扬州地区，由于商品经济的发展，涌现出了一批追求个性解放，锐意创新的画家群体，这就是画史上称之“扬州画派”，或曰“扬州八怪”。在这个画派中，除了拥有人数众多名震画坛的山水、花鸟和人物画家之外，还出现了一批界画作家，如李寅，颇峰、袁江、袁帽，颇岳等，而袁江、袁耀则是这批楼阁界画的佼佼者，他们成就最大，名望最高，把我国传统的界画技法发展到了一个新的高度，并对后世产生了深远的影响。\n关于袁江的生卒，由于画史无记载，我们只能在袁氏的作品中寻找。据笔者所知，袁江现存最早有纪年的作品是画于康熙三十二年(公元1693年)，最晚的作品画于乾隆八年(公元1743年)，学者以此推测他大约生于康熙十年(公元1671年)前后，卒于乾隆八年，或稍后一、二年之内。他早年生活在“千家养女先教曲，十里栽花算种田”，“夜桥灯火连星汉，水郭帆樯近斗牛”的繁华城市扬州，以后他又到过江宁(今江苏南京)、会稽(今浙江绍兴)。又根据袁江《花鸟图》二幅(藏故宫博物院)的署款“癸卯二月古榕袁江画”，他可能还到过福州，因为“榕”是福州市的别称。又据袁江传世真迹《瞻园图》判断，袁江可能还在南京生活过一段时间，\n因为瞻园是明太祖朱元璋的大将徐达的府第，(位于南京市)。雍正二年(公元1724年)，他北上抵京师(北京)作画，郭味蕖记载他在画中的自题：“在燕台作此图”就是佐证。大至到了晚年，袁江又回到家乡扬州，从他署有年款的“邗上袁江”的大量作品看就能证明这一点，因“邗”即今名的扬州市，(见《左传·哀》九年：“秋，吴城邗，沟通江淮”)。谈到袁江山水楼阁画的师承，文献记载极少，李斗《扬州画舫录》说他“初学仇十洲”，面仇英之画，近师周臣，远“摹唐来人之画，皆能夺真”，由此推之，袁江的画上溯可至唐代的李思训、李昭道父子以及赵伯驹和赵伯骑兄弟。袁江工整细致，设色浓丽的楼阁界画风格，确有仇英的遗韵。又据《画人补遗》记载：“中年得无名氏所临古人画稿”，这“无名氏”又是谁?学术界说法不一，而据有的学者推测，它应该是来人名迹，因为从袁江的山水画中，可以看出有北宋范宽，郭熙，李成、阎次平以及南宋的马远、夏圭等人的画法和遗风。在经营位置上，他又吸收了元明以来山水画的长处，予以融合变化，形成自己的特色。他学“院体”，但又脱去院画中纤弱之笔和艳俗之弊，变为凝炼厚重、工致妍美、艳而不俗的风格。袁江的楼阁界画，更是继承了唐李思训父子，宋赵伯驹兄弟和郭熙以来界画的传统以及元代王振鹏等楼阁画用笔严谨．精雕细刻的画风，并加以发扬光大。",[24,29,140,28,60,25,62,63,1905,1906,65,36,66,37,39,64,32,41,33,7,126,40,361,89],"桃子","西瓜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18aa0380b6630459be1fef1dc09c8650.jpg",[],{"id":1910,"slug":1911,"title":1912,"dynasty":55,"author":1913,"museum":20,"description":1914,"tags":1915,"thumbUrl":1918,"material":1919,"size":1920,"collection":95,"collections":1921,"showCount":1816,"zanCount":174,"manualWeight":49,"mainColor":99},233720,"hua-wang-yu-yan-xie-lan-tu-xiang-pan-gong-shou-bu-tu-zhou-ren-xiong-233720","画王玉燕写兰图像潘恭寿补图轴","任熊","任熊（1823年7月19日—1857年11月23日），字渭长，一字湘浦，号不舍，浙江萧山人，清代晚期著名画家，“海派”艺术的代表人物之一。\n幼时家贫，跟塾师学画人像，后寓居苏州、上海以卖画为生。曾流浪到宁波。曾居于挚友周闲之范湖草堂三年，并得遇著名文人姚燮，在其家“大梅山馆”学画，深得宋人笔法。任熊是绘画全才，人物、花卉、山水、翎毛、虫鱼、走兽，无一不精。画法宗陈洪绶，与弟任薰，儿子任预、侄任颐合称“海上四任”，又与朱熊、张熊合称“沪上三熊”。概述图为任熊自画之像。\n代表作有为著名词人与画家周闲所绘之《范湖草堂图》、以及由周闲等题跋之《十万图册》等。",[24,29,108,60,62,687,41,421,91,7,1916,330,331,1917,30,31,89],"笔","砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb520acac6950d49e8cce35de80872eb2.jpg","纸本,设墨","111.5cm×41.6cm",[],{"id":1923,"slug":1924,"title":1925,"dynasty":18,"author":215,"museum":167,"description":1764,"tags":1926,"thumbUrl":1927,"material":319,"size":320,"collection":95,"collections":1928,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},228289,"lin-ting-qing-hua-tu-shan-chen-hong-shou-228289","林亭清话图扇",[24,29,959,25,63,91,32,7,39,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5729e6e2e3e83f03d795a0edb6b54a82.jpg",[],{"id":1930,"slug":1931,"title":1932,"dynasty":55,"author":1933,"museum":167,"description":1934,"tags":1935,"thumbUrl":1936,"material":95,"size":95,"collection":95,"collections":1937,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},224246,"die-chi-cong-guan-huai-224246","蝶翅丛","关槐","此作用笔秀润工致，淡设晕染出白菊冰姿玉骨。数簇柔菊或盛放舒展，或含苞轻绽，枝叶偃仰有态，将秋日花卉的清灵生机尽数铺陈。配上行楷题诗，诗画呼应，把幽菊孤高自持的风骨藏于绢素间。整体雅致内敛，无浓艳修饰，以细腻写实的笔触勾勒花叶纹理，晕染出花瓣柔润的质感，尽显文人写意的沉静意趣，晕染开传统花艺的古典美学，是写生花木的清雅佳作。",[23,140,24,29,60,62,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d639b415278a601d0bbf67b6e1f7f63.jpg",[],{"id":1939,"slug":1940,"title":1941,"dynasty":18,"author":215,"museum":85,"description":1942,"tags":1943,"thumbUrl":1944,"material":94,"size":1945,"collection":95,"collections":1946,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":99},220223,"hua-niao-cao-chong-xie-sheng-ce-dan-zi-gu-fang-chen-hong-shou-220223","花鸟草虫写生册-淡紫孤芳","陈洪绶的绘画，尤其是他以之驰誉艺坛的双勾设色花鸟画，其特点有三，一是造型的古拙，二是色彩的古艳，三是线条的寓迟涩于劲挺，既厚重且圆润。",[23,140,24,29,88,62,60,7,70,650,63,627,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53bb070134421d626cfa855b4c4e709c.jpg","21.5×16cm",[],{"id":1948,"slug":1949,"title":1950,"dynasty":55,"author":1951,"museum":105,"description":1952,"tags":1953,"thumbUrl":1956,"material":95,"size":95,"collection":45,"collections":1957,"showCount":1816,"zanCount":49,"manualWeight":49,"mainColor":1958},201530,"qiu-tang-lu-si-tu-zhou-huang-song-201530","秋塘鹭鸶图轴","黄松","秋塘岸畔，残荷半倾，菊影疏横。两只鹭鸶静栖矶上，羽色轻润，神态悠然；一羽飞鸟振翅掠过，翅尖带风，与静谧的鹭鸶形成动静对照。笔墨兼工带写，花叶以水墨晕染，浓淡交错间尽显秋意萧疏；鹭鸟刻画细致，形神兼备。整幅画作意境清寂却暗含生机，寥寥数笔勾勒出秋日荷塘的闲雅之趣，韵味悠长。",[24,25,60,108,63,1954,65,154,1955,7,23],"鹭鸶","秋塘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ca12f8fd78693c2dcfbab1cf8797fb2.jpg",[45],"af9063",{"id":1960,"slug":1961,"title":1962,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":1964,"thumbUrl":1971,"material":319,"size":320,"collection":95,"collections":1972,"showCount":1973,"zanCount":49,"manualWeight":49,"mainColor":50},269087,"zi-tan-bai-bao-qian-hua-lan-tu-yao-yuan-he-yi-ming-269087","紫檀百宝嵌花篮图腰圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[1965,1966,1967,1968,1969,63,32,7,36,1970],"漆器","木质","雕刻","百宝嵌","花篮","器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6466a97ae2e5f3236e4ec3329c788baa.jpg",[],14,{"id":1975,"slug":1976,"title":946,"dynasty":55,"author":1977,"museum":167,"description":1978,"tags":1979,"thumbUrl":1980,"material":319,"size":320,"collection":95,"collections":1981,"showCount":1973,"zanCount":49,"manualWeight":49,"mainColor":99},239094,"hua-hui-ce-ma-yuan-yu-239094","马元驭","马元驭（1669—1722）清代画家。字扶羲，号栖霞，又号天虞山人，江苏常熟人。\n画传家法，而气韵超逸突过乃父。赋性落拓，纵酒逞笔，乃益豪放。写生得恽寿平亲传，又与蒋廷锡讨论六法，故没骨画益工，神韵飞动，不拘陈迹。元驭自以为得沈周、陆治遗意，其超纵处诚有陆氏风规，而老健远逊石田，盖能品也。兴至之作，逸笔尤佳，多用水墨。书亦隽雅。卒年五十四。",[24,60,25,88,63,7,286,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11574ea984d1eb6477ac8e118d6fe93f.jpg",[],{"id":1983,"slug":1984,"title":1985,"dynasty":55,"author":104,"museum":818,"description":1986,"tags":1987,"thumbUrl":1988,"material":95,"size":95,"collection":238,"collections":1989,"showCount":1973,"zanCount":49,"manualWeight":49,"mainColor":99},236736,"shan-shui-ce-hua-yan-236736","山水册","华嵒（1682～1756），福建上杭蛟洋华佳（家）人（原白砂里人），后寓杭州。工画人物、山水、花鸟、草虫，脱去时习，力追古法，写动物尤佳。善书，能诗，时称“三绝”，为清代杰出绘画大家，扬州画派的代表人物之一。华嵒是清康雍乾年间的著名画家，他笔下的鸟堪称一绝，最负盛名。\n华喦就是我们所熟知的新罗山人，但我相信这一套山水画册，大部分人都不是熟悉，这山水画册页并没有藏在国内，而是藏在美国的弗利尔美术馆，其可称为华喦非常精致的一套山水册页。",[24,29,88,25,31,89,91,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1492cbea826fde7cdd1dbfc776b89a1f.jpg",[238],{"id":1991,"slug":1992,"title":1993,"dynasty":55,"author":1994,"museum":167,"description":1995,"tags":1996,"thumbUrl":1998,"material":319,"size":320,"collection":95,"collections":1999,"showCount":1973,"zanCount":49,"manualWeight":49,"mainColor":99},235750,"shi-di-ba-ren-he-zuo-jiu-qiu-tu-zhou-wang-hui-235750","师弟八人合作九秋图轴","王翚","王翚（1632年4月10日─1717年11月15日），字石谷，号耕烟散人、剑门樵客、乌目山人、清晖老人等。江南省苏州府常熟人(今江苏常熟)。清代著名画家。其绘画以山水为主，山水融会南北诸家之长，创立了所谓“南宗笔墨、北宗丘壑”的新面貌，被称为“清初画圣”。与王时敏、王鉴、王原祁合称山水画家“四王” ，又与吴历、恽寿平并称“清六家”。同时他还是虞山派鼻祖。\n在绘画理论方面也有较高造诣。其论画主张“以元人笔墨，运宋人丘壑，而泽以唐人气韵。”",[24,29,108,60,62,63,1710,7,37,66,233,361,89,25,1016,40,1997],"合作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e1454da1fc321a9cf26daccf2083cf8.jpg",[],{"id":2001,"slug":2002,"title":946,"dynasty":55,"author":166,"museum":167,"description":339,"tags":2003,"thumbUrl":2004,"material":319,"size":320,"collection":95,"collections":2005,"showCount":1973,"zanCount":49,"manualWeight":49,"mainColor":99},235201,"hua-hui-ce-wu-chang-shuo-235201",[24,29,88,25,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6fcbcd912a3c5ca2458e0ccf36abd25.jpg",[],{"id":2007,"slug":2008,"title":2009,"dynasty":55,"author":256,"museum":167,"description":2010,"tags":2011,"thumbUrl":2015,"material":319,"size":320,"collection":2016,"collections":2017,"showCount":1973,"zanCount":49,"manualWeight":49,"mainColor":50},229637,"guan-yao-fen-cai-si-ji-hua-hui-chang-fang-hua-pen-yi-ming-229637","官窑 粉彩四季花卉长方花盆","官窑，是南宋宋高宗时期一些窑口专为宫廷烧制的瓷器，供御捡退，在当时俗称"官窑“。官窑，毛公洞第一（今 江苏扬州一带）。南宋官窑瓷器沿袭北宋风格，规整对称，宫廷气势，高雅大气，一丝不苟。因为胎土含铁量极高，手感沉重，胎土呈深黑褐色，后称”紫口铁足“。釉面沉重幽亮，釉厚如堆脂，温润如玉。釉面多层反复细刮，釉光下沉而不刺眼，纹理布局规则有致，造型庄重大方。另外”肉腐留骨“（露胎处像死人骨头，俗称”骨董“）也是那时所造。我们今天所称官窑泛指历朝官府烧造瓷器，其实，历史上仅指南宋时期烧造的瓷器，后世再无此称呼。\n官窑起自唐，有两种涵义，一是指贡器，一是指官厂。自唐代至元代（公元八世纪~十四世纪），官窑多有贡器，少有官厂，采取的形式是“官监民烧”，烧出的瓷器，“千中选十，百中选一”，进贡给统治阶级。这种瓷器就叫做贡瓷和官窑。那时，唐代在产瓷区设有司务，如唐景隆初（公元707~709年）褚绥为新平(景德镇)司务，奉诏监烧献陵祭器。宋代设监，如太平兴国年间(公元976~983年)，派殿前承旨赵仁济监理越州窑务。到了元代则设局，以提领监陶，后改为本设总管。他们烧出的“景德年制”，“枢府’等款式的瓷器，分别称为“景德窑’，“枢府窑”等。\n官窑之谓，在中国古代陶瓷史上有不同的内涵。就广义而言，是有别民窑而专为官办的瓷窑，其产品为宫廷所垄断。在宋代瓷器中，官窑即是一种专称，指北宋和南宋时在京城汴京（汴梁，今开封）和临安（今杭州）由宫廷设窑烧造的青瓷，故又有“旧官”和“新官”之分，前者为北宋官窑，后者为南宋官窑。\n官窑是在宋大观及政和年间于汴梁所造，青瓷釉色晶莹惕透，有开裂或呈冰片状，粉青紫口铁定是其特色。\n宋室南移在凤凰山下设立官窑，又称修内司官窑或内窑，郊坛下设立的郊坛下官窑，器形较多，有直径大过一尺的大型产品。\n从1128年元世祖忽必烈设置“浮梁磁局”，到二十世纪清朝覆亡，景德镇是元、明、清三代皇家瓷厂所在地，中国的官窑制度在这里延续了632年，江西景德镇也由此拥有烧造时间最长、规模最大、工艺最精巧的官办瓷厂。景德镇地下也因此存有大量因禁绝流入民间而被就地掩埋的古碎瓷，成为中国品类最完整、年代最可靠、信息最丰富的官窑遗址和“地下瓷都”。北宋官窑也称汴京官窑。相传北宋大观、政和年间，在汴京附近设立窑场，专烧宫廷用瓷器，即北宋官窑。南宋顾文荐《负暄杂录》记载："宋宣政间（宣和、政和即公元1111－1125年）京师自置窑烧造，名曰官窑"，南宋叶在其《垣斋笔衡》中对北京官窑亦有记载："政和京师自置窑烧造，名曰官窑"。当时的京师即汴京（今开封），因宋代汴京遗址已沉入地底，到今为止，尚未发掘出北宋官窑遗址，对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，时到今，关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。\n南宋顾文荐《负睻杂录》记载：“宋宣政间（宣和、政和即公元1111~1125年）京师自置窑烧造，名曰‘官窑’”，南宋叶寘在其《垣斋笔衡》中对北京官窑亦有记载：“政和京师自置窑烧造，名曰‘官窑’”。明代《事物绀珠》、《留留青》因袭此说。当时的京师即汴京(今河南开封)，因宋代汴京遗址已沉入地下，到今为止，尚未发掘出北宋官窑遗址。对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，今关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。支持第三种说法的人较多。\n北宋官窑传世品很少，形质与工艺与汝窑有共同处。器多仿古，主要有碗、瓶、洗等。胎体显厚，胎骨深灰、紫色或黑色，釉色有淡青、粉青、月白等，釉质莹润温雅，尤以釉面开大裂纹片著称，不同于南宋官窑和汝窑及龙泉窑瓷器。底有文钉烧痕，有“紫口铁足”的特征。",[2012,2013,2014,60,40,7,182],"陶瓷","粉彩","官窑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F992604256afe4a9201b89df6e8c73523.jpg","瓷器精选",[2016],{"id":2019,"slug":2020,"title":2021,"dynasty":55,"author":778,"museum":85,"description":2022,"tags":2023,"thumbUrl":2024,"material":111,"size":2025,"collection":45,"collections":2026,"showCount":1973,"zanCount":49,"manualWeight":49,"mainColor":99},214561,"mo-zui-za-hua-tu-ce-6-shi-tao-214561","墨醉杂画图册-6","石涛此册花鸟山水，除两开山水外，都是各种农家花卉果蔬小品，包括芙蓉河石、黄瓜豇豆、水仙竹枝、杏果柿子、莲藕扁豆等，作画构图新奇，笔法松柔秀拙，笔情恣肆，淋漓洒脱，具有一种豪放郁勃的生动气息!",[23,140,24,29,88,25,63,7,706,30,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F576f4adf720f042e76cb0d887900cf4b.jpg","纵51.4厘米，横35.4厘米",[45],{"id":2028,"slug":2029,"title":788,"dynasty":55,"author":2030,"museum":105,"description":2031,"tags":2032,"thumbUrl":2035,"material":95,"size":95,"collection":238,"collections":2036,"showCount":1973,"zanCount":49,"manualWeight":49,"mainColor":2037},201955,"cai-ju-tu-zhou-shen-zong-qian-201955","沈宗骞","画面以水墨绘就，苍松倚石而生，枝干盘曲如虬龙，松针层叠细密，尽显古劲之姿。旁侧竹枝疏朗，与松枝相映成趣。远山以淡墨晕染，云雾缭绕间显悠远之境。近景处，文人宽袍博带，手持菊枝，俯身凝视，神态悠然恬淡，似沉醉于菊香之中。山石以简皴勾勒，菊花以淡墨点染，清雅脱俗。整幅画作线条细腻传神，墨色层次丰富，意境闲适静谧，尽显文人画的雅致意趣，传递出对自然与隐逸生活的向往。",[25,821,34,33,7,822,687,2033,2034,23],"文人画","意趣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f5fcf74fe1169e82ae8040345b383e4.jpg",[238],"b4a086",{"id":2039,"slug":2040,"title":2041,"dynasty":55,"author":2042,"museum":167,"description":2043,"tags":2044,"thumbUrl":2045,"material":95,"size":95,"collection":95,"collections":2046,"showCount":2047,"zanCount":49,"manualWeight":49,"mainColor":50},235852,"hua-niao-zhou-fang-heng-xian-235852","花鸟轴","方亨咸","整作将花木禽鸟与山水意韵相融，古松盘曲苍劲，皴写的老干尽显风霜古意，松针攒簇细密，满溢岁寒清刚之姿。嶙峋怪石以枯淡墨笔勾绘棱线，苍浑朴拙，托出幽寂之境。丹红的枫枝斜出，艳色提亮画面，山雀独立枝头，墨色晕染出亮泽羽色，静立侧目，悠然自得。岩畔秋菊敷色清雅，与丹枫冷暖相映，更添秋意清和。题款小字隽雅，与画境浑然一体，工写兼济，既有花鸟之灵秀，又具山水之苍润，暗喻幽居自适的君子襟怀，尽展秋日林涧的古雅清寂。",[24,60,62,108,63,34,407,385,7,650,420],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98ab0e385509a59991739e25adbfedc4.jpg",[],13,{"id":2049,"slug":2050,"title":759,"dynasty":55,"author":2051,"museum":167,"description":2052,"tags":2053,"thumbUrl":2054,"material":319,"size":320,"collection":95,"collections":2055,"showCount":2047,"zanCount":174,"manualWeight":49,"mainColor":99},235465,"hua-hui-tu-ce-fan-ting-zhen-235465","范廷镇","字鹿畴，一作祉安，或止安，号芷庵，一号冻亭，又号乐亭，武进（今江苏常州）人。",[23,24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd10c3379fd88ffd87e24315cd2729ea4.jpg",[],{"id":2057,"slug":2058,"title":2059,"dynasty":18,"author":215,"museum":417,"description":1559,"tags":2060,"thumbUrl":2061,"material":88,"size":95,"collection":95,"collections":2062,"showCount":2047,"zanCount":49,"manualWeight":49,"mainColor":99},221906,"hua-niao-jing-pin-ce-3-chen-hong-shou-221906","花鸟精品册3",[24,29,88,60,62,63,7,70],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5216492fc58e2e584bd49c2caa9bda6.jpg",[],{"id":2064,"slug":2065,"title":2066,"dynasty":1268,"author":2067,"museum":105,"description":2068,"tags":2069,"thumbUrl":2070,"material":95,"size":95,"collection":696,"collections":2071,"showCount":2047,"zanCount":49,"manualWeight":49,"mainColor":2072},203400,"zhong-kui-tu-zhou-qian-hui-an-203400","钟馗图轴","钱慧安","钟馗宽袍博带，须髯戟张，手持折扇半掩面容，威严中藏着些许憨趣。身侧灵猴依偎，姿态鲜活灵动，似与主人亲昵互动。扇畔菊卉与草叶点缀，设色清雅却见细腻。人物线条工细流畅，衣纹勾勒兼具力度与飘逸感，猴子毛发晕染写实，质感毕现。画家以工笔写形、写意传神，将钟馗的神性与世俗温情相融，打破传统钟馗图的肃穆，添了几分生活意趣。画风承传统文人画韵致，又含鲜活气息，笔墨间见深厚功底与独特匠心。",[24,687,720,7,60,62,26,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff356032748ec1da92600306946662b47.jpg",[696],"c2b1a0",{"id":2074,"slug":2075,"title":2076,"dynasty":1268,"author":121,"museum":105,"description":2077,"tags":2078,"thumbUrl":2079,"material":95,"size":95,"collection":45,"collections":2080,"showCount":2047,"zanCount":49,"manualWeight":49,"mainColor":2081},203127,"qiu-se-tu-zhou-pan-tian-shou-203127","秋色图轴","画面构图奇崛有致，右侧墨叶纷披与黄菊簇生交织，墨色浓淡相生，尽显苍劲之姿；左侧雁来红以朱砂设色，笔力拙朴厚重，与黄花墨叶形成鲜明冷暖对比。上方行书题款笔势雄健开张，与景物相得益彰，整体气韵沉雄，秋色烂漫却见清刚风骨，简括中藏奇险，于平衡里显独特艺术格调，尽显画家对自然生机的凝练捕捉与雄浑表达。",[24,63,60,25,31,7,89,108,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ba687f99ac5033c16413a520cc47f05.jpg",[45],"d0c2b6",{"id":2083,"slug":2084,"title":946,"dynasty":55,"author":294,"museum":105,"description":2085,"tags":2086,"thumbUrl":2087,"material":95,"size":95,"collection":45,"collections":2088,"showCount":2047,"zanCount":49,"manualWeight":49,"mainColor":2089},203015,"hua-hui-ce-zhao-zhi-qian-203015","画面花卉竞绽，菊瓣舒展如金缕织就，粉花柔媚似云霞轻笼，紫团簇簇添幽韵。枝叶以浓淡墨色勾染，笔触兼具篆隶的苍劲与写意的灵动，金石气渗透于花叶脉络间。设色明丽饱和却不艳俗，冷暖交织尽显生机。花瓣层叠、叶片纹理细致入微，又不失整体挥洒意趣，文人雅致与民间鲜活相融，自成一格。",[63,60,7,89,62,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef149a8e4f540ae357652158074fc823.jpg",[45],"565e4e",{"id":2091,"slug":2092,"title":2093,"dynasty":442,"author":256,"museum":167,"description":2094,"tags":2095,"thumbUrl":2096,"material":319,"size":320,"collection":95,"collections":2097,"showCount":2098,"zanCount":49,"manualWeight":49,"mainColor":50},290910,"cong-ju-tu-zhou-yi-ming-290910","丛菊图轴","此作用赭色绢底铺陈底色，嶙峋湖石立作骨架，将丛菊错落排布。白菊似雪团攒簇枝头，间杂紫蕊柔枝，晕染出深浅层次，尽现盛放之姿。或昂然舒展、或垂首含娇，将秋菊清灵雅致的情态描摹尽致。\n\n蝶虫悄然隐于花间叶隙，为幽寂花景暗添鲜活意趣。设色古雅沉静，勾勒兼具工致与写意：既细致刻画菊瓣柔润的舒展层次，又以淡墨晕出花叶的苍润蓬松，融工笔之细腻与水墨之清逸为一体。\n\n整幅画作藏着文人爱菊的幽怀，将秋菊凌霜之态与隐逸之美凝于绢素，静而不寂，淡而有味，晕开秋日篱畔的清隽意境。",[140,24,29,108,60,63,7,91,70],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18affc64ae70d5c5c9aac3439bc2a8af.jpg",[],12,{"id":2100,"slug":2101,"title":1656,"dynasty":55,"author":881,"museum":167,"description":1657,"tags":2102,"thumbUrl":2103,"material":95,"size":95,"collection":95,"collections":2104,"showCount":2098,"zanCount":49,"manualWeight":49,"mainColor":99},238370,"dong-gao-yan-chun-hui-cai-tu-ce-dong-gao-238370",[24,29,88,62,60,63,7,41,40,361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a936ab0fef5ef9d223e2fcc446a4568.jpg",[],{"id":2106,"slug":2107,"title":946,"dynasty":55,"author":1875,"museum":167,"description":1876,"tags":2108,"thumbUrl":2109,"material":319,"size":320,"collection":95,"collections":2110,"showCount":2098,"zanCount":49,"manualWeight":49,"mainColor":99},235597,"hua-hui-ce-wang-wu-235597",[24,29,88,60,63,40,89,31,35,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc07fb5061d99f73a800df185034991a.jpg",[],{"id":2112,"slug":2113,"title":2114,"dynasty":55,"author":256,"museum":167,"description":2115,"tags":2116,"thumbUrl":2117,"material":95,"size":95,"collection":95,"collections":2118,"showCount":2098,"zanCount":49,"manualWeight":49,"mainColor":99},234484,"jin-ling-ming-bi-ji-sheng-hu-zao-hua-cao-chong-ce-ye-yi-ming-234484","金陵名笔集胜-胡慥画草虫册页","明末清初，金陵特殊的政治、经济、文化地位，使其集聚了一大批画家，用龚贤的话来说：“今日画家以江南最盛，江南十郡以首郡为盛，郡中著名者且数十辈，但能吮笔者岂止千人？”① 江南的首郡就是金陵。在这些画家中，却单单有八位画家因一个概念而被画史铭记，这就是“金陵八家”。但是，关于“金陵八家”的构成一直为画史争论不休。先后出现了多个版本，这些不同的“金陵八家”组合其实可以分为三类：①为张庚《国朝画征录》中提出的以龚贤为首的“金陵八家”。②为标明是周亮工品题的不包括龚贤，并以陈卓领衔的“金陵八家”，《上元县志》、《新修江宁府志》、《上江两县志》和《金陵通传》这4部南京地方志采用该说。前三书完全相同，而《金陵通传》略有不同，将武丹换成了武弁（很可能是传抄的错误）。《眼福编》的组合虽与张庚之说相似，但将龚贤换成了邹喆的父亲邹典，故将之归到这一类。③为《昆山景物志》，此说也以龚贤为首，大概因为龚贤是昆山人。新入3人：施霖、盛丹、王概。这三类“金陵八家”构成以第一种受到的附合最多。为什么会出现如此多的“金陵八家”说不同版本，“金陵八家”最初由谁品题，为什么会发生变化，其动因又是什么呢？",[24,29,88,60,62,63,7,627],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd69d52209f5bf66a1de1c23e1b5d4804.jpg",[],{"id":2120,"slug":2121,"title":2122,"dynasty":2123,"author":256,"museum":167,"description":2124,"tags":2125,"thumbUrl":2128,"material":95,"size":95,"collection":95,"collections":2129,"showCount":2098,"zanCount":49,"manualWeight":49,"mainColor":99},225500,"fu-shi-hui-258-yi-ming-225500","浮世绘258","不详","执菊轻嗅的仕女垂眸敛神，将一身温婉揉进朦胧秋光。高髻乌发晕染柔润，鬓边线条清隽，尽显雅致娴静。浅纹和服晕染虚实相宜，柔和笔触衬出身姿柔婉舒展。暖橘底色如薄暮霞色，明黄秋菊错落绽于身后，暖调氤氲间，清冷菊香仿佛漫溢开来。画面将女子闲憩的慵懒诗意晕开，用细腻柔和的笔触，把东方女性的静美与秋日氛围感相融，将日常闲情绘成隽永的古典意趣。",[2126,60,687,2127,7],"浮世绘","美人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf176046504b22c1ea4ec28cd1707d15.jpg",[],{"id":2131,"slug":2132,"title":2133,"dynasty":2123,"author":256,"museum":167,"description":2134,"tags":2135,"thumbUrl":2137,"material":95,"size":95,"collection":95,"collections":2138,"showCount":2098,"zanCount":174,"manualWeight":49,"mainColor":99},225351,"fu-shi-hui-105-yi-ming-225351","浮世绘105","浅湖蓝带颗粒感的底色晕开沉静氛围，暖黄色线瓣菊舒展绽放，细长花瓣从花心呈放射状铺陈，辅以淡色阴影勾勒蓬松花型，柔润中带着舒展的锐气。墨绿叶片棱角分明，与柔媚花型刚柔相济。\n\n画面疏密有致，上方留白透气，下方花簇饱满错落，朱红印章点缀右侧，平衡青黄色调，添了一抹醒目的暖意。整体风格清雅悠然，以简洁套色定格秋菊孤高的意趣，将秋日花草的闲静风骨藏在柔婉的笔色里。",[2126,2136,60,7,206,361,89],"木刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F954596b9cdaa8458eeb612b2008726e6.jpg",[],{"id":2140,"slug":2141,"title":2142,"dynasty":55,"author":256,"museum":2143,"description":2144,"tags":2145,"thumbUrl":2146,"material":249,"size":95,"collection":95,"collections":2147,"showCount":2098,"zanCount":49,"manualWeight":49,"mainColor":1333},216859,"xi-xiang-ji-tu-ce-24-yi-ming-216859","西厢记图册-24","法国国家图书馆","绿树垂荫覆着半开的竹帘，庭院里湖石嶙峋，花草点缀其间。人物情态宛然：凭栏端坐者衣袂素雅，眸光似含笑意；立者二人相对低语，身形凑近，似有密语相诉；周遭草木扶疏，笔墨细腻勾描枝叶纹理与衣纹流转，淡彩晕染出清润雅致的氛围。画面将西厢故事里才子佳人的幽微情愫藏于细节，每一处景物皆默默诉说着那段古典爱情中的温柔试探与悄然心动，让观者在这一方小天地里，触摸到含蓄深沉的古典浪漫。",[140,24,29,88,60,62,687,2127,421,407,7,825],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9211cf2606321e2aefdebf9c10e0291.jpg",[],{"id":2149,"slug":2150,"title":946,"dynasty":18,"author":1521,"museum":167,"description":1522,"tags":2151,"thumbUrl":2152,"material":319,"size":320,"collection":95,"collections":2153,"showCount":2154,"zanCount":49,"manualWeight":49,"mainColor":99},237684,"hua-hui-ce-sun-ke-hong-237684",[24,29,88,25,31,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4aba2a0ed65c0675aa3b34144c66a0a5.jpg",[],11,{"id":2156,"slug":2157,"title":759,"dynasty":55,"author":2158,"museum":167,"description":2159,"tags":2160,"thumbUrl":2161,"material":319,"size":320,"collection":95,"collections":2162,"showCount":2154,"zanCount":49,"manualWeight":49,"mainColor":99},235707,"hua-hui-tu-ce-zou-yi-gui-235707","邹一桂","邹一桂（1688年－1772年）清代官员，画家。字原褒，号小山，又号让卿，晚号二知老人，江苏无锡人。雍正五年二甲第一名进士，授翰林院编修。历官云南道监察御史、贵州学政、太常寺少卿、大理寺卿、礼部侍郎，官至内阁学士。擅画花卉，学恽寿平画法，风格清秀。曾作《百花卷》，每种赋诗，一经进呈，皇上亦赐题绝句百篇，一桂复写一卷，恭录御制于每种之前，而书己作于后，藏于家。著有《小山画谱》、《大雅续稿》。",[24,29,88,25,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2c85ed706230e9336b8c471a5dc4182.jpg",[],{"id":2164,"slug":2165,"title":946,"dynasty":55,"author":1883,"museum":167,"description":1884,"tags":2166,"thumbUrl":2167,"material":95,"size":95,"collection":95,"collections":2168,"showCount":2154,"zanCount":49,"manualWeight":49,"mainColor":99},234789,"hua-hui-ce-jin-li-ying-234789",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac08f42306bb34287db8306bd84daff7.jpg",[],{"id":2170,"slug":2171,"title":2172,"dynasty":2123,"author":256,"museum":167,"description":2173,"tags":2174,"thumbUrl":2176,"material":95,"size":95,"collection":95,"collections":2177,"showCount":2154,"zanCount":49,"manualWeight":49,"mainColor":99},225391,"fu-shi-hui-148-yi-ming-225391","浮世绘148","这是一幅刚柔并济的佳作，以柔美笔触塑造飒爽女武者。流畅挺括的墨线勾勒衣褶，让繁复和服层次分明，浅棕底色搭配雅致菊纹刺绣，朱红刀鞘成为视觉亮点，配色雅致又不失张力。\n\n人物头戴乌帽，腰挎双刀却手持短笛，刚柔反差尽显独特的浪漫塑造，将武者英气揉入浮世绘美人的温婉范式中。极简水纹背景收拢视线，修长构图衬出人物秀挺飒爽，阴柔与阳刚精巧相融，尽显江户市井美学里的江湖浪漫意趣。",[2126,2136,60,2127,687,7,2175,1216],"刀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c6283285b1fe234786e9c5ec3ebe427.jpg",[],{"id":2179,"slug":2180,"title":2181,"dynasty":55,"author":673,"museum":167,"description":2182,"tags":2183,"thumbUrl":2185,"material":95,"size":95,"collection":95,"collections":2186,"showCount":2154,"zanCount":49,"manualWeight":49,"mainColor":99},224311,"hua-niao-ce-shi-kai-10-li-shan-224311","花鸟册十开10","此作兼工带写，将秋菊清灵之态尽显纸上。蓝紫、粉白花瓣晕染柔润通透，明黄花心点醒生机，枝叶勾勒挺劲简练，水墨与淡彩相融，既留存秋菊鲜活质感，又带着写意疏放意趣。\n\n右侧题诗行书纵逸跌宕，笔意洒脱，诗画相映，将文人爱菊幽思寄寓花枝之间。整体色调清雅妍丽，于浅淡间尽显秋花隽逸风姿，将写生鲜活与文人写意随性相合，寥寥笔墨间生机盎然，诗画合璧更添雅韵，尽显文人花鸟画的悠然意趣。",[23,24,29,88,60,26,63,7,2184,1505,89],"花朵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff642fb405bfa754a4ff7754cc7ac83e5.jpg",[],{"id":2188,"slug":2189,"title":2190,"dynasty":18,"author":215,"museum":167,"description":2191,"tags":2192,"thumbUrl":2193,"material":43,"size":95,"collection":95,"collections":2194,"showCount":2154,"zanCount":49,"manualWeight":49,"mainColor":50},216311,"xi-xiang-ji-zhen-ben-tu-ce-16-chen-hong-shou-216311","西厢记真本图册-16","笔线如铁铸银勾，刚劲中藏柔韧，勾勒出花草枝蔓的古逸姿态。墨色浓淡相济，叶片的厚重与花瓣的轻盈相映成趣，枝桠虬曲似含幽情。右侧小景与题字呼应，书法古拙与画风浑然一体，添了几分文人雅韵。画面虽简，却于细节处见匠心，每一笔都透着沉静力道，将西厢故事里的雅致含蓄悄然晕开，仿佛能闻见庭院清芬，触到笔墨间藏着的温柔情思。",[24,29,88,821,25,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefa157a0dd3b446ddaa0bcbd069fa3a8.jpg",[],{"id":2196,"slug":2197,"title":2198,"dynasty":442,"author":584,"museum":191,"description":2199,"tags":2200,"thumbUrl":2201,"material":94,"size":588,"collection":95,"collections":2202,"showCount":2154,"zanCount":49,"manualWeight":49,"mainColor":99},215003,"xie-sheng-hua-hui-ce-5-wang-yuan-215003","写生花卉册-5","此画册有王渊绘画手法，但元代气息不足，可视为明清之际的王渊款花卉画。此套图册花鸟极其工细，勾勒精致，色彩鲜艳、古拙",[140,24,29,88,62,60,33,7,70,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ada0178d3b5df1abed7c6038444da86.jpg",[],{"id":2204,"slug":2205,"title":1539,"dynasty":18,"author":612,"museum":105,"description":2206,"tags":2207,"thumbUrl":2208,"material":95,"size":95,"collection":45,"collections":2209,"showCount":2154,"zanCount":49,"manualWeight":49,"mainColor":2210},201795,"hua-hui-tu-juan-chen-chun-201795","这幅花卉图卷以水墨写意入笔，笔墨纵横恣肆，气韵生动。枝蔓花卉以浓淡干湿的墨色变化铺陈，线条洒脱不拘，如梅枝苍劲、兰叶飘逸、荷叶舒展，皆在寥寥数笔间尽显神韵。画面不重形似而尚意趣，一花一叶透着文人清雅风骨，墨色淋漓处见生机，留白间藏余韵，将自然草木情态与画家逸兴融为一体，尽显写意花鸟的灵动疏放之美。",[24,28,25,63,32,41,33,7,35,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b7eb71a5de54d509ffccb7ce7bcbfe4.jpg",[45],"000000",{"id":2212,"slug":2213,"title":2214,"dynasty":55,"author":778,"museum":105,"description":2215,"tags":2216,"thumbUrl":2217,"material":95,"size":95,"collection":45,"collections":2218,"showCount":2154,"zanCount":174,"manualWeight":49,"mainColor":2219},201607,"jiao-ju-zhu-shi-tu-zhou-shi-tao-201607","焦菊竹石图轴","画面以水墨写意写竹石蕉菊，笔墨纵逸洒脱。焦墨挥就的竹叶如剑戟横斜，尽显劲节；阔大蕉叶浓淡相破，层次叠生；嶙峋奇石皴擦兼施，肌理毕现；丛菊点缀石畔，淡雅疏朗。整幅画气韵生动，以简驭繁，将竹的坚韧、石的苍劲、蕉的清逸、菊的傲岸融为一体，尽显文人画“以物喻志”的意趣。笔势跌宕，墨色淋漓，于山野之趣中藏笔墨之妙，不经意间流露自然生机与人格寄托，是写意花鸟中情景交融的佳作。",[25,420,33,7,91,63,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d75643bba6c7a73727d229570de7ff2.jpg",[45],"c2b6aa",{"id":2221,"slug":2222,"title":2223,"dynasty":55,"author":256,"museum":167,"description":2224,"tags":2225,"thumbUrl":2226,"material":319,"size":320,"collection":95,"collections":2227,"showCount":263,"zanCount":174,"manualWeight":49,"mainColor":50},289918,"an-chun-hua-hui-tu-ye-yi-ming-289918","鹌鹑花卉图页","此作工致秀雅，两只鹌鹑动静相映，一只垂首似啄食小憩，一只昂首远眺，绒羽以细笔丝描晕染，蓬松柔润的质感尽显。\n\n周遭花木错落生姿，鸢尾挺秀、紫菊柔婉，垂枝缀着猩红浆果，枝叶舒展间带着野趣生机，敷色妍丽古雅，勾勒细劲流畅，将草木舒展之态描摹入微。\n\n右上角题字清雅，书画相映，为画面更添文韵。整幅构图疏密相宜，一隅小景藏着悠然生机，既见写生的细腻用心，又暗合安居顺遂的吉祥意趣，尽显小品花鸟的雅致意趣。",[24,29,63,88,60,62,648,41,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaa6116da5772b353e3913c7125a9981.jpg",[],{"id":2229,"slug":2230,"title":2231,"dynasty":55,"author":256,"museum":167,"description":2232,"tags":2233,"thumbUrl":2234,"material":319,"size":320,"collection":95,"collections":2235,"showCount":263,"zanCount":49,"manualWeight":49,"mainColor":99},272890,"nan-mu-bian-hua-pen-ju-tu-gua-ping-yi-ming-272890","楠木边画盆菊图挂屏","以没骨晕染绘就盆菊清供，素釉花盆温润匀净，配雕花铜座愈显古雅端方。白菊瓣层叠舒展，似凝着秋霜清露，柔润留白衬出花姿翩然写意。墨色叶片苍润错落，笔意秀逸清隽，淡彩晕染出叶片向背深浅，灵动自然。\n\n整幅画面留白疏朗，将案头清供的闲雅意趣晕透纸面，暗合秋日赏菊的隐逸雅致，把花木隽秀与文人清怀相融，淡静悠然的古意漫溢其间，尽显中式文房清赏的淡然韵致。",[24,29,60,62,63,7,182,1248],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82dcc0723f56142ed55790e0baab867b.jpg",[],{"id":2237,"slug":2238,"title":2239,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":2240,"thumbUrl":2242,"material":319,"size":320,"collection":95,"collections":2243,"showCount":263,"zanCount":49,"manualWeight":49,"mainColor":1733},265305,"pin-yue-se-sha-di-mu-dan-ju-wen-tao-yi-ming-265305","品月色纱地牡丹菊纹绦",[1249,36,7,693,2241],"织绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d7f4dae56bc2d3a3dc72301c055604b.jpg",[],{"id":2245,"slug":2246,"title":1441,"dynasty":55,"author":256,"museum":167,"description":2247,"tags":2248,"thumbUrl":2249,"material":319,"size":320,"collection":95,"collections":2250,"showCount":263,"zanCount":49,"manualWeight":49,"mainColor":99},238920,"qing-ren-ju-pu-ce-yi-ming-238920","此作以淡彩工笔绘秋菊，章法疏朗雅致。下方主花肆意舒展，丝缕般的瓣条柔而有骨，披垂摇曳尽显盛放之态，瓣尖晕染浅黄，花蕊凝金，鲜活饱满。右上方花枝斜出，半开的花头含娇带怯，搭配初绽蓓蕾，生机错落。\n\n叶片以水色晕染，深浅绿意层叠，叶脉勾勒细劲，将草木清润质感尽显。留白铺陈开阔，衬出菊之孤高清逸，尽显秋日幽淡萧疏的隐逸意趣，笔致秀雅温婉，淡而不薄，将文人寄寓于菊的恬然风骨晕染纸上。",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0d2738cacd4d2d0ed95d0ff5231a84a.jpg",[],{"id":2252,"slug":2253,"title":2254,"dynasty":55,"author":2255,"museum":167,"description":2256,"tags":2257,"thumbUrl":2258,"material":319,"size":320,"collection":95,"collections":2259,"showCount":263,"zanCount":49,"manualWeight":49,"mainColor":99},237456,"hua-tu-shan-ye-zhang-shu-qiu-237456","花图扇页","张舒秋","图绘秋花烂漫的景致。作者在仿恽寿平笔意的基础上，注重将写意与写形、传神与达情、没骨与勾勒、工谨与遒媚相结合。同时，在刻画主体菊花上还特别注重虚实对比，花瓣用线造型笔笔为实；叶片设色渲染，水融色虚，虚实相生中表现出菊花淡雅冷艳之美。作者不仅画风学恽氏，书风也与恽氏相近，显现出对恽氏书画的学习已经达到较高的艺术水准。",[24,29,959,60,63,7,30,31,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a7e596e72d25c0af0f4ceb4c6ab8867.jpg",[],{"id":2261,"slug":2262,"title":2263,"dynasty":55,"author":1746,"museum":167,"description":2264,"tags":2265,"thumbUrl":2266,"material":319,"size":320,"collection":95,"collections":2267,"showCount":263,"zanCount":174,"manualWeight":49,"mainColor":99},235193,"za-hua-ce-huang-shen-235193","杂画册","黄慎（1687年6月14日—1772年），福建宁化人，初名盛，字恭寿，恭懋，躬懋、菊壮，号瘿瓢子，别号东海布衣。家贫，遂学画，擅长人物、山水、花鸟。他的人物画题材十分广泛和丰富，它不仅画神仙佛道和历史名人，也擅长从民间生活中取材，塑造了纤夫 、乞丐、流氓、渔民等下层人民的形象，这在古代的画家当中是十分难得的。康熙间至扬州卖画，人争客之。是中国清代杰出书画家，为“扬州八怪”之一。与郑燮友善。擅草书，后以狂草笔法作画。亦能诗。有《蛟湖诗钞》。\n黄慎14岁时，父亲客死湖南，两妹相继夭折，家境十分穷困，为生计，母亲命其学画，为人写真。16岁时，离家从师，他勤奋苦学，悉心钻研，画艺日进。",[24,29,88,25,31,7,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F059473f548f02cb346b8c757f64e88a2.jpg",[],{"id":2269,"slug":2270,"title":2271,"dynasty":18,"author":860,"museum":167,"description":2272,"tags":2273,"thumbUrl":2274,"material":62,"size":2275,"collection":95,"collections":2276,"showCount":263,"zanCount":49,"manualWeight":49,"mainColor":866},222045,"de-qu-zai-ren-ce-13-kai-5-wang-zhong-222045","得趣在人册13开5","汪中，明代画家，以翎毛、山水、人物精擅一时。汪中应人之邀作《得趣在人》册页，共十二开，工笔绘芭蕉、哺雀、舞剑等，此册技法上笔墨雅韵，意境深邃。",[23,140,24,29,88,60,62,63,91,7,92,70],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41fa59af75adeaa4a2a98037e8adbf2f.jpg","30×27厘米",[],{"id":2278,"slug":2279,"title":2280,"dynasty":55,"author":2281,"museum":105,"description":2282,"tags":2283,"thumbUrl":2284,"material":60,"size":2285,"collection":95,"collections":2286,"showCount":263,"zanCount":49,"manualWeight":49,"mainColor":50},219807,"hua-niao-cao-chong-tu-3-sun-long-219807","花鸟草虫图-3","孙龙","此册绢本设色，共十二图，描绘荷塘鹡鴒、蓼花螳螂、水藻玄蝉、秋塘青蛙、秋草蝗虫、蜀葵、黄叶麻雀、海棠白头等内容。",[24,60,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc834a69180ad4fd2c94bcb498461835.jpg","纵22.9 厘米 横21.5 厘米",[],{"id":2288,"slug":2289,"title":908,"dynasty":18,"author":19,"museum":105,"description":2290,"tags":2291,"thumbUrl":2292,"material":95,"size":95,"collection":45,"collections":2293,"showCount":263,"zanCount":174,"manualWeight":49,"mainColor":2294},201547,"hua-hui-juan-xu-wei-201547","这幅花卉卷以泼墨大写意笔法挥就，笔墨狂放如草书，墨色浓淡干湿交织，荷叶阔绰、菊花疏朗、竹枝劲挺、兰草幽逸，藤蔓缠绕间野趣横生。花叶形态不拘工细描摹，却于苍劲淋漓中尽显神韵，每笔皆倾注画家孤傲之气，打破传统花鸟拘囿，以写意之境传递生命野逸与不屈。诗书印相映成趣，尽显文人画气韵风骨，堪称明代花鸟大写意典范。",[24,29,28,25,63,35,7,33,41,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92340cebbbeae779e6cc5cfcf1f1f0d4.jpg",[45],"9c8f81",{"id":2296,"slug":2297,"title":2298,"dynasty":18,"author":1521,"museum":105,"description":2299,"tags":2300,"thumbUrl":2304,"material":95,"size":95,"collection":45,"collections":2305,"showCount":263,"zanCount":49,"manualWeight":49,"mainColor":2210},201542,"yi-shi-za-hui-tu-juan-sun-ke-hong-201542","异时杂卉图卷","这幅长卷以灵动笔触勾勒十余种花卉蔬果，水仙清雅、杜鹃艳红、秋菊疏放、夏荷婷婷，更有杨梅垂枝、萱草曳风，花叶姿态各异，生机盎然。工笔细腻处见叶脉纹理，设色淡雅中显自然韵致，题字与画作相映成趣，文人气息扑面而来。画家以简括线条捕捉花木神韵，既得写实之真，又含写意之趣，尽显对自然生灵的入微观察与雅致情怀。",[24,28,63,62,60,39,2301,7,35,2302,2303,89,23],"杜鹃","杨梅","萱草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc73b09fb9495aca83a9628afdcb499cb.jpg",[45],{"id":2307,"slug":2308,"title":2309,"dynasty":18,"author":2310,"museum":167,"description":2311,"tags":2312,"thumbUrl":2315,"material":319,"size":320,"collection":95,"collections":2316,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":99},290506,"duan-yang-jing-zhou-chen-jia-yan-290506","端阳景轴","陈嘉言","陈嘉言（1538～？）字孔彰，浙江嘉兴人。善写花卉翎毛。",[24,29,108,60,63,91,64,2313,7,89,2314],"罂粟","端阳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda7058ae7dbad931a1e56864cfa4bdd3.jpg",[],9,{"id":2319,"slug":2320,"title":2321,"dynasty":55,"author":256,"museum":167,"description":2322,"tags":2323,"thumbUrl":2329,"material":319,"size":320,"collection":95,"collections":2330,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":50},272894,"zi-tan-mu-qian-tong-bian-qian-yu-hua-niao-tu-gua-ping-yi-ming-272894","紫檀木嵌铜边嵌玉花鸟图挂屏","浅棕素地衬出雅致底色，虬曲枝干苍劲古拙，翠叶错落舒展，丹红浆果垂坠枝梢，明黄秋菊绽露清妍。两只绶带鸟栖于枝桠，白羽莹润细腻，长尾曳曳生姿，两两相对似在私语，情态娴静悠然。\n\n此作以镶嵌之法施艺，将诸般玉料依形排布，把清秋花鸟的温婉意趣凝于屏间。色泽搭配和谐雅致，工致精巧的匠意里揉合着传统诗意氛围感，将秋日林间的恬淡雅致定格屏中，尽显隽永悠然的东方韵致。",[1248,63,154,7,823,2324,1966,2325,2326,1967,2327,2328],"红果","玉石","铜制","镶嵌","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07713eb65bd19c4d53eef472a734338c.jpg",[],{"id":2332,"slug":2333,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2334,"thumbUrl":2335,"material":319,"size":320,"collection":95,"collections":2336,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":99},238430,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238430",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F117c5360a7f01b9e6e0af52c4ab97bcc.jpg",[],{"id":2338,"slug":2339,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2340,"thumbUrl":2341,"material":319,"size":320,"collection":95,"collections":2342,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":99},238422,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238422",[140,24,29,88,60,62,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba1799932c5e3c63162fac4fdf67eaba.jpg",[],{"id":2344,"slug":2345,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":2346,"thumbUrl":2347,"material":319,"size":320,"collection":95,"collections":2348,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":99},238395,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238395",[24,29,88,62,60,7,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c48bf9ac5239df93325d63e5a26e4f7.jpg",[],{"id":2350,"slug":2351,"title":2352,"dynasty":18,"author":84,"museum":167,"description":2353,"tags":2354,"thumbUrl":2355,"material":95,"size":95,"collection":95,"collections":2356,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":50},237700,"shan-shui-hua-guo-ce-xiang-sheng-mo-237700","山水花果册","项圣谟，生于明代万历二十五年（1597年），卒于清代顺治十五年（1658年），初字逸，后字孔彰，号易庵，别号甚多，已知者有子璋、子毗、胥山樵、胥樵、古胥山樵人、兔鸣叟、莲塘居士、松涛散仙、大酉山人、存存居士、烟波钓徒、狂吟客、鸳湖钓叟、逸叟、不夜楼中士、醉疯人、烟雨楼边钓鼇客等，浙江嘉兴人。祖父项元汴，为明末著名书画收藏家和画家。伯父项德新也善画。项圣谟自幼受家庭熏陶，精研古代书画名作，虽然曾由秀才举荐为国子监太学生，但不求仕进，而把兴趣投入到书画中，从而在绘画创作上，他很早就显现出了多方面的才能，山水、人物、花鸟无一不精，曾得到明末两位最为著名的鉴赏家，董其昌和李日华的高度评价。董其昌在他的画册上题跋，称“古人论画，以取物无疑为一合，非十三科全备，未能至此。范宽山水神品，犹借名手为人物，故知兼长之难。项孔彰此册，乃众美毕臻，树石屋宇，皆与宋人血战，就中山水，又兼元人气韵，虽其天骨自合，要亦工力至深，所谓士气、作家俱备。项子京有此文孙，不负好古鉴赏百年食报之胜事矣”，李日华称赞他的画风“英思神悟，超然独得”，是“崛起之豪”。\n项圣谟的作品，以山水为多，也是他成就的主要方面。他早年从学习文徵明入手，但很快就跳出了文徵明画法画风的局限，而直接向古人学习。这主要是受益於其家族富甲天下的历代名画收藏，从而可以使他很快改学宋人用笔的周密严谨、兼取了元人的韵致。除了宗乳於祖辈的丰富家藏，亦得力其自身的观察自然、远游写生的经验，使其画面布局大开大合，意境明净清雅，结构严谨而富于变化，笔法简洁秀逸，气韵高雅，极富书卷气，具有很高的品格和思想内涵。\n他的画有两点最值得称道，也是当时其他画家所不及的。其一是强烈的政治色彩，他用画反映民间疾苦，寄托对人民的同情和对明王朝的忠贞。在先后经历了“甲申”和“乙酉”之变，满清入主中原后，项圣谟在画上就不再题写朝代的纪年，仅用干支，并钤盖“江南在野臣”、“大宋南渡以来辽西郡人”、“皇明世胄之中嘉禾处士”等印，以彰其志节。此段时间的作品，大多借用绘画抒写胸中郁愤，表现强烈的遗民感情，由徐树铭题项圣谟清顺治三年（1646）所作《山水诗画册》：“六月雪篇有时变之感，望扶桑篇有故国之思，诗史之董狐也。”于画作中寓写深意，反应时代，以画为史。李铸晋认为其在亡国后的作品，蕴含著效忠前朝，表达亡国之痛的图画象徵，如：红色，以“朱”为明朝；枝干壮硕却无叶的树木，喻为国家，虽历风雨，枝干仍傲然挺立，有著不可折屈的精神；在暮色中栖息的飞鸟是无处可归，何处为家之意等。现藏北京故宫之《大树风号图》的题跋“风号大树中天立，日落西山四海孤。短策且随时旦莫，不堪回首望菰蒲”可作其心境写照。\n其二是极其严谨的画风和写实态度。项圣谟善于从生活中摄取素材，他的画贴近现实，造型准确，严肃不苟，一反当时潦草粗疏，追求“逸笔草草”的画风。吴山涛在题项圣谟《秋声图轴》曾说到：“孔彰先生为予老友，作画必凝神定志，一笔不苟，予常嗤其太劳。君曰：我辈笔墨，欲流传千百世，岂可草草乎？旨哉其言也。”可见项圣谟这种严肃认真的好的作风，直接影响到他的画风，使他的绘画在当时的画坛上别树一帜，而赢得了“士气作家俱备”的称誉。\n项圣谟喜画高大的乔木，尤喜画松树，树木勾，擦，染精细，树干之嶙峋，历历几可扪捉，有强烈的凹凸感，而留出的受光部分则颇具体积感，与一般文人画示意性的画法迥然有别，故明时有“项松之名满东南”之誉。他画的大树，树干挺直，刚强伟岸，拟人化的画面形象鲜明强烈，具有强大的人格力量。\n在花鸟画的创作上项圣谟同样具有自己鲜明的特色，尤其讲究造型，经意构图，善于表现花叶和花瓣的层次，向背以及受光点的明暗，从而有别于当时其他花鸟画家的画风。项圣谟很认真地吸收了黄筌画派精谨慎严的审物造物精神，但在画法上，受写意画影响，形成一种工写结合的形式，酲酿了黄筌画派工笔花鸟画新的发展趋势。在技法上，大都以水墨或略施淡彩，有时也纯用色彩作没骨法，色彩淡而不薄。在用笔上，十分凝重秀逸，故而虽有姣妍之色相，却寓嶙峋之风骨，整个调子和气氛，非常飘洒雅致，不同凡俗，好似有一股冷艳暗香浮动其间。他的这种风格在之后的恽寿平、蒋廷锡等人的作品中都有所体现。\n除绘画外，项圣谟亦精书法，善赋诗。其书法端庄严谨，峻拔出脱中不失书卷气。其诗多为题画诗，除了描绘山光水色、自然美景的山水诗外，还有许多是表达其对人民疾苦的同情和对故国的怀念，文辞警策凝重，格调悲壮慨然，反映出他的个性为人。因国破家亡，其晚年家贫，却志存高洁，不结交权贵，靠卖画自给。著有《朗云堂集》、《清河草堂集》、《历代画家姓氏考》、《墨君题语》。",[24,60,62,63,7,30,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dcbad880a9b04c57ca93f584c3a9b18.jpg",[],{"id":2358,"slug":2359,"title":946,"dynasty":55,"author":2360,"museum":167,"description":2361,"tags":2362,"thumbUrl":2363,"material":319,"size":320,"collection":95,"collections":2364,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":99},234778,"hua-hui-ce-wang-lu-234778","王露","王昙（1760～1817）诗人清代。又名良士，字仲瞿。秀水（今浙江嘉兴）人。当地有瓶山，因以瓶山自号。乾隆五十九年举人。会试不第，白衣终身，著有《烟霞万古楼文集》等。时人将他与常州诗人黄仲则诗合刻，题曰“乾隆二仲”。王昙与孙原湘、舒位并称“后三家”或“江左三君”。",[24,29,88,25,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c1cc923a47fe9c54ae5ae40b582ba50.jpg",[],{"id":2366,"slug":2367,"title":2368,"dynasty":55,"author":2369,"museum":167,"description":2370,"tags":2371,"thumbUrl":2372,"material":95,"size":95,"collection":95,"collections":2373,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":99},234375,"lin-jiang-ting-xi-hua-hui-ce-jiang-shu-234375","临蒋廷锡花卉册","蒋淑","蒋淑，蒋廷锡之女。蒋淑不仅得其父亲蒋廷锡的指点，而且经常以其父的作品为学习范本。《临蒋廷锡花卉图册》便是她临摹蒋廷锡花卉的代表作，用笔设色均有其父的画风神韵。每开也均有蒋廷锡题诗，赞美之辞溢于言表。 一股“我闺女棒棒哒”的自豪溢出来了～\n蒋淑（生卒年不详），清代杰出女性画家，从其画作上判断她大致生活于清康熙至雍正年间，字又文，江苏常熟人。蒋廷锡女，华亭王敬妻。其父蒋廷锡官至大学士，闲暇之余以逸笔作写生花卉，机趣天然。蒋淑自幼秉承家教，亦以擅绘花鸟著称。",[140,24,29,88,60,63,7,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed3d14cfc337364087a6973bd38032ad.jpg",[],{"id":2375,"slug":2376,"title":2377,"dynasty":136,"author":256,"museum":167,"description":2378,"tags":2379,"thumbUrl":2380,"material":95,"size":95,"collection":95,"collections":2381,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":99},227919,"dan-ping-qiu-hui-tu-ye-yi-ming-227919","胆瓶秋卉图页","《宋扇面画胆瓶秋卉图》是宋代佚名画家创作的一幅设色扇面画，现藏于 。\n本幅无款。\n鉴藏印钤“交翠轩印”、“神品”、“子京父印”、“项元汴印”、“项墨林鉴赏章”、“张则之”6方。\n画页左侧题诗：“秋风融日满东篱，万叠轻红簇翠枝。\n若使芳姿同众色，无人知是小春时。\n”此为即景诗，描写瓶中之花轻红淡雅，叠簇于翠枝。\n对幅有清乾隆御题诗一首：“花似菊而红，叶则迥然异。\n自题属冬篱，殊难解用意。\n徒以设色工，选藻许其厕。\n辛亥清和御题。\n”钤 “ ”、“自强不息”、“ ”。\n图中瓶架上置一蓝釉长颈瓶，内插 。\n花朵施以勾勒填色法，花叶用没骨法出之，刻画自然细腻，渲染柔和润泽。\n秋菊艳丽而不失于秀雅，此图为南宋写生画中的优秀作品。",[23,140,24,29,88,62,60,63,7,182,30,31,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e46b6b7ac1daeee9117bf4d5b176246.jpg",[],{"id":2383,"slug":2384,"title":2385,"dynasty":55,"author":778,"museum":105,"description":2386,"tags":2387,"thumbUrl":2389,"material":95,"size":95,"collection":95,"collections":2390,"showCount":2317,"zanCount":49,"manualWeight":49,"mainColor":2391},203185,"hua-hui-shan-shui-tu-ce-shi-tao-203185","花卉山水图册","这两幅花卉册页，以水墨写意入笔，尽显笔墨灵动之趣。兰草疏叶淡花，墨色层次清雅，题款行书流畅，与兰之飘逸相契，文画交融见文人雅趣；菊花淡墨勾瓣，浓叶衬花，枝干苍劲，花蕊点染细腻，姿态傲岸，传递凌霜之气。画面构图简括却意蕴悠长，笔势纵逸中见法度，将花卉神韵与书法意趣浑然一体，展现出“我自用我法”的艺术个性，于简约中藏万千气象。",[24,29,88,25,63,31,26,41,7,2388],"文人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F636091cf10df30d7002b14e0adfa5f27.jpg",[],"cfc6b7",{"id":2393,"slug":2394,"title":2395,"dynasty":18,"author":1800,"museum":167,"description":2396,"tags":2397,"thumbUrl":2399,"material":319,"size":320,"collection":95,"collections":2400,"showCount":2401,"zanCount":174,"manualWeight":49,"mainColor":99},287401,"gui-qu-lai-ci-shu-hua-he-juan-wen-zheng-ming-287401","归去来辞书画合卷","文徵明（1470年11月28日－1559年3月28日），原名壁（或作璧），字徵明，四十二岁起，以字行，更字徵仲。因先世为衡山人，故号衡山居士，世称“文衡山”。南直隶苏州府长洲县（今江苏苏州）人。明代画家、书法家、文学家、鉴藏家。\n文徵明曾学文于吴宽，学书法于李应祯，学画于沈周，生平九次参加乡试均不中。嘉靖二年（1523年），以岁贡生参加吏部考试，被授予翰林院待诏之职。嘉靖五年（1526年），文徵明辞官归乡，专事创作。\n嘉靖三十八年（1559年）二月二十，文徵明去世，享年九十。其弟子私谥贞献。\n文徵明诗、文、书、画无一不精，人称“四绝”，其与沈周共创“吴派”。在画史上与沈周、唐寅、仇英合称“明四家”。在文学上，与祝允明、唐寅、徐祯卿并称“吴中四才子”。",[23,140,24,29,28,25,31,34,33,7,234,2398,638],"归隐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F607716fccbee74224664ef217aa869c2.jpg",[],8,{"id":2403,"slug":2404,"title":2405,"dynasty":55,"author":256,"museum":167,"description":1257,"tags":2406,"thumbUrl":2407,"material":319,"size":320,"collection":95,"collections":2408,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":1333},273269,"hong-se-ke-si-ju-hua-wen-he-bao-shi-huo-lian-yi-ming-273269","红色缂丝菊花纹荷包式火燫",[1259,7,1249,921,182,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F497517324fcd53e3e859f56fd0061565.jpg",[],{"id":2410,"slug":2411,"title":2412,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":2413,"thumbUrl":2415,"material":319,"size":320,"collection":95,"collections":2416,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":50},265497,"lv-se-duan-di-shi-hua-mu-dan-hui-wen-tao-yi-ming-265497","绿色缎地时花牡丹回纹绦",[1249,1730,36,7,40,2414,2241],"回纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f8f7a481ecf3b638d2b7f1aa8c09383.jpg",[],{"id":2418,"slug":2419,"title":2420,"dynasty":55,"author":256,"museum":167,"description":2421,"tags":2422,"thumbUrl":2425,"material":319,"size":320,"collection":95,"collections":2426,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":2427},263945,"pin-yue-se-qiu-kui-ju-die-wen-zhi-jin-duan-yi-ming-263945","品月色秋葵菊蝶纹织金缎","幽蓝底色如浸过秋夜月色，织金纹理似揉碎星子散缀其上。秋葵柔瓣舒展，秋菊攒花吐蕊，蛱蝶穿梭翩跹灵动。纹样循环排布，规整却不显刻板，将清秋郊野的鲜活意趣凝于缎面。\n织金工艺让金银线在哑光底色上泛起柔光，花叶脉络清晰可见，蝶翼纹路细腻入微，把秋日闲景晕染出华贵雅致的气质，尽显旧时织绣的精巧匠心，将秋日清隽与雅致悄然融合，于莹润缎面晕开晚清秋光的温婉意韵。",[1249,2423,2424,7,373,2241,63],"织金","秋葵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff37b6722fd16f0145f306db9e319d7a.jpg",[],"2A56C6",{"id":2429,"slug":2430,"title":2431,"dynasty":55,"author":2432,"museum":167,"description":2433,"tags":2434,"thumbUrl":2435,"material":319,"size":320,"collection":95,"collections":2436,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":99},240504,"wang-duo-e-mei-shan-ji-you-shi-juan-wang-duo-240504","王铎峨嵋山记游诗卷","王铎","王铎（1592—1652年），字觉斯（之），号十樵、嵩樵、痴庵、痴仙道人、烟潭渔叟，平阳府洪洞县（今山西省洪洞县）人。明末清初大臣、书画家，王本仁的儿子。",[23,30,31,1347,28,89,25,637,1695,450,1696,407,34,32,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdeb42eaa858f60f4db13931247b16798.jpg",[],{"id":2438,"slug":2439,"title":2440,"dynasty":55,"author":1148,"museum":167,"description":2441,"tags":2442,"thumbUrl":2443,"material":319,"size":320,"collection":95,"collections":2444,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":99},239101,"hua-hui-ce-10-yu-sheng-239101","花卉册10","余省（1692年—1767年） ，字曾三，号鲁亭，江苏常熟人，余珣之子，清代著名画家。曾受业于蒋廷锡。乾隆（1736—1795）时与唐岱、周鲲同祗候内廷，善花鸟、虫鱼、翎毛，间亦参用西法，赋色妍丽，尤善画蝶，工兰竹水仙，所作叠邀高宗睿题，藏于石渠宝笈。",[24,29,88,60,62,40,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17f646c6f1b788fd9050ff9d28d52cb8.jpg",[],{"id":2446,"slug":2447,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":2448,"thumbUrl":2449,"material":319,"size":320,"collection":95,"collections":2450,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":99},238394,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238394",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec54707dbcec316920ae459ec4524550.jpg",[],{"id":2452,"slug":2453,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":2454,"thumbUrl":2455,"material":319,"size":320,"collection":95,"collections":2456,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":99},238388,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238388",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F060045bf361b7f8302b844970be28747.jpg",[],{"id":2458,"slug":2459,"title":2460,"dynasty":18,"author":1800,"museum":20,"description":2461,"tags":2462,"thumbUrl":2463,"material":274,"size":2464,"collection":95,"collections":2465,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":99},234156,"san-you-tu-wen-zheng-ming-234156","三友图","此手卷画兰、菊、竹三段，各有文氏亲笔题咏。用笔写意，简率之中见生动秀逸之致，墨色清润淡雅，显示了诗、书、画结合的笔墨境界。中国传统文化以拟人化的手法，通过褒扬兰、菊、竹的自然属性而歌颂或表彰文人的道德品质，体现了中国花卉画的特殊功能。\n壬寅为明嘉靖二十一年（1542年），文徵明时年73岁。",[23,24,29,28,25,31,30,2033,26,33,41,7,664,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe51a77fcfc66d27d311c294bfae0f646.jpg","纵26.1厘米，横475.5厘米",[],{"id":2467,"slug":2468,"title":2469,"dynasty":18,"author":2470,"museum":167,"description":2471,"tags":2472,"thumbUrl":2474,"material":95,"size":95,"collection":95,"collections":2475,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":99},231647,"cao-hua-fen-ben-tu-zhou-cao-hua-fen-ben-zong-da-231647","草花粉本图轴 草花粉本","宗达","此作用笔清灵温婉，竖轴舒展间将秋卉之态尽揽素纸。淡描白菊隐于晕染的浅淡底色间，似笼着轻烟，与醒目的朱红菊花形成冷暖对照，繁简相宜。叶片以没骨晕染，层次清透柔润，衬得花株愈发舒展生动，边角点缀的细碎蓝花，更添灵秀雅致。整幅以白描与淡彩相融，不着浓艳，将草木的清雅娇妍晕散开来，自带娴静悠然的东方意趣，把秋日花草舒展自在的情态藏于笔底，尽显雅致的绘物意韵。",[140,24,108,60,62,63,7,2473,89],"草花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab4cc0d7d82c13fb3a19601d3c3cc179.jpg",[],{"id":2477,"slug":2478,"title":2479,"dynasty":1268,"author":2480,"museum":105,"description":2481,"tags":2482,"thumbUrl":2484,"material":95,"size":95,"collection":45,"collections":2485,"showCount":2401,"zanCount":49,"manualWeight":49,"mainColor":2486},203319,"san-qiu-tu-zhou-fan-hao-lin-203319","三秋图轴","樊浩霖","画面聚焦秋景，嶙峋山石间，红菊灼灼绽放，蓝牵牛清雅点缀，粉白小花与阔叶植物错落有致。潺潺流水自岩隙蜿蜒而出，添几分灵动生机。笔墨层次丰富，山石以淡墨皴擦见苍劲厚重，花卉设色妍丽却不失雅致，写意笔触与工细线条交织，将秋日草木的丰茂与清旷之韵娓娓道来，尽显自然意趣与文人雅致。",[24,108,60,62,26,420,7,2483,234,448,63,23],"牵牛花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd772fefb1c5bfc2ea90ce14f70e22333.jpg",[45],"c8c1b2",{"id":2488,"slug":2489,"title":2490,"dynasty":55,"author":256,"museum":167,"description":2491,"tags":2492,"thumbUrl":2494,"material":319,"size":320,"collection":95,"collections":2495,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":50},273087,"mu-bian-xiu-ju-hua-tu-ping-yi-ming-273087","木边绣菊花图屏","此作对幅分摹春秋小景，以针代笔，尽显女红匠心。左幅梅枝虬曲，竹影清疏，灵雀振翅穿林，绣线晕染出鸟羽的柔润光泽，梅花点点饱满鲜活，将春日生机凝于缎面。右幅秋菊含芳，山茶缀枝，细针密线勾勒出花叶舒展之态，配色柔雅古淡，晕染自然。\n木框搭配回纹织锦镶边，衬得绣面愈发隽秀脱俗，把文人花鸟的清雅意趣融于指尖绣艺，娴静雅致，是晚清闺阁刺绣的上乘之作。",[1246,2493,63,32,33,7,154,60],"屏条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7295acaf5e5984f70ef3c781e9a38b6a.jpg",[],7,{"id":2498,"slug":2499,"title":2500,"dynasty":55,"author":256,"museum":167,"description":2501,"tags":2502,"thumbUrl":2504,"material":319,"size":320,"collection":95,"collections":2505,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},268780,"yue-bai-se-qu-shui-bai-die-wen-an-hua-ling-xiu-duo-ju-wen-nv-pei-yi-ming-268780","月白色曲水百蝶纹暗花绫绣朵菊纹女帔","底料选用月白绫料，暗织曲水百蝶纹，若隐若现间尽显含蓄雅致。衣身以刺绣妆点朵菊，朱红、鹅黄晕染花瓣，鲜活灵动，错落排布让素净底色生机盎然。领口墨地绣字，为这件女帔添了几分文雅古意。整体制式规整温婉，刺绣走线细腻工整，将闺阁柔婉气质与清代织绣工艺的精巧相融，把戏服化作兼具审美与实用的雅致工艺品，尽显传统服饰的工艺之美。",[2503,1216,1249,1246,7,373,1247],"女帔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F531d32b8a4b437a5a43fdabe5ab2d062.jpg",[],{"id":2507,"slug":2508,"title":2509,"dynasty":55,"author":256,"museum":167,"description":2510,"tags":2511,"thumbUrl":2516,"material":319,"size":320,"collection":95,"collections":2517,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":50},268389,"hong-se-duan-bian-xiu-chan-gong-zhe-gui-wen-huo-ji-jing-zi-yi-ming-268389","红色缎辫绣蟾宫折桂纹活计-镜子","朱红缎地热烈鲜亮，辫绣工艺饱满圆韧。桂枝虬曲舒展，缀满柔粉碎花，灵雀栖于枝间，搭配娇妍花草与宝瓶纹样，暗合吉庆祈愿之意。盘线挺括齐整，勾勒出纹样明朗的轮廓，石青、翠绿、柔粉撞色于朱红之上，鲜亮却不失雅致和谐。边缘以锁绣搭配珠饰滚边，精巧华贵。柄尾垂坠的彩穗随微动轻摇，将闺中巧思融于针脚，把祈福深意藏进绣纹，是旧时女红匠心的鲜活缩影，将东方雅致温婉的意趣凝于这方寸之间。",[2512,921,1730,182,1249,2513,1246,2514,32,7,2515,40],"镜子","辫绣","蟾宫折桂","莲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53ab83d26762538cacf8078b0021ac26.jpg",[],{"id":2519,"slug":2520,"title":2521,"dynasty":55,"author":256,"museum":167,"description":2522,"tags":2523,"thumbUrl":2527,"material":319,"size":320,"collection":95,"collections":2528,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},264347,"lv-se-duan-xiu-ba-tuan-you-shui-ba-xian-ju-die-wen-pao-liao-yi-ming-264347","绿色缎绣八团有水八仙菊蝶纹袍料","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[1249,1216,1246,7,373,2524,2525,2526],"八仙","海水纹","缎面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f88f3341a64d7e17c96efc5827c5efb.jpg",[],{"id":2530,"slug":2531,"title":2532,"dynasty":55,"author":2533,"museum":167,"description":2534,"tags":2535,"thumbUrl":2538,"material":319,"size":320,"collection":95,"collections":2539,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":2540},241679,"dui-ju-yi-shou-heng-pi-yong-yan-241679","对菊一首横披","颙琰","清仁宗爱新觉罗·颙琰（1760年11月13日—1820年9月2日），原名永琰，清朝第七位皇帝，定都北京后的第五位皇帝，乾隆帝的第十五子，生母孝仪纯皇后魏佳氏。在位二十五年（1796-1820年在位），年号“嘉庆”。",[826,2536,62,60,7,2537,89],"横披","寒梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70cd2157d5a4e2d233df2990fcdb2734.jpg",[],"FF9800",{"id":2542,"slug":2543,"title":2544,"dynasty":55,"author":2545,"museum":167,"description":2546,"tags":2547,"thumbUrl":2549,"material":319,"size":320,"collection":95,"collections":2550,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":79},240640,"cai-ju-shi-zhou-wang-shi-shen-240640","采菊诗轴","汪士慎","汪士慎（1686—1759）清代著名画家，书法家。字近人，号巢林、溪东外史等，汉族，安徽休宁人，寓居扬州。\n工分隶，善画梅，神腴气清，墨淡趣足。暮年一目失明，仍能为人作书画，自刻一印云：“尚留一目看梅花”，后来，双目俱瞽，但仍挥写，署款“心观”二字。有《巢林集》。与罗聘、李方膺、李鱓、金农、黄慎、高翔和郑燮并称”扬州八怪“。",[24,29,108,2548,30,89,7],"隶书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d7013aaead7417accf1aca2a935dbf5.jpg",[],{"id":2552,"slug":2553,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2554,"thumbUrl":2555,"material":319,"size":320,"collection":95,"collections":2556,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},238423,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238423",[140,24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d5b45529f73d8be74d89310c05a5571.jpg",[],{"id":2558,"slug":2559,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":2560,"thumbUrl":2561,"material":319,"size":320,"collection":95,"collections":2562,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},238387,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238387",[24,29,140,88,62,60,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43f4c322f2bf3082455e9f8802ce428d.jpg",[],{"id":2564,"slug":2565,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2566,"thumbUrl":2567,"material":319,"size":320,"collection":95,"collections":2568,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},238385,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238385",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4f1d0ba3a17b0827c2a44e0e897a6f7.jpg",[],{"id":2570,"slug":2571,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2572,"thumbUrl":2573,"material":319,"size":320,"collection":95,"collections":2574,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},238384,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238384",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01b5c5ab5adcd56f8ee8c01dada00001.jpg",[],{"id":2576,"slug":2577,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2578,"thumbUrl":2579,"material":319,"size":320,"collection":95,"collections":2580,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},238383,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238383",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb70706bdf466d9cad28436d289a6d308.jpg",[],{"id":2582,"slug":2583,"title":1297,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2584,"thumbUrl":2585,"material":319,"size":320,"collection":95,"collections":2586,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},238323,"yu-pu-fei-xiang-tu-xiao-ce-dong-gao-238323",[24,60,62,7,63,88],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F299d1cc31da2bf72a20bf2fe5e05f1ba.jpg",[],{"id":2588,"slug":2589,"title":946,"dynasty":55,"author":2590,"museum":167,"description":2591,"tags":2592,"thumbUrl":2593,"material":319,"size":320,"collection":95,"collections":2594,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},235713,"hua-hui-ce-zou-xian-ji-235713","邹显吉","字黎眉，号思静，一号华斋，自称湖北居人，晚号城南老圃，江苏无锡诸生。尝学诗于吴伟业，画摹宋、元，山水、人物均得古法。写生有邹菊之目。著北游集、湖北草堂诗。一门风雅，妻能画梅，兄、弟、子、侄，皆工画，新处各画小品一二种成卷，为时所艳称。康熙三十九年（一七oo）作罗浮佳处卷，时年六十五。",[24,29,88,60,62,63,7,89,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F185c3ffcf5065be74489fb3137db8d3f.jpg",[],{"id":2596,"slug":2597,"title":2598,"dynasty":18,"author":256,"museum":167,"description":2599,"tags":2600,"thumbUrl":2601,"material":319,"size":320,"collection":95,"collections":2602,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},235584,"wen-chu-hua-hui-ce-yi-ming-235584","文俶花卉册","此帧小品以水墨晕染湖石，枯润相生，尽显嶙峋古拙之态。数茎黄花抽叶绽蕊，嫩茎柔叶舒展自然，设色明雅清隽，将娇柔生机晕染纸上。粉蝶翩跹而来，翅脉纤毫毕现，朱白斑纹点缀翅翼，为静谧小景添灵动生趣。地面细草偃仰错落，补足幽寂小景的意趣。\n\n全作用笔简淡疏朗，工写兼糅，将花木、湖石与草虫融为一体，既有写生的鲜活雅致，又具文人写意的萧散简远，暗含幽居赏玩的闲淡意趣，尽显清雅韵致。",[24,60,25,88,63,91,7,92,70],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb17156255911e7f286c46754cfdd4844.jpg",[],{"id":2604,"slug":2605,"title":946,"dynasty":55,"author":2051,"museum":167,"description":2606,"tags":2607,"thumbUrl":2608,"material":95,"size":95,"collection":95,"collections":2609,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},235576,"hua-hui-ce-fan-ting-zhen-235576","此作用水墨写意绘秋菊傍石之景，淡墨晕染拳石，留白勾勒石身肌理，苍润朴拙。丛菊层叠舒展，花瓣以浓淡墨色分染，尽显蓬松柔润之姿，衬叶枯荣有别，浓墨见苍劲、淡墨显清润，将秋菊凌霜盛放的悠然之态尽显。右下角细竹数枝，清瘦劲挺，为画面添一分疏秀之致。\n\n右侧题字笔力苍劲，诗书绘事相映成趣。整作脱去艳色，以水墨层次尽显秋日清冷高旷意境，借寒菊寄寓隐逸高格，尽显清雅淡远的文人风骨。",[24,25,88,63,7,91,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13db6cae2d7d989c0b396ae270259ea3.jpg",[],{"id":2611,"slug":2612,"title":946,"dynasty":18,"author":2613,"museum":167,"description":2614,"tags":2615,"thumbUrl":2616,"material":319,"size":320,"collection":95,"collections":2617,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},235264,"hua-hui-ce-wang-gu-xiang-235264","王穀祥","王谷祥（1501年－1568年），字禄之，号酉室，南直隶苏州府长洲县（今苏州）人。嘉靖八年（1529年）进士，授工部主事。历吏部员外郎，持法不阿，忤尚书汪鋐，贬真定通判。",[24,25,88,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3761932101722f929968d559d1a449f.jpg",[],{"id":2619,"slug":2620,"title":2621,"dynasty":55,"author":2622,"museum":167,"description":2623,"tags":2624,"thumbUrl":2625,"material":274,"size":95,"collection":95,"collections":2626,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},234283,"hua-guo-ce-wang-yun-234283","花果册","王云","王云，字汉藻，号清痴，一字雯庵，号竹里，江苏高邮人。斌子。楼台、人物近似仇英，康熙时驰名江、淮。写意山水，得沈周遗意。于朝，圣祖赏逾等。",[24,29,88,60,63,7,90,206,1196,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27289f78858cda63cc27555f601c08d3.jpg",[],{"id":2628,"slug":2629,"title":2630,"dynasty":18,"author":2631,"museum":167,"description":2632,"tags":2633,"thumbUrl":2634,"material":95,"size":95,"collection":95,"collections":2635,"showCount":2496,"zanCount":49,"manualWeight":49,"mainColor":99},233374,"shi-zhu-zhai-pu-ce-hu-ri-cong-233374","十竹斋谱册","胡日从","《十竹斋书画谱》，融诗、书、画、印艺术为一体，是木版水印史上的巨制鸿构，有“画苑之白眉，绘林之赤帜”之誉。凡书画、竹、墨华、石、翎毛、梅、兰、果八谱，每谱两册，全帙共十六册，蝴蝶装。\n一为书画册。花卉竹石、翎毛蔬果二十幅，均有对题。谱前有醒天居士《题十竹斋画册小引》和芒砀山人王三德《胡曰从书画谱引》。\n二为竹谱。卷首有《梨云馆竹谱》，分“写竹要语”，“写竹括”和“写竹法”。前半为一画一题，凡竹图二十幅，分作“廻风”、“喜霁”、“带雨”、“凝露”、“贮云”、“笼烟”、“快雪”、“印月”、“怡老”、“启新”、“飞白”、“聚翠”、“紫蓧”、“朱帔”、“崖影”、“石床”、“飨松”、“访菊”、“友梅”、“佩兰”等。后半则为画竹“起手式”。\n三为墨华册。谱中图呈圆光型，对题有绿色“十竹斋琅干笺”竹纹边框。画、题各有二十幅，画面着色细润，气韵生动。谱前有语水乘槎子《十竹斋墨花题辞》。\n四为石谱。画、题各二十幅，谱前有序两篇，一为王三德《阅石谱题言》，一为米芾后人米万钟《石谱题辞》。谱中二十幅画皆为高阳所作。高阳，字秋甫，善花鸟，为万历间写生名手。高阳画奇石尤精，石谱中作品是临摹上版，王三德观后评价极高，以为“天划神缕之巧，嵌空玲珑之致，半幅冰茧，宛具层岩叠嶂、峰峦洞穴，真可以对杨次公矣。”图有墨石、彩石，但均以套版为之，每画都有对应的题赞。\n五为翎毛谱。画、题各二十幅，有杨文骢于“天启丁卯立秋日”所题《翎毛谱小序》，非常精彩地评介了胡氏所施饾版之法：“胡曰从氏巧心妙手，超越前代，以铁笔作颖生，以梨枣代绢素，而其中皴法、染法、点法，及着色之轻重、浅深、远近、离合无不呈妍曲致，穷巧极工。即当行作手观之，定以为写生妙品，不敢作刻画观。”此翎毛谱二十图，画上无名款，从印鉴来看，应全为凌云翰一人所作。凌云翰，字五云，万历、崇祯时人。《明画录》说他善画山水，其实上凌氏花鸟亦善，尤工画石，为胡正言所推许。\n六为梅谱。由玉山进士董继周作序。此册胡正言以“芳信先传”、“飘飘欲仙”、“冰壶掩映”、“暖谷回阳”、“君子之交”、“铁干支春”、“暗香浮动”、“拾翠为钿”、“黄惹蜂腰”、“额上玄功”、“东邻窥宋”、“盟坚寒素”、“香梦沉酣”、“水妃写照”、“玉骨同妍”、“疏影横斜”、“幽人赠佩”、“调脂梅粉”、“宫锦清班”、“寿阳点妆”等二十画题，分别写早梅、风梅、雪梅、枯梅、竹梅、老梅、月梅、松梅、蜡梅、墨梅、过墙梅、倚石梅、烟梅、临水梅、水仙梅、疏梅、兰花梅、茶花梅、杏花梅和落梅，或水墨，或设色，意境、造型与章法，则穷尽变化之能事。每幅画都有对应的题赞。\n七为兰谱。前有涂日昌“兰谱序”和画兰“起手执笔式”，此谱图解兰花，并附小注，颇为详尽，但无题赞。多为墨印，间有彩版，此谱可为之初学之范本。图二十幅，多是临摹赵孟頫等名家之作。\n八为果谱。画、题各二十幅，有西京韩文镜作序。其中“三元”、“朱橘”等图，雕版设计巧妙，可谓匠心独运。\n《十竹斋书画谱》自万历己未（1619年）第一谱《书画册》起，至崇祯癸酉（1633年）第八谱《果谱》止，梓印时间长达十五年之久。每谱有序言，除《竹谱》附写竹诀，《兰谱》附起手式，其余各谱均四十幅，一图一文，以书配画，交相辉映。\n胡正言辑印《十竹斋书画谱》，广交名人时贤，亦自作书画付梓。全谱序、画、诗作者或书法题写者，多达一百五十余人。谱中所辑作品大多是由当时名家如吴彬、倪瑛、魏之克、米万钟、吴士冠、文震亨、高阳、高友等创作的，也有二十多幅画稿是临摹自赵孟頫、唐寅、沈周、文征明、陆治、陈道复等著名书画家的；胡正言自己也曾为谱画稿、题诗，画有“白莲”、“墨梅”、“芝草”三图，诗有“题梅花”、“题兰竹”两首。画谱中所题诗句，笔调清新，咏物抒情，不同程度地反映了诗人们喜爱画谱的心情。题诗大部分都是书写者自己所作，也有借用前人诗句题咏的，如胡正言用唐释无可的咏兰诗题《兰竹图》，西湖仙郎何伟然用徐渭咏榴诗题《石榴图》，竹冠道人应麟用刘禹锡题开元寺枸杞诗书《枸杞诗图》等等。全谱书法篆、隶、行、楷诸体皆备，最多的还是晚明文人流行的行草。这些书迹，大都兼有晋、唐、宋书家的风韵，亦可为后人临池所借鉴。\n醒天居士的《题十竹斋画册小引》把胡正言的爱好、特长及画谱刊印的初衷和艺术水平都进行了叙述：\n“王宰十日一山，五日一石，岂肖形之难哉？山有情，石有态，磅礴得之为难耳。近代画手，千临百摹，如里媪捧心，不揜儿寝，而目食者争售之，大轴小图，祗为壁疥。新安胡曰从氏，清姿博学，既精六书，尤擅众巧。所制隃糜硾茧与所镌法语名言，皆出新裁，赏鉴家多宝爱之。乃竹斋多暇，复创画册。所选皆花果竹石，有关于幽人韵士之癖好者。而写形既妙，设色尤工，至于翠瓣丹柎，葩分蕊折，花之情，竹之姿，与禽虫飞懦之态，奇石云烟之气，展册淋漓，宛然在目。盖淡淡浓浓，篇篇神采；疏疏密密，幅幅乱真，诚画苑之白眉，绘林之赤帜也。然王宰之画妙出毫锥，胡君之画妙出梨枣，是磅礴之心，较王宰更难；而成功之捷，较王宰更简更易，岂不尤奇哉！余故喜而叙之，愿与好事者同赏，仍俟具眼者定价焉。时癸酉年中秋前二日，醒天居士书于十竹斋。”\n《十竹斋书画谱》“绘刻精而奇，谱则巧而该”，在画谱刊行后不久就引起广泛的注意，开始有人仿刻了，以至胡氏声明道“原板珍藏，素遐真赏，近有效颦，恐混鱼目，善价沽者，勿虚藻鉴。”历代重印、翻刻者达二十余种。清代李渔等人辑印的《芥子园画传》也是在它的启发下产生的。",[24,29,88,25,60,1371,7,91,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9130d676cfa08a2d37c8d1716a8eb941.jpg",[],{"id":2637,"slug":2638,"title":2639,"dynasty":442,"author":256,"museum":191,"description":2640,"tags":2641,"thumbUrl":2643,"material":94,"size":2644,"collection":696,"collections":2645,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":50},287770,"ling-yang-xian-hua-tu-yi-ming-287770","羚羊献花图","元代绘画中，文人画占据画坛主流。因元代未设画院，除少数专业画家直接服务于宫廷外，大都是身居高位的士大夫画家和在野的文人画家。他们的创作比较自由，多表现自身的生活环境、情趣和理想。山水、枯木、竹石、梅兰等题材大量出现，直接反映社会生活的人物画减少。作品强调文学性和笔墨韵味，重视以书法用笔入画和诗、书、画的三结合。",[24,140,1766,60,62,687,374,2642,34,7],"羚羊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1aa1122d9c8943276791bb385302fb7.jpg","63.3x47.8",[696],6,{"id":2648,"slug":2649,"title":2650,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":2652,"thumbUrl":2655,"material":319,"size":320,"collection":95,"collections":2656,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":1333},270501,"yu-shi-ju-hua-jing-qia-si-fa-lang-bi-ping-yi-ming-270501","玉石菊花景掐丝珐琅壁瓶","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[2653,2325,7,2654,40,182],"琺瑯器","掐丝珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9f196c5be0e2e9aa43c17950882ccdc.jpg",[],{"id":2658,"slug":2659,"title":2660,"dynasty":55,"author":256,"museum":167,"description":2661,"tags":2662,"thumbUrl":2664,"material":319,"size":320,"collection":95,"collections":2665,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":1333},251154,"bi-yu-ke-shi-lan-ju-tu-cha-ping-yi-ming-251154","碧玉刻诗兰菊图插屏","莹润碧色为底，描金勾勒秋景幽姿。石畔丛菊粲然盛放，花瓣脉络纤毫毕现，仿若携带着清秋篱边的疏淡暗香，鲜活雅致。右侧题诗金墨劲挺端方，诗画相映，暗合隐逸赏菊的文人雅趣。\n\n周身边框以缠枝纹饰鎏金铺陈，繁丽华贵中和了秋菊的清寂。整器将玉石的温润厚重与描金的明艳华贵相融，把精工考究的造物心思，糅合进文人寄情草木的闲情逸致之中，藏着清秋赏吟的雅韵，是兼具陈设与赏玩价值的匠心之作。",[2325,1967,2663,30,60,63,7,41],"描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F400ab9e34ff10e1bcf58f39b091c8642.jpg",[],{"id":2667,"slug":2668,"title":2669,"dynasty":55,"author":2670,"museum":167,"description":2671,"tags":2672,"thumbUrl":2673,"material":319,"size":320,"collection":95,"collections":2674,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":50},241681,"ju-yi-shou-zi-tiao-qian-long-241681","菊一首字条","乾隆","清高宗弘历，清朝第六位皇帝，清军入关之后的第四位皇帝，生于1711年9月24日，卒于1799年2月7日。年号“乾隆”，寓意“天道昌隆”。\n清高宗于1736年2月12日开始使用“乾隆”年号，至1796年2月8日为止。1795年10月3日，清高宗立爱新觉罗·颙琰为皇太子，并下令从1796年2月9日开始改用“嘉庆”年号 。1796年2月9日，清高宗传位于爱新觉罗·颙琰，正式退位。但是皇宫内依然用“乾隆”纪年，如乾隆帝临终医案仍为乾隆六十三年十二月。",[29,31,30,89,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc31af368f2cf81ba4972ca742eb84b4.jpg",[],{"id":2676,"slug":2677,"title":1441,"dynasty":55,"author":256,"museum":167,"description":2678,"tags":2679,"thumbUrl":2680,"material":319,"size":320,"collection":95,"collections":2681,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":99},238921,"qing-ren-ju-pu-ce-yi-ming-238921","此作用没骨之法绘秋菊，主花朱红秾艳，花瓣舒展卷曲，隐现筋脉，将盛放柔姿尽致展现，鹅黄晕染花心，醒目鲜亮，让整朵花既秾丽又不失清雅。下方侧枝缀着半绽小花与待放蓓蕾，俯仰生姿，意趣悠然。\n\n叶片以水绿晕染，叶缘轻提亮色，尽显翠润鲜活，枝茎秀挺舒展，留白疏朗空灵，衬出雅致空寂的氛围。敷色和谐雅致，艳而不俗，将秋菊的绰约风骨与盎然生机融为一体，笔致温婉细腻，尽显莳花之美，是意趣悠长的花鸟小品佳制。",[24,140,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8d715fe743f6a422f939d6e28fc90cc.jpg",[],{"id":2683,"slug":2684,"title":2685,"dynasty":55,"author":2686,"museum":167,"description":2687,"tags":2688,"thumbUrl":2689,"material":319,"size":320,"collection":95,"collections":2690,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":99},238851,"mian-yi-hua-hui-xiao-ce-mian-yi-238851","绵亿花卉小册","绵亿","绵亿（1764年9月10日－1815年4月14日），直隶省顺天府大兴县（今北京市）人，清高宗弘历之孙，荣纯亲王永琪第五子，母侧福晋索绰罗氏，左都御使观保之女。",[24,29,88,62,60,63,7,361,2184],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe4fbc12e976fce9d9bb03cda42cb610.jpg",[],{"id":2692,"slug":2693,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":2694,"thumbUrl":2695,"material":319,"size":320,"collection":95,"collections":2696,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":99},238392,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238392",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb98fb766cc9e86954effdf908d74371f.jpg",[],{"id":2698,"slug":2699,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":2700,"thumbUrl":2701,"material":319,"size":320,"collection":95,"collections":2702,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":99},238389,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238389",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F043bfa075212ccb17c35f3c0e3b83779.jpg",[],{"id":2704,"slug":2705,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2706,"thumbUrl":2707,"material":319,"size":320,"collection":95,"collections":2708,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":99},238381,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238381",[140,24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F104e34813656d10b906b967ddaef6adf.jpg",[],{"id":2710,"slug":2711,"title":2712,"dynasty":55,"author":2713,"museum":167,"description":2714,"tags":2715,"thumbUrl":2722,"material":319,"size":320,"collection":95,"collections":2723,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":99},234947,"yue-man-qing-you-ce-chen-mei-234947","月漫清游册","陈枚","《月曼清游图》册描绘的是宫廷嫔妃们一年12个月的深宫生活：正月“寒夜探梅”、二月“杨柳荡千”、三月“闲亭对弈”、四月“庭院观花”、五月“水阁梳妆”、六月“碧池采莲”、七月“桐荫乞巧”、八月“琼台玩月”、九月“重阳赏菊”、十月“文窗刺绣”、十一月“围炉博古”、十二月“踏雪寻诗”。通过这一幅幅生动的画面体现了宫廷生活与民间生活的密切关联。嫔妃们的活动内容，在民间生活中均习以为常，只不过由于宫廷的特殊地位，而令这些活动从内容到形式都具有更加富贵、繁琐及典制化的特点。\n作者在人物创作的审美取向上有别于唐代张萱、周昉笔下体态丰腴的嫔妃形象，而以明代唐寅、仇英笔下的仕女画为审美标准，追求秀润飘逸的情致。画家以工细流畅的线条和亮丽鲜活的色彩将嫔妃们描绘成身材修长、体态轻盈、“倚风娇无力”之貌。她们三五成群地行进在以界画表现的亭台楼阁内或是细笔勾染皴点的花石下。富贵闲逸的宫苑生活令她们的物质生活十分充足，也使她们的精神世界极度贫乏。在技法上，此图所绘人物造型生动准确，笔致工细严谨，源于宋代院体画风。图中的楼台房室建筑则采用西洋焦点透视法绘成，根据图中透视线斜度的变化，可以准确地推求出灭点的具体位置，从而加强了平面画幅的立体、纵深效果，在有限的画面上扩展出无限的空间。此图册于乾隆三年（1738年）绘成后深得乾隆皇帝的赞赏。\n乾隆帝于六年谕令皇宫“造办处”的优秀匠人，如擅镶嵌技艺的常存，擅牙雕工艺的陈祖章、陈观泉父子及顾彭年、萧汉振等，以陈枚的这本图册为画稿，用象牙、玉石等进行雕刻。匠人们精雕细琢，密切结合牙雕和镶嵌的技艺特点，令画面层次分明，富有立体感。这件雕有103人的牙雕精品被称作“百美图”。乾隆皇帝在为它题写诗文时将其正式定名为《月曼清游》。",[24,29,60,62,687,2127,2716,2717,692,89,31,2718,2719,823,2720,7,1016,88,30,2721],"楼阁","庭院","栏杆","台阶","石桌","诗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa802a71d4482087ccb76c4c0c68fc81e.jpg",[],{"id":2725,"slug":2726,"title":2727,"dynasty":55,"author":256,"museum":167,"description":2728,"tags":2729,"thumbUrl":2732,"material":95,"size":95,"collection":95,"collections":2733,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":99},234399,"dao-guang-di-xi-yi-qiu-ting-tu-zhou-yi-ming-234399","道光帝喜溢秋庭图轴","此作工致细腻，以秋日庭院为卷，铺陈出融融天伦之景。廊下帝王安坐静赏，妃嫔垂侍身侧。庭院之中，妃嫔携稚子逗弄猫狗，孩童们或跑或立，自在嬉闹。亭台轩榭配衬湖石虬松，花木盛放点缀清秋，处处皆是雅致意趣。衣装纹饰皆精工描摹，设色柔丽雅致，褪去朝堂肃穆，将皇家日常的松弛温情尽数晕开，尽显深宅秋日里的脉脉暖意，藏着寻常又珍贵的阖家闲逸。",[24,29,108,55,62,60,687,2717,825,421,7,40,2716,2730,2731,1216],"小孩","假山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F789be22ff6d523c790c7e889f81d9d52.jpg",[],{"id":2735,"slug":2736,"title":2737,"dynasty":18,"author":2738,"museum":167,"description":2739,"tags":2740,"thumbUrl":2741,"material":95,"size":95,"collection":95,"collections":2742,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":99},228766,"liu-hua-tu-ni-yuan-lu-228766","六花图","倪元璐","此作为诗画合璧长卷，水墨花卉写意挥洒，墨色干湿浓淡变幻自然。牡丹、寒梅等花木虬枝苍劲，花瓣晕染淋漓，笔底带着疏朗桀骜的生气，将草木风骨跃然纸上。\n\n配题行书笔力奇崛雄健，结体欹侧跌宕，与画意相得益彰，诗文与绘事交织，融画境、文心、笔情为一体。\n笔底藏着晚明文人的疏狂耿介，将写意精神抒发尽致，是诗书画印合一的文人佳构，尽显磊落襟怀与不俗格调。",[23,24,29,28,25,31,89,32,41,35,36,39,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F065af1defdfd694ae2722cb69a9abca8.jpg",[],{"id":2744,"slug":2745,"title":2746,"dynasty":18,"author":2432,"museum":20,"description":2747,"tags":2748,"thumbUrl":2757,"material":249,"size":2758,"collection":95,"collections":2759,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":99},222543,"jian-biao-ce-wang-duo-222543","剪裱册","此册为王铎去世前的冬天所写，当时王铎59岁，于次年3月去世。这件作品虽经剪裱，但原作可能为巨幅，近乎榜书，其字已经入化走定。",[23,30,31,1347,25,88,89,2749,2750,2751,2752,2753,2754,2755,2756,7],"青门","巷竹","早蕨","晚饷","青山","白鸟","暮岭","归鸦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F377dcc7af48e4623b8c325a64f2230f3.jpg","36×18×21㎝",[],{"id":2761,"slug":2762,"title":2763,"dynasty":1268,"author":460,"museum":105,"description":2764,"tags":2765,"thumbUrl":2767,"material":95,"size":95,"collection":45,"collections":2768,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":2769},203408,"song-ju-shuang-que-tu-zhou-qi-bai-shi-203408","松菊双鹊图轴","画面中松枝遒劲，松针以焦墨挥写，疏密交错间尽显苍劲之姿；树干泼墨晕染，浓淡层次间透出朴拙质感。树下菊丛绽放，寥寥数笔勾勒花瓣轮廓，简约却见生机。双鹊姿态灵动，一只昂首鸣啭，墨羽浓黑发亮；一只俯身呼应，眼神专注传神，墨色浓淡对比鲜明，将鸟儿的鲜活神态捕捉得淋漓尽致。松菊的高洁与鹊鸟的欢悦相融，笔墨简练却意韵饱满，尽显写意花鸟的生动意趣，于质朴中见精巧，于自然中藏情味。",[24,25,63,34,7,2766,26,108,23],"鹊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F767d0784ce8368387e6c397018daf354.jpg",[45],"b4ad9d",{"id":2771,"slug":2772,"title":2773,"dynasty":1268,"author":460,"museum":105,"description":2774,"tags":2775,"thumbUrl":2776,"material":95,"size":95,"collection":95,"collections":2777,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":2778},202835,"xiao-yuan-qiu-se-tu-zhou-qi-bai-shi-202835","小园秋色图轴","这幅画作以大写意之笔铺展秋园盛景，赭红叶片舒展如霞，明黄菊簇攒聚成金，浓墨枝叶穿插其间，色彩对比鲜明却和谐。菊花瓣蕊简笔勾勒却见饱满生机，红叶晕染自然尽显秋光暖意。题款书法笔力遒劲，与景物相映成趣，文人意趣盎然。整幅作品笔墨简练却神形兼备，将小园秋色的绚烂生机凝于尺幅，尽显写意花鸟的独特韵味，秋意饱满而不萧瑟。",[24,29,63,7,25,60,30,31,108],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0ed36af6850954a4568d375ce338d9c.jpg",[],"8d8f8b",{"id":2780,"slug":2781,"title":2782,"dynasty":55,"author":2783,"museum":105,"description":2784,"tags":2785,"thumbUrl":2788,"material":95,"size":95,"collection":95,"collections":2789,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":2790},202666,"ju-shi-shuang-niao-tu-heng-pi-ou-ding-202666","菊石双鸟图横批","欧鼎","这幅画作布局疏密得当，右侧菊石相映：墨叶浓淡交错，花瓣层次细腻，设色清雅柔婉；奇石以简练笔触勾勒，质感朴拙，与柔菊形成刚柔对比。左侧双鸟栖枝，羽色勾勒精致，姿态亲昵灵动，为画面添生机。整体工笔细腻写实，兼具雅致文人意趣——菊之高洁、石之坚韧与双鸟之鲜活交融，尽显清代花鸟的工致韵味与静谧情怀。",[24,62,63,7,407,60,2786,2787,420,23],"双鸟","横批","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb65103c8a0d35adf6b0d4a1787626b9.jpg",[],"be936f",{"id":2792,"slug":2793,"title":1539,"dynasty":18,"author":612,"museum":105,"description":2794,"tags":2795,"thumbUrl":2796,"material":95,"size":95,"collection":95,"collections":2797,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":2210},202650,"hua-hui-tu-juan-chen-chun-202650","这幅花卉长卷以水墨写意绘就，笔墨灵动洒脱，气韵生动。荷瓣清雅，梅枝疏斜，兰叶飘逸，菊蕊含香，藤蔓缠绕间尽显自然野趣。浓淡干湿的墨色变化，勾勒与泼染的技法结合，既捕捉花叶姿态神韵，又传递文人画洒脱意趣，疏密错落见章法，挥洒自如显情致，是明代水墨花鸟的经典之作。",[140,24,29,28,25,63,32,41,7,35,1916,330,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F258b3875724f3e6028a0a0b0a5eaf64e.jpg",[],{"id":2799,"slug":2800,"title":1267,"dynasty":55,"author":2801,"museum":105,"description":2802,"tags":2803,"thumbUrl":2804,"material":95,"size":95,"collection":45,"collections":2805,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":2806},202055,"ji-ju-tu-zhou-fan-zhen-202055","范箴","画面取深秋一隅，老树虬枝盘曲，孤石嶙峋横卧。石畔数丛白菊素雅绽妍，花瓣舒展如缕，清芬暗浮。一只锦鸡栖于石上，翎羽翩然，尾羽如墨染丝绦垂落，姿态悠然自若。笔触工细入微，锦鸡羽毛纹理勾勒精谨，设色淡雅却见层次；菊花以白描点染，尽显高洁之态；树石用墨晕染，苍劲中带朴拙。构图疏密得宜，虚实相生，将秋日清寂与生机融于一体，暗含“菊之高洁”与“鸡之吉祥”的双重意韵，尽显传统花鸟的雅致情致。",[24,62,63,7,205,60,108,91,1371,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9187ef59011432bf1ef0e09e601c3a5d.jpg",[45],"876237",{"id":2808,"slug":2809,"title":524,"dynasty":55,"author":56,"museum":105,"description":2810,"tags":2811,"thumbUrl":2813,"material":95,"size":95,"collection":95,"collections":2814,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":2815},201714,"ju-shi-tu-zhou-yun-shou-ping-201714","画面中菊花与山石相依成趣，以没骨法晕染出万千姿态。白菊素洁如霜，粉菊柔婉似霞，紫菊幽艳，黄菊暖润，花瓣层叠间色彩过渡自然，叶片脉络清晰可辨，尽显鲜活生机。山石以淡赭皴擦，肌理厚重朴拙，与柔美的花卉形成刚柔对比。整体构图疏密得当，花枝摇曳生姿，笔墨间蕴含文人画的清雅意趣，将秋菊傲霜之态与自然天趣完美融合，观之如临东篱，暗香袭人。",[61,60,63,7,91,420,89,2812],"工","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa94bfe52ee698d0c343d8fabf261795f.jpg",[],"a37d54",{"id":2817,"slug":2818,"title":2819,"dynasty":18,"author":202,"museum":105,"description":2820,"tags":2821,"thumbUrl":2822,"material":95,"size":95,"collection":238,"collections":2823,"showCount":2646,"zanCount":49,"manualWeight":49,"mainColor":2824},201463,"dong-li-shang-ju-tu-zhou-tang-yin-201463","东篱赏菊图轴","苍松虬劲，枝蔓垂悬，松荫下秋菊点缀，雅致清逸。远山层叠，云雾轻笼，山石以皴法写就，线条灵动。近景文人对坐，或谈或赏，神态悠然，尽得东篱之趣。笔墨兼工带写，设色淡雅，将田园诗意与文人风骨融于尺幅，尽显超脱尘俗的闲适心境，是唐寅文人画风格的典型体现。",[24,29,108,822,687,34,7,825,420,60,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba7d04c436d73e4692e2ae4764d9c82e.jpg",[238],"92897e",{"id":2826,"slug":2827,"title":2828,"dynasty":136,"author":256,"museum":167,"description":2829,"tags":2830,"thumbUrl":2831,"material":319,"size":320,"collection":95,"collections":2832,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":50},290750,"xiu-pen-ju-shi-yi-lian-zhou-yi-ming-290750","绣盆菊诗意帘轴","雨后看花兴自幽。花神不减旧风流。重开佳色邀金蝶。更吐新香染绣毬。晚节平分三径露。清标独占一园秋。年年賸有重阳约。尊酒何曾负胜游。 硕大什锦菊盛开，花茎高挺，花间蜂蝶翻飞，圆型盆器置于朱漆圆几上，旁列兰卉盆景，下垫蟾蜍托座，祥云、草叶、兰盆呈中轴对称分布。菊搭配蝶，寓意「耋寿」，灵芝、兰草为「芝兰竞秀」，组成内涵丰富的吉祥图案，以求幸福长寿。此轴属清代宫廷刺绣品，绣工精细，图案色彩、针法活泼变化多，美不胜收。",[108,1246,29,63,7,41,70,182,60,30,62,234],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9eb257b5066e8281201cc5cbf0448575.jpg",[],{"id":2834,"slug":2835,"title":2836,"dynasty":136,"author":256,"museum":167,"description":2837,"tags":2838,"thumbUrl":2840,"material":319,"size":320,"collection":95,"collections":2841,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":1333},290749,"xiu-ju-hua-lian-er-zhou-yi-ming-290749","绣菊花廉（二）轴","此作以墨色为底，金线彩绒晕染出满盆盛放的秋菊，瓣叶层叠错落，俯仰间尽显清妍之态，枝叶舒卷自然，将菊花傲霜之姿尽数铺展。周遭蝶影轻翩，为静雅景致添了灵动生机，晕开秋日闲逸意趣。下方朱红案几雅致端方，两侧配植遥相呼应，构图饱满均衡，章法谨严。绣工精妙，针脚藏于画意，将女红匠心融于院体工致风韵，沉稳配色衬出花影明丽雅致，把清秋盛放的菊韵定格，尽显雅致内敛的审美意趣，是兼具画意与匠心的刺绣佳作。",[108,1247,60,63,7,70,692,2839],"器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ef3ad5b666d93491786095910c4d9a0.jpg",[],{"id":2843,"slug":2844,"title":2845,"dynasty":55,"author":256,"museum":167,"description":2846,"tags":2847,"thumbUrl":2850,"material":319,"size":320,"collection":95,"collections":2851,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},269096,"xiang-ya-bian-zhi-qian-xiang-ya-ran-diao-lan-ju-wen-tuan-shan-yi-ming-269096","象牙编织嵌象牙染雕兰菊纹团扇","此扇以象牙编织出通透匀整的网格扇面，似窗纱映景，清透雅致。嵌饰的染雕兰菊最为动人，兰叶舒展柔婉，素花亭亭玉立，秋菊绽出粉嫩花颜，更有蛱蝶翩跹其间，将秋日小景凝于扇上，生机灵动。\n柄处包镶彩绘花卉，搭配垂坠流苏，古韵悠然。整器融编织、雕刻、髹饰工艺于一身，配色清新秀雅，暗合兰菊高洁的文人意涵，尽显工艺的精巧工致，将闺阁风雅藏于方寸之间。",[959,2848,1967,2849,41,7,63,2328],"象牙","编织","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9a61ff5bee9a47ff832ee3b443c8036.jpg",[],{"id":2853,"slug":2854,"title":2855,"dynasty":55,"author":256,"museum":167,"description":2522,"tags":2856,"thumbUrl":2858,"material":319,"size":320,"collection":95,"collections":2859,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":50},266854,"pin-yue-se-duan-xiu-ju-hua-wen-qian-liao-zhu-hua-pen-di-jia-xie-yi-ming-266854","品月色缎绣菊花纹嵌料珠花盆底夹鞋",[2857,1216,1249,1246,7,1730,2526],"鞋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8d9d0c14d6624c562f2b2a2ed39eb1e.jpg",[],{"id":2861,"slug":2862,"title":2863,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":2864,"thumbUrl":2866,"material":319,"size":320,"collection":95,"collections":2867,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":1333},265693,"bao-lan-se-duan-di-dan-cai-xing-hua-wen-tao-yi-ming-265693","宝蓝色缎地淡彩杏花纹绦",[1249,1730,40,2865,33,7,60,2526],"杏花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc225b5c9f4fec7368abea86e4e12e627.jpg",[],{"id":2869,"slug":2870,"title":2871,"dynasty":55,"author":256,"museum":167,"description":2872,"tags":2873,"thumbUrl":2876,"material":319,"size":320,"collection":95,"collections":2877,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":50},263689,"cong-lv-se-mei-lan-zhu-ju-wen-hua-chou-yi-ming-263689","葱绿色梅兰竹菊纹花绸","这抹柔润葱绿底色雅致清和，暗纹提花婉转铺陈，梅兰竹菊的清雅身姿隐于纱色之间。枝蔓轻缠交错，花影疏朗错落，暗纹光泽晕开温软朦胧的质感，将四君子的风骨意趣融于柔丝。织作细腻匀整，把东方君子的清雅品格藏入一袭柔绸，静穆里晕开含蓄生机，尽显旧时织造工艺的隽秀格调，暗涌着旧时光里的温柔匠心，让雅致风骨随丝缕悠悠流转，晕染出内敛悠然的东方氛围感。",[1249,2874,32,41,33,7,2875],"绸","葱绿色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3508aa2e1379151dee35968c15ec83e.jpg",[],{"id":2879,"slug":2880,"title":2881,"dynasty":55,"author":256,"museum":167,"description":2882,"tags":2883,"thumbUrl":2886,"material":319,"size":320,"collection":95,"collections":2887,"showCount":224,"zanCount":174,"manualWeight":49,"mainColor":99},261525,"yong-zheng-kuan-dou-cai-tuan-hua-wen-wan-yi-ming-261525","雍正款斗彩团花纹碗","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[2012,921,2884,2885,40,7,60],"斗彩","团花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F649b27b08cecb1b3f071bc002b4e6c92.jpg",[],{"id":2889,"slug":2890,"title":2891,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":2893,"thumbUrl":2895,"material":319,"size":320,"collection":95,"collections":2896,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":1333},256179,"sa-lan-miao-jin-xiao-bang-chui-ping-yi-ming-256179","洒蓝描金小棒槌瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[2012,2894,2663,7,1016],"洒蓝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4657af6228a57f0af550f38704b41ac1.jpg",[],{"id":2898,"slug":2899,"title":2900,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":2901,"thumbUrl":2904,"material":319,"size":320,"collection":95,"collections":2905,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":1333},249592,"yin-shao-lan-ju-die-wen-ju-hua-er-ping-yi-ming-249592","银烧蓝菊蝶纹菊花耳瓶",[1016,2902,2903,7,373,182],"银烧蓝","珐琅器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6e2586273e6dfa8bb4f7b9f4b41294e.jpg",[],{"id":2907,"slug":2908,"title":2909,"dynasty":55,"author":2910,"museum":167,"description":2911,"tags":2912,"thumbUrl":2914,"material":319,"size":320,"collection":95,"collections":2915,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":50},241470,"xing-kai-jin-zhu-fang-cong-yi-duan-juan-yao-song-241470","行楷晋麈芳丛一段卷","姚宋","姚宋（1648—1721），字雨金，一作雨京，号野梅。安徽新安（今安徽歙县）人。清代画家。\n姚宋寓居芜湖。擅长山水画，其初学弘仁，后期广学诸家，成为新安派画家之一。姚宋所画人物、花鸟、鱼虫、兰竹、无不工致。",[30,28,2913,826,36,297,90,37,34,33,32,7,38,41,841,448,447,154,1389,822,40],"行楷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01aec93a00f535293be71bc9dc187444.jpg",[],{"id":2917,"slug":2918,"title":2919,"dynasty":55,"author":2920,"museum":167,"description":2921,"tags":2922,"thumbUrl":2924,"material":319,"size":320,"collection":95,"collections":2925,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":50},240150,"shi-juan-yong-rong-240150","诗卷","永瑢","爱新觉罗·永瑢（1744年1月28日—1790年6月13日），号九思主人，又号西园主人。少时居圆明园碧桐书院，亦称碧桐书院阿哥。清朝宗室，乾隆帝第六子，皇三子永璋同母弟，母为纯惠皇贵妃苏氏。\n乾隆二十四年十二月，出继慎靖郡王允禧，封贝勒，管理内务府、充《四库全书》玉牒馆总裁、监管钦天监事务。三十七年（1772）年，晋质郡王。五十四年（1789），晋封质亲王。\n乾隆五十五年（1790年），去世，时年四十八岁，谥号为庄。工诗擅画，主要作品有《岁朝图》《枫溪垂钓图轴》。",[23,24,29,28,31,30,89,25,60,62,420,637,1695,1696,1390,91,825,154,1391,1371,63,7,32,33,41,35,36,38,37,39,372,1392,448,2923,206,92,421],"镜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51bef9db8d13140b80a43b3a09f5f780.jpg",[],{"id":2927,"slug":2928,"title":2929,"dynasty":18,"author":256,"museum":167,"description":2930,"tags":2931,"thumbUrl":2932,"material":95,"size":95,"collection":453,"collections":2933,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},240000,"dan-gu-gui-qu-lai-ci-ye-yi-ming-240000","澹古归去来辞页","此作用笔灵动温润，牵丝映带自然妥帖，字势顾盼相生，尽显典型的明代行书风貌。起收笔遒劲不失秀雅，点画粗细变化富有韵律，将陶潜辞中散淡隐逸的林下之风融于笔墨。\n\n通篇布局匀整和谐，行气连贯从容，不见刻意狂放，将归园田居的释然快意藏于笔墨节奏之中。笔墨间闲适安和，文辞意趣与书法技法相融，尽显传统文人书法的清雅书卷气，是颇具意致的行书佳制。",[1228,30,31,249,25,34,7,636,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd60a3634479f719cca678a6bca8ff6d7.jpg",[453],{"id":2935,"slug":2936,"title":2937,"dynasty":55,"author":2938,"museum":167,"description":2939,"tags":2940,"thumbUrl":2942,"material":319,"size":320,"collection":95,"collections":2943,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},239340,"zhi-hua-hua-hui-zhou-ying-bao-239340","指画花卉轴","瑛宝","瑛宝，清代画家。姓拜都氏，满洲正白旗人。大学士永贵长子，曾官笔帖式。",[24,2941,108,60,26,40,7,708,89],"指画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf5b784683d6675644786c17ce2896c5.jpg",[],{"id":2945,"slug":2946,"title":1441,"dynasty":55,"author":256,"museum":167,"description":2947,"tags":2948,"thumbUrl":2949,"material":319,"size":320,"collection":95,"collections":2950,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238915,"qing-ren-ju-pu-ce-yi-ming-238915","此作以淡彩晕染绘就黄菊柔婉之态，瓣片舒展如羽扇披拂，轻细线条勾勒出花瓣的薄透蓬松，将秋菊舒展柔润的质感尽显。叶片以青绿分染，叶脉勾勒细致，深浅晕染带出叶片俯仰生姿的灵动，枝蔓苍劲柔韧，带着盎然生机。画面留白疏朗雅致，不着浓墨重彩，以极简构图烘托出秋日菊华的清逸风骨，将菊花孤傲清隽的品格融在笔墨之间，淡而有味，静中见雅，尽显花鸟小品的幽淡文人意趣。",[24,29,63,88,60,62,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ced3c33ce30a9471dca7d5543795f6d.jpg",[],{"id":2952,"slug":2953,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2954,"thumbUrl":2955,"material":319,"size":320,"collection":95,"collections":2956,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238429,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238429",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8328a80ea252dcadf110d07414f7027f.jpg",[],{"id":2958,"slug":2959,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2960,"thumbUrl":2961,"material":319,"size":320,"collection":95,"collections":2962,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238426,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238426",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28d425a5d73a2752ce67233ba94a1b15.jpg",[],{"id":2964,"slug":2965,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2966,"thumbUrl":2967,"material":319,"size":320,"collection":95,"collections":2968,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238425,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238425",[140,24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa06ae7f59b43320f6f7044a3a82409e0.jpg",[],{"id":2970,"slug":2971,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":2972,"thumbUrl":2973,"material":319,"size":320,"collection":95,"collections":2974,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238393,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238393",[140,24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a09850e981c99f02e2e247416141f02.jpg",[],{"id":2976,"slug":2977,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2978,"thumbUrl":2979,"material":319,"size":320,"collection":95,"collections":2980,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238382,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238382",[24,60,62,88,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d7a23c8fbcf20d88e2c421f301f3065.jpg",[],{"id":2982,"slug":2983,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2984,"thumbUrl":2985,"material":319,"size":320,"collection":95,"collections":2986,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238380,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238380",[140,24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18cada16fd36191953aacf649f15bf4d.jpg",[],{"id":2988,"slug":2989,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2990,"thumbUrl":2991,"material":319,"size":320,"collection":95,"collections":2992,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238379,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238379",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e43641dbdf4d164dd8b8ea31faa0975.jpg",[],{"id":2994,"slug":2995,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":2996,"thumbUrl":2997,"material":319,"size":320,"collection":95,"collections":2998,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238378,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238378",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12f8afc5edb9feb28b854fa237a39028.jpg",[],{"id":3000,"slug":3001,"title":1417,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3002,"thumbUrl":3003,"material":319,"size":320,"collection":95,"collections":3004,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238377,"jin-ying-ning-lu-tu-xiao-ce-dong-gao-238377",[140,24,29,88,60,62,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34670b69340e83fc17ee85b18ead940d.jpg",[],{"id":3006,"slug":3007,"title":1297,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3008,"thumbUrl":3009,"material":319,"size":320,"collection":95,"collections":3010,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238330,"yu-pu-fei-xiang-tu-xiao-ce-dong-gao-238330",[24,29,140,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaf3396875acf7d03750bbe697715acd.jpg",[],{"id":3012,"slug":3013,"title":1297,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3014,"thumbUrl":3015,"material":319,"size":320,"collection":95,"collections":3016,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238329,"yu-pu-fei-xiang-tu-xiao-ce-dong-gao-238329",[140,24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a3be29238b146156f5b7de04eb9fd0b.jpg",[],{"id":3018,"slug":3019,"title":1297,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3020,"thumbUrl":3021,"material":319,"size":320,"collection":95,"collections":3022,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},238324,"yu-pu-fei-xiang-tu-xiao-ce-dong-gao-238324",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5cc411e6bf1976ccc0b3f1b182073ea.jpg",[],{"id":3024,"slug":3025,"title":946,"dynasty":18,"author":3026,"museum":167,"description":3027,"tags":3028,"thumbUrl":3029,"material":319,"size":320,"collection":95,"collections":3030,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},235473,"hua-hui-ce-qi-xun-235473","戚勋","戚勋 (明)字世臣，号曲泉。山阴(今属绍兴)人。\n善画山水、花卉，得疏野之趣。",[24,29,88,25,31,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68a9c28a1216aeedfdb2c360efbb39e9.jpg",[],{"id":3032,"slug":3033,"title":3034,"dynasty":2123,"author":3035,"museum":167,"description":3036,"tags":3037,"thumbUrl":3038,"material":319,"size":320,"collection":95,"collections":3039,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},231606,"ju-zhen-hua-pu-shang-zhong-xia-ce-xia-shou-ye-tan-you-231606","聚珍画谱.上中下册（下）","狩野探幽","狩野探幽（1602～1674），京都人，原名守信，狩野永德之孙，孝信长子，狩野派代表画家。",[24,29,88,25,60,821,822,63,687,2716,841,448,32,41,33,7,91,825,154,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d3f0f3f9d209b31058c7b680bf600a6.jpg",[],{"id":3041,"slug":3042,"title":3043,"dynasty":2123,"author":256,"museum":167,"description":3044,"tags":3045,"thumbUrl":3047,"material":319,"size":320,"collection":95,"collections":3048,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":99},225415,"fu-shi-hui-173-yi-ming-225415","浮世绘173","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[2126,60,2136,2127,7,3046,693,2839],"发饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d0264a76530b4ca8186311326fe22d0.jpg",[],{"id":3050,"slug":3051,"title":759,"dynasty":55,"author":3052,"museum":105,"description":3053,"tags":3054,"thumbUrl":3055,"material":95,"size":95,"collection":45,"collections":3056,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":3057},203066,"hua-hui-tu-ce-chen-hong-shou-203066","陈鸿寿","画面疏朗雅致，菊枝挺秀，两朵菊花花瓣如丝舒展，淡墨晕染的叶片浓淡相宜，尽显清逸之姿。旁侧茶壶造型古朴，线条简练却暗藏质感，似透着紫砂温润。左右行书题跋笔墨流畅，与花卉器物相映成趣，勾勒出文人品茶赏菊的闲适意境。画作以写意手法绘就，不求工细却神形兼备，墨色层次丰富，线条灵动，尽显作者书画篆刻相融的文人雅韵。",[24,63,7,182,25,60,31,89,88,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f9cef3d71dc87e8cb15b904098f80cb.jpg",[45],"c5b7ad",{"id":3059,"slug":3060,"title":1355,"dynasty":1268,"author":460,"museum":105,"description":3061,"tags":3062,"thumbUrl":3064,"material":95,"size":95,"collection":95,"collections":3065,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":3066},202824,"ju-hua-tu-zhou-qi-bai-shi-202824","此作绘菊丛烂漫之景，花瓣勾勒与点染结合，红韵浓艳、黄调清雅、白瓣素洁，形态丰腴而有神采。叶片以泼墨法挥写，墨色层次丰富，干湿变化中见苍劲质感，藤蔓穿插自然，连缀花叶成有机整体。题款书法笔势雄健，与画面笔墨呼应，诗画相生。整幅作品墨彩交融，既现菊花傲霜之姿，又蕴生机盎然之趣，尽显大写意花鸟的洒脱与灵动，传递出画家对自然的深情与艺术的妙悟。",[24,63,7,25,60,27,3063,89],"题款","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc594143f7402d6edf40c90c582a87cdf.jpg",[],"cac9c1",{"id":3068,"slug":3069,"title":1539,"dynasty":55,"author":1618,"museum":105,"description":3070,"tags":3071,"thumbUrl":3072,"material":95,"size":95,"collection":45,"collections":3073,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":3074},202164,"hua-hui-tu-juan-bian-shou-min-202164","这幅花卉长卷以水墨写意为主调，笔墨灵动洒脱。卷中牡丹雍容、秋菊疏朗、兰草幽馨，各类花草枝叶扶疏，姿态自然传神。画家以浓淡干湿的墨色勾勒晕染，花叶轮廓简括却形神兼备，尽显草木生机。卷上题跋与花鸟相映成趣，诗画交融间流露文人雅趣。整体风格清逸自然，既含对物象的细致体察，又具写意之韵，是文人花鸟的典范之作。",[140,24,29,28,25,63,36,7,41,89,31,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0dd91a3eaa321075ddeb7a2b39338dbd.jpg",[45],"bdae92",{"id":3076,"slug":3077,"title":3078,"dynasty":55,"author":1204,"museum":105,"description":3079,"tags":3080,"thumbUrl":3081,"material":95,"size":95,"collection":185,"collections":3082,"showCount":224,"zanCount":49,"manualWeight":49,"mainColor":3083},201989,"qiu-ju-zhu-shi-tu-zhou-hong-wu-201989","秋菊竹石图轴","画面以水墨写意绘竹石菊，竹竿挺劲，竹叶以浓淡墨笔挥写，姿态洒落；山石用简洁皴法勾勒，墨色层次分明，显朴拙厚重之态；秋菊点缀其间，花瓣舒展，笔墨清雅。竹石相依，菊影摇曳，构图疏密有致，尽显文人画的雅致意趣。题字与印章相映成趣，更添书卷气息，传递出作者对自然清趣的向往与文人风骨的寄托。",[25,26,33,407,7,108,89,30,420,2033,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F058f249bb7f91eb1d121d1ee6565288b.jpg",[185],"b78a5d",{"id":3085,"slug":3086,"title":3087,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":3088,"thumbUrl":3089,"material":319,"size":320,"collection":95,"collections":3090,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},281539,"lan-di-zhi-ji-hai-tang-wen-qi-bao-shao-ping-yi-ming-281539","蓝地雉鸡海棠纹七宝烧瓶",[2653,182,63,7,297,69,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdde2f4a8b3d33a4ef2ee925e9ffcae65.jpg",[],{"id":3092,"slug":3093,"title":3094,"dynasty":55,"author":256,"museum":167,"description":3095,"tags":3096,"thumbUrl":3100,"material":319,"size":320,"collection":95,"collections":3101,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":1333},272829,"zi-tan-qian-yu-ju-hua-tu-bao-zuo-yi-ming-272829","紫檀嵌玉菊花图宝座","木底座是属于园艺工艺品一种，就是红木、檀木、花梨木制成的底座，通称为木底座。随着现在人们生活水平的提高和艺术审美的加强，各种工艺品收藏的火爆也让木底座这种搜藏渐渐走入我们的生活中，让我们的生活中每个角落里都有了美丽和艺术的氛围。木底座主要用来摆放工艺品和奇石等。",[1966,3097,3098,7,40,3099,1967],"宝座","嵌玉","家具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7f5077d40dd1b32519430d57fcbb673.jpg",[],{"id":3103,"slug":3104,"title":3105,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":3107,"thumbUrl":3111,"material":319,"size":320,"collection":95,"collections":3112,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":1333},268494,"dian-cui-hua-hui-niao-die-wen-tou-hua-yi-ming-268494","点翠花卉鸟蝶纹头花","中国妇女最偏爱的头花当属绒花，尤其是在女儿出嫁时，头上必须戴红色绒花，图火红吉利。在中国妇女中，只要条件允许，不仅婚礼喜庆日时要戴绒花，而且一年四季都愿意头戴绒花，求谐音吉祥。尤其到应时节序戴应季绒花：立春日戴春幡，清明日戴柳枝，端阳日戴艾草，中秋日戴桂花，重阳日戴茱萸，立冬日戴葫芦阳生……。清宫后妃们的头花，还有大批的绒花、绢花、绫花流存于世，这些花色彩协调，晕色层次丰富，堪称“乱真”之花。清代遗留下来的绒、绢、绫、绸等质地的头花有白、粉、桃红三晕色的牡丹花，浅黄、中黄、深黄三色的菊花，白、藕、雪青三色的月季花及粉、白相间的梅花等等，历时百年不久，仍鲜艳悦人。",[1730,3108,3109,7,40,3110],"头饰","点翠","珍珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ee2a37f63d360f1b632674d16873b5a.jpg",[],{"id":3114,"slug":3115,"title":3116,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3117,"thumbUrl":3118,"material":319,"size":320,"collection":95,"collections":3119,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":1333},265519,"yuan-qing-se-duan-di-he-hua-mu-dan-lian-ju-wen-tao-yi-ming-265519","元青色缎地荷花牡丹莲菊纹绦",[1249,1730,65,36,7,2515,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5da8a73586a788069dbb0d93d08f4aa.jpg",[],{"id":3121,"slug":3122,"title":3123,"dynasty":55,"author":256,"museum":167,"description":3124,"tags":3125,"thumbUrl":3128,"material":319,"size":320,"collection":95,"collections":3129,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":1333},259524,"da-ya-zhai-kuan-lv-di-mo-cai-hua-niao-tu-gao-zu-pan-yi-ming-259524","大雅斋款绿地墨彩花鸟图高足盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[2012,3126,60,63,7,36,89,3127,921],"墨彩","高足盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F792289fae02b8181b6b0e0b09d70a6f9.jpg",[],{"id":3131,"slug":3132,"title":3133,"dynasty":120,"author":256,"museum":167,"description":2892,"tags":3134,"thumbUrl":3135,"material":319,"size":320,"collection":95,"collections":3136,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":1333},249596,"yin-shao-lan-ju-mei-he-tu-ping-yi-ming-249596","银烧蓝菊梅鹤图瓶",[2903,60,63,7,32,663,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38ae819e4f0c4a6fc20a60b096390699.jpg",[],{"id":3138,"slug":3139,"title":3140,"dynasty":55,"author":256,"museum":167,"description":3124,"tags":3141,"thumbUrl":3143,"material":319,"size":320,"collection":95,"collections":3144,"showCount":115,"zanCount":174,"manualWeight":49,"mainColor":50},248483,"hong-qi-miao-jin-tao-fu-si-ji-hua-hui-wen-yuan-pan-yi-ming-248483","红漆描金桃蝠四季花卉纹圆盘",[1965,2663,1832,3142,40,32,41,33,7,182],"蝠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3303cabda72145422e13399597aa615b.jpg",[],{"id":3146,"slug":3147,"title":3148,"dynasty":55,"author":3149,"museum":167,"description":3150,"tags":3151,"thumbUrl":3152,"material":319,"size":320,"collection":95,"collections":3153,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},241666,"jiu-ri-dui-ju-shi-zhou-ai-xin-jue-luo-xuan-ye-241666","九日对菊诗轴","爱新觉罗.玄烨","清圣祖爱新觉罗·玄烨（1654年5月4日—1722年12月20日），清朝第四位皇帝，清定都北京后第二位皇帝（1661年-1722年在位），年号“康熙”。蒙古人称为恩赫阿木古朗汗；西藏方面尊称为“文殊皇帝”。顺治帝第三子，生母为孝康章皇后佟佳氏。",[24,29,30,108,31,25,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F940374649d4220832d9f2cabeb1359df.jpg",[],{"id":3155,"slug":3156,"title":3157,"dynasty":55,"author":3158,"museum":167,"description":3159,"tags":3160,"thumbUrl":3161,"material":319,"size":320,"collection":95,"collections":3162,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":50},241326,"guan-ju-shi-zhou-zhang-mu-241326","观菊诗轴","张穆","张穆（1805年11月29日 ——1849年12月22日 ），山西平定人，近代的爱国思想家、地理学家、诗人和书法家。生于嘉庆十年（1805）。鸦片战争中，他曾抱着爱国热情，上书言事，奔走呼号，联络在京友人，通过纪念顾炎武的活动，振奋人心。此后，他本着张扬国威，抵御沙俄侵略的目的，致力于西北边疆地理和蒙古史的研究。1849年12月22日（道光二十九年十一月九日，己酉年丙子月壬寅日）卒于京师，享年四十五岁 。1850年归葬故乡 。",[31,108,25,30,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88ae322ce816e0cee812a5aed59bfa63.jpg",[],{"id":3164,"slug":3165,"title":1441,"dynasty":55,"author":256,"museum":167,"description":3166,"tags":3167,"thumbUrl":3168,"material":319,"size":320,"collection":95,"collections":3169,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},238910,"qing-ren-ju-pu-ce-yi-ming-238910","此作以淡彩工笔绘白菊，细劲柔婉的墨线勾勒花瓣，如缕丝萦回，将白鹤翎蓬松舒展的花形铺陈开来。层叠交错的花瓣繁而不乱，晕染留白间尽显白菊莹洁通透的质感，把秋菊清妍孤高之态描摹入微。\n\n石绿晕染枝叶，深浅渐变衬出叶片鲜活生机，浅赭写枝秀润清雅。画面留白疏朗，右侧题识相映，尽显文人小品的雅致意趣。整幅淡而不寡、清而有神，将秋菊凌霜自持的逸气融于笔底，尽显传统花鸟绘事中的寄情尚雅之思。",[24,29,88,821,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf4f7b7ffeab8b47724742e9326f94fd.jpg",[],{"id":3171,"slug":3172,"title":759,"dynasty":55,"author":1592,"museum":167,"description":3173,"tags":3174,"thumbUrl":3175,"material":319,"size":320,"collection":95,"collections":3176,"showCount":115,"zanCount":174,"manualWeight":49,"mainColor":99},238489,"hua-hui-tu-ce-jiang-pu-238489","蒋溥（1708—1761年），大学士蒋廷锡长子，字质甫，号恒轩，江苏常熟人，清朝大臣，画家，善画花卉，深得家传。雍正八年二甲第一名进士，官至东阁大学士兼户部尚书。性情宽厚而警敏，任职后，精心奉职，勤于政事，是乾隆时期的重臣，亦是蒋派花鸟画艺术的重要代表。\n乾隆二十六年（1761）四月，病逝于任上。乾隆皇帝亲临祭奠，加赠太子太保，谥曰文恪，入祀贤良祠。",[24,29,88,60,62,7,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1860a81fe281ebca6ad0b06adbf581cb.jpg",[],{"id":3178,"slug":3179,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3180,"thumbUrl":3181,"material":319,"size":320,"collection":95,"collections":3182,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},238428,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238428",[24,140,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98a956931c7e90620f66388e92b5ecfa.jpg",[],{"id":3184,"slug":3185,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3186,"thumbUrl":3187,"material":319,"size":320,"collection":95,"collections":3188,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},238427,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238427",[24,29,88,62,60,7,63,140],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff652e6eaebee5141c9f45c1fc6fef460.jpg",[],{"id":3190,"slug":3191,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":3192,"thumbUrl":3193,"material":319,"size":320,"collection":95,"collections":3194,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},238391,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238391",[24,29,88,60,63,7,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6389afcbae3460669b6abdfa3232229d.jpg",[],{"id":3196,"slug":3197,"title":1065,"dynasty":55,"author":881,"museum":167,"description":1066,"tags":3198,"thumbUrl":3199,"material":319,"size":320,"collection":95,"collections":3200,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},238390,"dong-gao-tao-li-yi-shou-tu-xiao-ce-dong-gao-238390",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde01fd18efeb0c1ad30491b58b0c6780.jpg",[],{"id":3202,"slug":3203,"title":1297,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3204,"thumbUrl":3205,"material":319,"size":320,"collection":95,"collections":3206,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},238328,"yu-pu-fei-xiang-tu-xiao-ce-dong-gao-238328",[1016,24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1180c9cb3ab69267a829bb8a96e8bea4.jpg",[],{"id":3208,"slug":3209,"title":1297,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3210,"thumbUrl":3212,"material":319,"size":320,"collection":95,"collections":3213,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},238327,"yu-pu-fei-xiang-tu-xiao-ce-dong-gao-238327",[24,29,88,60,62,63,7,3211],"菊叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cd14e0cb22f9a0a40739a659ecbb1d5.jpg",[],{"id":3215,"slug":3216,"title":1297,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3217,"thumbUrl":3218,"material":319,"size":320,"collection":95,"collections":3219,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},238326,"yu-pu-fei-xiang-tu-xiao-ce-dong-gao-238326",[24,29,140,88,62,60,63,7,361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed6dda4dc206bfefc540662c1589e0f8.jpg",[],{"id":3221,"slug":3222,"title":1297,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3223,"thumbUrl":3225,"material":319,"size":320,"collection":95,"collections":3226,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},238325,"yu-pu-fei-xiang-tu-xiao-ce-dong-gao-238325",[24,29,88,60,62,63,7,3224],"叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d72e8060ba2c6207e2d07fe2a36481b.jpg",[],{"id":3228,"slug":3229,"title":3230,"dynasty":55,"author":673,"museum":167,"description":3231,"tags":3232,"thumbUrl":3233,"material":95,"size":95,"collection":95,"collections":3234,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":99},224324,"hua-niao-shi-er-kai-2-li-shan-224324","花鸟十二开2","此作用笔刚柔相济，留白疏朗清寂。猛禽敛羽垂首，铁爪紧扣花枝，孤傲桀骜的野逸英气暗藏于静立姿态间，似正凝神窥察周遭动静。花卉以淡墨晕染出蓬松柔润的质感，叶片枯涩老辣，苍劲枝桠与悍猛禽鸟浑然相融。题字笔力雄健，与画面意趣相得益彰，寥寥数笔便将“英雄自立”的题旨藏于水墨之中，以简驭繁勾画出物象神韵，尽显文人写意的豪放清雅，把孤傲英挺的气概晕染在素笺之上，尽显水墨写意的精妙意趣。",[23,24,25,26,88,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb254c432b44c64947e17c010bbb0360c.jpg",[],{"id":3236,"slug":3237,"title":3238,"dynasty":1268,"author":460,"museum":105,"description":3239,"tags":3240,"thumbUrl":3241,"material":95,"size":95,"collection":45,"collections":3242,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":3243},203234,"ju-jiu-tu-zhou-qi-bai-shi-203234","菊酒图轴","画面以疏朗之构铺陈，秋菊与酒具相映成趣。红菊艳而不妖，花瓣层叠间见笔墨的灵动；黄菊雅而有致，色泽明快却不失内敛。墨叶以泼墨法挥洒，浓淡交织中尽显笔力雄健，与设色花朵形成鲜明对比。下方酒器线条极简，瓶的修长与杯的小巧相呼应，朴素天真里藏着生活意趣。整作笔墨凝练，将文人赏菊饮酒的闲逸心境，融于写意的挥洒间，简淡中见真趣，质朴中含深情。",[24,60,63,7,182,25,26,1641,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F842fb55f4826e6649ddd244fa1439a86.jpg",[45],"c8bdb1",{"id":3245,"slug":3246,"title":3247,"dynasty":55,"author":3248,"museum":105,"description":3249,"tags":3250,"thumbUrl":3251,"material":95,"size":95,"collection":95,"collections":3252,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":3253},202619,"dong-li-ao-shuang-tu-zhou-ni-tian-202619","东篱傲霜图轴","倪田","水墨写意之笔绘秋菊傲霜之姿，孤石嶙峋，墨色沉厚，皴擦间显朴拙质感；丛菊错落，花瓣淡墨勾描，轻盈舒展，叶片浓墨泼写，苍劲淋漓。菊枝挺秀与顽石相依，尽展凌秋不屈风骨。笔墨浓淡干湿互衬，洒脱自然，将花之清逸与石之沉稳相融，蕴藉文人高洁意趣，观之动人。",[24,25,63,7,91,108,420,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e1b93140cbbfc077337dde6bfa456db.jpg",[],"c0b6ae",{"id":3255,"slug":3256,"title":3257,"dynasty":55,"author":1977,"museum":105,"description":3258,"tags":3259,"thumbUrl":3260,"material":95,"size":95,"collection":45,"collections":3261,"showCount":115,"zanCount":49,"manualWeight":49,"mainColor":3262},201897,"shuang-tian-cong-yan-tu-zhou-ma-yuan-yu-201897","霜天丛艳图轴","画面里丛菊簇生，瓣瓣层叠如丝，色彩明丽却不失清雅——乳白胜雪，浅粉若霞，绛红似焰，淡紫含烟。叶片以墨绿晕染，脉络清晰可见；枝干挺秀中带自然弯折之姿。笔墨兼融工致与写意：花瓣勾勒细腻，尽显柔润质感；叶茎挥洒灵动，暗藏生机。淡雅绢底衬出菊丛的清艳，仿佛能嗅到霜后菊香，于静谧间见蓬勃生气，是花鸟作品中形神兼备的佳作。",[24,29,63,7,60,62,108,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff32bc20101a4094ac16bae0bbabb88da.jpg",[45],"a2793c",{"id":3264,"slug":3265,"title":3266,"dynasty":55,"author":256,"museum":167,"description":3267,"tags":3268,"thumbUrl":3269,"material":319,"size":320,"collection":95,"collections":3270,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":50},273643,"zi-tan-mu-bian-qian-ya-shan-shui-tu-gua-ping-yi-ming-273643","紫檀木边嵌牙山水图挂屏","蓝漆素地沉静雅致，紫檀边框衬出规整形制。以百宝嵌之法，取牙料、彩玉与螺钿裁拼成景。虬曲石榴枝斜逸而出，朱红硕果饱满绽籽，暗寓多子之吉。两只白鸟栖于枝头，牙雕羽翼莹润细腻，姿态悠然灵动，似正私语赏秋。\n\n下方湖石苍拙嶙峋，秋花柔婉盛放，灵芝与赤松点缀幽意，晕开秋日庭间的清和雅致。整件作品以嵌代绘，将雕刻拼接融于一炉，既得工笔花鸟的秀雅意趣，又尽显百宝材质的肌理之美，把吉祥意涵与工艺巧思藏于雅致小景之中。",[1248,1966,2848,63,154,90,7,234,1967],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d1eb4a6826225dfacb5b8e3cb14b59f.jpg",[],{"id":3272,"slug":3273,"title":3274,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":3275,"thumbUrl":3278,"material":319,"size":320,"collection":95,"collections":3279,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":79},273500,"rong-tou-hua-yi-ming-273500","绒头花",[1730,3108,3276,7,3277],"绒花","发簪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4dfea2baa28857b1965d9818e7a0ef0.jpg",[],{"id":3281,"slug":3282,"title":3283,"dynasty":55,"author":256,"museum":167,"description":3284,"tags":3285,"thumbUrl":3289,"material":319,"size":320,"collection":95,"collections":3290,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},270483,"tong-du-jin-qian-hua-fa-lang-chang-fang-pen-fei-cui-ye-shan-hu-ju-hua-pen-jing-yi-ming-270483","铜镀金嵌画珐琅长方盆翡翠叶珊瑚菊花盆景","此作重工雅致，尽显奢华匠心。方盆珐琅彩饰繁丽精妙，宝光内蕴。金枝挺拔舒展，承托莹润翡翠叶片，似将清秋绿意凝于枝上。珊瑚煅就的艳红菊花，瓣层叠盛放，如将丹砂熔作花魂，热烈夺目。配景的小摆件雕琢入微，添了山居幽趣。\n天然珍宝与匠心工艺相融，把清秋菊景定格，既有文人赏菊的清雅意韵，又满溢华贵雍容的气度，是陈设佳器里的上乘之作。",[3286,2653,2326,3287,2325,3288,7,182],"盆景","金器","珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3b4eafd1b5f9138bad0beb0593e2eb2.jpg",[],{"id":3292,"slug":3293,"title":3294,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":3295,"thumbUrl":3298,"material":319,"size":320,"collection":95,"collections":3299,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":50},270482,"ti-hong-wei-jiao-chang-fang-pen-yu-shi-hai-tang-pen-jing-yi-ming-270482","剔红委角长方盆玉石海棠盆景",[3286,1965,1967,2325,297,7,3296,3297,40],"瑞兽","剔红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F780ee589a6720b6336da022f4930b984.jpg",[],{"id":3301,"slug":3302,"title":3105,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":3303,"thumbUrl":3304,"material":319,"size":320,"collection":95,"collections":3305,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":1333},268491,"dian-cui-hua-hui-niao-die-wen-tou-hua-yi-ming-268491",[1730,3109,40,7,3110,3287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd5c902e092207e7cb3154cc99d25753.jpg",[],{"id":3307,"slug":3308,"title":3309,"dynasty":55,"author":256,"museum":167,"description":2522,"tags":3310,"thumbUrl":3311,"material":319,"size":320,"collection":95,"collections":3312,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},268308,"huang-se-duan-xiu-hua-hui-wen-mao-piao-dai-yi-ming-268308","黄色缎绣花卉纹帽飘带",[1246,1249,1216,63,32,41,7,70],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9474a9dd057605d6fbfc4011a9ec3b98.jpg",[],{"id":3314,"slug":3315,"title":3316,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3317,"thumbUrl":3318,"material":319,"size":320,"collection":95,"collections":3319,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":1333},265424,"pin-lan-se-duan-di-mu-dan-ju-he-hua-wen-tao-yi-ming-265424","品蓝色缎地牡丹菊荷花纹绦",[1246,1249,36,7,65,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc66f56d3d39c7146f5a2f5330698ab89.jpg",[],{"id":3321,"slug":3322,"title":3323,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3324,"thumbUrl":3325,"material":319,"size":320,"collection":95,"collections":3326,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":50},265014,"pin-lan-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-265014","品蓝色缎地织金梅兰竹菊纹绦",[1249,1730,2423,32,41,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F318c6096d13897d6b1b1326051d15a8c.jpg",[],{"id":3328,"slug":3329,"title":3330,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3331,"thumbUrl":3333,"material":319,"size":320,"collection":95,"collections":3334,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":50},264801,"pin-lan-se-duan-di-zhi-yin-mei-lan-zhu-ju-mu-dan-wen-tao-yi-ming-264801","品蓝色缎地织银梅兰竹菊牡丹纹绦",[1249,1730,32,41,33,7,36,3332],"织银","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8bb78cff737a62319b33bfd2c9e4343.jpg",[],{"id":3336,"slug":3337,"title":3338,"dynasty":55,"author":256,"museum":167,"description":3124,"tags":3339,"thumbUrl":3341,"material":319,"size":320,"collection":95,"collections":3342,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":50},261277,"wu-cai-kun-chong-zhu-ju-wen-pan-yi-ming-261277","五彩昆虫竹菊纹盘",[2012,3340,33,7,71,921],"五彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F930dd134d5ab8c22fa1b3748f06dd64f.jpg",[],{"id":3344,"slug":3345,"title":3346,"dynasty":18,"author":3347,"museum":167,"description":3348,"tags":3349,"thumbUrl":3350,"material":319,"size":320,"collection":95,"collections":3351,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":79},241566,"wu-lv-ping-zhou-song-cao-241566","五律屏轴","宋曹","宋曹（1620-1701），字彬臣， 号射陵，又号耕海潜夫。明泰昌元年生于盐城县新兴场人（现盐城市亭湖区新兴镇）。宋家祠堂大门两侧曾有两朝辅弼，十世簪缨的对联。从宋曹曾祖、祖父起，皆以举人入官。\n明崇祯时，25岁官至中书舍人，其位级从七品官。南明复亡，1642年，宋曹的好友司石盘、厉豫等人因不满清朝黑暗统治，举兵起义。未及一年，兵败淮安。清政府派人四处抓拿，宋曹受其牵连，身陷囹圄。营释后，先到北宋庄，后又携家小隐居到30公里以外的汤庄，筑蔬枰园侍奉老母。每年仍到北宋庄祭祖。大纵湖有一龙兴寺，建于明开启年间，苦于无名。宋曹隐居北宋庄，让寺庙主持喜出望外，请他题名龙兴禅院，他欣然挥毫。抗战爆发，禅院毁于战火，宋曹真迹随之荡然无存了。三十寒暑，宋曹闭门养息，会友谈艺，聚首唱和，遂使诗书融合，造诣日深。康熙元年到八年间，两度诏举，不肯出林，仍隐逸汤村。康熙十七年，清以纂修明史，开博学鸿词科，征召海内名儒，侍郎严沅和江苏巡抚慕无颜共举宋曹为博学鸿词，他均以母老固辞未赴。康熙22年（1683）年，两江总督于成龙请他去 南京编撰《江南通志》，盛情难却，他带上长子恭贻一起赴任。志书编成，宋曹坚不留名，最终《江南通志》仅署了恭贻的名字。于成龙敬重他的人品，称他为射陵先生。于成龙邀其出山，终于使宋曹结束了隐居生涯。为了实现书法方面的抱负，他毅然离家出游，浪迹江淮，客维扬、润州、昆山、苏州、杭州等地，拜师会友，吊古觅胜。康熙六年，会顾炎武，互赠诗赋，结为友好。历数载，他纵觅南北名碑，吮吸精髓，悟入微际，并加以融会贯通，取舍扬弃，为自己寻得一条正宗的书法道路。",[30,31,108,89,7,1389],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c53b5e4811f44127a75a253a0972ffc.jpg",[],{"id":3353,"slug":3354,"title":2919,"dynasty":55,"author":3355,"museum":167,"description":3356,"tags":3357,"thumbUrl":3358,"material":249,"size":95,"collection":453,"collections":3359,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},240707,"shi-juan-zhou-shao-xing-240707","周绍行","此作用狂草挥就，笔墨跌宕恣肆，线条枯湿浓淡变幻万千，提按顿挫间尽展随性意气。字形大小错落、欹正相生，字势连绵缠绕如惊蛇走虺，满纸氤氲着淋漓云烟。\n\n行气舒张贯通毫无滞碍，将胸中豪情尽数倾泻笔端，纵逸挥洒处带着不羁文人气韵。枯笔苍茫与浓墨厚重相映，时而奔放驰骋时而萦回转合，字字连绵却不失章法，视觉张力强烈，将草书抒情写意的特质发挥到极致，尽显书写时的酣畅快意，是极具个性的抒情书法佳构。",[23,30,28,31,1347,89,1697,1696,1393,1178,1397,721,33,34,206,807,636,637,1695,450,1394,1395,32,41,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e5d7c59fb8156f7154249e96fd8df63.jpg",[453],{"id":3361,"slug":3362,"title":3363,"dynasty":55,"author":3364,"museum":167,"description":3365,"tags":3366,"thumbUrl":3367,"material":319,"size":320,"collection":95,"collections":3368,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":50},239705,"a-gui-shu-hong-li-wan-shou-ju-shi-ce-a-gui-239705","阿桂书弘历万寿菊诗册","阿桂","章佳氏，字广庭，号云岩，满洲正蓝旗（后以功抬入正白旗）人，清朝名将，大学士阿克敦之子\n阿桂于乾隆三年（1738年）中举，累授户部郎中、军机章京。乾隆十三年（1748年），随征大小金川，遭劾被贬。后复升为内阁学士兼礼部侍郎，因办事勤慎而受重用，历任参赞大臣、镶红旗蒙古副都统、工部侍郎等，长期戍守西北边疆。乾隆二十四年（1759年），参与平定大小和卓叛乱，事后移驻伊犁，建屯田之策。回朝数年间，历任内大臣、汉军镶蓝旗都统、军机大臣、满洲正红旗都统、四川总督等。乾隆三十三年（1768年），以副将军之职随经略傅恒领兵征讨缅甸。乾隆三十六年（1771年），再次参加大小金川之役，历时五年，运筹战事，多合机宜，为平定金川首功。此后多次前往地方办理钦案、督筑河堤，两次率师镇压甘肃回民起义，并以领班军机大臣身份提出镇压台湾林爽文起义的进兵方略，累加太子太保、武英殿大学士。嘉庆二年（1797年），阿桂逝世，享年八十一岁。获赠太保，谥号“文成”，并入祀贤良祠。道光三年（1823年），配飨太庙。有《军需则例》15卷，今已佚。有诗数首传世。",[24,29,88,30,60,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f9978b095cf694218df7826fd430125.jpg",[],{"id":3370,"slug":3371,"title":3372,"dynasty":55,"author":256,"museum":167,"description":3373,"tags":3374,"thumbUrl":3375,"material":95,"size":95,"collection":95,"collections":3376,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},239282,"hou-qi-zhi-hua-hua-niao-ce-yi-ming-239282","后祺指画花鸟册","以指代笔绘就秋菊，墨色晕染层次分明，浓淡间尽显花瓣舒展之姿，挺劲花枝带着清峭冷逸的秋意，寥寥数笔勾勒出菊花傲霜独立的风骨。旁侧题书笔力苍劲，诗文与绘景相和，将文人慕恋清逸的襟怀寄寓于菊。整幅书画相融，虚实相生，简淡疏朗间意境悠长，尽显写意花鸟的文人意趣，把深秋寒卉的孤高清雅尽数铺陈于尺幅之中。",[24,29,88,25,63,7,2941,31,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbfead6f604a88b656fbc6b231773246.jpg",[],{"id":3378,"slug":3379,"title":1441,"dynasty":55,"author":256,"museum":167,"description":3380,"tags":3381,"thumbUrl":3382,"material":319,"size":320,"collection":95,"collections":3383,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},238914,"qing-ren-ju-pu-ce-yi-ming-238914","此作以工笔淡彩绘就白羽扇菊，柔婉精细的墨线勾勒花瓣，如白羽舒展轻颤，将白菊清妍飘逸之姿尽显。叶片以淡绿晕染，深浅层叠晕出鲜活质感，温润雅致的色调衬得白菊愈发冰洁脱俗。\n\n构图疏朗空灵，留白恰到好处，衬出菊之孤高隽雅。全作无艳色堆砌，以细笔淡彩传递出清寂幽远的文人意趣，将秋菊隐逸淡雅的品格藏于笔底晕染之间，淡而不寡，静中含灵，尽显中式花艺画的内敛意境。",[24,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c75e32d2a5cc8952069e1eee85beb42.jpg",[],{"id":3385,"slug":3386,"title":880,"dynasty":55,"author":881,"museum":167,"description":882,"tags":3387,"thumbUrl":3388,"material":319,"size":320,"collection":95,"collections":3389,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},238424,"dong-gao-li-gu-ying-chun-tu-xiao-ce-dong-gao-238424",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa08495d32adf3dffe82516e57d8a660e.jpg",[],{"id":3391,"slug":3392,"title":3393,"dynasty":55,"author":3394,"museum":167,"description":3395,"tags":3396,"thumbUrl":3397,"material":319,"size":320,"collection":95,"collections":3398,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},237712,"qiu-sui-hua-niao-ce-qiu-sui-237712","裘穟花鸟册","裘穟","清，钱塘(今杭州)人。焕子，艺术家，代表作《图绘宝鉴续纂》等。",[24,29,88,60,62,63,7,31,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74dbef14f1d1bcdfede22b83e66bcf78.jpg",[],{"id":3400,"slug":3401,"title":3393,"dynasty":55,"author":3394,"museum":167,"description":3395,"tags":3402,"thumbUrl":3403,"material":319,"size":320,"collection":95,"collections":3404,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},237710,"qiu-sui-hua-niao-ce-qiu-sui-237710",[24,29,88,62,60,31,89,206,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd885e7dba570af530b8401b8c7e1493b.jpg",[],{"id":3406,"slug":3407,"title":3408,"dynasty":18,"author":3409,"museum":167,"description":3410,"tags":3411,"thumbUrl":3412,"material":319,"size":320,"collection":95,"collections":3413,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},237508,"shan-shui-hua-hui-ce-jiang-shou-cheng-237508","山水花卉册","蒋守成","蒋守成明代画家。字继之,号晓山。丹阳人。善画山水,师法宋元画家赵千里,赵子昂、吴仲圭。亦作花鸟、竹石,都很出色,可惜中年患有眼疾,传世作品甚少。",[24,29,88,25,60,31,30,7,33,91,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae4dbe46d53d181c81ca244fb5ea08b9.jpg",[],{"id":3415,"slug":3416,"title":3417,"dynasty":55,"author":3418,"museum":167,"description":3419,"tags":3420,"thumbUrl":3421,"material":319,"size":320,"collection":95,"collections":3422,"showCount":241,"zanCount":174,"manualWeight":49,"mainColor":99},235417,"cai-jia-hua-hui-tu-ce-cai-jia-235417","蔡嘉花卉图册","蔡嘉","蔡嘉(1686-1779)，字松原，一字岑州，号雪堂，一号旅亭，又号朱方老民，清朝江苏丹阳人，侨居扬州。所居曰高寒旧馆。与高翔、汪士慎、朱冕为诗画友。",[24,60,40,7,88],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec415a156b17814b0f61295b3c2b77b3.jpg",[],{"id":3424,"slug":3425,"title":3426,"dynasty":55,"author":256,"museum":167,"description":3427,"tags":3428,"thumbUrl":3431,"material":319,"size":320,"collection":95,"collections":3432,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":50},229490,"fa-lang-cai-huang-ju-hua-bai-di-cha-zhong-yi-ming-229490","珐瑯彩黄菊花白地茶钟","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[2012,3429,60,7,91,3430,182],"珐琅彩","白地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d74eec026a0a0796645e238a71742e4.jpg",[],{"id":3434,"slug":3435,"title":3436,"dynasty":2123,"author":256,"museum":167,"description":3044,"tags":3437,"thumbUrl":3439,"material":319,"size":320,"collection":95,"collections":3440,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},225442,"fu-shi-hui-200-yi-ming-225442","浮世绘200",[2126,2136,60,687,7,182,3438],"雕塑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5c037a08ecd3de52f7cd5151c844fff.jpg",[],{"id":3442,"slug":3443,"title":3444,"dynasty":55,"author":673,"museum":167,"description":3445,"tags":3446,"thumbUrl":3447,"material":95,"size":95,"collection":95,"collections":3448,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},224304,"hua-hui-shi-er-kai-5-li-shan-224304","花卉十二开5","此作以淡逸之笔绘秋花插于石盆，花枝错落舒展，紫、粉、黄三色菊瓣柔润鲜活，叶片带着雨霁后的清润绿意，笔致写意却不失花姿娇妍。墨色勾勒的盆石朴拙苍劲，与花枝的秀雅相映成趣。右侧题字笔势俊朗，与画面融为一体，尽显文人意趣，将秋花傲霜清寂的神韵尽显，似能嗅见雨后秋芳的淡香，清恬雅致的文人逸趣溢满纸面。",[23,24,29,88,60,63,7,91,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f779b644fd4b30b18c9bcb45d3724f8.jpg",[],{"id":3450,"slug":3451,"title":3452,"dynasty":18,"author":256,"museum":167,"description":3453,"tags":3454,"thumbUrl":3460,"material":95,"size":95,"collection":95,"collections":3461,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},223641,"shi-ying-sheng-hui-tu-quan-juan-yi-ming-223641","蓍英盛会图全卷","此卷以朱丝栏界格小楷书就，用笔秀挺雅致，结体端稳匀净，尽得晋唐小楷遗韵，通篇气息连贯从容，无一笔苟且。\n\n文字详实记述洛中耆英雅集诸位贤达生平、雅集始末，将记事述人与书法精妙融合。既是记录宋代文人群贤雅聚的珍贵文献，亦是极具观赏性的书法佳作。笔墨间尽显沉静内敛的文人意趣，点画精微法度谨严，工整秀雅中藏有灵动意致，书写者深厚功底尽显其间，古雅隽永的书卷风神浸透全卷。",[23,24,29,28,60,62,687,825,2716,841,448,63,30,31,826,89,1916,330,331,1917,3455,1216,464,3456,3457,1966,1249,32,41,33,7,35,36,385,1392,3458,3459,374],"礼器","饪食器","典籍","牛","马","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ff2ab5fb781f6a9b46ac0a60e31de28.jpg",[],{"id":3463,"slug":3464,"title":3465,"dynasty":55,"author":1913,"museum":20,"description":3466,"tags":3467,"thumbUrl":3468,"material":829,"size":3469,"collection":95,"collections":3470,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},223147,"yao-xie-shi-yi-tu-ce-di-qi-kai-er-hua-leng-ku-dang-yuan-qiu-fan-shi-chun-huan-lie-xiu-zheng-ren-xiong-223147","姚燮诗意图册-第七开：尔花冷苦当怨秋，翻似春鬟列修整","此套共十册，每册十二开，每开除录有姚燮诗句外，还分别钤“熊”朱文印或“渭长”白文印。册页最后另有四开，分别有任熊、熊松之、吴云、沈钰、曹峋、李鸿裔等人题跋。据任熊自跋，作品完成于咸丰元年（1851年），时年29岁。\n这套共计一百二十张的册页是任熊在友人姚燮家里居住时为主人所画。姚燮，字梅伯，号复庄，浙江镇海人。道光年间举人，以诗见称于世。此册以姚燮的诗句命题，题材丰富多样，人物鬼神、花鸟鱼虫、仙山楼阁、亭榭风月皆聚于尺幅之间。全册别具匠心，常有神来之笔；设色则于鲜丽中见古雅之气，堪称任氏巅峰时期的铭心佳构。",[23,24,60,62,88,7,182,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f843df3c44d72c7405cfe793118ef49.jpg","纵27.3厘米，横32.5厘米",[],{"id":3472,"slug":3473,"title":3474,"dynasty":18,"author":3475,"museum":105,"description":3476,"tags":3477,"thumbUrl":3478,"material":43,"size":3479,"collection":95,"collections":3480,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":99},219785,"za-hua-ce-5-guo-xu-219785","杂画册-5","郭诩","郭诩（1456—1532），字仁弘，号清狂道人，江西泰和人。工书画，善山水，尝遍历名山，曰“岂必谱也，画在是矣。”同时江夏吴伟、北海杜堇、姑苏沈周俱以画名，莫不延颈原交，天下竟传清狂画，风之百金。有贵人欲多得诩画，诩瞠目数屋梁不对。固索，辄跮跖狂趋，叫奡跳号去。弘治（一四八八至一五零五）中徵天中善画者，应诏京师。宸濠召与语，辄辞谢之。往依王守仁献画题诗所见志。又善杂画，信手作人物，辄有奇趣。七十三岁尚作磨镜图。他的作品传世不多，八开《杂画册》现藏上海博物馆，《琵琶行》图轴藏北京故宫博物院。",[24,29,88,25,63,33,7,91,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72f1fb9db05fa3407e01e966ee406c53.jpg","纵28.5 厘米 横46.5 厘米",[],{"id":3482,"slug":3483,"title":3484,"dynasty":1268,"author":3485,"museum":105,"description":3486,"tags":3487,"thumbUrl":3490,"material":95,"size":95,"collection":45,"collections":3491,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3492},203361,"ju-shi-qu-yu-tu-zhou-wang-zhen-203361","菊石鸲鹆图轴","王震","画面中，墨石以浓淡交错的笔触皴擦而成，嶙峋朴拙；黄菊墨叶，笔墨洒脱，花瓣舒展间见生机；鸲鹆栖石，羽色浓黑，眼神灵动，似有鸣意。右侧题跋笔墨流畅，与花鸟山石相映成趣，朱印点缀，更添雅致。整体构图疏密得宜，墨色层次分明，设色清雅却不失鲜活，兼具文人画的意趣与海派绘画的灵动，将自然物象的神韵凝练于笔端，传递出悠然恬淡的文人情怀。",[24,63,25,60,7,91,3488,62,3489,89,23],"鸲鹆","题字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce26c4858e75dfa7d4f5a83ba4c28e2f.jpg",[45],"c3af9e",{"id":3494,"slug":3495,"title":3496,"dynasty":1268,"author":3497,"museum":105,"description":3498,"tags":3499,"thumbUrl":3500,"material":95,"size":95,"collection":45,"collections":3501,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3502},202945,"li-ju-chu-ji-tu-zhou-yao-hua-202945","篱菊雏鸡图轴","姚华","疏篱侧墨叶交叠，菊蕊悄然点缀其间，几只雏鸡或低头啄食，或相互嬉闹，憨态毕露。藤蔓以枯湿浓淡的笔触挥洒，篱菊借墨色层次尽显花叶蓬松之态，雏鸡设色淡雅却形神兼备，寥寥数笔便捕捉到幼禽的天真烂漫。整幅画作意境宁静闲适，透着田园生活的悠然趣味，笔墨间藏写意之妙，既得自然物象的生机，又含文人画的雅致情韵。",[24,63,25,60,7,108,29,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37830829330bb2e46d25be3099caddd0.jpg",[45],"cdc3c9",{"id":3504,"slug":3505,"title":1267,"dynasty":1268,"author":1637,"museum":105,"description":3506,"tags":3507,"thumbUrl":3508,"material":95,"size":95,"collection":45,"collections":3509,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3510},202929,"ji-ju-tu-zhou-xu-bei-hong-202929","画面以水墨设色绘就，母鸡昂首挺立，羽毛用浓淡墨色晕染，纹理层次分明，红冠点缀得神采奕奕；身旁雏鸡姿态憨拙，一黑一白相映成趣。右侧菊花生机盎然，花瓣粉嫩饱满，叶片以浓墨勾勒，与左侧虬曲的梅枝形成呼应。笔墨兼具写意洒脱与写实细腻，线条简练却形神兼备，色彩淡雅而富有生机，将家禽温情与花草雅致融为一体，尽显自然意趣与生活气息。",[24,63,25,60,205,7,32,26,1640,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3322416cb4676a95ff4aceca63d03285.jpg",[45],"baa98e",{"id":3512,"slug":3513,"title":3514,"dynasty":55,"author":673,"museum":105,"description":3515,"tags":3516,"thumbUrl":3518,"material":95,"size":95,"collection":95,"collections":3519,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3520},202700,"cang-song-ju-shi-tu-zhou-li-shan-202700","苍松菊石图轴","苍松老干嶙峋，虬枝盘结如铁，笔墨纵逸泼辣，松针劲挺似戟，尽显苍劲之姿。石畔菊花簇生，花瓣以淡墨点染，姿态清雅，与劲松的雄健形成刚柔相济之趣。画面水墨淋漓，浓淡干湿交错，笔触不拘成法，透出文人画特有的奔放意趣与倔强风骨，于简括中见生机，于豪放中藏雅致。",[24,25,3517,7,407,26,63,420,23],"苍松","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcba00814ac5b4474356a0c190de145e6.jpg",[],"292b28",{"id":3522,"slug":3523,"title":524,"dynasty":18,"author":3524,"museum":105,"description":3525,"tags":3526,"thumbUrl":3530,"material":95,"size":95,"collection":95,"collections":3531,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3532},202658,"ju-shi-tu-zhou-zhou-yu-du-202658","周裕度","画面以水墨写意铺陈，山石以简练皴擦结合点染，线条苍劲中藏灵动；菊花瓣叶勾勒精细，墨色浓淡交错显层次；竹枝挺拔，竹叶以撇捺之笔写出清逸秀雅。石畔杂草劲挺勾勒，添野趣。构图疏密有致，虚实相生，菊之傲霜、石之坚韧、竹之气节相融，传递文人画清雅风骨与淡泊心境，笔墨间尽展明末文人对自然意趣的追慕与人格理想的寄托。",[25,63,7,33,407,26,2033,3527,3528,3529,23],"点染","勾勒","苍劲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe33ecb2457a03a9688338917eeecc728.jpg",[],"ba9279",{"id":3534,"slug":3535,"title":1539,"dynasty":55,"author":1902,"museum":105,"description":3536,"tags":3537,"thumbUrl":3538,"material":95,"size":95,"collection":95,"collections":3539,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":2210},202360,"hua-hui-tu-juan-yuan-jiang-202360","画面铺展四时花卉，松针挺劲如铁线，墨荷泼洒见淋漓，牡丹雍容含露，梅枝疏影横斜，菊瓣纤巧带霜，诸般花叶错落有致，生机流转。笔墨兼用工写，线条灵动处勾勒花姿叶态，晕染浓淡间尽显层次韵致，设色清丽雅致，既存文人画的洒脱意趣，又具工笔花鸟的细腻生动，整体气息温婉而富有生趣，似将四季芳华凝于一卷之中。",[24,28,63,60,62,26,34,35,36,32,7,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9b36e6a28924535cbc7fa759987c68d.jpg",[],{"id":3541,"slug":3542,"title":3543,"dynasty":55,"author":369,"museum":105,"description":3544,"tags":3545,"thumbUrl":3547,"material":95,"size":95,"collection":95,"collections":3548,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3549},202229,"ju-shui-yan-ling-tu-zhou-xu-gu-202229","菊水延龄图轴","画面以水墨设色绘秋菊绽放之景，墨叶笔触简练，浓淡交错间显层次；黄花纤瓣舒展，浅黄设色雅致，尽显傲霜生机。枝叶穿插自然，或垂或立，与下方淡墨水纹相映，营造清逸悠远的秋日氛围。笔意疏朗，兼具写意洒脱与细节精巧，传递出文人画特有的清雅意韵，观之如临秋苑，暗香浮动。",[24,108,63,7,25,3546],"设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa64384454b911fca9026481321f8d551.jpg",[],"cdbfb6",{"id":3551,"slug":3552,"title":524,"dynasty":55,"author":3553,"museum":105,"description":3554,"tags":3555,"thumbUrl":3556,"material":95,"size":95,"collection":95,"collections":3557,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3558},202086,"ju-shi-tu-zhou-shen-chao-202086","沈焯","画面以苍劲孤石为基，丛菊盛放其间，白似霜雪、黄若金蕊、紫如霞绮，间缀朱红，花叶脉络勾勒工细，尽显秋菊傲霜之姿。旁侧老树枝干虬曲，残叶轻垂，添萧瑟秋意；细枝上小红果点缀，生机暗蕴。笔墨虚实相济，设色淡雅清润，既得写生之真，又含写意之趣。背景留白疏朗，与景物相映成趣，将菊之高洁、石之沉稳、树之疏逸融于一体，传递出文人画清逸脱俗的审美意韵。",[24,108,60,62,91,63,7,407,421,140,691],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c8971a1599f1dbf0257b11d4fe116e9.jpg",[],"d8c5a5",{"id":3560,"slug":3561,"title":3562,"dynasty":55,"author":673,"museum":105,"description":3563,"tags":3564,"thumbUrl":3565,"material":95,"size":95,"collection":95,"collections":3566,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3567},201779,"pen-ju-tu-zhou-li-shan-201779","盆菊图轴","盆菊枝桠舒展，花叶扶疏，笔墨随性洒脱。淡墨勾勒花瓣，浓墨点染叶片，枝干以劲挺线条挥写，旁伴细竹数竿，清逸之韵自生。花叶错落有致，兼具写实形态与写意意趣，墨色浓淡相宜，尽显秋菊傲霜之姿。画面简约却生机盎然，暗含文人雅士对自然生机的咏叹与高洁品格的寄寓。",[24,29,108,25,60,7,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa032c93225d61d33681591f634c242ca.jpg",[],"d5c2a6",{"id":3569,"slug":3570,"title":3571,"dynasty":55,"author":1875,"museum":105,"description":3572,"tags":3573,"thumbUrl":3574,"material":95,"size":95,"collection":45,"collections":3575,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3576},201586,"huang-hua-ling-shi-tu-zhou-wang-wu-201586","黄花灵石图轴","画面中，几株菊花亭亭玉立，花瓣舒展有致，设色淡雅却暗含明艳，叶片墨色浓淡交织，层次丰富。旁侧灵石以写意笔触勾勒，皴擦间尽显古朴苍劲之态，与柔美的菊花形成刚柔相济的对比。整幅画作笔墨兼具工致与灵动，工笔绘花见细腻，写意写石显风骨，动静相生。题跋与印章错落排布，增添了书画合璧的文人意趣，传递出菊花傲霜的高洁品格与灵石的坚贞意象，尽显清代花鸟画作的雅致韵致。",[24,108,63,7,91,62,60,89,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8b71856954ec9744c464f74a1455eae.jpg",[45],"dfceb1",{"id":3578,"slug":3579,"title":103,"dynasty":55,"author":104,"museum":105,"description":3580,"tags":3581,"thumbUrl":3582,"material":95,"size":95,"collection":45,"collections":3583,"showCount":241,"zanCount":49,"manualWeight":49,"mainColor":3584},201453,"jin-ji-zhu-ju-tu-zhou-hua-yan-201453","锦鸡俏立坡石，羽色斑斓，尾羽轻扬如缕，姿态鲜活。上方竹枝劲挺，竹叶以水墨写意挥洒，墨韵生动；右侧菊丛粉蕊青叶，笔墨简淡却意趣盎然。禽鸟刻画工细入微，羽毛纹理纤毫毕现，设色明丽雅致；竹菊则取写意之趣，笔意洒脱，与工致的锦鸡虚实相生，相映成趣。构图疏朗有致，留白空灵，兼工带写的技法将花鸟之美与笔墨之韵完美融合，清新雅致中透着蓬勃生机，尽显画家独特的艺术匠心与格调。",[24,63,60,62,26,33,7,109,108,1641,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7d0042d58e0b3607d37baf420064809.jpg",[45],"d3cbc3",{"id":3586,"slug":3587,"title":3274,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":3588,"thumbUrl":3590,"material":319,"size":320,"collection":95,"collections":3591,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":79},273505,"rong-tou-hua-yi-ming-273505",[1730,7,3276,3589],"布艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f59dbe127ec8a0ca3a343ff0a5dd2cf.jpg",[],{"id":3593,"slug":3594,"title":3595,"dynasty":55,"author":256,"museum":167,"description":3596,"tags":3597,"thumbUrl":3600,"material":319,"size":320,"collection":95,"collections":3601,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},272858,"hong-mu-bian-zuo-hua-hua-niao-tu-bo-li-cha-ping-yi-ming-272858","红木边座画花鸟图玻璃插屏","这件插屏是雅致的案头清供，以玻璃为底，墨色晕开幽谧底色，将清秋意韵凝于方寸之间。屏面以玉片镶嵌双鸽，白羽莹润柔光流转，交颈依偎尽显缱绻意趣。周遭贴饰簇簇金菊，明黄耀目似凝住秋阳，翠色枝叶鲜活灵动，晕开盎然生机。\n\n下方牙板描金缠枝纹样繁丽工细，与屏面雅致相映成趣。红木框架古雅沉稳，卷纹雕饰灵动流畅，将屏景托衬得愈发隽永。它融镶嵌、髹绘、木雕工艺于一体，把秋日花鸟的温婉意趣定格案头，尽显晚清雅致的案头审美意韵。",[182,3598,63,7,154,60,1966,3599],"插屏","玻璃画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b4424b51a1cb6de979564add0fdfa9a.jpg",[],{"id":3603,"slug":3604,"title":3605,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":3606,"thumbUrl":3607,"material":319,"size":320,"collection":95,"collections":3608,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":1333},270517,"bi-yu-pen-bi-xi-ju-hua-pen-jing-yi-ming-270517","碧玉盆碧玺菊花盆景",[2325,1967,3286,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04be41f2e8a705e7c977950610f70074.jpg",[],{"id":3610,"slug":3611,"title":3105,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":3612,"thumbUrl":3614,"material":319,"size":320,"collection":95,"collections":3615,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":1333},268464,"dian-cui-hua-hui-niao-die-wen-tou-hua-yi-ming-268464",[1730,3109,7,70,3613,63],"银器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21f9ce7a360a613ed1f6ac3408c2a9f3.jpg",[],{"id":3617,"slug":3618,"title":3619,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3620,"thumbUrl":3624,"material":319,"size":320,"collection":95,"collections":3625,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},265671,"pin-lan-se-duan-di-zhi-jin-qin-qi-shu-hua-mei-lan-zhu-ju-wen-tao-yi-ming-265671","品蓝色缎地织金琴棋书画梅兰竹菊纹绦",[1249,2423,3621,3622,691,3623,32,41,33,7,1730],"琴","棋","画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F911ee6d5b4c5068d25651f7a2bbd8973.jpg",[],{"id":3627,"slug":3628,"title":3629,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":3630,"thumbUrl":3632,"material":319,"size":320,"collection":95,"collections":3633,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},265603,"xue-hui-se-duan-di-ju-hua-ping-wen-tao-yi-ming-265603","雪灰色缎地菊花瓶纹绦",[1249,1246,60,7,182,3631],"绦带","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06d63efb66f89098e2ccfd794deaa514.jpg",[],{"id":3635,"slug":3636,"title":3637,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3638,"thumbUrl":3640,"material":319,"size":320,"collection":95,"collections":3641,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":1333},265562,"pin-lan-se-duan-di-he-hua-ju-tao-hua-mu-dan-wen-tao-yi-ming-265562","品蓝色缎地荷花菊桃花牡丹纹绦",[1249,1730,65,36,38,7,2241,3639],"服饰配件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93230562d27bc4aa51dbec8b469b1d0d.jpg",[],{"id":3643,"slug":3644,"title":3645,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3646,"thumbUrl":3647,"material":319,"size":320,"collection":95,"collections":3648,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":2427},265326,"pin-yue-se-duan-di-dan-cai-ju-mu-dan-he-hua-wen-tao-yi-ming-265326","品月色缎地淡彩菊牡丹荷花纹绦",[1249,1730,7,36,65,1246,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5df0943a718e15daba1916862809db9.jpg",[],{"id":3650,"slug":3651,"title":3652,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3653,"thumbUrl":3654,"material":319,"size":320,"collection":95,"collections":3655,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},265317,"hu-se-duan-di-shui-mo-ju-mu-dan-wen-tao-yi-ming-265317","湖色缎地水墨菊牡丹纹绦",[1249,25,63,7,36,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d19516dab2588bd6e25e96b5077d107.jpg",[],{"id":3657,"slug":3658,"title":3659,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3660,"thumbUrl":3661,"material":319,"size":320,"collection":95,"collections":3662,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},265316,"fen-hong-se-duan-di-shui-mo-ju-mu-dan-wen-tao-yi-ming-265316","粉红色缎地水墨菊牡丹纹绦",[1249,25,7,36,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1816bb353dce9e8572c4122e04ef7d11.jpg",[],{"id":3664,"slug":3665,"title":3666,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":3667,"thumbUrl":3668,"material":319,"size":320,"collection":95,"collections":3669,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3670},265026,"yuan-qing-se-duan-di-mu-dan-mei-zhu-ju-wen-tao-yi-ming-265026","元青色缎地牡丹梅竹菊纹绦",[1249,1730,36,32,33,7,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F427bdeea7a786b6abc7946750063478e.jpg",[],"0D904F",{"id":3672,"slug":3673,"title":3674,"dynasty":55,"author":256,"museum":167,"description":2522,"tags":3675,"thumbUrl":3677,"material":319,"size":320,"collection":95,"collections":3678,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},264413,"pin-yue-se-duan-xiu-qian-cai-zheng-zhi-ju-hua-wen-pao-liao-yi-ming-264413","品月色缎绣浅彩整枝菊花纹袍料",[1249,1246,7,3676,60],"袍料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8a34011369380acb6a72bc630c6b6d2.jpg",[],{"id":3680,"slug":3681,"title":3682,"dynasty":55,"author":256,"museum":167,"description":3683,"tags":3684,"thumbUrl":3687,"material":319,"size":320,"collection":95,"collections":3688,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},263959,"huang-se-yin-hua-lan-mu-dan-duo-ju-wen-zhi-jin-duan-yi-ming-263959","黄色银花篮牡丹朵菊纹织金缎","姜黄底色沉静雅致，银线织就的纹样如星子落于其上，明暗交错间漾出华贵质感。花篮为骨，托举雍容牡丹与隽秀朵菊，循环排布的纹样规整又不失灵动，将吉祥意趣藏入经纬。\n\n织金工艺让银纹在黄底晕出柔润光泽，花型饱满工致，叶蔓婉转舒展，尽显织造匠人的精妙手艺。朱红镶边收束幅面，让整体配色愈发和谐沉稳，底部织款留存下古旧时光的温度，将旧时织造审美与匠心凝于这一方尺幅之间。",[1249,3685,36,7,1969,2241,3686],"织金缎","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F073656cb0e5b9053d9ac814b51e23b5d.jpg",[],{"id":3690,"slug":3691,"title":3692,"dynasty":55,"author":256,"museum":167,"description":3693,"tags":3694,"thumbUrl":3696,"material":319,"size":320,"collection":95,"collections":3697,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},263910,"qing-se-gui-bei-mei-lan-zhu-ju-wen-zhi-jin-duan-yi-ming-263910","青色龟背梅兰竹菊纹织金缎","明黄底色如鎏金凝脂，沉稳华贵。青色织金织就龟背地纹，网格交错如冰裂纹理，规整中带着灵动韵律。岁寒四君子隐于纹间，梅之清逸、兰之幽婉、竹之劲挺、菊之淡然，与织金的富丽融于一体，将文人雅趣与宫廷华贵精妙结合。\n\n纹样循环往复，繁而不杂，提花走线匀净细腻，尽显清代花丝织造的顶尖工艺，把吉祥寓意与审美意趣藏入经纬之间，方寸之间尽显东方雅致雍容的极致韵味。",[1249,3685,3695,32,41,33,7],"龟背纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3140b7ce3617645bcbc52b1271271ca9.jpg",[],{"id":3699,"slug":3700,"title":3701,"dynasty":55,"author":256,"museum":167,"description":3702,"tags":3703,"thumbUrl":3708,"material":319,"size":320,"collection":95,"collections":3709,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},261514,"qing-hua-ying-xi-tu-wan-yi-ming-261514","青花婴戏图碗","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[2012,3704,3705,3706,33,7,921,3707],"青花","婴戏图","孩童","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdba1ff37a8f414dc946d81e368bc700.jpg",[],{"id":3711,"slug":3712,"title":3713,"dynasty":18,"author":256,"museum":167,"description":2892,"tags":3714,"thumbUrl":3718,"material":319,"size":320,"collection":95,"collections":3719,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":1333},257637,"fa-hua-hua-hui-wen-shuang-er-ping-yi-ming-257637","珐花花卉纹双耳瓶",[1228,2012,3715,60,40,7,182,3716,3717],"珐花","双耳","立体纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c65be920bf9f610fe71f1e1517309f7.jpg",[],{"id":3721,"slug":3722,"title":3723,"dynasty":18,"author":256,"museum":167,"description":3724,"tags":3725,"thumbUrl":3726,"material":319,"size":320,"collection":95,"collections":3727,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},256736,"cheng-hua-kuan-dou-cai-san-qiu-bei-yi-ming-256736","成化款斗彩三秋杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[1228,2884,2012,60,63,70,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab29fc39ded33246930c628e68a005ea.jpg",[],{"id":3729,"slug":3730,"title":3731,"dynasty":18,"author":256,"museum":167,"description":3732,"tags":3733,"thumbUrl":3735,"material":319,"size":320,"collection":95,"collections":3736,"showCount":131,"zanCount":174,"manualWeight":49,"mainColor":50},256477,"dou-cai-tuan-hua-ju-die-wen-guan-yi-ming-256477","斗彩团花菊蝶纹罐","此器造型圆浑饱满，盖身一体线条柔润舒展。釉下青花勾勒轮廓，釉上填施红绿彩料，发色妍丽明快，蓝彩幽靓沉静，红绿鲜亮浓艳，釉面莹润光亮。\n\n纹饰层层铺陈排布，盖面、颈肩、腹身与圈足各成景致，腹身团花菊蝶错落分布，团纹精巧灵动，花叶婉转柔丽，构图疏朗雅致，既带着端庄隽秀的气韵，又尽显斗彩釉色交融的雅致韵致，将雅致清新的古意藏于寸缣之间，尽显古瓷审美意趣。",[18,2884,2012,182,60,62,3734,7,373],"团花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6f484eef162cc2890b91dbf937919c2.jpg",[],{"id":3738,"slug":3739,"title":3740,"dynasty":55,"author":256,"museum":167,"description":3741,"tags":3742,"thumbUrl":3747,"material":319,"size":320,"collection":95,"collections":3748,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":1333},249215,"qian-long-kuan-hua-fa-lang-bing-mei-wen-ju-ban-shi-zhi-hu-yi-ming-249215","乾隆款画珐琅冰梅纹菊瓣式执壶","以深邃宝蓝为底，冰裂纹错落延展，粉白梅花点缀其间，冷艳底色衬得花影娇柔灵动。菊瓣式器身线条婉转柔和，流与柄晕染出仿生色泽，温润雅致中和了珐琅彩的鲜亮夺目。盖顶铜色钮小巧精致，提亮整体色调，为器物添了几分利落庄重。\n\n整器珐琅发色匀净饱满，纹样排布疏密得当，将冬日寒梅的清逸风骨，融于华贵工巧的工艺之中，尽显雅致精巧的造物匠心。",[1016,2653,3743,3744,3745,3746,921,32,7],"画珐琅","冰梅纹","菊瓣式","执壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F035745e573a989f96c1fcbbb60f3303b.jpg",[],{"id":3750,"slug":3751,"title":3752,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":3753,"thumbUrl":3754,"material":319,"size":320,"collection":95,"collections":3755,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},248750,"hei-qi-miao-jin-hua-hui-wen-yuan-he-yi-ming-248750","黑漆描金花卉纹圆盒",[1965,2663,40,7,36,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F017e38148c24c1f7e7a3b023e88b8898.jpg",[],{"id":3757,"slug":3758,"title":3759,"dynasty":55,"author":3760,"museum":167,"description":3761,"tags":3762,"thumbUrl":3773,"material":319,"size":320,"collection":95,"collections":3774,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},241206,"li-zhang-ji-jue-ju-zhou-wu-kai-sheng-241206","李长吉绝句轴","吴闿生","吴镇（1280年—1354年），字仲圭，号梅花道人，浙江嘉兴人。元代画家、书法家、诗人。\n吴镇擅画山水、梅花、竹石，与黄公望、倪瓒、王蒙合称“元四家”。\n由于吴镇以董巨起家，其画中山、石、树、水、房屋、小桥都显得格外宁静、平和，但吴镇有时也着意打破这种气氛，使宁静中增几分动荡，那就是近景大树和山石的表现，特别是三两棵树的表现尤其明显。如果说吴画山、石、水、小桥、屋舍、群树的表现乃至整体气息是以董巨面目出现的话，那么其局部的大树则主要是以马夏的面目出现的。结构布局上立于近景，形象表现上夸张变形，树种的选择上以松柏寓人格。这种形象的树出现在平和、宁静的境界里显得格外突出。它们或直立挺拔、俯势向上；或倚斜偃蹇、欲倒还立；或技条倒挂、曲折盘桓。而且吴镇对大树的形象也是情有独钟的，几乎每幅山水画均有此类形象。这一个个形象频繁出现于其笔下，有何深刻含义？如果联系一下元代的民族岐视政策，联系一下同样比邻而居，盛氏求画者门限为穿，自家之门阒然的事实，或许透露出个中消息。在大树的塑造上，如果把吴镇放在“元四家”其他三家中做一比较，吴镇的独特个性尤能充分展现。黄公望、王蒙为了表现高士的居住环境，用平和、冷静的笔触画群山诸峰，力量均匀，气势平缓，树木郁郁葱葱，均为山的点缀，很少突出某一大树。倪瓒、吴镇在景物取舍上有极强的一致性，均喜画几棵树。倪瓒的树是纤细、弱小的，树干上长出几条树枝，枝上顶着几片叶子，立在空旷的荒野里显得孤独而又凄凉。而且倪瓒的树往往是叫不出名字的，并无具体所指；吴镇在树的种类上往往是有选择的，他最喜欢选取被赋予隐逸人格象征的古松来充实画面。在近景中吴镇很少画杂树而是喜爱强调几棵大树，个个粗壮而枝叶茂密，富有顽强的生命力。",[30,108,31,89,1695,33,206,1696,385,407,3763,7,637,1393,3764,41,3765,3766,1014,3767,1697,636,1395,1390,3768,421,3769,3770,3771,3772,1916,1917],"露","木","柳","杜","桥","孤云","苔","黄","绿","钩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94389ea4a9f9f206dbf7cb997ca6384e.jpg",[],{"id":3776,"slug":3777,"title":3778,"dynasty":55,"author":3779,"museum":167,"description":3780,"tags":3781,"thumbUrl":3784,"material":319,"size":320,"collection":95,"collections":3785,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},240884,"zhou-liang-gong-qi-lv-shi-zhou-zhou-liang-gong-240884","周亮工七律诗轴","周亮工","周亮工（1612年—1672年），字元亮，又有陶庵、减斋、缄斋、适园、栎园等别号，学者称栎园先生、栎下先生。河南祥符（今河南开封祥符区）人，明末清初官员、文学家、篆刻家、收藏家。\n周亮工于明崇祯十三年（1640年）进士及第，曾任山东潍县知县，迁浙江道监察御史。入清后，任两淮盐法道、淮扬兵备道、福建布政使、都察院左副都御史、户部右侍郎等。后屡次被弹劾判死刑，又遇赦免。康熙元年（1662年），起复为青州海道、江安储粮道。康熙十一年（1672年），逝世于江宁，享年六十一岁。\n周亮工博学多才，诗文、金石、书画皆有很深造诣。古文宗法唐宋八大家，推崇严羽诗论。著有《赖古堂集》《读画录》等。",[30,31,108,89,7,637,3459,691,3782,3783,1698],"帷","堂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71ae57aec5d72a56413c9d534f985754.jpg",[],{"id":3787,"slug":3788,"title":2919,"dynasty":55,"author":3789,"museum":20,"description":3790,"tags":3791,"thumbUrl":3796,"material":3797,"size":3798,"collection":453,"collections":3799,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},240703,"shi-juan-cha-ji-zuo-240703","查继佐","释文：\n一片山花落笔床，石桥寺里最清凉。寄书河上神明宰，玉帛朝回望帝乡。为政心闲物自闲，一州横制浙江湾。百花仙酝能留客，野屐同登竹外山。不将富贵碍高情，树里南湖一片明。杭越风光诗酒主，琵琶起舞换新声。愿得相从一问师，论交却忆十年时。轻舟共泛花边水，南国争传五字诗。西湖清宴不知回，雨过南山积翠来。近得麻湖书信否，五云多处是三台。英雄见事若通神，不薄今人爱古人。蚤晚得为同舍旅，道光谁不仰清尘。燕蹴飞花落舞筵，蓝田日暖玉生烟。河边淑气迎芳草，琴瑟同谐愿百年。心在重霄鬓未华，不知春思落谁家。城中车马应无数，阁道回看上苑花。生平诗誉复谁过，银箭金壶漏水多。内史笔锋光案牍，江南江北望烟波。苏小门前柳万条，酒醒时得广离骚。无劳海上寻仙客，王母新开一树桃。朝野俱欢庆寿晖，山光物态弄春辉。雄如宝剑冲牛斗，再为苍生入翠微。才子襟期本上清，黄云捧日瑞升平。东风小饮人皆醉，试向文园问长卿。右集唐十二绝为石翁张老师寿。治门生钓史查继佐书并政。\n款署：“右集唐十二绝为石翁张老师寿。治门生钓史查继佐书并政。”钤“查继佐印”白文印、“伊璜氏”朱文印，引首印为“紫微房”朱文印。\n此书是查继佐自集唐诗十二首为老师祝寿而作，当中每一首七言绝句都是从四首唐诗中分别选取一句，组合成为一首。整件作品共涉及36位唐代诗人的48首诗， 如岑参、王昌龄、白居易、高适、杜甫、李商隐、刘禹锡、温庭筠、杜牧等人的诗作。个别字句与原诗略有出入。其书学颜真卿，用笔劲健、爽利，分间布白极其匀称。查家在清初遭受了文字狱之灾，当时保存查氏墨迹可能会引起杀身之祸，所以查继佐的传世作品较少，此件则更为珍贵。",[23,30,28,31,25,89,3792,3793,3794,1394,3795,206,1696,1393,421,385,636,3767,448,1390,1389,827,825,154,447,822,32,41,33,7],"江南","芳草","烟","湖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36541a0829df7cb68ef275f1e2b9ee33.jpg","绫本，行书","纵450厘米，横33.3厘米",[453],{"id":3801,"slug":3802,"title":1441,"dynasty":55,"author":256,"museum":167,"description":3803,"tags":3804,"thumbUrl":3805,"material":319,"size":320,"collection":95,"collections":3806,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},238916,"qing-ren-ju-pu-ce-yi-ming-238916","此作以没骨法绘秋菊，水色晕染枝叶，苍绿深浅变化间，叶片向背姿态自然鲜活，藤蔓蜿蜒舒展，裹挟着清秋野趣。金蕊细丝披散舒展，如流金缕络，纤细笔触将花姿勾勒得灵动宛然，宛若蝶翼轻颤欲飞。\n\n画面留白清寂疏朗，右侧题笺点明花名，整体雅致秀润，摒弃浓艳堆砌，只以轻色淡墨晕染出秋菊疏淡高洁的韵致。笔底暗合文人案头清赏的雅趣，淡而有味，于细微处尽显花卉写生的传神之妙，将秋菊的清逸风骨藏在浅淡晕染中，意趣悠长。",[24,29,88,60,62,63,7,361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b4710be9c93c0cd4a38f041f0aee724.jpg",[],{"id":3808,"slug":3809,"title":1441,"dynasty":55,"author":256,"museum":167,"description":3810,"tags":3811,"thumbUrl":3812,"material":319,"size":320,"collection":95,"collections":3813,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},238913,"qing-ren-ju-pu-ce-yi-ming-238913","此作以淡彩工笔绘秋菊，两朵粉菊一仰一俯，顾盼生姿。花瓣层叠舒展，丝缕细腻柔婉，将菊的娇妍风骨尽现。叶片晕染深浅绿意，皴描出脉络纹理，鲜活灵动。\n\n画面留白疏朗，素净纸面衬得花姿愈显清雅，侧边题字添了古雅文趣。整体设色浅淡雅致，无浓艳雕琢，笔触细腻柔和，以清浅色彩勾勒描摹，尽显中式花鸟的含蓄悠然，将秋菊高洁柔美的姿态定格，带着平和清隽的古典意韵。",[24,29,88,62,60,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9965bfc01629cc774a87fc169c10a017.jpg",[],{"id":3815,"slug":3816,"title":1441,"dynasty":55,"author":256,"museum":167,"description":3817,"tags":3818,"thumbUrl":3819,"material":319,"size":320,"collection":95,"collections":3820,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},238912,"qing-ren-ju-pu-ce-yi-ming-238912","此作留白疏朗雅致，将秋菊神韵尽显纸上。主花灼灼盛放，胭脂色花瓣舒展如缕，由深至浅晕染自然，层次丰盈柔美，将丝瓣卷曲灵动之态勾勒入微。侧枝小花含苞半绽，嫩蕊轻藏，搭配深浅不一的翠色叶片，筋脉清晰细腻，花叶俯仰生姿，尽显秋菊柔而不弱的清隽风骨。右上角题字清雅端方，与花色相衬，融笔墨意趣于花木之间。整幅笔致工细秀润，无多余修饰，却将秋菊的傲然姿容晕染得淋漓尽致，带着中式花鸟独有的淡远悠然，尽显小品画作的雅致意趣。",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F362504d459204ad5b93b73aa1f1228c2.jpg",[],{"id":3822,"slug":3823,"title":3417,"dynasty":55,"author":256,"museum":167,"description":3824,"tags":3825,"thumbUrl":3826,"material":95,"size":95,"collection":95,"collections":3827,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},235957,"cai-jia-hua-hui-tu-ce-yi-ming-235957","此作以淡赭晕染菊瓣，丝缕细致灵动，将秋菊蓬松柔润的盛放之态描摹入微。墨叶以浓淡区分阴阳向背，勾勒的筋脉挺劲舒展，花枝错落，盛放的花头与含苞的蓓蕾相互映衬，层次丰盈，尽得秋菊清疏生机。\n\n题诗与画境相映，暗合文人爱菊以寄隐逸闲情的传统。整幅设色清雅恬和，无浓艳堆砌，笔墨秀逸简淡，写实中带着空灵意趣，把秋菊清傲出尘的姿态，和以菊遣怀的文人情思融于尺幅间，尽显小品画的雅致闲淡。",[24,29,140,88,60,63,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5559da6695e9fcae4a722fefeea9bb17.jpg",[],{"id":3829,"slug":3830,"title":3831,"dynasty":55,"author":3832,"museum":167,"description":3833,"tags":3834,"thumbUrl":3835,"material":95,"size":95,"collection":95,"collections":3836,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},234552,"yu-mu-shang-xin-ce-jiao-shi-ce-ye-pan-fa-sheng-234552","娱目赏心册-蕉石册页","潘阀盛","《娱目赏心册》收集了十三幅绘画作品，分别出自于十二位画家之手，尽管是不同画家的手笔，但整个册页非常统一，弥漫的是一股浓浓的文人气息",[24,29,88,25,89,31,7,33,91,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc9da955732040f9592fd5810cfe3ec2.jpg",[],{"id":3838,"slug":3839,"title":3840,"dynasty":18,"author":2631,"museum":167,"description":2632,"tags":3841,"thumbUrl":3842,"material":95,"size":95,"collection":95,"collections":3843,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},233598,"shi-zhu-zhai-wu-se-jian-pu-ce-hu-ri-cong-233598","十竹斋五色笺谱册",[140,24,29,88,60,2136,63,39,91,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fedfb97e4ea71a61e803fe771d9bb95cb.jpg",[],{"id":3845,"slug":3846,"title":2630,"dynasty":18,"author":2631,"museum":167,"description":2632,"tags":3847,"thumbUrl":3848,"material":95,"size":95,"collection":95,"collections":3849,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},233353,"shi-zhu-zhai-pu-ce-hu-ri-cong-233353",[24,29,88,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7355e37139f233d733be9c069430d8dc.jpg",[],{"id":3851,"slug":3852,"title":2630,"dynasty":18,"author":2631,"museum":167,"description":2632,"tags":3853,"thumbUrl":3854,"material":95,"size":95,"collection":95,"collections":3855,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},233276,"shi-zhu-zhai-pu-ce-hu-ri-cong-233276",[24,29,88,25,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d70d37dfbf34cf4d57c7dd665241911.jpg",[],{"id":3857,"slug":3858,"title":2630,"dynasty":18,"author":2631,"museum":167,"description":2632,"tags":3859,"thumbUrl":3860,"material":95,"size":95,"collection":95,"collections":3861,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},233237,"shi-zhu-zhai-pu-ce-hu-ri-cong-233237",[24,60,88,7,91,1371,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfc3bd4f23dd069523507d7850ec885e.jpg",[],{"id":3863,"slug":3864,"title":3865,"dynasty":55,"author":256,"museum":167,"description":3866,"tags":3867,"thumbUrl":3880,"material":319,"size":320,"collection":95,"collections":3881,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":99},229533,"song-hua-shi-ju-hua-yan-yi-ming-229533","松花石菊花砚","砚台历经秦汉、魏晋，至唐代起，各地相继发现适合制砚的石料，开始以石为主的砚台制作。其中采用甘肃岷县的洮河石、广东端州的端石、安徽歙州的歙石制作的砚台，被分别称作洮砚、端砚、歙砚。史书将洮、端、歙称作三大名砚。清末，又将河南洛阳的澄泥砚与洮、端、歙，并列为中国四大名砚。也有人主张，以天然砚石雕制的鲁砚中的红丝石砚代替澄泥砚，合称四大名砚。\n谈起砚的种类有许多种，从砚的材质可分为：玉砚、银砚、铜砚、铁砚、陶砚、瓷砚、石砚、漆砚等，其中石砚是最为普遍，也最实用的一种砚。砚台起源于新石器时代。最早的砚是半坡村遗址出土的研磨颜料的研磨器，在1980年，大陆考古学家曾在陕西省临潼县姜寨一处原始社会的遗址中，发现了一套原始人用以陶器彩绘的工具，其中有一方石砚，砚有盖，砚面微凹，凹处并有一根石质磨杵，砚旁留存数块黑色颜料。很显然，这是先民们借助磨杵研磨颜料的早期砚的形制。由于这处遗址归属于母系氏族时期的仰韶文化，故这方砚台的实际寿龄已超过了五千年了。\n清代端石砚要求因材施艺，因石构图，在题材、立意、构图、造型、利用何种雕法都要精心推敲，刻划得当。保持了端砚的古雅、朴实，古色古香、形态自然的特点。如北京故宫收藏的「端石双龙砚」、「猫蝶砚」是端砚中的佳品。",[1016,1967,7,1917,3868,63,182,3869,40,3870,3871,3872,3873,3874,3875,3876,3877,3878,3879],"石材","文房","雕刻技法","松花石","文房用具","清代器物","菊花纹样","石质","雕花","花饰","石砚","文房器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60e4dfe08ebd3971576141808cf13d0f.jpg",[],{"id":3883,"slug":3884,"title":3885,"dynasty":55,"author":256,"museum":167,"description":3886,"tags":3887,"thumbUrl":3890,"material":319,"size":320,"collection":95,"collections":3891,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":1333},229190,"qian-long-fang-diao-qi-miao-jin-ci-guan-jia-yi-ming-229190","乾隆 仿雕漆描金瓷冠架","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[1016,2012,3888,2663,182,3889,7,60],"仿雕漆","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feec9567fbf54177d50324eadd665268e.jpg",[],{"id":3893,"slug":3894,"title":3895,"dynasty":136,"author":256,"museum":167,"description":3896,"tags":3897,"thumbUrl":3900,"material":319,"size":320,"collection":95,"collections":3901,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":50},223755,"qing-ci-ju-hua-shi-pan-yi-ming-223755","青瓷菊花式盘","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[136,2012,3898,7,182,3899],"青瓷","开片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd3786d947546df6efa4bb432e04751e.jpg",[],{"id":3903,"slug":3904,"title":1466,"dynasty":1268,"author":3905,"museum":105,"description":3906,"tags":3907,"thumbUrl":3908,"material":95,"size":95,"collection":95,"collections":3909,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3910},203273,"zhu-ju-tu-zhou-he-xiang-ning-203273","何香凝","几竿修竹劲挺向上，浓淡墨叶疏朗有致；竹下菊丛摇曳生姿，花瓣卷曲含露，叶片墨韵饱满。三只灵雀或栖竹枝、或振翅欲飞、或立矮梢，顾盼间满是生机。笔墨洒脱自然，竹的清劲与菊的雅柔相映成趣，水墨晕染层次分明，尽显文人画清雅意趣，暗合君子高洁之姿。",[24,25,29,108,63,33,7,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34a8ba5c07230b16327b61b7c1883fe0.jpg",[],"bab3a5",{"id":3912,"slug":3913,"title":489,"dynasty":1268,"author":3914,"museum":105,"description":3915,"tags":3916,"thumbUrl":3917,"material":95,"size":95,"collection":95,"collections":3918,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3919},202968,"hua-hui-tu-zhou-wu-zheng-202968","吴徵","画面以写意笔触铺陈，墨竹枝干挺劲，叶片错落间见笔力；数丛花卉点缀其间，色彩明丽却不失雅致，红叶片片似染秋光，白菊淡雅衬于石旁。巨石以泼墨晕染，皴擦兼施，苍劲古朴。笔墨交融处，既有文人画的意趣，又显自然生机。设色与水墨相映成趣，动静相宜，尽显秋意盎然之态。",[24,29,63,25,60,33,7,91,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1bc80ecaad70862308e2d9cc36936e9.jpg",[],"c2b7a7",{"id":3921,"slug":3922,"title":1267,"dynasty":1268,"author":3923,"museum":105,"description":3924,"tags":3925,"thumbUrl":3927,"material":95,"size":95,"collection":95,"collections":3928,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3929},202748,"ji-ju-tu-zhou-chen-shi-ceng-202748","陈师曾","此作笔墨写意传神，公鸡昂首而立，红冠点染鲜活，黑羽墨色浓淡交错，爪尖线条刚劲有力；菊枝蜿蜒，黄花明丽、粉花娇柔，叶片以泼墨挥写，蓝绿晕染间野趣横生。构图疏密得当，禽鸟与花卉相衬，简淡中见生机，逸韵盎然，尽显文人花鸟画的意趣风骨。",[24,63,26,60,3926,7,1368],"墨色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faec0112c753cb3e963d09887a6b50f71.jpg",[],"b6a792",{"id":3931,"slug":3932,"title":3933,"dynasty":55,"author":369,"museum":105,"description":3934,"tags":3935,"thumbUrl":3936,"material":95,"size":95,"collection":95,"collections":3937,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3938},202494,"ju-hua-ti-hu-zhou-xu-gu-202494","菊花提壶轴","画面中菊花绽放，花瓣以干湿浓淡的墨色勾勒，线条灵动如丝，簇拥成团；提壶造型朴拙，壶身淡墨晕染，轮廓方折笔触勾勒，尽显古雅之趣。枝叶墨色厚重，与轻盈花瓣形成对比，笔意纵逸洒脱。题字与印章错落有致，添文人雅韵。整幅清逸隽秀，简淡中见生机，尽显独特艺术风骨。",[24,63,25,7,182,89,31,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff07de9990ded783dd70f1b66c2b4689.jpg",[],"b49e73",{"id":3940,"slug":3941,"title":3942,"dynasty":55,"author":166,"museum":105,"description":3943,"tags":3944,"thumbUrl":3946,"material":95,"size":95,"collection":95,"collections":3947,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3948},202323,"lan-ju-ping-yan-tu-zhou-wu-chang-shuo-202323","篮菊瓶雁图轴","笔墨苍劲如篆，金石气韵满纸。瓶中雁来红丹艳似火，篮内黄菊金蕊披霜，设色大胆浓烈却古雅天成。线条沉雄有力，花叶枝干皆见笔力，墨色浓淡相生，层次分明。构图疏密得当，瓶之挺括与篮之朴拙相映，秋意浓郁间流露文人逸趣。吴昌硕以写意之法融金石味，尽显海派花鸟之神韵，为其经典之作。",[24,63,60,7,182,3945,89,23],"篆刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95e144b52c2568b5621cec329e96ab1d.jpg",[],"bbab9b",{"id":3950,"slug":3951,"title":3952,"dynasty":55,"author":166,"museum":105,"description":3953,"tags":3954,"thumbUrl":3955,"material":95,"size":95,"collection":95,"collections":3956,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3957},202320,"qi-ju-yan-nian-tu-zhou-wu-chang-shuo-202320","杞菊延年图轴","画面以雄浑山石为底，杞菊藤蔓蜿蜒其上。山石以浓墨大笔皴擦，线条如篆似隶，苍劲厚重；黄菊与红菊错杂绽放，花瓣以浓淡色彩晕染，姿态烂漫。藤蔓枝干盘曲交错，笔力遒劲，尽显“书画同源”之趣。墨色浓淡相宜，色彩鲜明却不艳俗，构图疏密有致，既含野逸生机，又寓延年吉祥之意，是写意花卉中融笔墨骨力与自然意趣的经典之作。",[24,108,25,60,63,7,420,473,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8764a1c1a05f70bc12f8ed92af8942f2.jpg",[],"c6bcac",{"id":3959,"slug":3960,"title":3961,"dynasty":55,"author":3962,"museum":105,"description":3963,"tags":3964,"thumbUrl":3966,"material":95,"size":95,"collection":95,"collections":3967,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3968},202134,"song-ju-zhu-shi-tu-zhou-hu-yuan-202134","松菊竹石图轴","胡远","画面取松、竹、菊、石为景，笔墨写意洒脱，设色清雅宜人。苍松虬枝盘曲，松针以浓墨簇点，尽显刚劲；翠竹叶片挺括，撇捺间透着气节；秋菊团簇绽放，淡彩点染中见傲霜之姿；巨石以皴法皴擦，纹理苍古厚重。四物相衬，构筑出静谧高洁的文人意境，借自然物象寄寓品格追求。题款书法流畅，印章点缀其间，书画印相映成趣，更添雅致韵味。",[24,25,60,34,33,7,91,420,108,29,3965],"印","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5b6308ea95f752d5b643132bdaf25b5.jpg",[],"a4978b",{"id":3970,"slug":3971,"title":3972,"dynasty":55,"author":1746,"museum":105,"description":3973,"tags":3974,"thumbUrl":3975,"material":95,"size":95,"collection":45,"collections":3976,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3977},201798,"mu-dan-tu-zhou-huang-shen-201798","牡丹图轴","这幅画作以水墨写意手法绘就，菊花枝干欹侧有姿，花瓣线条灵动婉转，墨叶浓淡相衬、淋漓洒脱。右侧书法题跋笔墨流畅，与画面虚实呼应，尽显书画同源之趣。笔触简括却生机盎然，墨色干湿浓淡对比鲜明，传递出自然野趣与文人意韵。整体风格疏放不羁，兼具生动性与抒情性，展现了传统花鸟的写意之美。",[24,25,63,7,108,30,31,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f86bb4af0b29d39440af3c6eaff3cdd.jpg",[45],"d0c7b6",{"id":3979,"slug":3980,"title":3981,"dynasty":55,"author":3982,"museum":105,"description":3983,"tags":3984,"thumbUrl":3988,"material":95,"size":95,"collection":95,"collections":3989,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":3990},201642,"fu-rong-yuan-yang-tu-zhou-hu-fei-tao-201642","芙蓉鸳鸯图轴","胡飞涛","画面暖棕底色之上，芙蓉枝干虬曲，粉白花朵交映，花瓣晕染细腻；黄紫菊丛点缀其间，叶色浓淡相生。水面鸳鸯羽色斑斓，姿态灵动，与浮萍、岸石相映成趣。笔触工细入微，设色雅致温润，花鸟情态鲜活，尽显传统工笔花鸟的精致意韵与自然生机。",[62,60,63,37,3985,7,3986,3987],"鸳鸯","浮萍","岸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F694188f35937dea6c74dc93aeb710adc.jpg",[],"866a3b",{"id":3992,"slug":3993,"title":3994,"dynasty":55,"author":2310,"museum":105,"description":3995,"tags":3996,"thumbUrl":3998,"material":95,"size":95,"collection":95,"collections":3999,"showCount":131,"zanCount":49,"manualWeight":49,"mainColor":4000},201389,"hua-hui-niao-shou-tu-juan-chen-jia-yan-201389","花卉鸟兽图卷","这幅长卷以灵动笔墨铺陈自然意趣，花鸟虫兽与草木山石错落有致。松鼠攀附松枝显活泼，灵兔隐于竹丛露憨态，蜻蜓点水、禽鸟栖枝各得其所；牡丹雍容、荷莲清雅、秋菊傲立、芙蓉娇艳，四季花卉次第绽放。设色淡雅却见鲜活，线条细腻又含逸气，工笔勾勒物象之形，写意晕染生机之韵，笔墨间藏着对自然生灵的细腻观照与脉脉温情。",[24,28,63,374,62,60,34,33,35,36,7,37,1317,3997,156,706,234,92],"松鼠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4387ef268508fbde19aafd7ea255c8eb.jpg",[],"d9d0c9",{"id":4002,"slug":4003,"title":4004,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":4005,"thumbUrl":4007,"material":319,"size":320,"collection":95,"collections":4008,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},281538,"lan-di-hua-hui-wen-qi-bao-shao-pie-kou-ping-yi-ming-281538","蓝地花卉纹七宝烧撇口瓶",[2653,219,4006,40,36,7,60],"七宝烧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24a052d650903ccb5de3f5ebd274861b.jpg",[],{"id":4010,"slug":4011,"title":4012,"dynasty":55,"author":256,"museum":167,"description":4013,"tags":4014,"thumbUrl":4015,"material":319,"size":320,"collection":95,"collections":4016,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},278522,"lan-you-xiu-xi-ju-you-fang-bai-shou-shan-shi-zhang-yi-ming-278522","“兰有秀兮菊有芳”白寿山石章","战国时期，主张合纵的名相苏秦佩戴过六国相印。近几年来，出土的文物又把印章的历史向前推进了数百年。也就是说，印章在周朝时就有了。\n传世的古代玺印，多数出于古城废墟、河流和古墓中。有的是战争中战败者流亡时所遗弃，也有在战争中殉职者遗弃在战场上的，而当时的惯例，凡在战场上虏获的印章必须上交，而官吏迁职、死后也须脱解印绶上交。其它有不少如官职连姓名的，以及吉语印、肖形印等一般是殉葬之物，而不是实品。其它在战国时代的陶器和标准量器上，以及有些诸侯国的金币上，都用印章盖上名称和记录上制造工匠的名姓或图记性质的符号，也被流传下来。\n古玺是先秦印章的通称。我们现在所能看到的一般最早的印章大多是战国古玺。印文笔画细如毫发，都出于铸造。白文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。官玺的印文内容有“司马”、“司徒”等名称外，还有各种不规则的形状，内容还刻有吉语和生动的物图案。朱文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。\n古印章和书画一样，崇尚名人效应，讲究技艺水准。一般来说，篆刻作者以及印章属主的名气大小、地位高低和作品的价值成正比。但古印章和字画、陶瓷等热门品种又有所不同。由于藏家、行家相对较少，认知能力跟不上，以至于鉴定难度加大，认可上更挑剔、更严格。因此，对于名人作品的收藏或投资，一定要慎之又慎。即不仅要真，还要真得“好”、“精”、“开门”。要注意鉴别旧仿以及改刻、添款之作。\n古印章大多都有钮饰工艺，而钮工的精粗与否将直接影响到古印章的价值。钮饰雕琢奇巧、精致传神，薄意浮雕水平高超的，附加值亦随之提升。\n古印章的石材产地多，仅寿山、青田、昌化三地就有数百种之多，其质地高下、优劣参差不齐。一般来说，衡量石质有三点：一是直观颜色漂亮明艳、亮丽抢眼；二是质感好，即符合“细、腻、温、润、结、凝”之“六德”；三是产量稀少、外貌特殊，如上品母黄、芙蓉、封门、鸡血等名品。",[89,3945,473,2325,41,7,1967],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8e0c0142953e2f0684da28b76550ba7.jpg",[],{"id":4018,"slug":4019,"title":3274,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":4020,"thumbUrl":4022,"material":319,"size":320,"collection":95,"collections":4023,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},273503,"rong-tou-hua-yi-ming-273503",[1730,7,4021,3108],"绒制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafe6078f9d2df5657a85ce77ad9db334.jpg",[],{"id":4025,"slug":4026,"title":3274,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":4027,"thumbUrl":4028,"material":319,"size":320,"collection":95,"collections":4029,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},273493,"rong-tou-hua-yi-ming-273493",[1730,3108,3276,1249,40,7,3277],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3251ef151d9aa6e6b41781fab38a327.jpg",[],{"id":4031,"slug":4032,"title":4033,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":4034,"thumbUrl":4038,"material":319,"size":320,"collection":95,"collections":4039,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},270509,"mu-diao-shan-zi-shan-hu-shou-xing-yu-shi-hua-hui-pen-jing-yi-ming-270509","木雕山子珊瑚寿星玉石花卉盆景",[1967,4035,3286,4036,2325,3288,40,33,7,1966,4037],"木雕","寿星","雕刻工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F890db49acca6c0071f78f84545d96a3c.jpg",[],{"id":4041,"slug":4042,"title":4043,"dynasty":55,"author":256,"museum":167,"description":4044,"tags":4045,"thumbUrl":4047,"material":319,"size":320,"collection":95,"collections":4048,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},269858,"zhu-gen-diao-mei-ju-shou-dai-niao-yi-ming-269858","竹根雕梅菊寿带鸟","此件竹雕随形施艺，将禽鸟栖梅景致凝于一器。寿带鸟敛首垂目，神态悠然静谧，羽翼层叠纤毫毕现，肌理起伏写实生动，利爪紧扣枝桠，劲健灵动。\n\n梅桩盘虬苍古，瘤节皴皱尽现老干风霜，枝头小花轻绽，野趣横生。雕刻顺竹材肌理施刀，将天然竹纹化为造物肌理，工细写实与天然意趣相融，把冬日清灵之景定格，文韵雅致，藏着旧时文房案头的清雅意趣。",[1967,33,32,7,4046,63,1966,182],"寿带鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d1490f5860c0fc688906085755431de.jpg",[],{"id":4050,"slug":4051,"title":4052,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":4053,"thumbUrl":4058,"material":319,"size":320,"collection":95,"collections":4059,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},269378,"zi-tan-qian-yu-ba-bao-hua-hui-wen-che-shi-wen-ju-xia-yi-ming-269378","紫檀嵌玉八宝花卉纹车式文具匣",[1966,1967,3098,4054,4055,33,7,4056,3872,4057],"八宝纹","花卉纹","文具匣","车式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d82b918fa253322c777a3dc32553cd3.jpg",[],{"id":4061,"slug":4062,"title":4063,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":4064,"thumbUrl":4067,"material":319,"size":320,"collection":95,"collections":4068,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},269328,"zi-tan-bai-bao-qian-hua-guo-tu-chang-fang-he-yi-ming-269328","紫檀百宝嵌花果图长方盒",[4065,1966,1967,1968,4066,7,35,36,182],"紫檀","花果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F572b5639fbbf4e0cdc9d05e4d11f9072.jpg",[],{"id":4070,"slug":4071,"title":4072,"dynasty":55,"author":256,"museum":167,"description":4073,"tags":4074,"thumbUrl":4077,"material":319,"size":320,"collection":95,"collections":4078,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},268892,"lan-se-duan-ping-jin-xiu-ju-hua-wen-long-pao-chai-pian-yi-ming-268892","蓝色缎平金绣菊花纹龙袍拆片","宝蓝色缎地沉静雅致，以平金绣配绒色绣制满幅秋菊。金彩勾边，粉、白、暖黄绒线晕染出柔润花容，菊瓣舒展饱满，枝叶错落灵动，纹样疏密相宜，华贵中带着秋日清韵。衣缘镶饰几何纹织边，素色挽袖平衡绣面繁丽，将宫廷织绣的精工，糅合文人爱菊的清雅意趣，把绣艺之美与花中君子的风骨相融，尽显清代服饰刺绣的精巧审美意趣。",[1216,1249,1246,4075,7,4076],"平金绣","龙袍拆片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce4968973198d0f7affa7677ef2e0d89.jpg",[],{"id":4080,"slug":4081,"title":4082,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":4083,"thumbUrl":4084,"material":319,"size":320,"collection":95,"collections":4085,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},268385,"xuan-qing-se-duan-xiu-jiu-ju-wen-huo-ji-ming-xing-pian-he-yi-ming-268385","玄青色缎绣九菊纹活计-名姓片盒",[1730,1249,1246,7,921],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16f65828560557fa75894bbef26acd08.jpg",[],{"id":4087,"slug":4088,"title":4089,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4090,"thumbUrl":4091,"material":319,"size":320,"collection":95,"collections":4092,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},268036,"hu-se-duan-di-ju-hua-wen-tao-yi-ming-268036","湖色缎地菊花纹绦",[1249,1246,7,182,3631,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F144884e06cc866049ae04eedcab93b4c.jpg",[],{"id":4094,"slug":4095,"title":4096,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4097,"thumbUrl":4099,"material":319,"size":320,"collection":95,"collections":4100,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},267941,"hu-se-duan-di-san-duo-ju-mu-dan-wen-tao-yi-ming-267941","湖色缎地三多菊牡丹纹绦",[1249,4098,7,36,2241,3631,40],"缎地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8084f37871850adf0e98b1c8a64cc8c.jpg",[],{"id":4102,"slug":4103,"title":4104,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4105,"thumbUrl":4106,"material":319,"size":320,"collection":95,"collections":4107,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},267893,"ou-he-se-duan-di-yin-hui-hu-se-mei-lan-zhu-ju-wen-tao-yi-ming-267893","藕荷色缎地银灰湖色梅兰竹菊纹绦",[1249,1730,32,41,33,7,60,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3ec1e8d21f1608a3fff061cf4d8741f.jpg",[],{"id":4109,"slug":4110,"title":4104,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4111,"thumbUrl":4114,"material":319,"size":320,"collection":95,"collections":4115,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},267891,"ou-he-se-duan-di-yin-hui-hu-se-mei-lan-zhu-ju-wen-tao-yi-ming-267891",[1249,1730,32,41,33,7,1246,4112,4113,60],"提花","缎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a8e528e5262ebb5f19aedd8b9fb5415.jpg",[],{"id":4117,"slug":4118,"title":4119,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4120,"thumbUrl":4121,"material":319,"size":320,"collection":95,"collections":4122,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},267884,"pin-lv-se-duan-di-shui-mo-mei-zhu-ju-wen-tao-yi-ming-267884","品绿色缎地水墨梅竹菊纹绦",[25,32,33,7,1249,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad036f4d8e33a222246932d0cf5ab8c5.jpg",[],{"id":4124,"slug":4125,"title":4126,"dynasty":55,"author":256,"museum":167,"description":1257,"tags":4127,"thumbUrl":4128,"material":319,"size":320,"collection":95,"collections":4129,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},267821,"lan-se-ke-si-mo-ju-wen-ma-gua-liao-yi-ming-267821","蓝色缂丝墨菊纹马褂料",[1216,1249,1259,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F743f0b3e719ede0111be227d1dcc7721.jpg",[],{"id":4131,"slug":4132,"title":4133,"dynasty":55,"author":256,"museum":167,"description":4134,"tags":4135,"thumbUrl":4138,"material":319,"size":320,"collection":95,"collections":4139,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},267772,"yue-bai-se-lan-ju-tao-hua-die-wen-er-se-duan-yi-ming-267772","月白色兰菊桃花蝶纹二色缎","以二色缎妆花工艺织就，宝蓝底色衬以玫红提花，色调鲜明又和谐相融。纹样取兰、菊、桃花与蛱蝶，枝蔓舒展灵动，花叶婉转柔美，蝶翼翩跹欲飞，将清雅花韵与生机野趣织入匹料。整体采用成衣裁片式构图，对称排布又层次分明，既兼顾面料成衣实用性，又暗含君子如兰、隐逸如菊的文人意趣，藏纳四时花景的吉祥寓意。织工细密匀整，提花饱满立体，尽显旧时织绣工艺的精巧雅致，将日用织物化作流动的诗意画卷。",[1249,1216,41,7,38,70,4136,4137],"二色缎","织绣纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcddedf4b28ee80d291a2ae22e8853543.jpg",[],{"id":4141,"slug":4142,"title":4143,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4144,"thumbUrl":4148,"material":319,"size":320,"collection":95,"collections":4149,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},265607,"hu-se-duan-di-hua-lan-ju-fu-tao-pan-chang-wen-tao-yi-ming-265607","湖色缎地花篮菊蝠桃盘肠纹绦",[1246,1249,1730,1969,7,4145,1832,4146,36,40,4147],"蝙蝠","盘肠纹","吉祥纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbffbb91bb51dee92ced306f6ecea3628.jpg",[],{"id":4151,"slug":4152,"title":4153,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4154,"thumbUrl":4156,"material":319,"size":320,"collection":95,"collections":4157,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":3670},265596,"hong-hui-se-duan-di-qian-cai-ju-hua-wen-tao-yi-ming-265596","红灰色缎地浅彩菊花纹绦",[2241,1249,7,1730,60,4155],"纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93b5e0c89272fcfa304119bea0ea333d.jpg",[],{"id":4159,"slug":4160,"title":4161,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4162,"thumbUrl":4163,"material":319,"size":320,"collection":95,"collections":4164,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":3670},265593,"pin-yue-se-duan-di-ju-hua-wen-tao-yi-ming-265593","品月色缎地菊花纹绦",[1249,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5c4dcd5db99d27afc6da51460354e3e.jpg",[],{"id":4166,"slug":4167,"title":4168,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4169,"thumbUrl":4170,"material":319,"size":320,"collection":95,"collections":4171,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265517,"lv-se-duan-di-mu-dan-lian-ju-wen-tao-yi-ming-265517","绿色缎地牡丹莲菊纹绦",[1249,1730,36,35,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56dc963e556f43affc8e193ee9ac6dbd.jpg",[],{"id":4173,"slug":4174,"title":4175,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4176,"thumbUrl":4177,"material":319,"size":320,"collection":95,"collections":4178,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},265504,"pin-yue-se-duan-di-ju-hua-mu-dan-wen-tao-yi-ming-265504","品月色缎地菊花牡丹纹绦",[1249,60,2241,7,36,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7c2dac2c592a2b8cf4166a2277b0be4.jpg",[],{"id":4180,"slug":4181,"title":4182,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4183,"thumbUrl":4186,"material":319,"size":320,"collection":95,"collections":4187,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265476,"jin-di-mu-dan-ju-hua-wen-tao-yi-ming-265476","金地牡丹菊花纹绦",[4184,256,4182,1249,1730,36,7,1246,2414,4185],"清朝","金地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dec1331bad0d0e35ad417bac7f1e529.jpg",[],{"id":4189,"slug":4190,"title":4191,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4192,"thumbUrl":4193,"material":319,"size":320,"collection":95,"collections":4194,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},265461,"xue-hui-se-duan-di-mu-dan-ju-he-he-wen-tao-yi-ming-265461","雪灰色缎地牡丹菊荷盒纹绦",[1249,1730,63,36,7,35,182,62,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcce0987b0daf6daf659bd6ac6ebb67de.jpg",[],{"id":4196,"slug":4197,"title":4198,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4199,"thumbUrl":4200,"material":319,"size":320,"collection":95,"collections":4201,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265414,"bao-lan-se-duan-di-dan-cai-lian-hua-mu-dan-ju-wen-tao-yi-ming-265414","宝蓝色缎地淡彩莲花牡丹菊纹绦",[1249,1730,60,65,36,7,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8df23ca84b7a3fddce2561a9bad09e8e.jpg",[],{"id":4203,"slug":4204,"title":4205,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4206,"thumbUrl":4207,"material":319,"size":320,"collection":95,"collections":4208,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},265405,"xue-hui-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265405","雪灰色缎地淡彩菊莲牡丹纹绦",[1730,1249,60,7,2515,36,40,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29005f9d14806af3867af0f550740df1.jpg",[],{"id":4210,"slug":4211,"title":4212,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4213,"thumbUrl":4214,"material":319,"size":320,"collection":95,"collections":4215,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},265393,"hu-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265393","湖色缎地菊莲牡丹纹绦",[1246,1249,7,2515,36,1730,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca0a9aebfe45cc9481c37ab39fcd8b96.jpg",[],{"id":4217,"slug":4218,"title":4219,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4220,"thumbUrl":4221,"material":319,"size":320,"collection":95,"collections":4222,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265380,"yue-bai-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265380","月白色缎地菊莲牡丹纹绦",[1249,1730,1246,3631,7,2515,36,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80ea8112fc595a01492ecb96c17aa349.jpg",[],{"id":4224,"slug":4225,"title":4205,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4226,"thumbUrl":4228,"material":319,"size":320,"collection":95,"collections":4229,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},265369,"xue-hui-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265369",[2241,1249,1246,4227,40,7,65,36],"淡彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59a1f8cfc8a017a163f1bfa3f99674c5.jpg",[],{"id":4231,"slug":4232,"title":4233,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4234,"thumbUrl":4235,"material":319,"size":320,"collection":95,"collections":4236,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":3670},265321,"yuan-qing-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265321","元青色缎地菊牡丹纹绦",[1249,3631,36,7,1246,63,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F075dc6a564a4a1df2e73305e9d0378db.jpg",[],{"id":4238,"slug":4239,"title":3659,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4240,"thumbUrl":4241,"material":319,"size":320,"collection":95,"collections":4242,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},265315,"fen-hong-se-duan-di-shui-mo-ju-mu-dan-wen-tao-yi-ming-265315",[1249,25,7,36,3631,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa06c08feed0ae5edbe360445b2d1abbb.jpg",[],{"id":4244,"slug":4245,"title":4233,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4246,"thumbUrl":4247,"material":319,"size":320,"collection":95,"collections":4248,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265312,"yuan-qing-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265312",[1249,1730,36,7,1246,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d694a9eab489b91cf8abd473c1b8658.jpg",[],{"id":4250,"slug":4251,"title":4252,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4253,"thumbUrl":4255,"material":319,"size":320,"collection":95,"collections":4256,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265306,"da-hong-se-sha-di-mu-dan-ju-wen-tao-yi-ming-265306","大红色纱地牡丹菊纹绦",[1249,1730,1216,36,7,4254],"绦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2dba3b1b00d44ec33fdc89beb9074084.jpg",[],{"id":4258,"slug":4259,"title":4260,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4261,"thumbUrl":4262,"material":319,"size":320,"collection":95,"collections":4263,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},265244,"yue-bai-se-duan-di-gou-lian-mu-dan-wen-tao-yi-ming-265244","月白色缎地勾莲牡丹纹绦",[1249,1730,36,7,2241,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99b5db184742ffa34105a238b1dc8dee.jpg",[],{"id":4265,"slug":4266,"title":4267,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4268,"thumbUrl":4269,"material":319,"size":320,"collection":95,"collections":4270,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},265185,"qian-lan-se-duan-di-san-duo-ju-hua-mu-dan-wen-tao-yi-ming-265185","浅蓝色缎地三多菊花牡丹纹绦",[1249,1730,36,7,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c2c96d76a216f0511cd0d0aabdcf7f9.jpg",[],{"id":4272,"slug":4273,"title":4274,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4275,"thumbUrl":4276,"material":319,"size":320,"collection":95,"collections":4277,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":3670},265055,"pin-yue-se-duan-di-mei-ju-he-zhu-wen-tao-yi-ming-265055","品月色缎地梅菊荷竹纹绦",[1249,1730,1246,32,7,35,33,36,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11a160cc91675b8684fee11f804b757a.jpg",[],{"id":4279,"slug":4280,"title":4281,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4282,"thumbUrl":4283,"material":319,"size":320,"collection":95,"collections":4284,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265042,"yuan-qing-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265042","元青色缎地梅兰竹菊纹绦",[1249,1246,32,41,33,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0edad77c191474fbd59263eb14987e21.jpg",[],{"id":4286,"slug":4287,"title":4288,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4289,"thumbUrl":4290,"material":319,"size":320,"collection":95,"collections":4291,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265037,"pin-lan-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265037","品蓝色缎地梅兰竹菊纹绦",[1249,1246,32,41,33,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb76b1d31076e54a417ff3d1ab68df1a4.jpg",[],{"id":4293,"slug":4294,"title":4295,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4296,"thumbUrl":4297,"material":319,"size":320,"collection":95,"collections":4298,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},265033,"xue-hui-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265033","雪灰色缎地梅兰竹菊纹绦",[1249,1730,32,41,33,7,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc570b5b2cc1474d121d29b5abb8f654a.jpg",[],{"id":4300,"slug":4301,"title":4302,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4303,"thumbUrl":4304,"material":319,"size":320,"collection":95,"collections":4305,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265021,"pin-yue-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-265021","品月色缎地织金梅兰竹菊纹绦",[1249,1730,2423,32,41,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47487426f9d9123f9f140acca70c3719.jpg",[],{"id":4307,"slug":4308,"title":4309,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4310,"thumbUrl":4311,"material":319,"size":320,"collection":95,"collections":4312,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},265019,"xue-hui-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-265019","雪灰色缎地织金梅兰竹菊纹绦",[1249,2423,32,41,33,7,3631,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe526b7c8084ca4ffebbc46428659925e.jpg",[],{"id":4314,"slug":4315,"title":3323,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4316,"thumbUrl":4317,"material":319,"size":320,"collection":95,"collections":4318,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},265015,"pin-lan-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-265015",[1249,2423,32,41,33,7,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc3734961df237c92ea35c030b50e7b6.jpg",[],{"id":4320,"slug":4321,"title":4322,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4323,"thumbUrl":4324,"material":319,"size":320,"collection":95,"collections":4325,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},265013,"hu-se-duan-di-dan-cai-mei-lan-zhu-ju-wen-tao-yi-ming-265013","湖色缎地淡彩梅兰竹菊纹绦",[1249,1730,32,41,33,7,60,63,38],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55df8cd704fda939bb16d4391305e4d8.jpg",[],{"id":4327,"slug":4328,"title":4329,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4330,"thumbUrl":4331,"material":319,"size":320,"collection":95,"collections":4332,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265011,"pin-lan-se-duan-di-dan-cai-mei-lan-zhu-ju-wen-tao-yi-ming-265011","品蓝色缎地淡彩梅兰竹菊纹绦",[1249,1246,32,41,33,7,40,1730,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9e8460cbff653c8ddc39a2ecb5049aa.jpg",[],{"id":4334,"slug":4335,"title":4336,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4337,"thumbUrl":4338,"material":319,"size":320,"collection":95,"collections":4339,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265007,"pin-yue-se-duan-di-dan-cai-mei-lan-zhu-ju-wen-tao-yi-ming-265007","品月色缎地淡彩梅兰竹菊纹绦",[1249,1246,32,41,33,7,4227,1730,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67da01d36429fe47487a7ef2fcd47526.jpg",[],{"id":4341,"slug":4342,"title":4343,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4344,"thumbUrl":4345,"material":319,"size":320,"collection":95,"collections":4346,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},265006,"pin-yue-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265006","品月色缎地梅兰竹菊纹绦",[1249,1246,32,41,33,7,40,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2c9957c8354932b83defa42fae17a6c.jpg",[],{"id":4348,"slug":4349,"title":4350,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4351,"thumbUrl":4353,"material":319,"size":320,"collection":95,"collections":4354,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},265003,"yuan-qing-se-duan-di-san-lan-mei-lan-zhu-ju-wen-tao-yi-ming-265003","元青色缎地三蓝梅兰竹菊纹绦",[32,41,33,7,1249,1730,1246,4352,4098],"三蓝绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd459f7a8bea05a33d14e72cba91e4e74.jpg",[],{"id":4356,"slug":4357,"title":4350,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4358,"thumbUrl":4359,"material":319,"size":320,"collection":95,"collections":4360,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265002,"yuan-qing-se-duan-di-san-lan-mei-lan-zhu-ju-wen-tao-yi-ming-265002",[1249,1730,1246,4352,32,41,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5411f78fdbf3e61dcf76a48276a12772.jpg",[],{"id":4362,"slug":4363,"title":4364,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4365,"thumbUrl":4366,"material":319,"size":320,"collection":95,"collections":4367,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},265000,"ou-he-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265000","藕荷色缎地梅兰竹菊纹绦",[1249,1730,1246,63,32,41,33,7,36],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb56be007b658cb3aed43d2392e448c76.jpg",[],{"id":4369,"slug":4370,"title":4371,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4372,"thumbUrl":4373,"material":319,"size":320,"collection":95,"collections":4374,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},264892,"pin-lan-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264892","品蓝色缎地淡彩竹菊纹绦",[1249,33,7,4227,1730,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb075ebcf823f238ccda11c02598f5698.jpg",[],{"id":4376,"slug":4377,"title":4371,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4378,"thumbUrl":4379,"material":319,"size":320,"collection":95,"collections":4380,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},264890,"pin-lan-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264890",[1249,33,7,4227,60,3631,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0645cd12de562d1282b3f2a21a1453c.jpg",[],{"id":4382,"slug":4383,"title":4384,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4385,"thumbUrl":4386,"material":319,"size":320,"collection":95,"collections":4387,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},264889,"pin-yue-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264889","品月色缎地淡彩竹菊纹绦",[1249,33,7,4227,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9469ac02864bc28616a30868a59f8a75.jpg",[],{"id":4389,"slug":4390,"title":4371,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4391,"thumbUrl":4393,"material":319,"size":320,"collection":95,"collections":4394,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2427},264878,"pin-lan-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264878",[1249,33,7,4227,1730,4392],"花草纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94e46d91ce32518fff293c825da1b31f.jpg",[],{"id":4396,"slug":4397,"title":3330,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4398,"thumbUrl":4399,"material":319,"size":320,"collection":95,"collections":4400,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},264802,"pin-lan-se-duan-di-zhi-yin-mei-lan-zhu-ju-mu-dan-wen-tao-yi-ming-264802",[1249,1730,32,41,33,7,36,3332],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdff8ca527e622dc889c345f101fabd22.jpg",[],{"id":4402,"slug":4403,"title":4404,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4405,"thumbUrl":4406,"material":319,"size":320,"collection":95,"collections":4407,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},264798,"si-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-264798","四色缎地织金梅兰竹菊纹绦",[1249,2423,32,41,33,7,1730,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e87ac01cb77a7a13054867abfac7a15.jpg",[],{"id":4409,"slug":4410,"title":4404,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4411,"thumbUrl":4412,"material":319,"size":320,"collection":95,"collections":4413,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},264796,"si-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-264796",[1249,1730,2423,32,41,33,7,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3f4c8de05f02f8c198e71b585c75e0d.jpg",[],{"id":4415,"slug":4416,"title":4404,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4417,"thumbUrl":4418,"material":319,"size":320,"collection":95,"collections":4419,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},264795,"si-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-264795",[1249,2423,32,41,33,7,3631,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5bfea85db7b0023b897ed7c2d8ce3a7f.jpg",[],{"id":4421,"slug":4422,"title":4423,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":4424,"thumbUrl":4425,"material":319,"size":320,"collection":95,"collections":4426,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},264690,"jin-di-shui-mo-ju-hua-wen-tao-yi-ming-264690","金地水墨菊花纹绦",[1249,1730,1216,7,25,60,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffcfeac1680c5c6cfb4d33152645fe580.jpg",[],{"id":4428,"slug":4429,"title":4430,"dynasty":55,"author":256,"museum":167,"description":1257,"tags":4431,"thumbUrl":4432,"material":319,"size":320,"collection":95,"collections":4433,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},264316,"hong-se-ke-si-qian-cai-lan-ju-die-wen-pao-liao-yi-ming-264316","红色缂丝浅彩兰菊蝶纹袍料",[1216,1259,1249,41,7,70,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35875cd3f3d6ff082356b7b0b1a72571.jpg",[],{"id":4435,"slug":4436,"title":4437,"dynasty":55,"author":256,"museum":167,"description":1257,"tags":4438,"thumbUrl":4440,"material":319,"size":320,"collection":95,"collections":4441,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},264297,"bao-lan-se-ke-si-mo-ju-wen-chang-yi-liao-yi-ming-264297","宝蓝色缂丝墨菊纹氅衣料",[1216,1249,1259,7,60,4439,40],"氅衣料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b80a082eb092a2528cc8a5c00e46bde.jpg",[],{"id":4443,"slug":4444,"title":4445,"dynasty":55,"author":256,"museum":167,"description":4446,"tags":4447,"thumbUrl":4449,"material":319,"size":320,"collection":95,"collections":4450,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},263819,"xing-huang-se-mei-lan-zhu-ju-wen-zhou-chou-yi-ming-263819","杏黄色梅兰竹菊纹绉绸","此作暖柔杏黄为底，梅兰竹菊暗纹婉转铺陈，隐现于绉绸肌理之中。梅枝疏朗、兰叶清隽、竹影劲挺、菊瓣雍容，四君子意趣随布料褶皱起伏若隐若现，似将文人风骨织入柔丝。\n\n绉绸自带的肌理让纹样晕着朦胧诗意，把清雅品格融于日常织物，既有实用器物的温润烟火气，又饱含传统审美意韵，朴素间藏精巧温婉，将君子气度藏入寻常织物，尽显东方雅致美学，是旧时雅致生活的缩影。",[1249,32,41,33,7,4448],"绉绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb07e30e82223fd1f011bfa5d71544b0.jpg",[],{"id":4452,"slug":4453,"title":4454,"dynasty":55,"author":256,"museum":167,"description":4455,"tags":4456,"thumbUrl":4457,"material":319,"size":320,"collection":95,"collections":4458,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},263775,"yue-bai-se-mei-lan-zhu-ju-wen-chun-chou-yi-ming-263775","月白色梅兰竹菊纹春绸","月白底色清润柔和，似将霜夜月色揉织入春绸之中。纱线交织细密紧实，触感莹润垂坠，尽显织物的温婉质感。梅兰竹菊四君子以隐花工艺暗绣于绸身，梅枝清癯、兰叶幽柔、竹节劲挺、菊瓣恬然，纹样随光影流转浅淡明灭，将文人君子的林下风雅藏于含蓄之间。\n\n它将东方美学里的内敛雅致融于日常织物，无需张扬色彩与夺目纹样，仅凭暗纹与底色的温柔呼应，便将旧时织造匠心与中式意趣穿载于身，藏着独属于旧时光的委婉浪漫。",[1249,32,41,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97993b0b992b201ff18d7cf036c523a4.jpg",[],{"id":4460,"slug":4461,"title":4462,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":4463,"thumbUrl":4466,"material":319,"size":320,"collection":95,"collections":4467,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},263532,"qian-long-kuan-fen-di-fen-cai-kai-guang-hua-hui-wen-bi-ping-yi-ming-263532","乾隆款粉地粉彩开光花卉纹壁瓶",[2012,2013,4464,4465,4055,32,7,36,62],"壁瓶","开光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0fb127bffc7499ee9b618c4c6148e657.jpg",[],{"id":4469,"slug":4470,"title":4471,"dynasty":136,"author":256,"museum":167,"description":4472,"tags":4473,"thumbUrl":4476,"material":319,"size":320,"collection":95,"collections":4477,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},261850,"san-cai-ke-hua-zhen-yi-ming-261850","三彩刻花枕","这件瓷枕腰圆敦和，外壁翠绿釉色虽经年岁剥蚀，古拙质感却愈发厚重。枕面以素地为卷，用刻填技法晕开清秋意趣：明黄秋菊层瓣舒展，如金蕊凝露，嫩绿叶脉婉转柔劲，双道弦纹圈定一方小景，色彩明快雅致，对比恰到好处。\n\n将秋日幽花的清隽凝于枕上，纳凉实用之余，以瓷为纸晕染宋人雅致日常，把恬淡诗意揉进寻常器物间，尽显宋韵风物的悠然意致。",[2012,4474,4475,7,921,182],"三彩","刻花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49a3240af5dd032364240b10a243b4e3.jpg",[],{"id":4479,"slug":4480,"title":4481,"dynasty":55,"author":256,"museum":167,"description":4482,"tags":4483,"thumbUrl":4486,"material":319,"size":320,"collection":2016,"collections":4487,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4488},261181,"xing-you-heng-tang-kuan-yi-xing-yao-zi-sha-ju-ban-wan-yi-ming-261181","行有恒堂款宜兴窑紫砂菊瓣碗","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[2012,4484,4485,921,1967,32,7,30,3899],"紫砂","菊瓣碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d5b4dc566bf63ba0dbab45b0c3bede1.jpg",[2016],"FFFFFF",{"id":4490,"slug":4491,"title":4492,"dynasty":55,"author":256,"museum":167,"description":3702,"tags":4493,"thumbUrl":4495,"material":319,"size":320,"collection":95,"collections":4496,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},260908,"zi-jing-tang-kuan-qing-hua-hua-niao-tu-gai-guan-yi-ming-260908","紫荆堂款青花花鸟图盖罐",[2012,3704,63,7,32,4494],"盖罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c94e61312a6c1fd2ea9f519152c9739.jpg",[],{"id":4498,"slug":4499,"title":4500,"dynasty":18,"author":256,"museum":167,"description":3702,"tags":4501,"thumbUrl":4503,"material":319,"size":320,"collection":95,"collections":4504,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},260464,"fu-zi-kuan-qing-hua-chan-ju-fei-qin-wen-wan-yi-ming-260464","福字款青花缠菊飞禽纹碗",[2012,3704,7,154,921,4502],"碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f6a1049525603f0ec29d84c596ba429.jpg",[],{"id":4506,"slug":4507,"title":4508,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":4509,"thumbUrl":4510,"material":319,"size":320,"collection":95,"collections":4511,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},260391,"fen-cai-hua-hui-wen-liu-fang-ping-yi-ming-260391","粉彩花卉纹六方瓶",[2012,2013,40,32,7,219],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae6ed9fa6a6cced8d8b1dbffe1d53ba3.jpg",[],{"id":4513,"slug":4514,"title":4515,"dynasty":55,"author":256,"museum":167,"description":4516,"tags":4517,"thumbUrl":4518,"material":319,"size":320,"collection":95,"collections":4519,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},260011,"kang-xi-kuan-fen-cai-hua-hui-wen-shui-cheng-yi-ming-260011","康熙款粉彩花卉纹水丞","水丞又称水中丞，一般多称就是水盂。是一种古老的中国传统工艺品。它是置于书案上的贮水器，用于贮砚水，多属扁圆形，有嘴的叫“水注”，无嘴的叫“水丞”。制作古朴雅致，为文房一重要器具。水丞有玉制的，如清代青玉雕葫芦水丞，两水盂相连构成葫芦形状，周边随形雕刻枝叶缠绕，显得清朗自然。玉水丞中以明代玉工陆子冈所制作品最为著名。也有铜制的、陶瓷制的，如官哥窑肚圆式、钵盂小口式等。",[2012,2013,60,40,7,182,3872,921],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F595e3927e3d58ed45b9ead72fc18782c.jpg",[],{"id":4521,"slug":4522,"title":4523,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":4525,"thumbUrl":4526,"material":319,"size":320,"collection":95,"collections":4527,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},260000,"cun-gu-tang-kuan-fen-cai-mao-die-tu-wan-yi-ming-260000","存古堂款粉彩耄耋图碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[2012,921,2013,372,70,7,40,374,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66f1683dbfb29899055f18bc15bf83e1.jpg",[],{"id":4529,"slug":4530,"title":4531,"dynasty":55,"author":256,"museum":167,"description":3702,"tags":4532,"thumbUrl":4534,"material":319,"size":320,"collection":95,"collections":4535,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},259812,"qing-hua-hua-hui-tu-bi-tong-yi-ming-259812","青花花卉图笔筒",[2012,3704,7,70,234,40,4533],"笔筒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4503d1dd6e22a2c37ce7578cffb5acc.jpg",[],{"id":4537,"slug":4538,"title":4539,"dynasty":18,"author":256,"museum":167,"description":3702,"tags":4540,"thumbUrl":4542,"material":319,"size":320,"collection":95,"collections":4543,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},259723,"qing-hua-lian-hua-wen-ling-hua-shi-pen-yi-ming-259723","青花莲花纹菱花式盆",[2012,3704,4541,7,2515,921,182],"盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc1a9bbf55849d15a33e7fc3c45d51fe.jpg",[],{"id":4545,"slug":4546,"title":4547,"dynasty":55,"author":256,"museum":167,"description":2882,"tags":4548,"thumbUrl":4549,"material":319,"size":320,"collection":95,"collections":4550,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},258277,"yong-zheng-kuan-dou-cai-zan-ju-wen-wan-yi-ming-258277","雍正款斗彩攒菊纹碗",[2012,2884,60,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9215c9c081145bff7f54dbf948f6c8e.jpg",[],{"id":4552,"slug":4553,"title":4554,"dynasty":55,"author":256,"museum":167,"description":3702,"tags":4555,"thumbUrl":4557,"material":319,"size":320,"collection":95,"collections":4558,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},258214,"qing-hua-chan-zhi-ju-wen-yu-hu-chun-ping-yi-ming-258214","青花缠枝菊纹玉壶春瓶",[55,2012,3704,4556,7],"缠枝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe41ef9cdc1c551ea242b5bde155db017.jpg",[],{"id":4560,"slug":4561,"title":4562,"dynasty":55,"author":256,"museum":167,"description":3702,"tags":4563,"thumbUrl":4564,"material":319,"size":320,"collection":95,"collections":4565,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},257921,"kang-xi-kuan-qing-hua-shi-er-yue-hua-hui-wen-bei-qian-yi-ming-257921","康熙款青花十二月花卉纹杯-千",[2012,3704,7,4055],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0dd5c56d480c34ab4650d4229637aee.jpg",[],{"id":4567,"slug":4568,"title":4569,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":4570,"thumbUrl":4572,"material":319,"size":320,"collection":95,"collections":4573,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},257722,"kang-xi-kuan-wu-cai-long-feng-wen-wan-yi-ming-257722","康熙款五彩龙凤纹碗",[2012,3340,60,3889,4571,7,182],"凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5e1e5b4174c1afb46137b52f405f6f7.jpg",[],{"id":4575,"slug":4576,"title":4577,"dynasty":18,"author":256,"museum":167,"description":3896,"tags":4578,"thumbUrl":4581,"material":319,"size":320,"collection":95,"collections":4582,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},257064,"you-li-hong-zhe-zhi-tao-ju-hua-wen-pan-yi-ming-257064","釉里红折枝桃菊花纹盘",[1228,4579,4580,1832,7,2012,4155],"釉里红","折枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F219f59b19be30f1ede4cdb062bb14454.jpg",[],{"id":4584,"slug":4585,"title":4586,"dynasty":55,"author":256,"museum":167,"description":4587,"tags":4588,"thumbUrl":4589,"material":319,"size":320,"collection":95,"collections":4590,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},256589,"dou-cai-tuan-hua-ju-die-wen-gai-guan-yi-ming-256589","斗彩团花菊蝶纹盖罐","器形圆润饱满，盖身浑然一体，形制沉稳雅致。以斗彩工艺妆点，青花勾勒轮廓，沉稳隽秀，填绘五彩晕染鲜活，青蓝与艳色交织碰撞，层次分明。\n\n团花菊蝶为饰，蝶翼纹理细腻灵动，仿若振翅欲飞，秋菊娇妍饱满，缠枝纹蜿蜒环绕，将佳景团团簇拥。纹饰繁而不乱，上下呼应排布匀净，红蓝绿彩相互映衬，既有青花的沉静古韵，又兼五彩的明丽鲜活，把清秋菊蝶的雅致意趣凝于瓷上，尽显制瓷工艺的精妙独到。",[55,2884,2012,182,3734,7,373,4556,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f40d427b3c35ee76f170a1ef650771b.jpg",[],{"id":4592,"slug":4593,"title":4594,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":4595,"thumbUrl":4596,"material":319,"size":320,"collection":95,"collections":4597,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},256572,"huang-di-kai-guang-fa-lang-cai-hua-hui-wen-wan-yi-ming-256572","黄地开光珐琅彩花卉纹碗",[2012,2903,3429,4465,60,40,7,36,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2d7c50f1042747392604646edeeaf6d.jpg",[],{"id":4599,"slug":4600,"title":4601,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":4602,"thumbUrl":4604,"material":319,"size":320,"collection":95,"collections":4605,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},252684,"qing-yu-kai-guang-mei-lan-zhu-ju-wen-wei-jiao-bi-tong-yi-ming-252684","青玉开光梅兰竹菊纹委角笔筒",[1016,2325,1967,4465,32,41,33,7,91,4533,4603],"委角","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2159a85e3327ab3acddca07d0dd9dff6.jpg",[],{"id":4607,"slug":4608,"title":2900,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":4609,"thumbUrl":4610,"material":319,"size":320,"collection":95,"collections":4611,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},249591,"yin-shao-lan-ju-die-wen-ju-hua-er-ping-yi-ming-249591",[1016,2902,2903,7,373,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5a39a5e047e3822edbc85e616e8e0c0.jpg",[],{"id":4613,"slug":4614,"title":4615,"dynasty":18,"author":256,"museum":167,"description":4616,"tags":4617,"thumbUrl":4618,"material":319,"size":320,"collection":95,"collections":4619,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},249046,"qia-si-fa-lang-ju-hua-wen-chu-ji-hua-gu-yi-ming-249046","掐丝珐琅菊花纹出戟花觚","此器取古铜花觚形制，鎏金出戟棱角挺括，撑起端庄古雅的骨相。天蓝色珐琅为底地，纤细掐丝勾勒出丛丛菊花，花瓣层叠柔婉，枝蔓舒展灵动，红、黄、白各色釉料填嵌其中，晕染开妍丽生机。\n\n冷润珐琅与暖亮鎏金相衬，刚硬出戟与柔婉花饰相映，将青铜古器的沉厚意趣，掐丝珐琅的华美工巧揉为一体，走线匀净流畅，釉色莹润鲜亮，尽显细腻卓绝的造艺，静立间漫溢出内敛华贵的古韵风华，是传统工艺美学交融的精妙之作。",[18,2654,2653,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88d4c6e9d0db060cd18a9a6c06f4e48b.jpg",[],{"id":4621,"slug":4622,"title":4623,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":4624,"thumbUrl":4626,"material":319,"size":320,"collection":95,"collections":4627,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},248545,"jin-qi-tuan-hua-wen-gai-wan-yi-ming-248545","金漆团花纹盖碗",[1016,1965,4625,2885,7,182],"金漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F565182347d7a8b7ccc40fa4e67c7f552.jpg",[],{"id":4629,"slug":4630,"title":4631,"dynasty":55,"author":4632,"museum":167,"description":4633,"tags":4634,"thumbUrl":4635,"material":319,"size":320,"collection":95,"collections":4636,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},241389,"wu-lv-zhou-chen-bang-yan-241389","五律轴","陈邦彦","陈邦彦（1678～1752），清代海宁盐官人。字世南，亦作思南，号匏庐，一号春晖，又作春晖老人，又号匏庐。清代著名学者、书法家。",[24,29,108,31,30,25,60,36,7,40,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41b1ee1e597eee050c519a8923a08741.jpg",[],{"id":4638,"slug":4639,"title":4640,"dynasty":18,"author":4641,"museum":20,"description":4642,"tags":4643,"thumbUrl":4645,"material":249,"size":95,"collection":453,"collections":4646,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},240997,"shu-yi-lu-tang-ye-ji-lian-ju-juan-zhu-ying-deng-240997","书宜禄堂夜集联句卷","朱应登","此狂草长卷笔墨纵逸酣畅，字势奇宕舒展。牵丝映带间流转自然，将唱和雅兴寄寓于笔墨节律。布白疏密相生，时如惊风骤雨、字间缠绕密不透风，时似空山留白、疏朗自在。行与行错落呼应，如流泉奔涌一气呵成。墨色枯润浓淡交织，燥锋挺劲见筋骨，湿笔腴润藏温雅，起落提按间暗合夜集疏放的文人意气，尽显狂草抒情性与法度之美。",[23,30,28,31,25,89,822,447,4644,841,448,825,154,32,41,33,7],"蓑笠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c98dbb2e6557e349cc7e45226036aa3.jpg",[453],{"id":4648,"slug":4649,"title":1441,"dynasty":55,"author":256,"museum":167,"description":4650,"tags":4651,"thumbUrl":4652,"material":319,"size":320,"collection":95,"collections":4653,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},238918,"qing-ren-ju-pu-ce-yi-ming-238918","此作设色清隽雅致，绘白菊一枝。花瓣以淡粉轻勾慢染，层叠舒展如堆霜叠雪，柔婉洁净，将白菊的莹润通透描摹尽致。石绿晕染叶片，筋脉勾勒细劲，苍润叶色衬出素花的清冷皎洁，秀挺墨线的枝干虚实相生，承托出秋菊疏朗脱俗的姿态。\n画面留白疏阔，舍去冗杂布景，仅以一花半叶撑住画幅，将菊花凌霜自持的君子品格融于笔底，观之如临清秋篱畔，似有淡菊暗香萦于襟袖，尽显中式花鸟含蓄清逸的意韵。",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8b99a6d99bce798332dff590352a361.jpg",[],{"id":4655,"slug":4656,"title":1441,"dynasty":55,"author":256,"museum":167,"description":4657,"tags":4658,"thumbUrl":4659,"material":319,"size":320,"collection":95,"collections":4660,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},238917,"qing-ren-ju-pu-ce-yi-ming-238917","此作以折枝入画，斜逸的菊枝打破画面匀整留白，虚实相生更显空灵雅致。双朵寿仙桃菊层瓣舒展，白紫晕染柔润自然，瓣尖点染朱砂艳红，将秋菊的雍容饱满尽数描摹，娇妍却不失清逸风骨。枝叶以淡绿分染，叶脉细笔勾勒，深浅层次鲜活灵动，尽显菊叶清翠润泽之态。整体工致细腻，设色秀雅柔和，写实之中暗合文人画的清雅意趣，把秋菊的绰约姿容定格，将花木的生机与文人爱菊的雅趣融为一体。",[24,29,88,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36037e740bb6463577a27b0b2759ce8f.jpg",[],{"id":4662,"slug":4663,"title":1441,"dynasty":55,"author":256,"museum":167,"description":4664,"tags":4665,"thumbUrl":4666,"material":319,"size":320,"collection":95,"collections":4667,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},238911,"qing-ren-ju-pu-ce-yi-ming-238911","此作用笔秀逸工细，斜逸的花枝舒展错落，主次分明。两簇主花饱满雍容，鹅黄瓣丝纤细繁密，晕染自然柔和，层层叠叠尽态极妍，将盛放之姿描摹得鲜活生动。花叶以花青敷色，墨线勾勒筋脉，枯荣虚实相映，暗藏清隽生机。\n\n设色明润雅致，暖黄与苍绿相互衬映，调和出清逸脱俗的氛围。画作写实入微，既精准还原了菊花的娇柔形貌，又暗合文人意趣，将菊之冷傲风骨晕染尽致。素净绢底托衬雅致意蕴，尽显传统花鸟小品的隽秀意趣，把秋菊君子般的高洁气质藏入笔底。",[24,60,62,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17f3c2b4209c40c74e192c034ce31fa8.jpg",[],{"id":4669,"slug":4670,"title":4671,"dynasty":55,"author":4672,"museum":167,"description":4673,"tags":4674,"thumbUrl":4675,"material":319,"size":320,"collection":95,"collections":4676,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},235949,"zhi-hua-za-hua-ce-gao-qi-pei-235949","指画杂画册","高其佩","高其佩（1660年—1734年，一作1672年—1734年），字韦之，号且园、南村、书且道人，别号颇多，另有山海关外人、创匠等。铁岭（今属辽宁）人，汉军镶黄旗人。清代官员、画家，指画的开山祖师。\n康熙时以荫由宿州知州迁四川按察使，雍正间擢都统，后罢去。工诗善画，所绘人物山水，均苍浑沉厚，尤善指画，晚年遂不再用笔。",[24,29,88,2941,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc96377dfcbb2bfd0e46d6ef74e4aeef.jpg",[],{"id":4678,"slug":4679,"title":3840,"dynasty":18,"author":2631,"museum":167,"description":2632,"tags":4680,"thumbUrl":4681,"material":95,"size":95,"collection":95,"collections":4682,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},233631,"shi-zhu-zhai-wu-se-jian-pu-ce-hu-ri-cong-233631",[24,29,88,60,2136,63,32,7,91],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3636e71beae028e006745d6453eed3c.jpg",[],{"id":4684,"slug":4685,"title":3840,"dynasty":18,"author":2631,"museum":167,"description":2632,"tags":4686,"thumbUrl":4687,"material":95,"size":95,"collection":95,"collections":4688,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},233620,"shi-zhu-zhai-wu-se-jian-pu-ce-hu-ri-cong-233620",[24,29,88,60,63,32,7,2136],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F228655e0da2f69a990f76fde2c3fe75e.jpg",[],{"id":4690,"slug":4691,"title":4692,"dynasty":2123,"author":4693,"museum":167,"description":4694,"tags":4695,"thumbUrl":4701,"material":319,"size":320,"collection":95,"collections":4702,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},232094,"mademoiselle-malo-national-gallery-of-art-washington-usa-de-jia-232094","Mademoiselle Malo - - National Gallery of Art - Washington (USA)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[4696,4697,687,4698,7,1640,4699,40,4700],"油画","印象派","女性","光影","深色服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28bf2cda4f1aba92679fdb9e77b092c5.jpg",[],{"id":4704,"slug":4705,"title":4706,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":4707,"thumbUrl":4710,"material":319,"size":320,"collection":95,"collections":4711,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},229170,"tong-tai-hua-fa-lang-ju-ban-shi-he-yi-ming-229170","铜胎画珐瑯菊瓣式盒",[1016,4708,4709,182,7,60],"铜胎画珐琅","珐瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6cfbf36aac85ba5239777ec9a3e26c9.jpg",[],{"id":4713,"slug":4714,"title":4715,"dynasty":55,"author":256,"museum":167,"description":4716,"tags":4717,"thumbUrl":4718,"material":319,"size":320,"collection":95,"collections":4719,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":1333},229068,"dou-cai-guang-kou-tan-yi-ming-229068","斗采广口坛","这件器物以松石绿釉为底，莹润如春水初融，澄澈柔和。通体以墨彩勾勒梅菊花枝，枝蔓缠绕错落，花朵或恣意盛放、或含苞待放，枝叶俯仰舒展，墨色浓淡晕染，晕开自然层次，将花木清疏雅致的意趣尽显无遗。口沿与足部以金彩勾边提亮，于静谧底色中晕开华贵气息，让素净的瓷面平添一抹精致。\n\n器型饱满圆润，敞口束腹，线条柔和舒缓。将文人花鸟意趣融于瓷绘，釉色幽谧与墨色隽秀相映成趣，尽显清丽温婉的审美意韵，是案头赏用皆宜的雅致清供。",[2012,2884,60,7,36,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58a50c397bb120d8bc5cc91bd6a77d8e.jpg",[],{"id":4721,"slug":4722,"title":4723,"dynasty":18,"author":1776,"museum":167,"description":4724,"tags":4725,"thumbUrl":4726,"material":319,"size":320,"collection":95,"collections":4727,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":99},228419,"ji-yuan-zhong-cao-mu-shi-wu-kuan-228419","记园中草木诗","吴宽（1435—1504），字原博，号匏庵，又号玉延亭主，长洲（今苏州）人。成化八年（1472）进士，授修撰，预修《宪宗实录》。弘治八年（1495）擢吏部右侍郎，掌詹事府，十六年进礼部尚书。宽行履高洁，学问渊深。擅书法，学苏轼，自成一格，时人王鏊评：“宽作书姿润中时出奇倔，虽规模于苏而多自得。”有《家藏集》传世。",[23,29,30,31,28,89,32,41,33,7,874,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3f893f55899cbaf234dbab537549d9a.jpg",[],{"id":4729,"slug":4730,"title":4731,"dynasty":2123,"author":256,"museum":167,"description":3044,"tags":4732,"thumbUrl":4734,"material":319,"size":320,"collection":95,"collections":4735,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},225506,"fu-shi-hui-264-yi-ming-225506","浮世绘264",[2126,2136,60,687,4733,3889,7,182],"扇子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53e5f588f0d33fbff7177ccbd83c2c09.jpg",[],{"id":4737,"slug":4738,"title":4739,"dynasty":55,"author":256,"museum":167,"description":3427,"tags":4740,"thumbUrl":4744,"material":319,"size":320,"collection":95,"collections":4745,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":50},223975,"kang-xi-yi-xing-tai-hua-fa-lang-wu-cai-si-ji-hua-gai-wan-1-yi-ming-223975","康熙 宜兴胎画珐瑯五彩四季花盖碗-1",[3743,3340,60,2012,2903,182,4741,4742,36,7,4743,63],"盖碗","宜兴胎","四季花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fa970486278123b1687ad8d71ebb83d.jpg",[],{"id":4747,"slug":4748,"title":524,"dynasty":1268,"author":460,"museum":105,"description":4749,"tags":4750,"thumbUrl":4751,"material":95,"size":95,"collection":95,"collections":4752,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4753},203208,"ju-shi-tu-zhou-qi-bai-shi-203208","浓墨泼洒出孤石，笔势雄浑苍劲，墨韵淋漓厚重；秋菊簇生绽放，红妍似火、黄灿如金、白洁若雪，设色鲜妍浓烈，花瓣以简劲笔触勾勒层叠之态，叶片墨色浓淡相间，野趣盎然。两只小蜂翩跹枝间，灵动俏皮，为萧瑟秋意注入鲜活生机。白石老人以老辣洒脱的笔墨，将菊之傲霜风骨与石之沉稳坚毅相融，尽显写意花鸟的生机与意趣，满纸皆是对自然生命的热忱与艺术的炉火纯青。",[24,29,63,7,91,25,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f68ebd18c07f191a7fed68459650101.jpg",[],"908a73",{"id":4755,"slug":4756,"title":524,"dynasty":1268,"author":4757,"museum":105,"description":4758,"tags":4759,"thumbUrl":4760,"material":95,"size":95,"collection":95,"collections":4761,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4762},203002,"ju-shi-tu-zhou-ma-gong-yu-203002","马公愚","此图以孤石为基，秋菊攀附而生，笔墨兼具刚柔。石体以水墨皴染，线条简劲，墨色浓淡层叠，显沉稳厚重之态；菊花花瓣用淡彩点写，轻盈灵动，墨叶以焦墨挥洒，苍劲有力，花叶相映成趣。构图疏密得当，静石与活菊相衬，尽展文人画的清雅意趣，传递出秋菊傲霜、孤石持守的高洁品格，韵味隽永。",[24,108,60,91,7,25,63,420,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5aef738886fd29e3562a8f2ff8dfb1c0.jpg",[],"cac4b1",{"id":4764,"slug":4765,"title":4766,"dynasty":1268,"author":3485,"museum":105,"description":4767,"tags":4768,"thumbUrl":4769,"material":95,"size":95,"collection":95,"collections":4770,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4771},202960,"shuang-ju-tu-zhou-wang-zhen-202960","双菊图轴","两朵菊花绽于枝头，花瓣层叠舒展，色泽由淡黄渐晕浅粉，清雅温润。墨叶以淋漓水墨写出，浓淡交错间见笔力苍劲，与柔婉花瓣形成刚柔相济之美。枝干挺秀，线条简练骨力暗藏，绑缚细节更添自然生趣。题款笔墨流畅，与画面融成一体，尽显文人画的雅致意趣，既彰菊花傲霜之姿，亦透淡泊名利的心境。",[24,29,108,63,7,60,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F305e173db62b46e6d9c05b77b4ab720c.jpg",[],"bdb4a2",{"id":4773,"slug":4774,"title":4775,"dynasty":1268,"author":1531,"museum":105,"description":4776,"tags":4777,"thumbUrl":10,"material":95,"size":95,"collection":95,"collections":4778,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4779},202776,"mo-ju-tu-zhou-chen-heng-ke-202776","墨菊图轴","墨菊数枝横斜而出，花瓣以淡墨勾勒，舒展如丝；叶片用浓墨点染，苍劲有力。笔意简括洒脱，不事雕琢，却将菊花傲霜独立之姿尽显无遗。旁题书法笔势婉转，与画作气韵相通，诗书画印浑然一体，尽显文人画的清雅意趣与风骨。寥寥数笔，意韵悠长，足见笔墨功底与文人情怀。",[24,29,108,25,63,7,31,89,23],[],"d6cebe",{"id":4781,"slug":4782,"title":4783,"dynasty":55,"author":4784,"museum":105,"description":4785,"tags":4786,"thumbUrl":4788,"material":95,"size":95,"collection":95,"collections":4789,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4790},202735,"tao-ling-shang-ju-tu-zhou-lu-qian-202735","陶令赏菊图轴","陆乾","松枝垂覆之下，长者宽袍博带，长髯垂胸，目光温和望向童子手中菊；两童或捧盆侍立，或蹲身抚弄菊枝，神态天真。笔墨写意传神，衣纹线条简练流畅，设色淡雅清润。松的苍劲、菊的疏秀与人物的闲逸相融，勾勒出东篱赏菊的悠然图景，蕴藉着文人雅士对隐逸之趣的追慕，尽显传统文人画的雅致意境。",[24,25,60,687,34,7,26,4787,792,2033,23],"童子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee680faf5833c5cac414413b1319034f.jpg",[],"b09c85",{"id":4792,"slug":4793,"title":4794,"dynasty":55,"author":166,"museum":105,"description":4795,"tags":4796,"thumbUrl":4797,"material":95,"size":95,"collection":95,"collections":4798,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4799},202624,"qiu-ju-tu-zhou-wu-chang-shuo-202624","秋菊图轴","石侧秋菊簇生，黄瓣金灿如洒，粉蕊艳而不妖，墨叶以焦墨挥写，筋脉毕露如铁线；旁立瘦石嶙峋，淡墨皴擦显肌理，枯枝斜出缀几点红萼，似梅枝傲雪，添秋寒清韵。用笔取篆籀之劲，线条沉雄，墨色浓淡相济；设色大胆明快，藤黄点染黄菊，胭脂晕开粉瓣，对比中见和谐。秋意浓处生机不减，傲骨暗藏，尽显文人画“托物言志”之趣，笔墨间满溢苍劲烂漫的大写意风神。",[24,29,63,7,91,25,60,108,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeeb190504e60757e2c5de04d04612c1.jpg",[],"c2b9ac",{"id":4801,"slug":4802,"title":908,"dynasty":55,"author":369,"museum":105,"description":4803,"tags":4804,"thumbUrl":4805,"material":95,"size":95,"collection":95,"collections":4806,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":2210},202295,"hua-hui-juan-xu-gu-202295","画面铺展四季花木，水仙清逸含露，松针如戟劲挺，菊瓣层叠吐蕊，紫藤垂丝若瀑，桃花嫣红缀枝。笔触方折灵动，侧锋勾勒物象，线条刚柔相济；设色淡雅明快，墨彩交融间生机流转。一花一叶皆凝逸趣，尽显清隽冷峭又鲜活的画风，于寻常景致中藏独特情韵。",[24,28,29,63,39,34,7,69,38,60,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe16db43c3046fce68ff3c2ff69f64c86.jpg",[],{"id":4808,"slug":4809,"title":918,"dynasty":55,"author":4810,"museum":105,"description":4811,"tags":4812,"thumbUrl":4814,"material":95,"size":95,"collection":95,"collections":4815,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4816},201976,"ping-ju-tu-zhou-pu-mei-201976","浦梅","这幅瓶菊图，瓶中花枝疏落有致，黄白菊瓣晕染细腻，叶脉勾勒纤细灵动，叶片舒展间尽显自然生机。瓶器线条简洁温润，与清雅菊花相映成趣。上方题跋笔墨流畅，行书意韵与画面浑然一体，更添文人雅致。整体设色清妍淡雅，工笔技法细腻传神，将秋菊傲霜之姿与瓶花闲逸之态完美融合，尽显文人对菊的偏爱与超然心境。",[7,182,62,60,63,89,4813],"行","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fa01ecca7bc0fb716021d2ff4cba873.jpg",[],"c7b59b",{"id":4818,"slug":4819,"title":4820,"dynasty":18,"author":416,"museum":105,"description":4821,"tags":4822,"thumbUrl":4824,"material":95,"size":95,"collection":95,"collections":4825,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4826},201645,"shu-hua-he-bi-juan-shen-zhou-201645","书画合壁卷","此卷书画合璧，左侧行书笔势流畅，结体舒展，墨色浓淡得宜，尽显文人书法之韵；右侧水墨绘菊，枝叶以写意笔法挥写，线条灵动劲健，花朵俯仰有致，淡雅中见生机。书画互衬，融诗画才情于一体，尽显文人情趣，意境清幽隽永，耐人寻味。",[31,25,63,7,29,4823],"长","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F661685d0c4ed5b22acee9a78c4d3ae71.jpg",[],"b2aa9e",{"id":4828,"slug":4829,"title":4830,"dynasty":55,"author":1487,"museum":105,"description":4831,"tags":4832,"thumbUrl":4834,"material":95,"size":95,"collection":95,"collections":4835,"showCount":174,"zanCount":49,"manualWeight":49,"mainColor":4836},201321,"hua-niao-tu-juan-li-yin-201321","花鸟图卷","此卷以水墨写意铺展花鸟景致，笔墨疏放灵动，得文人画清逸之韵。梅枝斜出，花蕊点染有致；菊丛繁密，墨色浓淡相生；牡丹雍容、芙蓉淡雅，间有飞鸟栖枝或翩跹，姿态鲜活传神。笔意洒脱如陈淳遗风，不事浓艳却于简淡中见生机，尽显作者对自然生灵的细腻体察与清雅意趣。",[24,28,25,63,32,7,36,37,154,4833],"写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F331c51199c722f2f3c49fe326dda63ab.jpg",[],"c1b9ac",{"id":4838,"slug":4839,"title":4840,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":4841,"thumbUrl":4842,"material":319,"size":320,"collection":95,"collections":4843,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},281529,"zi-di-ju-hua-wen-qi-bao-shao-gan-lan-ping-yi-ming-281529","紫地菊花纹七宝烧橄榄瓶",[2653,182,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c3c8e388417f553a0ad111ea53e9484.jpg",[],{"id":4845,"slug":4846,"title":4840,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":4847,"thumbUrl":4849,"material":319,"size":320,"collection":95,"collections":4850,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},281528,"zi-di-ju-hua-wen-qi-bao-shao-gan-lan-ping-yi-ming-281528",[2653,182,7,40,4848],"橄榄瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3580a5f02332d9f9883ba82cb2c6373.jpg",[],{"id":4852,"slug":4853,"title":4854,"dynasty":55,"author":256,"museum":167,"description":4855,"tags":4856,"thumbUrl":4857,"material":319,"size":320,"collection":95,"collections":4858,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},277815,"ju-quan-yi-shou-chuan-jia-hua-yin-yi-ming-277815","“菊泉益寿传佳话”印","战国时期，主张合纵的名相苏秦佩戴过六国相印。近几年来，出土的文物又把印章的历史向前推进了数百年。也就是说，印章在周朝时就有了。\n传世的古代玺印，多数出于古城废墟、河流和古墓中。有的是战争中战败者流亡时所遗弃，也有在战争中殉职者遗弃在战场上的，而当时的惯例，凡在战场上虏获的印章必须上交，而官吏迁职、死后也须脱解印绶上交。其它有不少如官职连姓名的，以及吉语印、肖形印等一般是殉葬之物，而不是实品。其它在战国时代的陶器和标准量器上，以及有些诸侯国的金币上，都用印章盖上名称和记录上制造工匠的名姓或图记性质的符号，也被流传下来。\n古玺是先秦印章的通称。我们现在所能看到的一般最早的印章大多是战国古玺。印文笔画细如毫发，都出于铸造。白文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。官玺的印文内容有“司马”、“司徒”等名称外，还有各种不规则的形状，内容还刻有吉语和生动的物图案。朱文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。",[89,3945,2325,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14c74c6d21af1eb9e6a5815fbe02c4b9.jpg",[],{"id":4860,"slug":4861,"title":4862,"dynasty":55,"author":256,"museum":167,"description":4013,"tags":4863,"thumbUrl":4864,"material":319,"size":320,"collection":95,"collections":4865,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},276324,"e-ci-qing-zheng-liang-chen-zhang-yi-ming-276324","“额赐清正良臣”章",[89,2325,1967,3945,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe880142db74b635f0ac401ae424a4b4e.jpg",[],{"id":4867,"slug":4868,"title":4869,"dynasty":55,"author":256,"museum":167,"description":4013,"tags":4870,"thumbUrl":4871,"material":319,"size":320,"collection":95,"collections":4872,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},276231,"ren-dan-ru-ju-zhang-yi-ming-276231","“人澹如菊”章",[89,3945,2325,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd93f94456b5ad5db361146ecf00f2f91.jpg",[],{"id":4874,"slug":4875,"title":4876,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":4877,"thumbUrl":4879,"material":319,"size":320,"collection":95,"collections":4880,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},273925,"hong-se-duan-xiu-yu-tang-fu-gui-wen-yi-pei-yi-ming-273925","红色缎绣玉堂富贵纹椅帔",[1249,1246,4878,63,36,7,35,373,62,3589],"椅帔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dc0111e28fe8f4fb1bd9ba900e8f421.jpg",[],{"id":4882,"slug":4883,"title":3274,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":4884,"thumbUrl":4885,"material":319,"size":320,"collection":95,"collections":4886,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},273494,"rong-tou-hua-yi-ming-273494",[1730,3276,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea780981eb34ce86e7e54b4dc46d55d1.jpg",[],{"id":4888,"slug":4889,"title":4890,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":4891,"thumbUrl":4893,"material":319,"size":320,"collection":95,"collections":4894,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},273472,"sha-juan-tou-hua-yi-ming-273472","纱绢头花",[1730,3108,4892,40,7],"纱绢","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F292e2b994b0e253e0c0edec1b4a61af7.jpg",[],{"id":4896,"slug":4897,"title":4890,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":4898,"thumbUrl":4900,"material":319,"size":320,"collection":95,"collections":4901,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},273471,"sha-juan-tou-hua-yi-ming-273471",[1730,4899,7,4892],"头花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb31d8553fbe5aa485e663ff63a6d80d6.jpg",[],{"id":4903,"slug":4904,"title":4905,"dynasty":55,"author":256,"museum":167,"description":4906,"tags":4907,"thumbUrl":4908,"material":319,"size":320,"collection":95,"collections":4909,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},273399,"ying-mu-jin-tai-qian-mei-hua-zhu-qian-cui-ju-hua-lan-zhi-wen-ba-jing-yi-ming-273399","硬木金胎嵌梅花珠嵌翠菊花兰芝纹把镜","中国铜镜的制作和使用具有悠久的历史，根据考古发掘，年代最早的铜镜为4000多年前的齐家文化。从齐家文化至西周末春秋早期制作的铜镜，多以纹饰简单、形体小、种类少。此一时期为中国铜镜制作早期阶段。\n春秋中晚期开始，我国铜镜制作和使用就发展起来了，特别是战国时期，铜镜的种类复杂，题材广泛，制作工艺精细，包括此时期铜镜的合金成分，其锡含量是最适合铜镜的使用，这些充分反应了铜镜在此时期制作技术已达到成熟阶段。汉代开始铜镜得到了进一步的发展，这时期的铜镜出现了新的类型，铭纹也正逐渐成为铜镜的纹饰组成部分，反映了汉代铸镜业的发达及铜镜商品化的发展。\n隋唐时期是中国铜镜高度发展时期，此时的铜镜突破了以往圆形与方形的传统形式，出现了菱花形、葵花形铜镜。特别是盛唐时期铜镜工艺精湛，著名的瑞兽葡萄镜更是闻名于世，这一时期铜镜发展达到了顶峰。\n从唐末，五代起中国的铜镜艺术日趋衰落，宋、金、元时期的铜镜，从造型、纹饰和合金成分上都有不同于传统铜镜的特点。明，清时期虽然铜镜还在人们日常生活当中使用，但到清代中后期随着玻璃的使用，铜镜逐渐退出了历史舞台。当今虽然不再有人使用铜镜整装容，但古代铜镜给予我们的除了收藏价值，还有对古代形制、纹饰、铭文、艺术、制作工艺、成分等等的研究价值。中历收藏品鉴定中心，为我国合法第三方专业鉴定平台，证书得到了专业人士及社会各界的高度认可，藏品鉴定可咨询。",[182,1966,1730,921,32,41,7,2327],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8beef497d3776bb7f4ed20cead78e800.jpg",[],{"id":4911,"slug":4912,"title":4913,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":4914,"thumbUrl":4917,"material":319,"size":320,"collection":95,"collections":4918,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},273356,"sa-jin-qi-wen-ju-he-yi-ming-273356","洒金漆文具-盒",[1965,921,4915,7,4916,2327],"文具","洒金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d43492be8294b14730a316600ea06b6.jpg",[],{"id":4920,"slug":4921,"title":4922,"dynasty":55,"author":256,"museum":167,"description":4923,"tags":4924,"thumbUrl":4926,"material":319,"size":320,"collection":95,"collections":4927,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},273258,"jin-qi-shuang-tao-wen-tao-shi-huo-lian-yi-ming-273258","金漆双桃纹桃式火燫","以桃为形，暗合福寿绵长的吉意，器身素底沉敛如古铜，贴金菊纹熠熠生光，晕染出柔缓的光泽层次，明丽却不张扬。圆润线条顺着桃形舒展，底部的锈色包浆带着时光摩挲的温润质感，将实用暖手的功能与雅致工艺相融。金漆纹饰排布错落有致，菊影悠然，在沉棕底色晕染下衬出古朴华贵的气度，尽显细作漆艺的精妙，将日常器物化作案头雅物，藏着旧时闲居的温柔意趣。",[1965,921,4625,4925,7,1967],"桃形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd57e449418657a3a0ddcf4c584dfa17.jpg",[],{"id":4929,"slug":4930,"title":4931,"dynasty":55,"author":256,"museum":167,"description":4932,"tags":4933,"thumbUrl":4934,"material":319,"size":320,"collection":95,"collections":4935,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},272672,"yu-zhi-yue-ling-qi-shi-er-hou-shi-se-mo-ju-you-huang-hua-huang-mo-yi-ming-272672","御制月令七十二候诗色墨-菊有黄华黄墨","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[330,7,1967,182,3872],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67635c252b52c193123bcefbb7bc46a1.jpg",[],{"id":4937,"slug":4938,"title":4939,"dynasty":55,"author":256,"museum":167,"description":4940,"tags":4941,"thumbUrl":4942,"material":319,"size":320,"collection":95,"collections":4943,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},271114,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-xiang-ya-guan-ju-hua-shi-bi-yi-ming-271114","各式御制花卉诗管紫毫笔-象牙管菊花诗笔","莹润素净的象牙笔管浅镌诗文，笔墨意趣藏于字里行间，紫毫笔锋劲挺锐利，尽显刚柔兼具的书写之美。牙制笔套浅绘缠枝花卉，朱红镶口晕染出一抹雅致暖意。它将制笔工艺与微刻技法相融，把文心诗意凝于寸管之上，既是挥毫染翰的文房佳器，亦是可赏可藏的工艺精品，静诉着往昔案头的清隽意韵，每一处细节都藏着旧时手作的匠心温度。",[1916,2848,7,1967,30,3869],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38d87b6878e8064546b2baebaabb1655.jpg",[],{"id":4945,"slug":4946,"title":4947,"dynasty":55,"author":256,"museum":167,"description":4948,"tags":4949,"thumbUrl":4952,"material":319,"size":320,"collection":95,"collections":4953,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":79},271090,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-lan-ju-hua-shi-bi-yi-ming-271090","各式御制花卉诗管紫毫笔-竹管兰菊花诗笔","此笔以竹为管，浅镌兰菊，花枝舒展清逸，间配诗文，诗画相映，氤氲着文雅悠然的意境。紫毫笔尖修削合宜，锋颖饱满挺括，柔中带刚，尽显制工艺的精巧考究。素净竹色衬浅刻纹饰，雅致内敛，将文房雅趣与工艺美学相融，藏着旧时案头的风雅意趣，是兼具实用与赏玩价值的文房佳器。",[1916,4950,4951,41,7,1967,30,3869],"紫毫笔","竹管","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F336c74fbe230e4262341febd26f56d47.jpg",[],{"id":4955,"slug":4956,"title":4947,"dynasty":55,"author":256,"museum":167,"description":4957,"tags":4958,"thumbUrl":4959,"material":319,"size":320,"collection":95,"collections":4960,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":79},271083,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-lan-ju-hua-shi-bi-yi-ming-271083","竹管以留青浅刻技法，将兰菊清姿晕染于竹色肌理，辅以题诗刀笔秀雅细腻，刻绘柔婉地衬出花草悠然逸态。紫毫锋颖锐利，毛色青黑莹润，属制笔上品。骨质装口温润素净，更衬竹韵清雅。整器融制笔工艺与竹刻书画于一体，兼具文房实用与案头赏玩之趣，将旧时文人案头的隽秀审美藏于其间，尽显文玩器物的风雅意趣，是传统文房里工艺与艺术性兼备的精巧之作。",[1916,4950,4951,41,7,30,3872],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86e03ca8f7b0a8d4ac5ebc432ba1a692.jpg",[],{"id":4962,"slug":4963,"title":4947,"dynasty":55,"author":256,"museum":167,"description":4964,"tags":4965,"thumbUrl":4967,"material":319,"size":320,"collection":95,"collections":4968,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":79},271080,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-lan-ju-hua-shi-bi-yi-ming-271080","竹管以留青浅刻技法镌绘兰菊，刀痕清润秀雅，将花草俯仰含露之姿晕染于莹洁竹身，配题诗相映成趣，文气悠悠。紫毫锋颖修挺劲健，聚锋极佳。笔管以骨质为饰，添温润雅致。整器形制隽秀，刻绘与笔身浑然相融，将莳花意趣与挥毫风雅相融，尽显文房清逸格调，是兼具工艺匠心与文人意趣的上乘雅器。",[1916,4950,4951,41,7,1967,4966],"文房器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7548544ea7fef738faa282faffc27d66.jpg",[],{"id":4970,"slug":4971,"title":4972,"dynasty":55,"author":256,"museum":167,"description":4932,"tags":4973,"thumbUrl":4975,"material":319,"size":320,"collection":95,"collections":4976,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},270644,"qian-long-kuan-yu-yong-hua-hui-shi-mo-ju-mo-yi-ming-270644","乾隆款御咏花卉诗墨-菊墨",[330,826,30,7,4974],"文房四宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3f81a8f12d47464a671c23e46bedeee.jpg",[],{"id":4978,"slug":4979,"title":4980,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":4981,"thumbUrl":4983,"material":319,"size":320,"collection":95,"collections":4984,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},269645,"kang-xi-kuan-pao-zhi-guang-su-wan-yi-ming-269645","康熙款匏制光素碗",[182,4982,921,3456,7,2663,1965],"匏制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda8e0696bd92563eb4f19f386d55752d.jpg",[],{"id":4986,"slug":4987,"title":4988,"dynasty":55,"author":256,"museum":167,"description":3724,"tags":4989,"thumbUrl":4991,"material":319,"size":320,"collection":95,"collections":4992,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},269539,"xi-jiao-diao-guo-zhi-hua-die-wen-bei-yi-ming-269539","犀角雕过枝花蝶纹杯",[1967,464,4990,182,7,373,40],"犀角","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94129bbfa10fdb4252a7200f98924b6d.jpg",[],{"id":4994,"slug":4995,"title":4996,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":4997,"thumbUrl":4998,"material":319,"size":320,"collection":95,"collections":4999,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},269508,"zi-tan-qian-yu-shi-tao-ju-wen-wei-jiao-fang-he-yi-ming-269508","紫檀嵌玉石桃菊纹委角方盒",[1966,2325,1832,7,921,2327,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F412bafa1f14ff6d3880e248cf4fdd03a.jpg",[],{"id":5001,"slug":5002,"title":5003,"dynasty":55,"author":256,"museum":167,"description":5004,"tags":5005,"thumbUrl":5006,"material":319,"size":320,"collection":95,"collections":5007,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},269193,"wen-zhu-wen-ju-gui-yi-ming-269193","文竹文具柜","此器以木为骨包镶文竹，作委角方箱形制。四扇柜门分设开光浅浮雕，兰、梅、菊、水仙次第排布，花枝舒展柔婉，尽显四季名花清妍之态，开光外缠枝纹样环绕呼应，雅致清丽。\n\n鎏金铜质的合页与提环，将素净竹色衬得愈发温润，金铜华贵与竹韵清和相映，古意悠然。整体制式规整内敛，将文房清趣融于贮物之用里，尽显清代细作家具的雅致审美，藏着旧时文人案头的隽雅意韵，是文房贮具里的上乘佳制。",[1966,1967,182,41,7,39,36,4915],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fc9cebef36653e86bfcfafe23efa170.jpg",[],{"id":5009,"slug":5010,"title":5011,"dynasty":55,"author":256,"museum":167,"description":5012,"tags":5013,"thumbUrl":5017,"material":319,"size":320,"collection":95,"collections":5018,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},269161,"liu-qing-zhu-diao-hua-hui-wen-ya-qian-tong-yi-ming-269161","留青竹雕花卉纹牙签筒","此器以留青技法施艺，巧用竹皮与竹肌天生色差晕染出浅淡层次。筒面刀下从容舒展，秋菊绽露清姿，枝桠翩然曳动，旁侧湖石皴刻朴拙古雅。\n\n虽为日用小物，却暗合文人案头意趣，将闲淡秋景凝于掌心之间。刀痕隐于肌理，雅致不显雕琢，把寻常牙签筒化作可赏可玩的清供小品，尽显手作温度与清雅审美，藏着旧时慢调的闲情雅韵。",[5014,1967,5015,7,40,921,182,5016],"竹制","留青竹雕","牙签筒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28f17d234bee7e18f41d25a0514119bd.jpg",[],{"id":5020,"slug":5021,"title":5022,"dynasty":55,"author":256,"museum":167,"description":5023,"tags":5024,"thumbUrl":5026,"material":319,"size":320,"collection":95,"collections":5027,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},269153,"liu-qing-zhu-diao-song-ju-wen-ya-qian-tong-yi-ming-269153","留青竹雕松菊纹牙签筒","以留青技法施于竹筒之上，巧借竹皮与竹肌的天然色差，浅镂松枝虬曲苍劲，秋菊柔婉盛放。刀工清浅细腻，将松的凌霜傲骨、菊的幽淡清雅晕刻于素净筒身，层次疏朗含蓄。\n\n整器取两节竹筒相合而成，日常贮放牙签的小物，却暗合文人君子寄情草木的雅趣，把岁寒高洁的品格融于方寸之间，朴拙中见雅致，是将工艺意趣与日常实用相融的清玩小品。",[5025,1967,34,7,921,5016],"竹雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fa48295759515f0c9284b743393256d.jpg",[],{"id":5029,"slug":5030,"title":5031,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":5032,"thumbUrl":5034,"material":319,"size":320,"collection":95,"collections":5035,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},268534,"liao-pian-ju-hua-wen-tou-hua-yi-ming-268534","料片菊花纹头花",[1730,7,3108,5033],"料器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcaad598c719f3f3f1435e51830c43af5.jpg",[],{"id":5037,"slug":5038,"title":3105,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":5039,"thumbUrl":5040,"material":319,"size":320,"collection":95,"collections":5041,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},268523,"dian-cui-hua-hui-niao-die-wen-tou-hua-yi-ming-268523",[1730,3109,7,70,40,3287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F007e17242b599db1d62edf93ec10332d.jpg",[],{"id":5043,"slug":5044,"title":3105,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":5045,"thumbUrl":5046,"material":319,"size":320,"collection":95,"collections":5047,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},268489,"dian-cui-hua-hui-niao-die-wen-tou-hua-yi-ming-268489",[1730,3109,40,7,70,3108],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa89db9658f36d181e6e624d4629b641c.jpg",[],{"id":5049,"slug":5050,"title":3105,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":5051,"thumbUrl":5052,"material":319,"size":320,"collection":95,"collections":5053,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},268482,"dian-cui-hua-hui-niao-die-wen-tou-hua-yi-ming-268482",[1730,3109,40,7,385,373],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef5f9a9d3518e06bea15dc630defba7f.jpg",[],{"id":5055,"slug":5056,"title":3105,"dynasty":55,"author":256,"museum":167,"description":3106,"tags":5057,"thumbUrl":5058,"material":319,"size":320,"collection":95,"collections":5059,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},268467,"dian-cui-hua-hui-niao-die-wen-tou-hua-yi-ming-268467",[1730,3109,40,7,70,4899],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc218abc537cc03d98bf180599f5d4272.jpg",[],{"id":5061,"slug":5062,"title":5063,"dynasty":55,"author":256,"museum":167,"description":2522,"tags":5064,"thumbUrl":5065,"material":319,"size":320,"collection":95,"collections":5066,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},268309,"hu-se-duan-xiu-hua-hui-wen-mao-piao-dai-yi-ming-268309","湖色缎绣花卉纹帽飘带",[1216,1249,1246,60,40,7,38],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3647e3bb8165a4c7674c1f80daf91cde.jpg",[],{"id":5068,"slug":5069,"title":5070,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5071,"thumbUrl":5073,"material":319,"size":320,"collection":95,"collections":5074,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},268042,"yuan-qing-se-duan-di-dan-cai-shi-hua-he-ju-yun-tou-wen-tao-yi-ming-268042","元青色缎地淡彩时花荷菊云头纹绦",[1730,1249,1246,60,40,35,7,5072],"云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6074ca55de167c052c1776d6f24339ea.jpg",[],{"id":5076,"slug":5077,"title":5078,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":5079,"thumbUrl":5081,"material":319,"size":320,"collection":95,"collections":5082,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},268031,"bao-lan-se-duan-di-dan-cai-ju-hua-ping-wen-tao-yi-ming-268031","宝蓝色缎地淡彩菊花瓶纹绦",[1249,1246,7,5080,4227,3631],"宝瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc540576b749ac4accdb79e0920a3f4c.jpg",[],{"id":5084,"slug":5085,"title":5086,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5087,"thumbUrl":5088,"material":319,"size":320,"collection":95,"collections":5089,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267973,"ou-he-se-duan-di-dan-cai-mu-dan-ju-lian-wen-tao-yi-ming-267973","藕荷色缎地淡彩牡丹菊莲纹绦",[1249,1730,36,7,4055,4227,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6e72ae573342eac2c8fca0d8b66a8ed.jpg",[],{"id":5091,"slug":5092,"title":5093,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5094,"thumbUrl":5096,"material":319,"size":320,"collection":95,"collections":5097,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267945,"yuan-qing-se-duan-di-san-duo-mu-dan-ju-wen-tao-yi-ming-267945","元青色缎地三多牡丹菊纹绦",[3631,1249,1730,2241,36,7,1905,5095],"佛手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb63f5f8d83d37e648d31b75aab701173.jpg",[],{"id":5099,"slug":5100,"title":5093,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5101,"thumbUrl":5103,"material":319,"size":320,"collection":95,"collections":5104,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267942,"yuan-qing-se-duan-di-san-duo-mu-dan-ju-wen-tao-yi-ming-267942",[1249,3631,1730,36,7,90,5102,2241],"花卉纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38619e5f9315ea30eee9532084f71b83.jpg",[],{"id":5106,"slug":5107,"title":4096,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5108,"thumbUrl":5109,"material":319,"size":320,"collection":95,"collections":5110,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267938,"hu-se-duan-di-san-duo-ju-mu-dan-wen-tao-yi-ming-267938",[1249,1730,36,7,5095,1832,90,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa56cd3dc1182c1f0b0ac5c6f580c4594.jpg",[],{"id":5112,"slug":5113,"title":5114,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5115,"thumbUrl":5116,"material":319,"size":320,"collection":95,"collections":5117,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267937,"ou-he-se-duan-di-mu-dan-ju-san-duo-wen-tao-yi-ming-267937","藕荷色缎地牡丹菊三多纹绦",[1249,1730,36,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9d4501eecc9d6efab34bbbbd670b0fc.jpg",[],{"id":5119,"slug":5120,"title":5121,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5122,"thumbUrl":5123,"material":319,"size":320,"collection":95,"collections":5124,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267931,"xue-hui-se-duan-di-san-duo-mu-dan-ju-wen-tao-yi-ming-267931","雪灰色缎地三多牡丹菊纹绦",[1249,1730,36,7,2241,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F282bd51de42384c2ab0d8222ba6bd90f.jpg",[],{"id":5126,"slug":5127,"title":5128,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5129,"thumbUrl":5130,"material":319,"size":320,"collection":95,"collections":5131,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},267930,"pin-yue-se-duan-di-san-duo-mu-dan-ju-wen-tao-yi-ming-267930","品月色缎地三多牡丹菊纹绦",[1249,1730,3631,36,7,5102],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7829bbfc05a48addfe5182c75d87db89.jpg",[],{"id":5133,"slug":5134,"title":5135,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5136,"thumbUrl":5137,"material":319,"size":320,"collection":95,"collections":5138,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},267925,"pin-lan-se-duan-di-dan-cai-san-duo-lian-ju-mu-dan-wen-tao-yi-ming-267925","品蓝色缎地淡彩三多莲菊牡丹纹绦",[1249,1246,62,4227,36,65,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F972ba95903fac1e16239e446a9a6f3ea.jpg",[],{"id":5140,"slug":5141,"title":5142,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5143,"thumbUrl":5145,"material":319,"size":320,"collection":95,"collections":5146,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":3670},267924,"yuan-qing-se-duan-di-mu-dan-ju-san-duo-wen-tao-yi-ming-267924","元青色缎地牡丹菊三多纹绦",[1249,1730,36,7,2241,3639,5144],"三多纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee435bdbcdc9fdb3a49d2dbb7e579da6.jpg",[],{"id":5148,"slug":5149,"title":5150,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5151,"thumbUrl":5152,"material":319,"size":320,"collection":95,"collections":5153,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267922,"pin-yue-se-duan-di-mu-dan-ju-san-duo-wen-tao-yi-ming-267922","品月色缎地牡丹菊三多纹绦",[1249,1730,36,7,1246,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F020650a62a31b8cd229bd85acbf65c79.jpg",[],{"id":5155,"slug":5156,"title":5150,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5157,"thumbUrl":5158,"material":319,"size":320,"collection":95,"collections":5159,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267920,"pin-yue-se-duan-di-mu-dan-ju-san-duo-wen-tao-yi-ming-267920",[1249,36,7,3631,2241,693],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72d1a7cf7fc0d8dbfa70347b4a42d6f0.jpg",[],{"id":5161,"slug":5162,"title":5163,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5164,"thumbUrl":5165,"material":319,"size":320,"collection":95,"collections":5166,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267881,"pin-lan-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267881","品蓝色缎地梅竹菊纹绦",[1249,1730,60,32,33,7,37,63,2526],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe882cf2a3eefec587aa803b7248f8ba5.jpg",[],{"id":5168,"slug":5169,"title":5170,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5171,"thumbUrl":5172,"material":319,"size":320,"collection":95,"collections":5173,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},267880,"yuan-qing-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267880","元青色缎地梅竹菊纹绦",[1249,1730,32,33,7,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd244477f7030db1bcefcbd244ef0d326.jpg",[],{"id":5175,"slug":5176,"title":4119,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5177,"thumbUrl":5178,"material":319,"size":320,"collection":95,"collections":5179,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267879,"pin-lv-se-duan-di-shui-mo-mei-zhu-ju-wen-tao-yi-ming-267879",[25,32,33,7,1249,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F355770c46714829bf634cc631f1bc7c1.jpg",[],{"id":5181,"slug":5182,"title":5183,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5184,"thumbUrl":5185,"material":319,"size":320,"collection":95,"collections":5186,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":79},267878,"xue-hui-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267878","雪灰色缎地梅竹菊纹绦",[1249,1730,32,33,7,60,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75efceaeb59411887e24d2584e81e42d.jpg",[],{"id":5188,"slug":5189,"title":5190,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5191,"thumbUrl":5192,"material":319,"size":320,"collection":95,"collections":5193,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267877,"bao-lan-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267877","宝蓝色缎地梅竹菊纹绦",[1249,1730,1246,60,32,33,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8bc5eb6a93403fa94eea21d351a5a9ab.jpg",[],{"id":5195,"slug":5196,"title":5190,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5197,"thumbUrl":5198,"material":319,"size":320,"collection":95,"collections":5199,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267876,"bao-lan-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267876",[1249,1730,60,32,33,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc98a1d9462fb56539432af1d4b4dca82.jpg",[],{"id":5201,"slug":5202,"title":5183,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5203,"thumbUrl":5204,"material":319,"size":320,"collection":95,"collections":5205,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267875,"xue-hui-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267875",[1249,1246,32,33,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e15f24409fb1e5660e438528608b2da.jpg",[],{"id":5207,"slug":5208,"title":5183,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5209,"thumbUrl":5210,"material":319,"size":320,"collection":95,"collections":5211,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267874,"xue-hui-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267874",[1249,32,33,7,2241,1730,60,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbf62474d4bd8feb0ad27b15a17d9f28.jpg",[],{"id":5213,"slug":5214,"title":5183,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5215,"thumbUrl":5216,"material":319,"size":320,"collection":95,"collections":5217,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267873,"xue-hui-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267873",[1249,32,33,7,2241,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcde00dfb3d424fb6a3a9c7442bee7e64.jpg",[],{"id":5219,"slug":5220,"title":5170,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5221,"thumbUrl":5222,"material":319,"size":320,"collection":95,"collections":5223,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267872,"yuan-qing-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267872",[1249,1730,32,33,7,2241,4055],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8859a7a5762b46a08ab88217c01fd835.jpg",[],{"id":5225,"slug":5226,"title":5170,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5227,"thumbUrl":5228,"material":319,"size":320,"collection":95,"collections":5229,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267871,"yuan-qing-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267871",[1249,1730,32,33,7,4055,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88b2d9cba85840ed1205e98f382f43ea.jpg",[],{"id":5231,"slug":5232,"title":5183,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5233,"thumbUrl":5234,"material":319,"size":320,"collection":95,"collections":5235,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":3670},267870,"xue-hui-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267870",[1249,1246,32,33,7,63,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9915be9f21093ad03afedb241a1526b.jpg",[],{"id":5237,"slug":5238,"title":5239,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5240,"thumbUrl":5241,"material":319,"size":320,"collection":95,"collections":5242,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267869,"hu-se-duan-di-mei-zhu-ju-lian-wen-tao-yi-ming-267869","湖色缎地梅竹菊莲纹绦",[1249,1730,3631,32,33,7,65,2241,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cf7e381b5a1d31b58ac45b6bc843cbc.jpg",[],{"id":5244,"slug":5245,"title":5170,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5246,"thumbUrl":5247,"material":319,"size":320,"collection":95,"collections":5248,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267868,"yuan-qing-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267868",[1249,1730,32,33,7,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7638342c67eb2388e9e26dc3225f6fad.jpg",[],{"id":5250,"slug":5251,"title":5170,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5252,"thumbUrl":5253,"material":319,"size":320,"collection":95,"collections":5254,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267867,"yuan-qing-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267867",[1249,1246,60,32,33,7,1730,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd32d7102492162652e55eedaf36b3db.jpg",[],{"id":5256,"slug":5257,"title":5190,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5258,"thumbUrl":5259,"material":319,"size":320,"collection":95,"collections":5260,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267866,"bao-lan-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267866",[1249,1730,32,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92a56e808343c9e39e722773d8c56520.jpg",[],{"id":5262,"slug":5263,"title":5239,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5264,"thumbUrl":5265,"material":319,"size":320,"collection":95,"collections":5266,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267865,"hu-se-duan-di-mei-zhu-ju-lian-wen-tao-yi-ming-267865",[1249,1246,63,32,33,7,2515,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9745ef98e14de9123015d973e5f9ec5e.jpg",[],{"id":5268,"slug":5269,"title":5190,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5270,"thumbUrl":5271,"material":319,"size":320,"collection":95,"collections":5272,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},267864,"bao-lan-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-267864",[1249,1730,32,33,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8078176ecfeffeb812d2b614aad17220.jpg",[],{"id":5274,"slug":5275,"title":5276,"dynasty":55,"author":256,"museum":167,"description":5277,"tags":5278,"thumbUrl":5282,"material":319,"size":320,"collection":95,"collections":5283,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267770,"xue-qing-se-ju-hua-wen-hua-duan-yi-ming-267770","雪青色菊花纹花缎","以雪青色为底，浅调菊花纹样错落铺陈，缎面自带莹润柔光，晕染出朦胧雅致的氛围。\n\n花枝舒展、团簇相依，将秋菊的清隽风骨藏入织纹细节，疏密排布间尽显章法。织物光泽柔和温婉，纹样似浮于柔光之上，既有织锦工艺的精致工细，又暗含文人爱菊的清雅意趣，古韵悠然内敛，尽显秀逸温婉的东方雅致。",[1249,5279,5280,5281,7],"花缎","菊花纹","雪青色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12439db76f5c9da2c47a327f5638e977.jpg",[],{"id":5285,"slug":5286,"title":5287,"dynasty":55,"author":256,"museum":167,"description":5288,"tags":5289,"thumbUrl":5290,"material":319,"size":320,"collection":95,"collections":5291,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":79},267710,"xue-qing-se-ju-die-wen-luo-yi-ming-267710","雪青色菊蝶纹罗","雪青紫晕调温柔沉静，提花罗地通透轻薄，暗纹若隐若现间，菊与蝶错落铺陈。饱满的秋菊舒展瓣蕊，粉蝶振翅翩然绕花而飞，疏密排布恰到好处，不见繁乱堆砌。\n\n匠人以精妙提花技法，将蝶恋秋芳的意趣织入纱罗，纹样与罗地虚实相融，自带清雅余韵。蝶菊相映暗藏秋日清和的诗意，亦寄寓着绵长缱绻的美好意涵，把旧时织造匠心与东方古典审美揉为一体，尽显温婉雅致的闺阁意趣。",[1249,60,63,7,373],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7345165870df9970deb8e7ddbdbcc3fc.jpg",[],{"id":5293,"slug":5294,"title":5295,"dynasty":55,"author":256,"museum":167,"description":5296,"tags":5297,"thumbUrl":5299,"material":319,"size":320,"collection":95,"collections":5300,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267562,"pin-lan-se-chou-xiu-zhu-ju-ji-qing-you-yu-tuan-shou-zi-wen-pao-liao-yi-ming-267562","品蓝色绸绣竹菊吉庆有余团寿字纹袍料","绸缎，泛指丝织物。古时多是有钱人家作为衣物，其颜色光滑亮丽，五彩缤纷。《儿女英雄传》第二回：“大凡到工的官儿们送礼，谁不是缂绣、呢羽、绸缎、皮张，还有玉玩、金器、朝珠、洋表的？” 老舍《四世同堂》四九：“他看不起绸缎的衣服，与文雅的态度，可又有点自惭形秽。”",[1216,1249,1246,33,7,5298,1392,63,60],"寿字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa9ec697b019725d2ea08bf5f7fab43e.jpg",[],{"id":5302,"slug":5303,"title":5304,"dynasty":55,"author":256,"museum":167,"description":2522,"tags":5305,"thumbUrl":5307,"material":319,"size":320,"collection":95,"collections":5308,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267422,"yue-bai-se-duan-xiu-zhe-zhi-ju-mei-wen-pai-sui-gong-da-yi-ming-267422","月白色缎绣折枝菊梅纹排穗宫搭",[1216,1246,1249,32,7,5306],"折枝花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0d833e49b2562d0bf995c7b8f496dea.jpg",[],{"id":5310,"slug":5311,"title":5312,"dynasty":55,"author":256,"museum":167,"description":5313,"tags":5314,"thumbUrl":5317,"material":319,"size":320,"collection":95,"collections":5318,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267418,"hong-se-chan-zhi-mu-dan-ju-wen-jin-kai-chang-yi-ming-267418","红色缠枝牡丹菊纹锦开氅","此作右衽宽袖，形制舒展大气。以暖红为地色，朱红、柔粉、钴蓝晕染牡丹与秋菊，浅绿缠枝萦回串联，织纹细密齐整，纹样饱满鲜活。牡丹雍容、秋菊清隽，两花交错排布，循环往复的构图暗合绵长吉庆的美好寓意。整体色调明丽热烈却不显艳俗，配色层次分明晕染自然，尽显织绣工艺的精巧工法，将传统吉祥意趣与匠造匠心融于一体，是兼具审美价值与工艺考究的织绣精品。",[1216,1249,36,7,5315,5316],"缠枝纹样","传统服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c7cdf32d79bbc4a0d921eb74e8201ac.jpg",[],{"id":5320,"slug":5321,"title":5322,"dynasty":55,"author":256,"museum":167,"description":5323,"tags":5324,"thumbUrl":5327,"material":319,"size":320,"collection":95,"collections":5328,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267173,"huang-se-duan-kou-man-na-ju-hua-yang-wen-yao-yuan-he-bao-yi-ming-267173","黄色缎口满纳菊花羊纹腰圆荷包","荷包是中国汉族传统服饰中，人们所随身佩带的一种装零星物品的小包，后发展为爱情信物，荷包的图案有繁有简，花卉、鸟、兽、草虫、山水、人物以及吉祥语、诗词文字都有，装饰意味很浓。\n在民间荷包中，占相当比重的是香包，香包里装有香草之类的药品，包面上绣制着“五毒”，即蝎子、蛇、蜈蚣、壁虎和蟾蜍，它原是五月端午的节令物品，为了防止各种毒虫猖獗，侵害人体，人们相互馈赠，挂在衣襟或帐勾上，以避除“五毒”。就形状来看，有虎形的、鸡形的、如意形的、寿桃形的、蝙蝠形的，以取意于福、禄、寿、喜、吉祥、如意等。富有深厚民族心理基础的绣荷包，在民间文化中，显示着旺盛的生命力。",[1730,1249,5325,7,5326,1246],"荷包","羊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89118ef31bd9f60f63c1b57f98648780.jpg",[],{"id":5330,"slug":5331,"title":5332,"dynasty":55,"author":256,"museum":167,"description":5323,"tags":5333,"thumbUrl":5334,"material":319,"size":320,"collection":95,"collections":5335,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},267124,"shi-qing-se-duan-kou-man-na-ju-hua-pan-chang-wen-tuo-yuan-he-bao-yi-ming-267124","石青色缎口满纳菊花盘肠纹椭圆荷包",[1730,1249,1246,7,4146,5325],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3520a1d4717f1d451f4df0d8923eab0.jpg",[],{"id":5337,"slug":5338,"title":5339,"dynasty":55,"author":256,"museum":167,"description":5340,"tags":5341,"thumbUrl":5343,"material":319,"size":320,"collection":95,"collections":5344,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265776,"jiang-se-chou-xiu-chan-zhi-ju-lan-long-wen-nv-dan-long-pao-yi-ming-265776","绛色绸绣缠枝菊兰龙纹女单龙袍","清代皇帝服饰有朝服、吉服、常服、行服等。皇帝的龙袍属于吉服范畴，比朝服、衮服等礼服略次一等，平时较多穿着。穿龙袍时，必须戴吉服冠，束吉服带及挂朝珠。龙袍以明黄色为主也可用金黄杏黄等色。古时称帝王之位，为九五之尊。九、五两数，通常象征着高贵，在皇室建筑、生活器具等方面都有所反映。清朝皇帝的龙袍，据文献记载，也绣有九条龙。从实物来看，前后只有八条龙，与文字记载不符，缺一条龙。有人认为还有一条龙是皇帝本身。其实这条龙客观存在着，只是被绣在衣襟里面，一般不易看到。这样一来，每件龙袍实际即为九龙，而从正面或背面单独看时，所看见的都是五龙，与九五之数正好相吻合。另外，龙袍的下摆，斜向排列着许多弯曲的线条，名谓水脚。水脚之上，还有许多波浪翻滚的水浪，水浪之上，又立有山石宝物，俗称“海水江涯”，它除了表示绵延不断的吉祥含意之外，还有“一统山河”和“万世升平”的寓意。\n皇后常服样式，与满族贵妇服饰基本相似，圆领、大襟，衣领、衣袖及衣襟边缘，都饰有宽花边，只是图案有\n所不同。本图展示的服装纹样为凤穿牡丹。整件服装在鲜艳的蓝色缎地上，绣八只彩凤，彩凤中间，穿插数朵牡丹。牡丹的颜色处理得净穆而素雅，色彩变化惟妙，具有传统的山水画特点。与此相反，凤的颜色比较浓重，红绿对比度极为强烈，具有典型民族风格和时代特色。\n清代官服主要品种为长袍马褂。官帽与前朝截然不同，凡军士、差役以上军政人员都戴似斗笠而小的纬帽，按冬夏季节有暖帽、凉帽之分，还视品级高低安上不同颜色、质料的“顶子”，帽后拖一束孔雀翎。翎称花翎，高级的翎上有“眼”（羽毛上的圆斑），并有单眼、双眼、三眼之别，眼多者为贵，只有亲王或功勋卓著的大臣才被赏戴。皇帝有时还赏穿黄马褂，以示特别恩宠。影响所及，其他颜色的马褂遂在官员士绅中逐渐流行，成为一般的礼服。四、五品以上官员还项挂朝珠，用各种贵重珠宝、香木制成，构成清代官服的又一特点。丝纺绣染及各种手工专业的进步，为清代服饰品种的丰富创造了条件。\n清代男装主要是长袍和马褂，袖端呈马蹄形是历代不曾见过的。长袍造型简练，立领直身，偏大襟，前后衣身有接缝，下摆有两开衩（古时称“缺裤”），四开衩和无开衩几种类型。皇室贵族为便于骑射，着四面开衩长袍，即衣前后中缝和左右两侧均有开衩的式样，平民则着左右两侧开衩或称“一裹圆”的不开衩长袍。在我国文学名著《红楼梦》第九十四回“宴海棠贾母赏花妖”一节中，记述了一段内容“那日宝玉本来穿着”一裹圆的皮袄在家休息，忽听贾母要来，便去换了一件狐腋箭袖，罩了一件玄狐腿外褂。这里说明“一裹圆”，是休闲衣服，不可登大雅之堂，所以贾母的到来，必须换掉便装，改着正式穿戴。满清时期长袍外面的马褂身长不过膝，袖宽且短。衣服上的佩饰比较琐繁，一个金银牌上垂挂着数十件小东西，如耳挖子、镊子、牙签，还有一些古代兵器的小模型，如戟、枪之类，佩挂饰物在清代已经形成风尚。",[1216,1249,1246,3889,7,41,5342,4556,2525],"龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fc6480e1e1fbf64ad3359fdbc9e2776.jpg",[],{"id":5346,"slug":5347,"title":4295,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5348,"thumbUrl":5349,"material":319,"size":320,"collection":95,"collections":5350,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265698,"xue-hui-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265698",[1249,2241,32,41,33,7,40,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F095313e92fb852ebce5fcfa98c07a203.jpg",[],{"id":5352,"slug":5353,"title":4295,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5354,"thumbUrl":5355,"material":319,"size":320,"collection":95,"collections":5356,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265697,"xue-hui-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265697",[1249,1730,32,41,33,7,1246,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fa24cb41394087cdf8396b73a0bf20c.jpg",[],{"id":5358,"slug":5359,"title":5360,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5361,"thumbUrl":5362,"material":319,"size":320,"collection":95,"collections":5363,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265692,"yuan-qing-se-duan-di-dan-cai-tao-zhu-ju-wen-tao-yi-ming-265692","元青色缎地淡彩桃竹菊纹绦",[1730,1249,1246,60,1832,33,7,40,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f1b5c4f8852bf935e2be7b5d32c400a.jpg",[],{"id":5365,"slug":5366,"title":5367,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5368,"thumbUrl":5369,"material":319,"size":320,"collection":95,"collections":5370,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265613,"pin-yue-se-duan-di-shi-lian-ju-wen-tao-yi-ming-265613","品月色缎地石莲菊纹绦",[1249,63,7,35,62,1730,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf6ca0b49532ae7753d1ff0742f68af7.jpg",[],{"id":5372,"slug":5373,"title":5374,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5375,"thumbUrl":5376,"material":319,"size":320,"collection":95,"collections":5377,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265611,"hu-se-duan-di-dan-cai-mei-ju-wen-tao-yi-ming-265611","湖色缎地淡彩梅菊纹绦",[1249,1730,32,7,40,60,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd2532ce84d67a469de31a693b91962c.jpg",[],{"id":5379,"slug":5380,"title":5381,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5382,"thumbUrl":5383,"material":319,"size":320,"collection":95,"collections":5384,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265606,"hu-se-duan-di-zhe-zhi-mei-lan-zhu-ju-wen-tao-yi-ming-265606","湖色缎地折枝梅兰竹菊纹绦",[1249,1730,63,32,41,33,7,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faee51d7449ed049963360e6077cee2ce.jpg",[],{"id":5386,"slug":5387,"title":5388,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5389,"thumbUrl":5390,"material":319,"size":320,"collection":95,"collections":5391,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265604,"xue-hui-se-duan-di-pan-chang-mei-zhu-lan-ju-wen-tao-yi-ming-265604","雪灰色缎地盘肠梅竹兰菊纹绦",[1249,1730,1246,32,41,33,7,4146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e37e0293c940769c388f216a15ec2d1.jpg",[],{"id":5393,"slug":5394,"title":5395,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":5396,"thumbUrl":5397,"material":319,"size":320,"collection":95,"collections":5398,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265602,"pin-yue-se-duan-di-dan-cai-ping-ju-wen-tao-yi-ming-265602","品月色缎地淡彩瓶菊纹绦",[1249,2241,60,7,182,1730,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f168de98c79e8ef9699efe12d54641b.jpg",[],{"id":5400,"slug":5401,"title":5402,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5403,"thumbUrl":5404,"material":319,"size":320,"collection":95,"collections":5405,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265598,"hu-se-duan-di-qian-cai-ju-hua-wen-tao-yi-ming-265598","湖色缎地浅彩菊花纹绦",[1249,7,40,2241,60,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc103baf21d60fb03fd7bc12d4c9da6cd.jpg",[],{"id":5407,"slug":5408,"title":4153,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5409,"thumbUrl":5410,"material":319,"size":320,"collection":95,"collections":5411,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265597,"hong-hui-se-duan-di-qian-cai-ju-hua-wen-tao-yi-ming-265597",[1249,1730,7,60,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85280940af81d800ec3519864b8fa1a7.jpg",[],{"id":5413,"slug":5414,"title":5415,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5416,"thumbUrl":5417,"material":319,"size":320,"collection":95,"collections":5418,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265595,"pin-lan-se-duan-di-ju-hua-wen-tao-yi-ming-265595","品蓝色缎地菊花纹绦",[1249,1730,7,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe50ed0d989b5425a7332feef9e1ccd0f.jpg",[],{"id":5420,"slug":5421,"title":4161,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5422,"thumbUrl":5423,"material":319,"size":320,"collection":95,"collections":5424,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":3670},265592,"pin-yue-se-duan-di-ju-hua-wen-tao-yi-ming-265592",[1249,1730,7,2526,4155],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F805e98d372f8010badbc5880d269dc2f.jpg",[],{"id":5426,"slug":5427,"title":5428,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5429,"thumbUrl":5430,"material":319,"size":320,"collection":95,"collections":5431,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265589,"xue-hui-se-duan-di-dan-cai-ju-hua-wen-tao-yi-ming-265589","雪灰色缎地淡彩菊花纹绦",[1249,3631,1730,7,60,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde2a495f89f562ac50fb0c5ae9f6e48f.jpg",[],{"id":5433,"slug":5434,"title":1727,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5435,"thumbUrl":5436,"material":319,"size":320,"collection":95,"collections":5437,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265585,"pin-yue-se-duan-di-dan-cai-ju-hua-wen-tao-yi-ming-265585",[1249,7,60,3631,693,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0454aa77d340e7fccfeded4933f9e77f.jpg",[],{"id":5439,"slug":5440,"title":1727,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5441,"thumbUrl":5442,"material":319,"size":320,"collection":95,"collections":5443,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265580,"pin-yue-se-duan-di-dan-cai-ju-hua-wen-tao-yi-ming-265580",[1249,1246,7,60,3631,693],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30616c6c24fdbe2a51f40d580a528c82.jpg",[],{"id":5445,"slug":5446,"title":5447,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5448,"thumbUrl":5449,"material":319,"size":320,"collection":95,"collections":5450,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265576,"yuan-qing-se-duan-di-dan-cai-ju-hua-wen-tao-yi-ming-265576","元青色缎地淡彩菊花纹绦",[1249,1730,7,4227,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfef766304e47c4541f91250ee02e171.jpg",[],{"id":5452,"slug":5453,"title":5447,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5454,"thumbUrl":5455,"material":319,"size":320,"collection":95,"collections":5456,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265575,"yuan-qing-se-duan-di-dan-cai-ju-hua-wen-tao-yi-ming-265575",[1249,1246,7,60,1730,4155],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb0f9718588ed0c26d615da2cad483b0.jpg",[],{"id":5458,"slug":5459,"title":5460,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5461,"thumbUrl":5462,"material":319,"size":320,"collection":95,"collections":5463,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265571,"yuan-qing-se-duan-di-bing-mei-he-ju-mu-dan-wen-tao-yi-ming-265571","元青色缎地冰梅荷菊牡丹纹绦",[1249,1216,36,35,7,32,63,2241,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02a64b88c21c8887a720343e70a078e7.jpg",[],{"id":5465,"slug":5466,"title":5467,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5468,"thumbUrl":5469,"material":319,"size":320,"collection":95,"collections":5470,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265564,"yuan-qing-se-duan-di-shi-hua-ju-mu-dan-wen-tao-yi-ming-265564","元青色缎地时花菊牡丹纹绦",[1249,1730,36,7,40,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8b66528c228f9e1069cb3f615f0542f.jpg",[],{"id":5472,"slug":5473,"title":4212,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5474,"thumbUrl":5475,"material":319,"size":320,"collection":95,"collections":5476,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265560,"hu-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265560",[1249,1730,60,36,7,65,3631,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20fd613a6ca4505397a1336c0bdf305a.jpg",[],{"id":5478,"slug":5479,"title":5480,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5481,"thumbUrl":5482,"material":319,"size":320,"collection":95,"collections":5483,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265558,"tao-hong-se-duan-di-shi-hua-ju-mu-dan-wen-tao-yi-ming-265558","桃红色缎地时花菊牡丹纹绦",[1249,3631,7,36,33,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57dbc7e215b75918f61be004ce851275.jpg",[],{"id":5485,"slug":5486,"title":5480,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5487,"thumbUrl":5488,"material":319,"size":320,"collection":95,"collections":5489,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265557,"tao-hong-se-duan-di-shi-hua-ju-mu-dan-wen-tao-yi-ming-265557",[1249,1246,36,7,40,1730,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b323dce9363860d3fd4cceb7b9f548d.jpg",[],{"id":5491,"slug":5492,"title":5493,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5494,"thumbUrl":5495,"material":319,"size":320,"collection":95,"collections":5496,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265534,"pin-lan-se-duan-di-yun-tou-ju-hua-mu-dan-wen-tao-yi-ming-265534","品蓝色缎地云头菊花牡丹纹绦",[1249,1730,36,7,5072],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F885d627a68a8ac79a0fb7d22c183746b.jpg",[],{"id":5498,"slug":5499,"title":5500,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5501,"thumbUrl":5502,"material":319,"size":320,"collection":95,"collections":5503,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265531,"xue-hui-se-duan-di-yun-tou-ju-hua-mu-dan-wen-tao-yi-ming-265531","雪灰色缎地云头菊花牡丹纹绦",[1249,36,7,5072,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bb2668644b11d874f136279569340be.jpg",[],{"id":5505,"slug":5506,"title":5507,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5508,"thumbUrl":5509,"material":319,"size":320,"collection":95,"collections":5510,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265522,"fen-hong-se-duan-di-dan-cai-mu-dan-ju-lian-wen-tao-yi-ming-265522","粉红色缎地淡彩牡丹菊莲纹绦",[1249,1730,36,7,65,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa38becabd44e7e44aaef9d65e3824db8.jpg",[],{"id":5512,"slug":5513,"title":5514,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5515,"thumbUrl":5517,"material":319,"size":320,"collection":95,"collections":5518,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265516,"lv-se-duan-di-he-hua-mu-dan-lian-ju-wen-tao-yi-ming-265516","绿色缎地荷花牡丹莲菊纹绦",[1249,5516,65,36,2515,7],"织锦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d11a2f0b205a08adb26d794d82bfa6d.jpg",[],{"id":5520,"slug":5521,"title":5522,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5523,"thumbUrl":5525,"material":319,"size":320,"collection":95,"collections":5526,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265514,"cha-se-duan-di-mu-dan-ju-lian-wen-tao-yi-ming-265514","茶色缎地牡丹菊莲纹绦",[1249,1730,36,7,2515,5524],"织绣纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3293df473007d8c0b7e9bc6c7f0ea71.jpg",[],{"id":5528,"slug":5529,"title":5530,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5531,"thumbUrl":5532,"material":319,"size":320,"collection":95,"collections":5533,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265512,"cha-se-duan-di-he-hua-mu-dan-ju-wen-tao-yi-ming-265512","茶色缎地荷花牡丹菊纹绦",[1249,1730,65,36,7,5524],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5520e3341184be80b6b1ab51686717d8.jpg",[],{"id":5535,"slug":5536,"title":5537,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5538,"thumbUrl":5539,"material":319,"size":320,"collection":95,"collections":5540,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265509,"bao-lan-se-duan-di-he-hua-mu-dan-ju-wen-tao-yi-ming-265509","宝蓝色缎地荷花牡丹菊纹绦",[1249,1730,65,36,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a2edad09bae0b72449acc482fe5f583.jpg",[],{"id":5542,"slug":5543,"title":5537,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5544,"thumbUrl":5545,"material":319,"size":320,"collection":95,"collections":5546,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265508,"bao-lan-se-duan-di-he-hua-mu-dan-ju-wen-tao-yi-ming-265508",[1249,1730,35,36,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d4064b38bd067636d1e5cc4af274cfd.jpg",[],{"id":5548,"slug":5549,"title":5550,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5551,"thumbUrl":5552,"material":319,"size":320,"collection":95,"collections":5553,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265500,"yuan-qing-se-duan-di-shi-hua-mu-dan-hui-wen-tao-yi-ming-265500","元青色缎地时花牡丹回纹绦",[1246,1249,1730,36,7,40,2414],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9865a5a01a333d14c847eb1181db9dc6.jpg",[],{"id":5555,"slug":5556,"title":5557,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5558,"thumbUrl":5559,"material":319,"size":320,"collection":95,"collections":5560,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265499,"lan-se-duan-di-shi-hua-mu-dan-hui-wen-tao-yi-ming-265499","蓝色缎地时花牡丹回纹绦",[1246,1249,1730,36,7,2414,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dcb6e31ba4c759bad66feb81dbbe50e.jpg",[],{"id":5562,"slug":5563,"title":5557,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5564,"thumbUrl":5565,"material":319,"size":320,"collection":95,"collections":5566,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265498,"lan-se-duan-di-shi-hua-mu-dan-hui-wen-tao-yi-ming-265498",[1249,1730,63,36,7,2414,60,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F796b53d2d75fbc566b8ce1e144938047.jpg",[],{"id":5568,"slug":5569,"title":5570,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5571,"thumbUrl":5572,"material":319,"size":320,"collection":95,"collections":5573,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265495,"yin-hui-se-duan-di-ju-hua-hui-wen-tao-yi-ming-265495","银灰色缎地菊花回纹绦",[1249,1246,60,7,40,2414,1730,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a67faa2cc37d02e71217adb5d542e1b.jpg",[],{"id":5575,"slug":5576,"title":5577,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5578,"thumbUrl":5580,"material":319,"size":320,"collection":95,"collections":5581,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265477,"jin-di-gu-qian-mu-dan-wen-tao-yi-ming-265477","金地古钱牡丹纹绦",[1249,36,7,40,1730,2241,5579],"古钱纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27bbf0901e66a74c148be37867159be7.jpg",[],{"id":5583,"slug":5584,"title":4205,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5585,"thumbUrl":5586,"material":319,"size":320,"collection":95,"collections":5587,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265470,"xue-hui-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265470",[1249,4227,7,2515,36,4055,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea2a62d4bab1070a58e6c3176f47da4a.jpg",[],{"id":5589,"slug":5590,"title":4205,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5591,"thumbUrl":5592,"material":319,"size":320,"collection":95,"collections":5593,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265469,"xue-hui-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265469",[1249,63,7,36,35,60,62,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc398985d8b4d71040ce4550794481500.jpg",[],{"id":5595,"slug":5596,"title":4198,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5597,"thumbUrl":5598,"material":319,"size":320,"collection":95,"collections":5599,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265415,"bao-lan-se-duan-di-dan-cai-lian-hua-mu-dan-ju-wen-tao-yi-ming-265415",[1249,60,62,35,36,7,63,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc37377640f7305df7a945b297b45a72.jpg",[],{"id":5601,"slug":5602,"title":5603,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5604,"thumbUrl":5605,"material":319,"size":320,"collection":95,"collections":5606,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265412,"mi-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265412","米色缎地淡彩菊莲牡丹纹绦",[1249,1730,1246,7,2515,36,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2ed65353ef410c4e6305bcc2e9ef4c0.jpg",[],{"id":5608,"slug":5609,"title":5610,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5611,"thumbUrl":5612,"material":319,"size":320,"collection":95,"collections":5613,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265411,"hu-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265411","湖色缎地淡彩菊莲牡丹纹绦",[1249,2241,60,63,7,2515,36,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F939d30862af524fa6066f3535e45e28c.jpg",[],{"id":5615,"slug":5616,"title":5617,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5618,"thumbUrl":5619,"material":319,"size":320,"collection":95,"collections":5620,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265410,"bao-lan-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265410","宝蓝色缎地淡彩菊莲牡丹纹绦",[1249,1730,2241,3631,7,2515,36,60,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0068936177746a498d93842fa69fab5c.jpg",[],{"id":5622,"slug":5623,"title":5617,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5624,"thumbUrl":5625,"material":319,"size":320,"collection":95,"collections":5626,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265409,"bao-lan-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265409",[1249,1730,7,65,36,4055,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73c828ec3a94af9d0fef04a69e50c5f3.jpg",[],{"id":5628,"slug":5629,"title":5630,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5631,"thumbUrl":5632,"material":319,"size":320,"collection":95,"collections":5633,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265408,"pin-yue-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265408","品月色缎地菊莲牡丹纹绦",[1249,3631,36,7,65,1246,3639,5102],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e908354e7fdae41afec0eb8afa81583.jpg",[],{"id":5635,"slug":5636,"title":5637,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5638,"thumbUrl":5639,"material":319,"size":320,"collection":95,"collections":5640,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265406,"xue-hui-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265406","雪灰色缎地菊莲牡丹纹绦",[60,1249,3631,36,7,2515,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ee9cc1f5dd22e9fadc6a7346aff7f6b.jpg",[],{"id":5642,"slug":5643,"title":4205,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5644,"thumbUrl":5645,"material":319,"size":320,"collection":95,"collections":5646,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265404,"xue-hui-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265404",[1249,1730,4227,60,36,7,65,40,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3103648f469d78ce08fc6b9f06bbfbd0.jpg",[],{"id":5648,"slug":5649,"title":4219,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5650,"thumbUrl":5652,"material":319,"size":320,"collection":95,"collections":5653,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265402,"yue-bai-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265402",[1249,3631,7,36,2515,5651,40],"织纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3bfba60ea252ebd7a8ebf2311692d57.jpg",[],{"id":5655,"slug":5656,"title":5657,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5658,"thumbUrl":5659,"material":319,"size":320,"collection":95,"collections":5660,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265401,"bao-lan-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265401","宝蓝色缎地菊莲牡丹纹绦",[1249,1730,3631,2241,36,7,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b3184a0a108f0b949091777659f90d3.jpg",[],{"id":5662,"slug":5663,"title":5657,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5664,"thumbUrl":5665,"material":319,"size":320,"collection":95,"collections":5666,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265400,"bao-lan-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265400",[1249,1730,36,65,7,1246,60,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F241f0028766831390ce355acb947fe83.jpg",[],{"id":5668,"slug":5669,"title":5670,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5671,"thumbUrl":5672,"material":319,"size":320,"collection":95,"collections":5673,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265399,"bao-lan-se-duan-di-ju-shi-hua-mu-dan-wen-tao-yi-ming-265399","宝蓝色缎地菊时花牡丹纹绦",[1249,1730,36,7,2241,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc28858235788650cd7e11d9ef37f6b0a.jpg",[],{"id":5675,"slug":5676,"title":5637,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5677,"thumbUrl":5678,"material":319,"size":320,"collection":95,"collections":5679,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265397,"xue-hui-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265397",[1249,1246,60,62,63,7,65,36,693],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70eba0612d09e0a8f79a860c790429db.jpg",[],{"id":5681,"slug":5682,"title":5637,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5683,"thumbUrl":5684,"material":319,"size":320,"collection":95,"collections":5685,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265396,"xue-hui-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265396",[1249,1246,60,36,7,2515,3631,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F493ee2a18f3d91febb9444e07131c464.jpg",[],{"id":5687,"slug":5688,"title":4205,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5689,"thumbUrl":5690,"material":319,"size":320,"collection":95,"collections":5691,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265394,"xue-hui-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265394",[1249,1730,1246,7,2515,36,40,4227,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe29b7ffee4d31966d642f3c6243ac3de.jpg",[],{"id":5693,"slug":5694,"title":5695,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5696,"thumbUrl":5697,"material":319,"size":320,"collection":95,"collections":5698,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265390,"yuan-qing-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265390","元青色缎地菊莲牡丹纹绦",[1246,1249,36,7,2515,1730,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F820b3f59d781a37e04adfdb3964e1a5a.jpg",[],{"id":5700,"slug":5701,"title":5702,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5703,"thumbUrl":5704,"material":319,"size":320,"collection":95,"collections":5705,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265387,"yuan-qing-se-duan-di-ju-lian-wen-tao-yi-ming-265387","元青色缎地菊莲纹绦",[1249,1730,7,2515,2241,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F786069183065a1dc862ed61ff693a1fb.jpg",[],{"id":5707,"slug":5708,"title":4219,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5709,"thumbUrl":5710,"material":319,"size":320,"collection":95,"collections":5711,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265386,"yue-bai-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265386",[1730,1249,1246,36,7,2515],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8bf0f314a21f6be1669df7e89e44dc5a.jpg",[],{"id":5713,"slug":5714,"title":4219,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5715,"thumbUrl":5716,"material":319,"size":320,"collection":95,"collections":5717,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265385,"yue-bai-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265385",[1249,1246,60,63,7,36,2515,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12430a5abb0c0f55b7b76980db3d3dc2.jpg",[],{"id":5719,"slug":5720,"title":4219,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5721,"thumbUrl":5722,"material":319,"size":320,"collection":95,"collections":5723,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265384,"yue-bai-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265384",[1730,1249,1246,36,7,2515,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbd8d0fe20c8307d17bc02b3ea0f3a44.jpg",[],{"id":5725,"slug":5726,"title":4219,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5727,"thumbUrl":5728,"material":319,"size":320,"collection":95,"collections":5729,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265383,"yue-bai-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265383",[1249,1246,40,7,65,36,3631,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c05cc32f5c2a6eee21edd337d32d611.jpg",[],{"id":5731,"slug":5732,"title":4219,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5733,"thumbUrl":5734,"material":319,"size":320,"collection":95,"collections":5735,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265382,"yue-bai-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265382",[1249,1246,60,63,7,65,36,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0906550f2604897f9a86431bd19856e6.jpg",[],{"id":5737,"slug":5738,"title":4219,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5739,"thumbUrl":5741,"material":319,"size":320,"collection":95,"collections":5742,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265381,"yue-bai-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265381",[1249,1730,2241,7,2515,36,5740],"花卉纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf3842f1239df46b9a68bc6d7fbaf490.jpg",[],{"id":5744,"slug":5745,"title":5746,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5747,"thumbUrl":5748,"material":319,"size":320,"collection":95,"collections":5749,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265376,"pin-lan-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265376","品蓝色缎地菊莲牡丹纹绦",[1249,1246,36,35,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe0fe595bf7be49da608d4386e3ef9a2.jpg",[],{"id":5751,"slug":5752,"title":5746,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5753,"thumbUrl":5754,"material":319,"size":320,"collection":95,"collections":5755,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265375,"pin-lan-se-duan-di-ju-lian-mu-dan-wen-tao-yi-ming-265375",[1249,1246,1730,7,35,36,40,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5aea06ede3851612e3a2931a4ba5e145.jpg",[],{"id":5757,"slug":5758,"title":5759,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5760,"thumbUrl":5761,"material":319,"size":320,"collection":95,"collections":5762,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265372,"pin-yue-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265372","品月色缎地淡彩菊莲牡丹纹绦",[1249,1730,1246,60,7,35,36,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f4994273acc0e667d720694fa34b10a.jpg",[],{"id":5764,"slug":5765,"title":5766,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5767,"thumbUrl":5768,"material":319,"size":320,"collection":95,"collections":5769,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265371,"hu-se-duan-di-san-lan-ju-lian-mu-dan-wen-tao-yi-ming-265371","湖色缎地三蓝菊莲牡丹纹绦",[1249,1216,1730,7,36,35,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F457c23e3b653b8e45d9b358f70d40370.jpg",[],{"id":5771,"slug":5772,"title":5766,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5773,"thumbUrl":5774,"material":319,"size":320,"collection":95,"collections":5775,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265370,"hu-se-duan-di-san-lan-ju-lian-mu-dan-wen-tao-yi-ming-265370",[1249,1730,36,7,65,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7333307771557e4f789a3da6b7d80ab.jpg",[],{"id":5777,"slug":5778,"title":4205,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5779,"thumbUrl":5780,"material":319,"size":320,"collection":95,"collections":5781,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265368,"xue-hui-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265368",[1249,1246,7,2515,36,40,2241,1730,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa248da4405c5ad92eb72934d5eb98fb7.jpg",[],{"id":5783,"slug":5784,"title":5785,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5786,"thumbUrl":5787,"material":319,"size":320,"collection":95,"collections":5788,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265343,"yue-bai-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265343","月白色缎地淡彩菊莲牡丹纹绦",[1249,1730,1246,60,7,35,36,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F118d6054eac0bd34e5ae42f2d2235a08.jpg",[],{"id":5790,"slug":5791,"title":5792,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5793,"thumbUrl":5794,"material":319,"size":320,"collection":95,"collections":5795,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265340,"hong-hui-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265340","红灰色缎地淡彩菊莲牡丹纹绦",[1249,4227,36,7,2515,3631,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbefee069d0f8774cd113e83e062b5ba1.jpg",[],{"id":5797,"slug":5798,"title":5792,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5799,"thumbUrl":5800,"material":319,"size":320,"collection":95,"collections":5801,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265339,"hong-hui-se-duan-di-dan-cai-ju-lian-mu-dan-wen-tao-yi-ming-265339",[1249,3631,36,7,65,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00a9b6f015a6833c2851ec44bb02b2b9.jpg",[],{"id":5803,"slug":5804,"title":3645,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5805,"thumbUrl":5806,"material":319,"size":320,"collection":95,"collections":5807,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265327,"pin-yue-se-duan-di-dan-cai-ju-mu-dan-he-hua-wen-tao-yi-ming-265327",[1249,1730,2241,36,65,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c50b6086e527adc678f0a3f7f1958c1.jpg",[],{"id":5809,"slug":5810,"title":4233,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5811,"thumbUrl":5812,"material":319,"size":320,"collection":95,"collections":5813,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265325,"yuan-qing-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265325",[1249,1216,7,36],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b82b6285b2d10d06f4f37c8cc71581b.jpg",[],{"id":5815,"slug":5816,"title":4233,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5817,"thumbUrl":5818,"material":319,"size":320,"collection":95,"collections":5819,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265324,"yuan-qing-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265324",[1249,1730,36,7,2241,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feee97eaea574e60182050add382e4bf1.jpg",[],{"id":5821,"slug":5822,"title":5823,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5824,"thumbUrl":5825,"material":319,"size":320,"collection":95,"collections":5826,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265323,"yuan-qing-se-duan-di-ju-hua-wen-tao-yi-ming-265323","元青色缎地菊花纹绦",[1730,1249,7,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13d3a6f63405cd28cf83f86b40cfdebd.jpg",[],{"id":5828,"slug":5829,"title":4233,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5830,"thumbUrl":5831,"material":319,"size":320,"collection":95,"collections":5832,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":3670},265322,"yuan-qing-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265322",[1249,1730,7,36,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2de97095105a9d24b24e473476e6acf1.jpg",[],{"id":5834,"slug":5835,"title":5836,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5837,"thumbUrl":5838,"material":319,"size":320,"collection":95,"collections":5839,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265320,"xue-qing-se-duan-di-lian-ju-mu-dan-wen-tao-yi-ming-265320","雪青色缎地莲菊牡丹纹绦",[1249,1246,7,36,35,63,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F659b03ca179be5fddca8ef1a354fe064.jpg",[],{"id":5841,"slug":5842,"title":5843,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5844,"thumbUrl":5845,"material":319,"size":320,"collection":95,"collections":5846,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265318,"pin-yue-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265318","品月色缎地菊牡丹纹绦",[1249,36,7,1730,3686],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a5db3cc446cb1e0e5e0c1fd6405b2ea.jpg",[],{"id":5848,"slug":5849,"title":5850,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5851,"thumbUrl":5852,"material":319,"size":320,"collection":95,"collections":5853,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265314,"xue-hui-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265314","雪灰色缎地菊牡丹纹绦",[1249,1730,36,7,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aa44c0c6c904a9767c2ef80329b36a7.jpg",[],{"id":5855,"slug":5856,"title":5850,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5857,"thumbUrl":5858,"material":319,"size":320,"collection":95,"collections":5859,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265313,"xue-hui-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265313",[1249,1730,7,36],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff72afc2e4ba3c6bf76d395d024bec18c.jpg",[],{"id":5861,"slug":5862,"title":4233,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5863,"thumbUrl":5864,"material":319,"size":320,"collection":95,"collections":5865,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265311,"yuan-qing-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265311",[1249,1246,7,36,1216,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6efd28a5bffff0f048712b750264a4cc.jpg",[],{"id":5867,"slug":5868,"title":5869,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5870,"thumbUrl":5871,"material":319,"size":320,"collection":95,"collections":5872,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265310,"bao-lan-se-duan-di-ju-mu-dan-wen-tao-yi-ming-265310","宝蓝色缎地菊牡丹纹绦",[1249,1730,36,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2d0329e1537fc5102c08f68ea3dcd59.jpg",[],{"id":5874,"slug":5875,"title":5876,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5877,"thumbUrl":5878,"material":319,"size":320,"collection":95,"collections":5879,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265252,"yuan-qing-se-duan-di-qian-cai-gou-lian-mu-dan-ju-lian-wen-tao-yi-ming-265252","元青色缎地浅彩勾莲牡丹菊莲纹绦",[1249,1730,36,2515,7,60,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ef57f0fe33023e5639368325478ea85.jpg",[],{"id":5881,"slug":5882,"title":5883,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5884,"thumbUrl":5885,"material":319,"size":320,"collection":95,"collections":5886,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265236,"yuan-qing-se-duan-di-gou-lian-mu-dan-wen-tao-yi-ming-265236","元青色缎地勾莲牡丹纹绦",[1246,1249,1730,36,7,693],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1a161d105cbae23ed70452b536ef622.jpg",[],{"id":5888,"slug":5889,"title":5890,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5891,"thumbUrl":5892,"material":319,"size":320,"collection":95,"collections":5893,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265187,"xue-hui-se-duan-di-mu-dan-ju-san-duo-wen-tao-yi-ming-265187","雪灰色缎地牡丹菊三多纹绦",[1249,1730,36,7,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feafe886f5e6960903a921028dbe10c3c.jpg",[],{"id":5895,"slug":5896,"title":5890,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5897,"thumbUrl":5898,"material":319,"size":320,"collection":95,"collections":5899,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265186,"xue-hui-se-duan-di-mu-dan-ju-san-duo-wen-tao-yi-ming-265186",[1249,1246,36,7,5144,693],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a8b87c3031884607b9817df774eb253.jpg",[],{"id":5901,"slug":5902,"title":5903,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5904,"thumbUrl":5905,"material":319,"size":320,"collection":95,"collections":5906,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265182,"yue-bai-se-duan-di-san-duo-ju-hua-wen-tao-yi-ming-265182","月白色缎地三多菊花纹绦",[1249,1730,63,7,36,2241,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbee1fec24684df42eff5db20dc5c2934.jpg",[],{"id":5908,"slug":5909,"title":5910,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5911,"thumbUrl":5912,"material":319,"size":320,"collection":95,"collections":5913,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265175,"yuan-qing-se-duan-di-san-lan-san-duo-ju-mu-dan-wen-tao-yi-ming-265175","元青色缎地三蓝三多菊牡丹纹绦",[1249,1730,7,36,374,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20b19ae667baf5589a72fc6f3313a9f3.jpg",[],{"id":5915,"slug":5916,"title":5917,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5918,"thumbUrl":5919,"material":319,"size":320,"collection":95,"collections":5920,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265173,"yuan-qing-se-duan-di-san-lan-san-duo-mu-dan-ju-wen-tao-yi-ming-265173","元青色缎地三蓝三多牡丹菊纹绦",[1249,1730,1246,36,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6232dafc9e81febeb1f2d2f613127f33.jpg",[],{"id":5922,"slug":5923,"title":5924,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5925,"thumbUrl":5926,"material":319,"size":320,"collection":95,"collections":5927,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265166,"yang-hong-se-duan-di-ju-zhu-tao-shi-liu-lian-wen-tao-yi-ming-265166","洋红色缎地菊竹桃石榴莲纹绦",[1249,1730,1246,60,63,7,33,1832,90,2515,36],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F850756eee3264a9a87bfbd72a2191678.jpg",[],{"id":5929,"slug":5930,"title":5924,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5931,"thumbUrl":5932,"material":319,"size":320,"collection":95,"collections":5933,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265165,"yang-hong-se-duan-di-ju-zhu-tao-shi-liu-lian-wen-tao-yi-ming-265165",[1249,1730,1246,60,33,7,1832,90,65,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc35adabe76a598ca2d55e4e248420774.jpg",[],{"id":5935,"slug":5936,"title":5937,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5938,"thumbUrl":5939,"material":319,"size":320,"collection":95,"collections":5940,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265145,"xue-hui-se-duan-di-dan-cai-ju-tao-mei-zhu-wen-tao-yi-ming-265145","雪灰色缎地淡彩菊桃梅竹纹绦",[1249,1246,60,63,32,33,7,1832,156,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0643b23cb3fe0f343b37c482e3c86078.jpg",[],{"id":5942,"slug":5943,"title":5944,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5945,"thumbUrl":5946,"material":319,"size":320,"collection":95,"collections":5947,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265054,"hu-se-duan-di-mei-ju-he-zhu-wen-tao-yi-ming-265054","湖色缎地梅菊荷竹纹绦",[1246,1249,32,33,35,7,36,1730,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb821a610a7a8c2958a4962f5d2e57fd.jpg",[],{"id":5949,"slug":5950,"title":5951,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5952,"thumbUrl":5953,"material":319,"size":320,"collection":95,"collections":5954,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265053,"yuan-qing-se-duan-di-mei-ju-he-zhu-wen-tao-yi-ming-265053","元青色缎地梅菊荷竹纹绦",[1249,1730,1246,60,32,33,7,35,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb913113dbb8140c37e224ee224e172d.jpg",[],{"id":5956,"slug":5957,"title":5951,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5958,"thumbUrl":5959,"material":319,"size":320,"collection":95,"collections":5960,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265052,"yuan-qing-se-duan-di-mei-ju-he-zhu-wen-tao-yi-ming-265052",[62,1246,1249,1730,60,35,33,7,32,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ac7b0618c78163211194d9469cf870a.jpg",[],{"id":5962,"slug":5963,"title":5964,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5965,"thumbUrl":5966,"material":319,"size":320,"collection":95,"collections":5967,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265051,"ou-he-se-duan-di-mei-ju-he-zhu-wen-tao-yi-ming-265051","藕荷色缎地梅菊荷竹纹绦",[1249,2241,32,7,35,33,40,3631,60,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbfecbfd6386c983b73e99c5368e38fc.jpg",[],{"id":5969,"slug":5970,"title":5951,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5971,"thumbUrl":5972,"material":319,"size":320,"collection":95,"collections":5973,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265049,"yuan-qing-se-duan-di-mei-ju-he-zhu-wen-tao-yi-ming-265049",[1249,1730,1246,32,7,35,33,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd04ec481e05eaf5874576df317fa36b8.jpg",[],{"id":5975,"slug":5976,"title":5951,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5977,"thumbUrl":5978,"material":319,"size":320,"collection":95,"collections":5979,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265048,"yuan-qing-se-duan-di-mei-ju-he-zhu-wen-tao-yi-ming-265048",[1249,1246,1730,32,7,35,33,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa291907fcaeeef24d29df0d5c919f50a.jpg",[],{"id":5981,"slug":5982,"title":5983,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5984,"thumbUrl":5985,"material":319,"size":320,"collection":95,"collections":5986,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265047,"xue-hui-se-duan-di-mei-ju-he-zhu-wen-tao-yi-ming-265047","雪灰色缎地梅菊荷竹纹绦",[1249,1730,1246,32,33,7,35,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b19722136f77cf6e55a3d6e7bec9296.jpg",[],{"id":5988,"slug":5989,"title":5983,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5990,"thumbUrl":5991,"material":319,"size":320,"collection":95,"collections":5992,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265046,"xue-hui-se-duan-di-mei-ju-he-zhu-wen-tao-yi-ming-265046",[1249,1730,63,32,7,33,35,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd704b688e62afd775038913e12fd664f.jpg",[],{"id":5994,"slug":5995,"title":5996,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":5997,"thumbUrl":5998,"material":319,"size":320,"collection":95,"collections":5999,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265044,"hu-se-duan-di-mu-dan-ju-he-mei-zhu-wen-tao-yi-ming-265044","湖色缎地牡丹菊荷梅竹纹绦",[1249,1246,63,36,7,35,32,33,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F196834bc3bd64bfba309b5d7ec63f778.jpg",[],{"id":6001,"slug":6002,"title":4281,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6003,"thumbUrl":6004,"material":319,"size":320,"collection":95,"collections":6005,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265043,"yuan-qing-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265043",[1249,1246,32,41,33,7,4055,1730,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e9883457a98b39677cb896eebbd472f.jpg",[],{"id":6007,"slug":6008,"title":6009,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6010,"thumbUrl":6011,"material":319,"size":320,"collection":95,"collections":6012,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265041,"hu-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265041","湖色缎地梅兰竹菊纹绦",[1249,1246,32,41,33,7,63,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8de6368dc938cc51c8e4c3d4dd7d0e92.jpg",[],{"id":6014,"slug":6015,"title":6009,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6016,"thumbUrl":6017,"material":319,"size":320,"collection":95,"collections":6018,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265040,"hu-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265040",[1249,1246,32,41,33,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c74f0cdc6ed7144363dff6d484e9da7.jpg",[],{"id":6020,"slug":6021,"title":4343,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6022,"thumbUrl":6023,"material":319,"size":320,"collection":95,"collections":6024,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265039,"pin-yue-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265039",[1246,1249,32,41,33,7,65,1730,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dd708a6db592da45005b9e516e959c4.jpg",[],{"id":6026,"slug":6027,"title":4343,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6028,"thumbUrl":6029,"material":319,"size":320,"collection":95,"collections":6030,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265038,"pin-yue-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265038",[1249,1246,32,41,33,7,40,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbcecd582ea7ae9d50cbfd607518b124e.jpg",[],{"id":6032,"slug":6033,"title":4364,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6034,"thumbUrl":6035,"material":319,"size":320,"collection":95,"collections":6036,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265036,"ou-he-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265036",[1249,1730,1246,32,41,33,7,65,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F551295e85b9fe405078b4c86ba979903.jpg",[],{"id":6038,"slug":6039,"title":4364,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6040,"thumbUrl":6041,"material":319,"size":320,"collection":95,"collections":6042,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265035,"ou-he-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265035",[1249,1730,32,41,33,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67df62efb32291381dbac2ea71d7f2c2.jpg",[],{"id":6044,"slug":6045,"title":4295,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6046,"thumbUrl":6047,"material":319,"size":320,"collection":95,"collections":6048,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265034,"xue-hui-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265034",[1249,1246,32,41,33,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb2b5a8f76d4ce569a31365f73b818b0.jpg",[],{"id":6050,"slug":6051,"title":6052,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6053,"thumbUrl":6054,"material":319,"size":320,"collection":95,"collections":6055,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265032,"hu-se-duan-di-dan-cai-ju-zhu-wen-tao-yi-ming-265032","湖色缎地淡彩菊竹纹绦",[1249,1730,1246,33,7,65,60,4227,62,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc57cd7c7eb080044058ab2d68df9d3a2.jpg",[],{"id":6057,"slug":6058,"title":6059,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6060,"thumbUrl":6061,"material":319,"size":320,"collection":95,"collections":6062,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265031,"hu-se-duan-di-dan-cai-chuan-zhi-ju-zhu-mei-wen-tao-yi-ming-265031","湖色缎地淡彩串枝菊竹梅纹绦",[1249,4254,7,33,32,4227,4055],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56eb47065d6db8161dfa6b83335b795e.jpg",[],{"id":6064,"slug":6065,"title":6066,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6067,"thumbUrl":6068,"material":319,"size":320,"collection":95,"collections":6069,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265029,"xue-hui-se-duan-di-dan-cai-ju-zhu-wen-tao-yi-ming-265029","雪灰色缎地淡彩菊竹纹绦",[1249,1730,33,7,60,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b0a79bcc6f2546766c5581ba60d64a1.jpg",[],{"id":6071,"slug":6072,"title":6066,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6073,"thumbUrl":6074,"material":319,"size":320,"collection":95,"collections":6075,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265028,"xue-hui-se-duan-di-dan-cai-ju-zhu-wen-tao-yi-ming-265028",[1249,3631,33,7,1246,60,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F085002fc00237dce51a2e3fd35241cc8.jpg",[],{"id":6077,"slug":6078,"title":4302,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6079,"thumbUrl":6080,"material":319,"size":320,"collection":95,"collections":6081,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265020,"pin-yue-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-265020",[1249,1730,32,41,33,7,2423],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdac4ac65bad6f00017afa0f021661342.jpg",[],{"id":6083,"slug":6084,"title":4309,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6085,"thumbUrl":6086,"material":319,"size":320,"collection":95,"collections":6087,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265018,"xue-hui-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-265018",[2423,1249,32,41,33,7,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6bfc1550592387961d1268c72cce85d.jpg",[],{"id":6089,"slug":6090,"title":6091,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6092,"thumbUrl":6093,"material":319,"size":320,"collection":95,"collections":6094,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},265017,"hu-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-265017","湖色缎地织金梅兰竹菊纹绦",[1249,2423,32,41,33,7,1216,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4db79958ef2500322a5d30e665c9cb7.jpg",[],{"id":6096,"slug":6097,"title":6091,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6098,"thumbUrl":6099,"material":319,"size":320,"collection":95,"collections":6100,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},265016,"hu-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-265016",[1249,2423,32,41,33,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb63cbeb1a756f7075262d79eff5e5438.jpg",[],{"id":6102,"slug":6103,"title":4329,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6104,"thumbUrl":6105,"material":319,"size":320,"collection":95,"collections":6106,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265012,"pin-lan-se-duan-di-dan-cai-mei-lan-zhu-ju-wen-tao-yi-ming-265012",[1249,1730,32,41,33,7,60,4055],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c95a371806339f6ab3100640bb35120.jpg",[],{"id":6108,"slug":6109,"title":4329,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6110,"thumbUrl":6111,"material":319,"size":320,"collection":95,"collections":6112,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265010,"pin-lan-se-duan-di-dan-cai-mei-lan-zhu-ju-wen-tao-yi-ming-265010",[1249,1730,32,41,33,7,63,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39b2ac60a4179b681be9b5ebc767056e.jpg",[],{"id":6114,"slug":6115,"title":4336,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6116,"thumbUrl":6117,"material":319,"size":320,"collection":95,"collections":6118,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265009,"pin-yue-se-duan-di-dan-cai-mei-lan-zhu-ju-wen-tao-yi-ming-265009",[1249,1730,32,41,33,7,4227,60,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c0475f1ec8ed44e57ad3e017a5ecaf3.jpg",[],{"id":6120,"slug":6121,"title":4336,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6122,"thumbUrl":6123,"material":319,"size":320,"collection":95,"collections":6124,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265008,"pin-yue-se-duan-di-dan-cai-mei-lan-zhu-ju-wen-tao-yi-ming-265008",[1249,60,32,41,33,7,1730,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5db5ca6ea3867dbf85c2f0303a294d6a.jpg",[],{"id":6126,"slug":6127,"title":4343,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6128,"thumbUrl":6129,"material":319,"size":320,"collection":95,"collections":6130,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},265005,"pin-yue-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265005",[1249,1246,32,41,33,7,65,36,40,63,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6024bdd454df54b2a970cd161418ba7d.jpg",[],{"id":6132,"slug":6133,"title":4281,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6134,"thumbUrl":6135,"material":319,"size":320,"collection":95,"collections":6136,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265004,"yuan-qing-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-265004",[1249,1730,32,41,33,7,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d149975fd096b7f515d6a2b290a4fc7.jpg",[],{"id":6138,"slug":6139,"title":4350,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6140,"thumbUrl":6141,"material":319,"size":320,"collection":95,"collections":6142,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},265001,"yuan-qing-se-duan-di-san-lan-mei-lan-zhu-ju-wen-tao-yi-ming-265001",[1246,1249,1730,32,41,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a10cc29c1d6897e858521417c83aca7.jpg",[],{"id":6144,"slug":6145,"title":6146,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6147,"thumbUrl":6148,"material":319,"size":320,"collection":95,"collections":6149,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264999,"xue-hui-se-duan-di-shui-mo-san-lan-mei-lan-zhu-ju-wen-tao-yi-ming-264999","雪灰色缎地水墨三蓝梅兰竹菊纹绦",[1249,1730,32,41,33,7,25,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52efa0effe4f84b7796fe7fb7d4584d9.jpg",[],{"id":6151,"slug":6152,"title":6153,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6154,"thumbUrl":6155,"material":319,"size":320,"collection":95,"collections":6156,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264998,"xue-hui-se-duan-di-mei-lan-zhu-ju-mu-dan-wen-tao-yi-ming-264998","雪灰色缎地梅兰竹菊牡丹纹绦",[1730,1249,1246,32,41,33,7,36,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cdb26b87372e6b7eca0f9fda332440f.jpg",[],{"id":6158,"slug":6159,"title":4295,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6160,"thumbUrl":6161,"material":319,"size":320,"collection":95,"collections":6162,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264996,"xue-hui-se-duan-di-mei-lan-zhu-ju-wen-tao-yi-ming-264996",[1249,1246,32,41,33,7,40,3631,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa954d1144215dbe6bc53fd517b06e515.jpg",[],{"id":6164,"slug":6165,"title":5190,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6166,"thumbUrl":6167,"material":319,"size":320,"collection":95,"collections":6168,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264902,"bao-lan-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-264902",[1249,1246,60,32,33,7,35,1730,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2f0b5290fad6c1d626d8659ddfc8cb0.jpg",[],{"id":6170,"slug":6171,"title":5190,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6172,"thumbUrl":6173,"material":319,"size":320,"collection":95,"collections":6174,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264901,"bao-lan-se-duan-di-mei-zhu-ju-wen-tao-yi-ming-264901",[1249,1730,32,33,7,40,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdce5f008fc27ab00544b76dedf4cdbc3.jpg",[],{"id":6176,"slug":6177,"title":6178,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6179,"thumbUrl":6180,"material":319,"size":320,"collection":95,"collections":6181,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264900,"yuan-qing-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264900","元青色缎地淡彩竹菊纹绦",[1249,1730,33,7,1246,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02e4e648ed603a5e373c172628a64b47.jpg",[],{"id":6183,"slug":6184,"title":6178,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6185,"thumbUrl":6186,"material":319,"size":320,"collection":95,"collections":6187,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264899,"yuan-qing-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264899",[1249,1730,1246,4227,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13d6be5d6bcbb61857e879ad9411f382.jpg",[],{"id":6189,"slug":6190,"title":6178,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6191,"thumbUrl":6192,"material":319,"size":320,"collection":95,"collections":6193,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264898,"yuan-qing-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264898",[1249,1730,33,7,2241,4227,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15c2699ae8353470ab9682074335b9d5.jpg",[],{"id":6195,"slug":6196,"title":6178,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6197,"thumbUrl":6198,"material":319,"size":320,"collection":95,"collections":6199,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264897,"yuan-qing-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264897",[1249,1730,60,33,7,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd0c878812ea8c7d7023802f66c7c700.jpg",[],{"id":6201,"slug":6202,"title":6203,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6204,"thumbUrl":6205,"material":319,"size":320,"collection":95,"collections":6206,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264896,"hu-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264896","湖色缎地淡彩竹菊纹绦",[1249,1730,3631,33,7,40,4227,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa04e8b1bbc0ba82fd5f66e619df8063e.jpg",[],{"id":6208,"slug":6209,"title":6203,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6210,"thumbUrl":6211,"material":319,"size":320,"collection":95,"collections":6212,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264895,"hu-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264895",[1249,1730,33,7,4227,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe89791ba2c2c1d0b0e25c0925b94b566.jpg",[],{"id":6214,"slug":6215,"title":6203,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6216,"thumbUrl":6217,"material":319,"size":320,"collection":95,"collections":6218,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264894,"hu-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264894",[1249,33,7,3631,4227,1246,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2a8e467e3ce5baa0cf83388bad7136c.jpg",[],{"id":6220,"slug":6221,"title":4371,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6222,"thumbUrl":6223,"material":319,"size":320,"collection":95,"collections":6224,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},264893,"pin-lan-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264893",[1249,1730,33,7,60,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95da2d166676b5ed9de87a299d503d7e.jpg",[],{"id":6226,"slug":6227,"title":4371,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6228,"thumbUrl":6229,"material":319,"size":320,"collection":95,"collections":6230,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},264891,"pin-lan-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264891",[1249,1730,3631,33,7,4227,1246],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc78e4d2897dd05942a47bfba1c28707.jpg",[],{"id":6232,"slug":6233,"title":4384,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6234,"thumbUrl":6235,"material":319,"size":320,"collection":95,"collections":6236,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},264888,"pin-yue-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264888",[1249,1730,33,7,4227,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6706a2702fccdd317735c36f62ac57e.jpg",[],{"id":6238,"slug":6239,"title":4384,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6240,"thumbUrl":6242,"material":319,"size":320,"collection":95,"collections":6243,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264887,"pin-yue-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264887",[1249,1730,33,7,1246,4227,6241],"花草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b8be596737355b5f620dfe00d944b8e.jpg",[],{"id":6245,"slug":6246,"title":4384,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6247,"thumbUrl":6248,"material":319,"size":320,"collection":95,"collections":6249,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264886,"pin-yue-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264886",[1246,1249,33,7,4227,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F381c2405a35d361cd3b074105d08fe95.jpg",[],{"id":6251,"slug":6252,"title":6253,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6254,"thumbUrl":6255,"material":319,"size":320,"collection":95,"collections":6256,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264885,"ou-he-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264885","藕荷色缎地淡彩竹菊纹绦",[1249,1730,33,7,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a732ff3ce7578267cbe6645dca848d0.jpg",[],{"id":6258,"slug":6259,"title":6253,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6260,"thumbUrl":6261,"material":319,"size":320,"collection":95,"collections":6262,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264884,"ou-he-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264884",[1249,1730,33,7,60,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93cb48456eba1137cf3bbcfd5bdb3ab8.jpg",[],{"id":6264,"slug":6265,"title":6253,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6266,"thumbUrl":6267,"material":319,"size":320,"collection":95,"collections":6268,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264883,"ou-he-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264883",[1249,1730,33,7,60,40,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a9b0b50f9708c2bd52a33645ec84426.jpg",[],{"id":6270,"slug":6271,"title":6253,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6272,"thumbUrl":6273,"material":319,"size":320,"collection":95,"collections":6274,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264882,"ou-he-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264882",[1249,1730,33,7,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e4b9b942fa3969c3171f53fe871a9f8.jpg",[],{"id":6276,"slug":6277,"title":6253,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6278,"thumbUrl":6279,"material":319,"size":320,"collection":95,"collections":6280,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264881,"ou-he-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264881",[1249,1730,33,7,4227,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2b6202ca911b205dd23fd9f199c060f.jpg",[],{"id":6282,"slug":6283,"title":6253,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6284,"thumbUrl":6285,"material":319,"size":320,"collection":95,"collections":6286,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264880,"ou-he-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264880",[1249,33,7,4227,3631,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F985827d1c73adee8ac8dc4540a6098ee.jpg",[],{"id":6288,"slug":6289,"title":4371,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6290,"thumbUrl":6291,"material":319,"size":320,"collection":95,"collections":6292,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":2427},264879,"pin-lan-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264879",[1249,33,7,4227,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3992b3c6e0ca1cfabc805de90bf55595.jpg",[],{"id":6294,"slug":6295,"title":6203,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6296,"thumbUrl":6297,"material":319,"size":320,"collection":95,"collections":6298,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264877,"hu-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264877",[1249,33,7,1730,60,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36c77ac8f7265d91a5f0b04a7766267b.jpg",[],{"id":6300,"slug":6301,"title":6203,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6302,"thumbUrl":6303,"material":319,"size":320,"collection":95,"collections":6304,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264876,"hu-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264876",[1249,33,7,1730,60,1246,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F263aa7c402559e33d0f964c26d866768.jpg",[],{"id":6306,"slug":6307,"title":6203,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6308,"thumbUrl":6309,"material":319,"size":320,"collection":95,"collections":6310,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264875,"hu-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264875",[1249,1730,1246,33,7,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1cd28d2f98bd5ed4011f6ff2c8f17d8.jpg",[],{"id":6312,"slug":6313,"title":6203,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6314,"thumbUrl":6315,"material":319,"size":320,"collection":95,"collections":6316,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264874,"hu-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264874",[1249,33,7,1730,4227,3631,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8f6dbdc9092dd6c9da65565e280d55e.jpg",[],{"id":6318,"slug":6319,"title":6203,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6320,"thumbUrl":6321,"material":319,"size":320,"collection":95,"collections":6322,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264873,"hu-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264873",[33,7,1249,1246,60,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81ee6b25a3d78b12a40074574a04d386.jpg",[],{"id":6324,"slug":6325,"title":6203,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6326,"thumbUrl":6327,"material":319,"size":320,"collection":95,"collections":6328,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264872,"hu-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264872",[1249,33,7,1246,4227,3631,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26eafc2e18742010a62610677691e6a3.jpg",[],{"id":6330,"slug":6331,"title":6332,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6333,"thumbUrl":6334,"material":319,"size":320,"collection":95,"collections":6335,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264871,"xue-hui-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264871","雪灰色缎地淡彩竹菊纹绦",[1249,1730,33,7,4227,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d4625e95fe6aa0c8d612db65be4f1fb.jpg",[],{"id":6337,"slug":6338,"title":6332,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6339,"thumbUrl":6340,"material":319,"size":320,"collection":95,"collections":6341,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264870,"xue-hui-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264870",[1249,33,7,4227,3631,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb5ec20496b5373bed5cf0c634417b85.jpg",[],{"id":6343,"slug":6344,"title":6332,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6345,"thumbUrl":6346,"material":319,"size":320,"collection":95,"collections":6347,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264869,"xue-hui-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264869",[1249,1730,33,7,4227,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0f114d94c03504c78b9e230d481f8a5.jpg",[],{"id":6349,"slug":6350,"title":6332,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6351,"thumbUrl":6352,"material":319,"size":320,"collection":95,"collections":6353,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264868,"xue-hui-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264868",[1249,33,7,1246,4227,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5bc7b898465771eb578dcd988146b3f4.jpg",[],{"id":6355,"slug":6356,"title":6332,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6357,"thumbUrl":6358,"material":319,"size":320,"collection":95,"collections":6359,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264867,"xue-hui-se-duan-di-dan-cai-zhu-ju-wen-tao-yi-ming-264867",[1249,33,7,4227,3631,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd017d7c30e43557159270b0a2596ddd8.jpg",[],{"id":6361,"slug":6362,"title":3323,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6363,"thumbUrl":6364,"material":319,"size":320,"collection":95,"collections":6365,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264866,"pin-lan-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-264866",[1249,1730,2423,32,41,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a6efc9826b836307caa347f1266e572.jpg",[],{"id":6367,"slug":6368,"title":3323,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6369,"thumbUrl":6370,"material":319,"size":320,"collection":95,"collections":6371,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264865,"pin-lan-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-264865",[1249,2423,32,41,33,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F723dc0e690b0a9d1759c0e739c931952.jpg",[],{"id":6373,"slug":6374,"title":6375,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6376,"thumbUrl":6378,"material":319,"size":320,"collection":95,"collections":6379,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264864,"pin-lan-se-duan-di-zhi-yin-mei-lan-zhu-ju-wen-tao-yi-ming-264864","品蓝色缎地织银梅兰竹菊纹绦",[1249,1730,32,41,33,7,6377],"织银纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F456579792e6125920e67ffd771b8a3d3.jpg",[],{"id":6381,"slug":6382,"title":6375,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6383,"thumbUrl":6384,"material":319,"size":320,"collection":95,"collections":6385,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264863,"pin-lan-se-duan-di-zhi-yin-mei-lan-zhu-ju-wen-tao-yi-ming-264863",[1249,1730,3332,32,41,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F307d1f2294eb4d00ad3fb388fe99679f.jpg",[],{"id":6387,"slug":6388,"title":6375,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6389,"thumbUrl":6391,"material":319,"size":320,"collection":95,"collections":6392,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264861,"pin-lan-se-duan-di-zhi-yin-mei-lan-zhu-ju-wen-tao-yi-ming-264861",[1249,1730,32,41,33,7,6390],"织银工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0278204d35994b037a482b11878aa683.jpg",[],{"id":6394,"slug":6395,"title":6375,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6396,"thumbUrl":6397,"material":319,"size":320,"collection":95,"collections":6398,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264860,"pin-lan-se-duan-di-zhi-yin-mei-lan-zhu-ju-wen-tao-yi-ming-264860",[1249,1730,32,41,33,7,3332],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2930832fd5db78e801affaf9a01ffc2.jpg",[],{"id":6400,"slug":6401,"title":6402,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6403,"thumbUrl":6404,"material":319,"size":320,"collection":95,"collections":6405,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264844,"yuan-qing-se-duan-di-lian-ju-die-wen-tao-yi-ming-264844","元青色缎地莲菊蝶纹绦",[1249,1730,35,7,70,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38038754165a93204c69df85633e0510.jpg",[],{"id":6407,"slug":6408,"title":4404,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6409,"thumbUrl":6410,"material":319,"size":320,"collection":95,"collections":6411,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264800,"si-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-264800",[1249,2423,32,41,33,7,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc33a161a25e30f1fe9eabd2bdd258f32.jpg",[],{"id":6413,"slug":6414,"title":4404,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6415,"thumbUrl":6416,"material":319,"size":320,"collection":95,"collections":6417,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264799,"si-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-264799",[1249,2423,32,41,33,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F232635723f84275aacfdb42c135a3b94.jpg",[],{"id":6419,"slug":6420,"title":4404,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6421,"thumbUrl":6422,"material":319,"size":320,"collection":95,"collections":6423,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264797,"si-se-duan-di-zhi-jin-mei-lan-zhu-ju-wen-tao-yi-ming-264797",[1249,1730,2423,32,41,33,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3de4575c69bffc7a849efbe526b8eaf2.jpg",[],{"id":6425,"slug":6426,"title":6427,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6428,"thumbUrl":6429,"material":319,"size":320,"collection":95,"collections":6430,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264700,"hu-se-duan-di-zhi-jin-ju-hua-wen-tao-yi-ming-264700","湖色缎地织金菊花纹绦",[1249,2423,7,1730,2526],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5003dd66c29e052d1af270836444b2fa.jpg",[],{"id":6432,"slug":6433,"title":6427,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6434,"thumbUrl":6435,"material":319,"size":320,"collection":95,"collections":6436,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264699,"hu-se-duan-di-zhi-jin-ju-hua-wen-tao-yi-ming-264699",[1249,1730,7,2423,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc14b147cd9511f51a16622b52a9e75a.jpg",[],{"id":6438,"slug":6439,"title":6440,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6441,"thumbUrl":6442,"material":319,"size":320,"collection":95,"collections":6443,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264698,"pin-lan-se-duan-di-zhi-jin-ju-hua-wen-tao-yi-ming-264698","品蓝色缎地织金菊花纹绦",[1249,2423,7,3631,693],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc047c243f1ed3186bcef532f8fe5145d.jpg",[],{"id":6445,"slug":6446,"title":6447,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6448,"thumbUrl":6449,"material":319,"size":320,"collection":95,"collections":6450,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264695,"pin-lan-se-di-dan-cai-ju-hua-wen-tao-yi-ming-264695","品蓝色地淡彩菊花纹绦",[1249,7,4227,1730,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90cd156fad089e8dc99992b625513cc9.jpg",[],{"id":6452,"slug":6453,"title":6447,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6454,"thumbUrl":6455,"material":319,"size":320,"collection":95,"collections":6456,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264694,"pin-lan-se-di-dan-cai-ju-hua-wen-tao-yi-ming-264694",[1249,3631,7,2241,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f5132ebb775245becd172a316c99ae2.jpg",[],{"id":6458,"slug":6459,"title":6460,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6461,"thumbUrl":6463,"material":319,"size":320,"collection":95,"collections":6464,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264692,"pin-lan-se-duan-di-wan-zi-ju-hua-wen-tao-yi-ming-264692","品蓝色缎地万字菊花纹绦",[1249,7,6462,3631,693],"万字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65471a5e2916684d4bebff68ca533ce3.jpg",[],{"id":6466,"slug":6467,"title":4423,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6468,"thumbUrl":6469,"material":319,"size":320,"collection":95,"collections":6470,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264691,"jin-di-shui-mo-ju-hua-wen-tao-yi-ming-264691",[1249,1730,7,25,4185],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F904b0a3a42418a4b5f1bcfe33d69c94d.jpg",[],{"id":6472,"slug":6473,"title":6474,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6475,"thumbUrl":6476,"material":319,"size":320,"collection":95,"collections":6477,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264689,"xue-hui-se-duan-di-zhi-jin-shui-mo-ju-hua-wen-tao-yi-ming-264689","雪灰色缎地织金水墨菊花纹绦",[1249,1730,1216,7,2423,25,2414],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6efa1b52b8db6a87b0998fd8cc315e9b.jpg",[],{"id":6479,"slug":6480,"title":6481,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6482,"thumbUrl":6483,"material":319,"size":320,"collection":95,"collections":6484,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264687,"wan-zi-duan-di-zhi-jin-san-lan-ju-hua-wen-tao-yi-ming-264687","万字缎地织金三蓝菊花纹绦",[1249,1730,3631,7,6462,2423,4098],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b813c2ec725bbc2805eb1bb1906edfd.jpg",[],{"id":6486,"slug":6487,"title":6481,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6488,"thumbUrl":6489,"material":319,"size":320,"collection":95,"collections":6490,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264686,"wan-zi-duan-di-zhi-jin-san-lan-ju-hua-wen-tao-yi-ming-264686",[1249,7,6462,2423,3631,4155],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6981c46e91491180b0bc5a7faf42cc37.jpg",[],{"id":6492,"slug":6493,"title":6481,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6494,"thumbUrl":6495,"material":319,"size":320,"collection":95,"collections":6496,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264685,"wan-zi-duan-di-zhi-jin-san-lan-ju-hua-wen-tao-yi-ming-264685",[1249,1730,7,2423,6462,3631,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4068d2f3abb601879441112d56511a3b.jpg",[],{"id":6498,"slug":6499,"title":6481,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6500,"thumbUrl":6501,"material":319,"size":320,"collection":95,"collections":6502,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264684,"wan-zi-duan-di-zhi-jin-san-lan-ju-hua-wen-tao-yi-ming-264684",[1249,1730,7,6462,2423,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f8fab08ce722439c882f7365ca9504e.jpg",[],{"id":6504,"slug":6505,"title":6481,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6506,"thumbUrl":6508,"material":319,"size":320,"collection":95,"collections":6509,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264680,"wan-zi-duan-di-zhi-jin-san-lan-ju-hua-wen-tao-yi-ming-264680",[4254,1249,1730,7,6462,2423,6507],"三蓝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4eaba8b67ccb1d4ec58276530e113bd.jpg",[],{"id":6511,"slug":6512,"title":6513,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6514,"thumbUrl":6515,"material":319,"size":320,"collection":95,"collections":6516,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264678,"hu-se-duan-di-zhi-jin-dan-cai-ju-hua-wen-tao-yi-ming-264678","湖色缎地织金淡彩菊花纹绦",[1249,1730,7,2423,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa1e832021f42efa58c03530493488bd.jpg",[],{"id":6518,"slug":6519,"title":6513,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6520,"thumbUrl":6521,"material":319,"size":320,"collection":95,"collections":6522,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264677,"hu-se-duan-di-zhi-jin-dan-cai-ju-hua-wen-tao-yi-ming-264677",[1249,1730,7,2423,60,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F342efd14ef120dc2a6f077d0b605632b.jpg",[],{"id":6524,"slug":6525,"title":6526,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6527,"thumbUrl":6528,"material":319,"size":320,"collection":95,"collections":6529,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264674,"xue-bai-se-duan-di-zhi-jin-dan-cai-ju-hua-wen-tao-yi-ming-264674","雪白色缎地织金淡彩菊花纹绦",[1249,1216,1730,7,2423,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F723bc5c85526d8fce0a012b1f0494ee0.jpg",[],{"id":6531,"slug":6532,"title":6526,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6533,"thumbUrl":6534,"material":319,"size":320,"collection":95,"collections":6535,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264670,"xue-bai-se-duan-di-zhi-jin-dan-cai-ju-hua-wen-tao-yi-ming-264670",[7,1249,2423,4227,3631,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf6bb6395d5dbc625010581bea24c758.jpg",[],{"id":6537,"slug":6538,"title":6539,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6540,"thumbUrl":6541,"material":319,"size":320,"collection":95,"collections":6542,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264668,"pin-yue-se-duan-di-zhi-jin-dan-cai-ju-hua-wen-tao-yi-ming-264668","品月色缎地织金淡彩菊花纹绦",[1249,7,2423,4227,3631,693],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fb1884cd08f04d5ba3fd541479ea7d3.jpg",[],{"id":6544,"slug":6545,"title":6539,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6546,"thumbUrl":6547,"material":319,"size":320,"collection":95,"collections":6548,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264666,"pin-yue-se-duan-di-zhi-jin-dan-cai-ju-hua-wen-tao-yi-ming-264666",[1730,1249,7,2423,4227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9be4fc48fef1432cdc4bb0431c029ff.jpg",[],{"id":6550,"slug":6551,"title":6539,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6552,"thumbUrl":6553,"material":319,"size":320,"collection":95,"collections":6554,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264665,"pin-yue-se-duan-di-zhi-jin-dan-cai-ju-hua-wen-tao-yi-ming-264665",[1249,2423,60,7,1730,1216],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8302c9a09871ddd60f0b8b9092f8502.jpg",[],{"id":6556,"slug":6557,"title":6539,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6558,"thumbUrl":6559,"material":319,"size":320,"collection":95,"collections":6560,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264664,"pin-yue-se-duan-di-zhi-jin-dan-cai-ju-hua-wen-tao-yi-ming-264664",[1249,2423,4227,7,63,1216,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78c061d7a7c37196eeb4df8140c93923.jpg",[],{"id":6562,"slug":6563,"title":6564,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6565,"thumbUrl":6566,"material":319,"size":320,"collection":95,"collections":6567,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264663,"xue-bai-se-duan-di-zhi-jin-qian-cai-jiu-hua-wen-tao-yi-ming-264663","雪白色缎地织金浅彩九花纹绦",[1249,2423,60,7,3631,3686,40],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e10892fdd13adbb3564f6bb3c43c39a.jpg",[],{"id":6569,"slug":6570,"title":6571,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6572,"thumbUrl":6574,"material":319,"size":320,"collection":95,"collections":6575,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264660,"jin-di-san-lan-jiu-hua-wen-tao-yi-ming-264660","金地三蓝九花纹绦",[1249,1730,1246,7,6573],"花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42c5546d49b07a3fcf4a8252853c2e4a.jpg",[],{"id":6577,"slug":6578,"title":6571,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6579,"thumbUrl":6581,"material":319,"size":320,"collection":95,"collections":6582,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264659,"jin-di-san-lan-jiu-hua-wen-tao-yi-ming-264659",[1249,1730,1246,7,6580,4352],"金地绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b9e04359a2beb3ac12f04254fd39f55.jpg",[],{"id":6584,"slug":6585,"title":6571,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6586,"thumbUrl":6587,"material":319,"size":320,"collection":95,"collections":6588,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264658,"jin-di-san-lan-jiu-hua-wen-tao-yi-ming-264658",[1249,1730,1246,7,4185,4352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F812dee5d0a989466cb59bce250775df8.jpg",[],{"id":6590,"slug":6591,"title":6592,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6593,"thumbUrl":6594,"material":319,"size":320,"collection":95,"collections":6595,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264655,"xue-hui-se-duan-di-zhi-jin-san-lan-jiu-hua-wen-tao-yi-ming-264655","雪灰色缎地织金三蓝九花纹绦",[1249,1730,7,2423,4098,3631,6507],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc722a463b38a672d77972a263efdf234.jpg",[],{"id":6597,"slug":6598,"title":6599,"dynasty":55,"author":256,"museum":167,"description":6600,"tags":6601,"thumbUrl":6603,"material":319,"size":320,"collection":95,"collections":6604,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264649,"pin-lan-duan-se-jiu-hua-wen-zhuang-hua-duan-tao-yi-ming-264649","品蓝缎色九花纹妆花缎绦","以品蓝为底托，明黄为骨相，撞色鲜明华贵。妆花技法织就缠枝九花，绒线晕染出饱满花型，银线勾提亮瓣叶肌理，柔婉枝蔓舒展往复，尽显雅致妍丽。斜向明黄绦带交错出菱形格纹，将织面分割串联，规整中晕开灵动韵律。\n\n整幅织作工致细腻，配色沉敛不失明艳，纹样吉祥富丽。把实用装饰性与工艺美学融于一体，尽显旧时织造匠人的精妙匠心与不俗审美，带着制式华贵气度，是颇具巧思的织绣精品。",[1249,1730,7,6602,3631],"妆花缎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f4874f009b32b760ebc035cfb50dc43.jpg",[],{"id":6606,"slug":6607,"title":6608,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6609,"thumbUrl":6611,"material":319,"size":320,"collection":95,"collections":6612,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264646,"pin-lan-se-duan-di-zhi-jin-yin-jiu-hua-wen-tao-yi-ming-264646","品蓝色缎地织金银九花纹绦",[1249,6610,7,3631,1730,3686],"织金银","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca9aa50d32ac20714962c4afa75fb68f.jpg",[],{"id":6614,"slug":6615,"title":6616,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6617,"thumbUrl":6620,"material":319,"size":320,"collection":95,"collections":6621,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264642,"yin-di-san-lan-jiu-hua-wen-tao-yi-ming-264642","银地三蓝九花纹绦",[1249,1730,7,2241,6618,6619],"银地","蓝花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33a10f810236e2660388e83209e1253b.jpg",[],{"id":6623,"slug":6624,"title":6625,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6626,"thumbUrl":6627,"material":319,"size":320,"collection":95,"collections":6628,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264637,"xue-hui-se-duan-di-zhi-jin-shui-mo-jiu-hua-wen-tao-yi-ming-264637","雪灰色缎地织金水墨九花纹绦",[1249,1730,2423,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F985a503039c9c841e2d89b5cabda1562.jpg",[],{"id":6630,"slug":6631,"title":6625,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6632,"thumbUrl":6633,"material":319,"size":320,"collection":95,"collections":6634,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264636,"xue-hui-se-duan-di-zhi-jin-shui-mo-jiu-hua-wen-tao-yi-ming-264636",[1249,1730,7,2423,25,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2c9c24135d696a5c60da640fe4b1709.jpg",[],{"id":6636,"slug":6637,"title":6638,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6639,"thumbUrl":6640,"material":319,"size":320,"collection":95,"collections":6641,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264634,"hu-se-duan-di-zhi-jin-shui-mo-jiu-hua-wen-tao-yi-ming-264634","湖色缎地织金水墨九花纹绦",[1249,2423,25,7,3631,693],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f687654d0a1c44719ee747792d57550.jpg",[],{"id":6643,"slug":6644,"title":6638,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6645,"thumbUrl":6646,"material":319,"size":320,"collection":95,"collections":6647,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264633,"hu-se-duan-di-zhi-jin-shui-mo-jiu-hua-wen-tao-yi-ming-264633",[1249,1730,2423,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa78aeb4edef9c4e55204994f608ac218.jpg",[],{"id":6649,"slug":6650,"title":6638,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6651,"thumbUrl":6652,"material":319,"size":320,"collection":95,"collections":6653,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264629,"hu-se-duan-di-zhi-jin-shui-mo-jiu-hua-wen-tao-yi-ming-264629",[1249,1730,2423,25,7,2241,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e87607f93e6b4fd3f39dafb35f88bc8.jpg",[],{"id":6655,"slug":6656,"title":6657,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6658,"thumbUrl":6659,"material":319,"size":320,"collection":95,"collections":6660,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264625,"pin-yue-se-zhi-jin-shui-mo-jiu-hua-wen-tao-yi-ming-264625","品月色织金水墨九花纹绦",[1249,1216,1730,2423,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e8563caeb1fe943f08ebc2dd1b180a2.jpg",[],{"id":6662,"slug":6663,"title":6657,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6664,"thumbUrl":6665,"material":319,"size":320,"collection":95,"collections":6666,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264624,"pin-yue-se-zhi-jin-shui-mo-jiu-hua-wen-tao-yi-ming-264624",[1730,1249,2423,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1958feebe96bb83c9a3691298d8078aa.jpg",[],{"id":6668,"slug":6669,"title":6657,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6670,"thumbUrl":6671,"material":319,"size":320,"collection":95,"collections":6672,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264623,"pin-yue-se-zhi-jin-shui-mo-jiu-hua-wen-tao-yi-ming-264623",[1249,2423,25,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdda5fd757438f92da1edb5a74e7e6d2b.jpg",[],{"id":6674,"slug":6675,"title":6657,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6676,"thumbUrl":6677,"material":319,"size":320,"collection":95,"collections":6678,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},264622,"pin-yue-se-zhi-jin-shui-mo-jiu-hua-wen-tao-yi-ming-264622",[1249,1730,2423,25,7,3631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9102a1ecfd38315769022a2a2a82dc36.jpg",[],{"id":6680,"slug":6681,"title":6592,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6682,"thumbUrl":6683,"material":319,"size":320,"collection":95,"collections":6684,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264618,"xue-hui-se-duan-di-zhi-jin-san-lan-jiu-hua-wen-tao-yi-ming-264618",[1249,1730,2423,7,4098],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17be2ad168494d6c8aaa92ea3f8c945e.jpg",[],{"id":6686,"slug":6687,"title":6688,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6689,"thumbUrl":6690,"material":319,"size":320,"collection":95,"collections":6691,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264617,"hu-se-duan-di-zhi-jin-shui-mo-qian-cai-jiu-hua-wen-tao-yi-ming-264617","湖色缎地织金水墨浅彩九花纹绦",[1249,1730,7,2423,25,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7e4cdcc094ef679ce3f6dcf04f9de5f.jpg",[],{"id":6693,"slug":6694,"title":6688,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6695,"thumbUrl":6696,"material":319,"size":320,"collection":95,"collections":6697,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264616,"hu-se-duan-di-zhi-jin-shui-mo-qian-cai-jiu-hua-wen-tao-yi-ming-264616",[1249,1730,2423,25,60,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd4db4485c5afa03a1c402507a290b90.jpg",[],{"id":6699,"slug":6700,"title":6688,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6701,"thumbUrl":6702,"material":319,"size":320,"collection":95,"collections":6703,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264615,"hu-se-duan-di-zhi-jin-shui-mo-qian-cai-jiu-hua-wen-tao-yi-ming-264615",[1249,2423,25,60,40,7,1730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3c8816e516d201ad22a7f57d3f24fbc.jpg",[],{"id":6705,"slug":6706,"title":6688,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6707,"thumbUrl":6709,"material":319,"size":320,"collection":95,"collections":6710,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264614,"hu-se-duan-di-zhi-jin-shui-mo-qian-cai-jiu-hua-wen-tao-yi-ming-264614",[1249,1730,3631,2423,25,6708,40,7],"浅彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F878eeb392e4ea180d3ef283a9fe8f563.jpg",[],{"id":6712,"slug":6713,"title":6688,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6714,"thumbUrl":6715,"material":319,"size":320,"collection":95,"collections":6716,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264613,"hu-se-duan-di-zhi-jin-shui-mo-qian-cai-jiu-hua-wen-tao-yi-ming-264613",[1249,2423,25,6708,7,1730,2241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ac25a9828b7c2ec7c80c10f27bf0c95.jpg",[],{"id":6718,"slug":6719,"title":6688,"dynasty":55,"author":256,"museum":167,"description":1728,"tags":6720,"thumbUrl":6721,"material":319,"size":320,"collection":95,"collections":6722,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264612,"hu-se-duan-di-zhi-jin-shui-mo-qian-cai-jiu-hua-wen-tao-yi-ming-264612",[1249,4098,2423,25,60,7,3631,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaf4b84938a420224ba49c23c108ea28.jpg",[],{"id":6724,"slug":6725,"title":6726,"dynasty":55,"author":256,"museum":167,"description":6727,"tags":6728,"thumbUrl":6730,"material":319,"size":320,"collection":95,"collections":6731,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},264501,"e-huang-se-lan-zhu-ju-xiao-hua-wen-hua-chou-yi-ming-264501","鹅黄色兰竹菊小花纹花绸","这一抹柔润鹅黄，晕开东方雅致底色。暗纹提花藏着兰竹菊影，草木君子错落铺陈，疏朗间尽显清雅风骨。莹润缎面带着时光晕开的柔光，提花工艺细腻妥帖，将文人追崇的林下意趣织入经纬。\n没有张扬的镂绘，只以暗纹私藏雅致审美，把清冷自持的君子品格融作日常织物的肌理，让实用器物晕染出隽永的文人情思，尽显旧时匠人的织造匠心。",[1249,41,33,7,6729],"花绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feab508f107fdd860b0cd1ba3918e97cd.jpg",[],{"id":6733,"slug":6734,"title":6735,"dynasty":55,"author":256,"museum":167,"description":6736,"tags":6737,"thumbUrl":6739,"material":319,"size":320,"collection":95,"collections":6740,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},264263,"hu-se-ju-hua-shou-zi-wen-zhuang-hua-duan-pao-liao-yi-ming-264263","湖色菊花寿字纹妆花缎袍料","湖色地子清润柔和，宝蓝色团寿纹方正匀整，静静铺陈其间，暗寄福寿绵长的祈愿。各色菊花错落排布，粉妍、朱红、紫幽、冰蓝、鹅黄，晕染出娇柔舒展的花姿，枝叶随形摇曳，灵动鲜活。妆花工艺让色线晕染自然清透，纱地衬得纹样愈发雅致柔丽。整体排布疏密相宜，吉庆纹样与清隽秋花相映，将实用织物糅合了装饰意趣与美好期许，是织绣工艺里兼具审美与祝福的精巧之作。",[1249,1216,7,6738,6602,60,40],"寿字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdf6cca45ae64014758205bca9fb23c5.jpg",[],{"id":6742,"slug":6743,"title":6744,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":6745,"thumbUrl":6746,"material":319,"size":320,"collection":95,"collections":6747,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},261862,"wu-cai-kai-guang-hua-hui-wen-tong-shi-pie-kou-ping-yi-ming-261862","五彩开光花卉纹筒式撇口瓶",[2012,3340,40,7,4465,219],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbb8d7cb77e2c58669acbd8d1b0acee1.jpg",[],{"id":6749,"slug":6750,"title":6751,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":6752,"thumbUrl":6755,"material":319,"size":320,"collection":95,"collections":6756,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},261598,"yong-qing-chang-chun-kuan-fen-di-fen-cai-hua-niao-tu-shou-er-xian-huan-xi-kou-ping-yi-ming-261598","永庆长春款粉地粉彩花鸟图兽耳衔环洗口瓶",[2012,2013,6753,6754,63,7,373,60,374],"兽耳衔环","洗口瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17dca7f60444e474fa0971ef18ab2391.jpg",[],{"id":6758,"slug":6759,"title":6760,"dynasty":18,"author":256,"museum":167,"description":6761,"tags":6762,"thumbUrl":6764,"material":319,"size":320,"collection":95,"collections":6765,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},261507,"hui-qing-you-ju-ban-wan-yi-ming-261507","回青釉菊瓣碗","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[2012,182,6763,7,4485],"日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8252f1fdb4703caf99a21f53594b679.jpg",[],{"id":6767,"slug":6768,"title":6769,"dynasty":18,"author":256,"museum":167,"description":6770,"tags":6771,"thumbUrl":6776,"material":319,"size":320,"collection":2016,"collections":6777,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},261268,"long-quan-yao-qing-you-an-hua-ju-ban-wen-pan-yi-ming-261268","龙泉窑青釉暗划菊瓣纹盘","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[2012,6772,6773,6774,6775,921,7],"青釉","暗划","菊瓣纹","盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8b9b28fb48a65b890010e256ba4371a.jpg",[2016],{"id":6779,"slug":6780,"title":6781,"dynasty":55,"author":256,"museum":167,"description":6782,"tags":6783,"thumbUrl":6785,"material":319,"size":320,"collection":95,"collections":6786,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":79},261220,"fen-cai-zhe-zhi-hua-wen-zun-yi-ming-261220","粉彩折枝花纹尊","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[2012,2013,7,40,6784,3707],"折枝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78187b1ff22246758b11d3d4707427e5.jpg",[],{"id":6788,"slug":6789,"title":6790,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":6791,"thumbUrl":6792,"material":319,"size":320,"collection":95,"collections":6793,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},261156,"qian-long-kuan-fen-cai-hua-niao-wen-xiao-ping-yi-ming-261156","乾隆款粉彩花鸟纹小瓶",[2012,2013,63,36,7,154,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23b14846f16ac2601c13002226c17582.jpg",[],{"id":6795,"slug":6796,"title":6797,"dynasty":55,"author":256,"museum":167,"description":6798,"tags":6799,"thumbUrl":6802,"material":319,"size":320,"collection":95,"collections":6803,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},261155,"fen-cai-lou-kong-si-ji-hua-hui-wen-fang-bi-tong-yi-ming-261155","粉彩镂空四季花卉纹方笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[2012,2013,6800,60,6801,7,35,4533,3879],"镂空","四季花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F429cec4a8b1f25d424e4d3189703c66a.jpg",[],{"id":6805,"slug":6806,"title":6807,"dynasty":55,"author":256,"museum":167,"description":2882,"tags":6808,"thumbUrl":6809,"material":319,"size":320,"collection":95,"collections":6810,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},261147,"yong-zheng-kuan-dou-cai-tuan-hua-wen-bei-yi-ming-261147","雍正款斗彩团花纹杯",[2012,2884,2885,464,921,40,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb747f4b0d90a5cf5d96d6883dd9973d0.jpg",[],{"id":6812,"slug":6813,"title":6814,"dynasty":55,"author":256,"museum":167,"description":3702,"tags":6815,"thumbUrl":6816,"material":319,"size":320,"collection":95,"collections":6817,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},261018,"qing-hua-zhe-zhi-ju-lian-wen-pan-yi-ming-261018","青花折枝菊莲纹盘",[2012,3704,7,2515,6775,6763],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc366c2f036119072efb27f3927445cd0.jpg",[],{"id":6819,"slug":6820,"title":6821,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":6822,"thumbUrl":6823,"material":319,"size":320,"collection":95,"collections":6824,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},260997,"fen-cai-shi-ju-hua-niao-tu-pie-kou-ping-yi-ming-260997","粉彩诗句花鸟图撇口瓶",[2012,2013,63,32,7,154,60,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ba778bd049d046d0e945c3f361d5b18.jpg",[],{"id":6826,"slug":6827,"title":6828,"dynasty":18,"author":256,"museum":167,"description":3896,"tags":6829,"thumbUrl":6832,"material":319,"size":320,"collection":95,"collections":6833,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},260950,"jiang-you-bai-hua-shou-mian-er-ping-yi-ming-260950","酱釉白花兽面耳瓶",[2012,182,6830,7,6831],"兽面耳","酱釉白花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41e860b48b2c5eba620be63b5a9d2d12.jpg",[],{"id":6835,"slug":6836,"title":6837,"dynasty":18,"author":256,"museum":167,"description":3702,"tags":6838,"thumbUrl":6842,"material":319,"size":320,"collection":95,"collections":6843,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},260511,"ge-you-qing-hua-zhe-cai-zhe-zhi-hua-hui-wen-shou-er-ping-yi-ming-260511","哥釉青花赭彩折枝花卉纹兽耳瓶",[2012,219,3704,6839,5306,6840,6841,7],"赭彩","兽耳","开片纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F625483d363aa810962460a578a57e4e6.jpg",[],{"id":6845,"slug":6846,"title":6847,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":6848,"thumbUrl":6850,"material":319,"size":320,"collection":95,"collections":6851,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},260472,"qiu-hui-tang-kuan-wu-cai-hua-hui-wen-kui-ban-wan-yi-ming-260472","秋辉堂款五彩花卉纹葵瓣碗",[2012,3340,40,32,7,6763,6849],"葵瓣碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0e7ea1ce6d85e2bb667e4f0f13c3ba6.jpg",[],{"id":6853,"slug":6854,"title":6855,"dynasty":18,"author":256,"museum":167,"description":3702,"tags":6856,"thumbUrl":6858,"material":319,"size":320,"collection":95,"collections":6859,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},260459,"cheng-hua-kuan-qing-hua-you-li-hong-zhe-zhi-he-ju-wen-wan-yi-ming-260459","成化款青花釉里红折枝荷菊纹碗",[2012,921,464,6857,7,35,4502],"青花釉里红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff149e0cd13fa4cddceacca0bda79c1fa.jpg",[],{"id":6861,"slug":6862,"title":6863,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":6864,"thumbUrl":6865,"material":319,"size":320,"collection":95,"collections":6866,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},259998,"wu-cai-hua-niao-wen-da-gai-wan-yi-ming-259998","五彩花鸟纹大盖碗",[2012,921,3340,63,7,36,154,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c1b874856dec693e4797803210cca5d.jpg",[],{"id":6868,"slug":6869,"title":6870,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":6871,"thumbUrl":6872,"material":319,"size":320,"collection":95,"collections":6873,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},259531,"da-ya-zhai-kuan-lv-di-mo-cai-hua-niao-tu-wan-yi-ming-259531","大雅斋款绿地墨彩花鸟图碗",[2012,182,921,3126,60,63,7,36,154,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11b9677fd11d1086a42cfb09a9aa89e2.jpg",[],{"id":6875,"slug":6876,"title":6877,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":6878,"thumbUrl":6879,"material":319,"size":320,"collection":95,"collections":6880,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},259523,"da-ya-zhai-kuan-lv-di-mo-cai-hua-niao-tu-gao-zu-wan-yi-ming-259523","大雅斋款绿地墨彩花鸟图高足碗",[2012,182,921,3126,60,63,7,33,154,40,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8e93f16d7f1cc16bdcfa4d0e8c55409.jpg",[],{"id":6882,"slug":6883,"title":6877,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":6884,"thumbUrl":6885,"material":319,"size":320,"collection":95,"collections":6886,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},259522,"da-ya-zhai-kuan-lv-di-mo-cai-hua-niao-tu-gao-zu-wan-yi-ming-259522",[2012,63,3126,60,154,7,89,921,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa92a77d4f65ed00085da4493e683cfe0.jpg",[],{"id":6888,"slug":6889,"title":6877,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":6890,"thumbUrl":6892,"material":319,"size":320,"collection":95,"collections":6893,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},259521,"da-ya-zhai-kuan-lv-di-mo-cai-hua-niao-tu-gao-zu-wan-yi-ming-259521",[2012,182,6891,3126,60,63,7,36,89],"高足碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8fd3664bda973af8111f30f168754f4.jpg",[],{"id":6895,"slug":6896,"title":6897,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":6898,"thumbUrl":6900,"material":319,"size":320,"collection":95,"collections":6901,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},259446,"huang-di-mo-cai-hua-hui-wen-gai-he-yi-ming-259446","黄地墨彩花卉纹盖盒",[2012,3126,40,36,32,41,33,7,921,6899],"盖盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30b79d9227a43dcc7ea44ff0d8655b92.jpg",[],{"id":6903,"slug":6904,"title":6905,"dynasty":55,"author":256,"museum":167,"description":2882,"tags":6906,"thumbUrl":6907,"material":319,"size":320,"collection":95,"collections":6908,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},259153,"yong-zheng-kuan-qing-hua-tuan-ju-wen-wan-yi-ming-259153","雍正款青花团菊纹碗",[2012,3704,7,921,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58528574ed5717ea3ccd7ad34c29cf84.jpg",[],{"id":6910,"slug":6911,"title":6912,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":6913,"thumbUrl":6914,"material":319,"size":320,"collection":95,"collections":6915,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},258808,"fen-cai-san-qiu-tu-wan-yi-ming-258808","粉彩三秋图碗",[2012,182,2013,60,7,1410],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b402a608a909c3c35ade32e0e666b96.jpg",[],{"id":6917,"slug":6918,"title":6919,"dynasty":55,"author":256,"museum":167,"description":3124,"tags":6920,"thumbUrl":6922,"material":319,"size":320,"collection":95,"collections":6923,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},258561,"qian-long-kuan-dan-huang-di-fen-cai-ya-dao-hua-hui-wen-zan-pan-yi-ming-258561","乾隆款淡黄地粉彩轧道花卉纹攒盘",[1016,2012,2013,6921,60,40,7,182],"轧道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64dc6a486795ebdd39e54f0ac034c78c.jpg",[],{"id":6925,"slug":6926,"title":6927,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":6928,"thumbUrl":6929,"material":319,"size":320,"collection":95,"collections":6930,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},258265,"dou-cai-hua-die-wen-deng-long-ping-yi-ming-258265","斗彩花蝶纹灯笼瓶",[2012,2884,60,62,206,373,65,7,63,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fae5ae27995f9da3395a959b287f795.jpg",[],{"id":6932,"slug":6933,"title":6934,"dynasty":55,"author":256,"museum":167,"description":3896,"tags":6935,"thumbUrl":6937,"material":319,"size":320,"collection":95,"collections":6938,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},257965,"kang-xi-kuan-lv-you-ju-ban-he-yi-ming-257965","康熙款绿釉菊瓣盒",[2012,6936,7,182],"绿釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94065c8623694d9196c82e7d887d74f8.jpg",[],{"id":6940,"slug":6941,"title":6942,"dynasty":55,"author":256,"museum":167,"description":6943,"tags":6944,"thumbUrl":6945,"material":319,"size":320,"collection":95,"collections":6946,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},257739,"kang-xi-kuan-wu-cai-shi-er-yue-hua-hui-wen-bei-qian-yi-ming-257739","康熙款五彩十二月花卉纹杯-千","胎质莹润洁白，釉色匀净清透。杯身以青花与五彩绘就秋菊景致，蓝石卧于杯底，菊枝斜逸舒展，红褐菊瓣饱满柔婉，枝叶脉络勾勒细腻写实。冷暖色调相映成趣，将深秋菊绽的清寂雅韵凝于方寸杯壁，工笔秀润雅致，晕染自然柔和，把文人画的清冷意趣融于瓷上，尽显雅致沉静的古典意蕴，是彩瓷小品里的精巧之作。",[2012,3340,60,40,7,91,708],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5028f96f9537f89892206d84303339f0.jpg",[],{"id":6948,"slug":6949,"title":6950,"dynasty":55,"author":256,"museum":167,"description":6951,"tags":6952,"thumbUrl":6954,"material":319,"size":320,"collection":95,"collections":6955,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},257731,"xi-chao-qi-wan-kuan-wu-cai-shi-ju-hua-hui-wen-xiao-zhong-yi-ming-257731","熙朝奇玩款五彩诗句花卉纹小盅","此小盅胎质莹润白皙，器型秀巧撇口，线条柔婉利落，尽显雅致风骨。\n\n釉上五彩设色调和明妍，以秋菊为景致核心，黄、朱、赭色菊花次第绽放，虬枝翠叶错落相衬，更有彩蝶翩跹其间，为画面添了灵动生趣。釉下青花的沉静与釉上彩料的鲜妍相映成趣，勾绘细腻写实，将秋日清隽意趣融于茶器之上。留白恰到好处，素净釉面托衬花蝶景致，让清雅闲情漫溢，把文人意趣藏入日常小物，是兼具赏玩与实用的精巧佳器。",[2012,3340,60,40,7,6953,464,921],"诗句","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe28a7f4096dab6f0e4896a0ec33e8bbc.jpg",[],{"id":6957,"slug":6958,"title":6959,"dynasty":18,"author":256,"museum":167,"description":3702,"tags":6960,"thumbUrl":6963,"material":319,"size":320,"collection":95,"collections":6964,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},257638,"qing-hua-yu-hu-chun-ping-yi-ming-257638","青花玉壶春瓶",[1228,2012,3704,6961,7,6962,182],"釉下彩","缠枝花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa641dfc18f7c15b3f2c5c7ef5ecd08c8.jpg",[],{"id":6966,"slug":6967,"title":6968,"dynasty":55,"author":256,"museum":167,"description":3702,"tags":6969,"thumbUrl":6971,"material":319,"size":320,"collection":95,"collections":6972,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},256958,"qing-hua-zhi-ji-mu-dan-wen-feng-wei-zun-yi-ming-256958","青花雉鸡牡丹纹凤尾尊",[2012,3704,1016,63,6970,36,7,154,182,60],"雉鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c2f3342f46929223077c71b3b4f7596.jpg",[],{"id":6974,"slug":6975,"title":6976,"dynasty":136,"author":256,"museum":167,"description":6977,"tags":6978,"thumbUrl":6981,"material":319,"size":320,"collection":2016,"collections":6982,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},256857,"ding-yao-bai-you-yin-hua-ju-feng-wen-pan-yi-ming-256857","定窑白釉印花菊凤纹盘","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[136,2012,6979,6980,7,4571,182],"白釉","印花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40dfcd98a30f06b3ca468de38b208f8b.jpg",[2016],{"id":6984,"slug":6985,"title":6986,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":6987,"thumbUrl":6989,"material":319,"size":320,"collection":95,"collections":6990,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},256668,"ji-lan-di-miao-jin-fen-cai-shi-ju-hua-hui-wen-da-ping-yi-ming-256668","霁蓝地描金粉彩诗句花卉纹大瓶",[2012,6988,2013,60,40,36,7,30,31,182],"霁蓝地描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4832b731d6888cc8a6483b4a5c7afff.jpg",[],{"id":6992,"slug":6993,"title":6994,"dynasty":55,"author":256,"museum":167,"description":2882,"tags":6995,"thumbUrl":6996,"material":319,"size":320,"collection":95,"collections":6997,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},256616,"yong-zheng-kuan-dou-cai-tuan-ju-wen-gai-guan-yi-ming-256616","雍正款斗彩团菊纹盖罐",[2012,2884,60,7,40,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F631aa9b46a328c3bae1ed21a71ed578b.jpg",[],{"id":6999,"slug":7000,"title":7001,"dynasty":18,"author":256,"museum":167,"description":6782,"tags":7002,"thumbUrl":7003,"material":319,"size":320,"collection":95,"collections":7004,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},256531,"fa-hua-zi-di-hua-er-feng-wei-zun-yi-ming-256531","珐花紫地花耳凤尾尊",[2012,3715,60,7,40,182,1228],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d64a2f41c023709c8eb0ecd463fe639.jpg",[],{"id":7006,"slug":7007,"title":7008,"dynasty":18,"author":256,"museum":167,"description":3724,"tags":7009,"thumbUrl":7010,"material":319,"size":320,"collection":95,"collections":7011,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},251862,"ma-nao-guang-su-shuang-ju-mei-er-bei-yi-ming-251862","玛瑙光素双菊梅耳杯",[2325,1967,7,32,464,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac0e622fdb5246ad11d8f314f81cbc48.jpg",[],{"id":7013,"slug":7014,"title":7015,"dynasty":55,"author":256,"museum":167,"description":7016,"tags":7017,"thumbUrl":7019,"material":319,"size":320,"collection":95,"collections":7020,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},251836,"hen-dou-si-tan-bai-yu-ju-ban-wen-wan-yi-ming-251836","痕都斯坦白玉菊瓣纹碗","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[55,2325,1967,7018,7,182],"痕都斯坦风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90af31bd65431da744d8e12cbefc4f18.jpg",[],{"id":7022,"slug":7023,"title":7024,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7025,"thumbUrl":7026,"material":319,"size":320,"collection":95,"collections":7027,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},251738,"bi-yu-ju-ban-wen-shuang-er-tuo-yuan-bei-yi-ming-251738","碧玉菊瓣纹双耳椭圆杯",[2325,1967,7,464,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafb5a9f7bfadb760e426a3e2aa69bf96.jpg",[],{"id":7029,"slug":7030,"title":7031,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7032,"thumbUrl":7033,"material":319,"size":320,"collection":95,"collections":7034,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},251718,"bi-yu-ju-ban-shi-he-yi-ming-251718","碧玉菊瓣式盒",[1016,2325,1967,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d68837b1708b34f60e3793f7a3e7a6b.jpg",[],{"id":7036,"slug":7037,"title":7038,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7039,"thumbUrl":7042,"material":319,"size":320,"collection":95,"collections":7043,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},251693,"bi-yu-ju-ban-wen-guan-er-bian-ping-yi-ming-251693","碧玉菊瓣纹贯耳扁瓶",[2325,1967,7,182,1016,7040,7041,6774],"贯耳","扁瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facf40e65a0517611740d985dd7982d49.jpg",[],{"id":7045,"slug":7046,"title":7047,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7048,"thumbUrl":7049,"material":319,"size":320,"collection":95,"collections":7050,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},251622,"qing-yu-ju-ban-shi-pan-yi-ming-251622","青玉菊瓣式盘",[2325,1967,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F668b1e06f9f49b04ffbf33f7ac0c2eda.jpg",[],{"id":7052,"slug":7053,"title":7054,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7055,"thumbUrl":7056,"material":319,"size":320,"collection":95,"collections":7057,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},251610,"hen-dou-si-tan-qing-yu-ju-ban-wen-wan-yi-ming-251610","痕都斯坦青玉菊瓣纹碗",[2325,182,1967,7,7018],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e7a4ae54af9178c948f3b7494b6fb67.jpg",[],{"id":7059,"slug":7060,"title":7061,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7062,"thumbUrl":7063,"material":319,"size":320,"collection":95,"collections":7064,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},251331,"qian-long-kuan-qing-yu-die-er-huo-huan-san-zu-xi-yi-ming-251331","乾隆款青玉蝶耳活环三足洗",[2325,1967,182,373,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ff6758397182eb1fb8b4f4f4f6d2430.jpg",[],{"id":7066,"slug":7067,"title":7068,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7069,"thumbUrl":7071,"material":319,"size":320,"collection":95,"collections":7072,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},251037,"qing-yu-ti-shi-fu-diao-mei-ju-chang-fang-cha-ping-yi-ming-251037","青玉题诗浮雕梅菊长方插屏",[2325,7070,32,7,30,182],"浮雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d0115da861ac716c31b18922adf3991.jpg",[],{"id":7074,"slug":7075,"title":7076,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7077,"thumbUrl":7079,"material":319,"size":320,"collection":95,"collections":7080,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},250968,"qing-yu-lou-diao-ju-hua-bei-kui-hua-fang-rong-jing-yi-ming-250968","青玉镂雕菊花背葵花方容镜",[2325,7078,7,1370,182],"镂雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa40d0e9f2639d2dfc4d69f1dfac651a6.jpg",[],{"id":7082,"slug":7083,"title":7084,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7085,"thumbUrl":7086,"material":319,"size":320,"collection":95,"collections":7087,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},250895,"qing-yu-ju-ban-shi-xi-yi-ming-250895","青玉菊瓣式洗",[2325,1967,7,1016,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccd9c280043664b1d679ecd9c24cee1a.jpg",[],{"id":7089,"slug":7090,"title":7091,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7092,"thumbUrl":7093,"material":319,"size":320,"collection":95,"collections":7094,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},250417,"qing-yu-ju-ban-wen-wan-yi-ming-250417","青玉菊瓣纹碗",[55,2325,1967,7,182,6774],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d4dbd212c71a927a59eb7787ed07e1f.jpg",[],{"id":7096,"slug":7097,"title":7098,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7099,"thumbUrl":7100,"material":319,"size":320,"collection":95,"collections":7101,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},250354,"qing-yu-ju-ban-shi-wan-yi-ming-250354","青玉菊瓣式碗",[2325,182,1967,921,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf26bf0a8eb800d623e0e49440bc13b0.jpg",[],{"id":7103,"slug":7104,"title":7105,"dynasty":55,"author":256,"museum":167,"description":7106,"tags":7107,"thumbUrl":7109,"material":319,"size":320,"collection":95,"collections":7110,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},250212,"qia-si-fa-lang-shu-juan-shi-bi-tong-yi-ming-250212","掐丝珐琅书卷式笔筒","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[2654,60,7,40,182,7108],"书卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31ac32d22983a5fbd6624b03e38199a8.jpg",[],{"id":7112,"slug":7113,"title":7114,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7115,"thumbUrl":7117,"material":319,"size":320,"collection":95,"collections":7118,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},250172,"qia-si-fa-lang-wu-fu-peng-shou-yuan-he-yi-ming-250172","掐丝珐琅五福捧寿圆盒",[2654,2903,60,7,4145,7116,182],"寿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F811bb374cf49517911585263b032d2bb.jpg",[],{"id":7120,"slug":7121,"title":7122,"dynasty":18,"author":256,"museum":167,"description":7123,"tags":7124,"thumbUrl":7126,"material":319,"size":320,"collection":95,"collections":7127,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249939,"jing-tai-kuan-qia-si-fa-lang-xiang-er-san-zu-lu-yi-ming-249939","景泰款掐丝珐琅象耳三足炉","此炉以鎏金与珐琅相映成趣，象首双耳造型灵动，肌理刻画细致入微，将瑞兽威仪藏于婉转线条之中。三足敦实稳重，与双耳呼应，撑起规整器型。\n\n天蓝珐琅地色莹润澄澈，掐丝勾勒的缠枝花卉舒展柔婉，填色饱满匀净，花叶深浅层叠，在鎏金映衬下更显明丽华贵。整体繁简相宜，既有宫廷雅器的端庄气度，又饱含文玩清赏的隽秀意韵，尽显明代珐琅工艺精湛成熟的匠造水准，是传统金属细工与珐琅技艺合璧的精巧之作。",[2654,2653,2326,182,7125,374,7],"象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bf7f668948773c213a9ee11c3fa0c8c.jpg",[],{"id":7129,"slug":7130,"title":7131,"dynasty":55,"author":256,"museum":167,"description":7106,"tags":7132,"thumbUrl":7133,"material":319,"size":320,"collection":95,"collections":7134,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},249379,"qia-si-fa-lang-hua-hui-wen-ping-yi-ming-249379","掐丝珐琅花卉纹瓶",[55,2654,2903,60,40,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bf3b9165847d0698d1e2c1125a8d37d.jpg",[],{"id":7136,"slug":7137,"title":7138,"dynasty":55,"author":256,"museum":167,"description":7106,"tags":7139,"thumbUrl":7140,"material":319,"size":320,"collection":95,"collections":7141,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249327,"lao-tian-li-kuan-qia-si-fa-lang-ju-shi-wen-mei-ping-yi-ming-249327","老天利款掐丝珐琅菊石纹梅瓶",[55,2654,60,7,407,182,2903],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff68b587eb50253287b3f393e569b2410.jpg",[],{"id":7143,"slug":7144,"title":7138,"dynasty":55,"author":256,"museum":167,"description":7106,"tags":7145,"thumbUrl":7146,"material":319,"size":320,"collection":95,"collections":7147,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},249324,"lao-tian-li-kuan-qia-si-fa-lang-ju-shi-wen-mei-ping-yi-ming-249324",[2654,60,7,407,2653,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff69deba4927de3bd96840d311a5b08dc.jpg",[],{"id":7149,"slug":7150,"title":7151,"dynasty":55,"author":256,"museum":167,"description":3124,"tags":7152,"thumbUrl":7153,"material":319,"size":320,"collection":95,"collections":7154,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},248864,"liang-fu-xing-kuan-ti-hong-ju-xie-wen-hai-tang-shi-pan-yi-ming-248864","梁福兴款剔红菊蟹纹海棠式盘",[1016,1965,3297,1967,7,286,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F183eb02d7fc0d32f58d13f36c2b2467d.jpg",[],{"id":7156,"slug":7157,"title":7158,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":7159,"thumbUrl":7162,"material":319,"size":320,"collection":95,"collections":7163,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},248655,"qian-long-kuan-tuo-tai-zhu-qi-ju-ban-shi-gai-wan-yi-ming-248655","乾隆款脱胎朱漆菊瓣式盖碗",[1965,7160,60,7,182,921,7161],"脱胎朱漆","菊瓣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ff9eca3a8a0cd731ad263149404618a.jpg",[],{"id":7165,"slug":7166,"title":7167,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7168,"thumbUrl":7170,"material":319,"size":320,"collection":95,"collections":7171,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},248640,"ti-cai-ju-hua-wen-yuan-he-yi-ming-248640","剔彩菊花纹圆盒",[1965,7169,7,182,60],"剔彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a37c6f1ce03946239fdba539b12a61c.jpg",[],{"id":7173,"slug":7174,"title":7175,"dynasty":55,"author":256,"museum":167,"description":7176,"tags":7177,"thumbUrl":7180,"material":319,"size":320,"collection":95,"collections":7181,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1333},248564,"qian-long-kuan-zi-sha-tai-hei-qi-miao-jin-hua-hui-wen-zhi-hu-yi-ming-248564","乾隆款紫砂胎黑漆描金花卉纹执壶","此器以紫砂为胎，通体髹黑漆为地，乌亮如镜，衬得描金纹饰愈发鲜亮夺目。金彩勾勒出的花卉饱满舒展，或盛放或含蕊，枝蔓轻盈缠绕，更有蛱蝶振翅穿梭其间，线条柔婉细腻，将秋日花景描摹得灵动鲜活。\n\n整体造型圆润饱满，壶身线条流转柔和，执柄与壶嘴比例合宜，握持趁手。朴拙紫砂胎骨与华贵漆金装饰相融，把文人紫砂的雅致与宫廷工艺的精巧完美结合，尽显雍容秀雅的气度，是髹漆紫砂工艺中的上乘之作。",[1016,7178,7179,2663,1965,2012,60,40,7,182,3746],"紫砂胎","黑漆描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64931576b4d276bc13052afb0aa2d592.jpg",[],{"id":7183,"slug":7184,"title":7185,"dynasty":55,"author":256,"museum":167,"description":7186,"tags":7187,"thumbUrl":7190,"material":319,"size":320,"collection":95,"collections":7191,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},248558,"qian-long-kuan-tuo-tai-zhu-qi-ju-ban-shi-die-yi-ming-248558","乾隆款脱胎朱漆菊瓣式碟","此器取秋菊盛放之姿为形，瓣棱层叠舒展，宛若将东篱清韵凝于朱红胎骨之上。脱胎工艺令器壁轻薄却骨相挺括，朱漆髹饰匀净莹润，色如丹砂初凝，光华内敛华贵。\n\n碟心錾刻铭文，笔意工整流丽，将文思与漆艺精妙融合。整体造型既摹尽自然生趣，又暗含制式端方雅致，把秋日风雅凝固在朱色釉光里，尽显漆作仿生造型的巧思，是髹漆工艺匠心造诣的缩影。",[1016,1965,7188,7189,7,182],"脱胎","朱漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bbb3223879c0565d2534e083dc7797b.jpg",[],{"id":7193,"slug":7194,"title":7195,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7196,"thumbUrl":7197,"material":319,"size":320,"collection":95,"collections":7198,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},247627,"ti-hong-ju-hua-wen-ju-ban-shi-he-yi-ming-247627","剔红菊花纹菊瓣式盒",[55,1965,1967,3297,7,7161,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa265c2b4f23f30535bc298a8968cd54a.jpg",[],{"id":7200,"slug":7201,"title":7195,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7202,"thumbUrl":7203,"material":319,"size":320,"collection":95,"collections":7204,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},247626,"ti-hong-ju-hua-wen-ju-ban-shi-he-yi-ming-247626",[1965,3297,1967,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F880dd6e65f85cb6e9ed0c3d38d37e6df.jpg",[],{"id":7206,"slug":7207,"title":7195,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7208,"thumbUrl":7210,"material":319,"size":320,"collection":95,"collections":7211,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},247618,"ti-hong-ju-hua-wen-ju-ban-shi-he-yi-ming-247618",[1016,1965,3297,1967,7,7209,7161,182],"菊花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8dad698fcdfb1249db96230e0e4a2cc0.jpg",[],{"id":7213,"slug":7214,"title":7215,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7216,"thumbUrl":7218,"material":319,"size":320,"collection":95,"collections":7219,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},247343,"ti-hong-fu-shou-wen-ju-ban-shi-he-yi-ming-247343","剔红福寿纹菊瓣式盒",[1016,1965,3297,1967,7217,3745,4055,41,7],"福寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4370f03d1909d5338b7b272cd2092286.jpg",[],{"id":7221,"slug":7222,"title":7223,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7224,"thumbUrl":7227,"material":319,"size":320,"collection":95,"collections":7228,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},247278,"ti-cai-jin-wen-qian-yu-shan-shui-ren-wu-tu-yuan-he-yi-ming-247278","剔彩锦纹嵌玉山水人物图圆盒",[55,7169,7225,1967,1965,822,687,7,7226,182],"锦纹嵌玉","玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a33812a3dfda7141a589be9fa970626.jpg",[],{"id":7230,"slug":7231,"title":7232,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7233,"thumbUrl":7234,"material":319,"size":320,"collection":95,"collections":7235,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},247112,"qian-long-kuan-ti-hong-ju-hua-wen-ju-ban-shi-he-yi-ming-247112","乾隆款剔红菊花纹菊瓣式盒",[1016,1965,1967,3297,7209,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bdedcc72b171002a75fa94e53d69daa.jpg",[],{"id":7237,"slug":7238,"title":7239,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7240,"thumbUrl":7242,"material":319,"size":320,"collection":95,"collections":7243,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},247087,"qian-long-kuan-ti-hong-shan-shui-ren-wu-tu-kai-guang-hua-hui-cai-ju-tu-si-fang-wei-jiao-he-yi-ming-247087","乾隆款剔红山水人物图开光花卉采菊图四方委角盒",[1016,3297,1965,1967,822,687,40,7,7241],"开光纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2328f4811f126ea35cde1f0ab2830cef.jpg",[],{"id":7245,"slug":7246,"title":7247,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7248,"thumbUrl":7249,"material":319,"size":320,"collection":95,"collections":7250,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":79},247022,"qian-long-kuan-ti-hong-shan-shui-ren-wu-cai-ju-tu-bian-yuan-he-yi-ming-247022","乾隆款剔红山水人物采菊图扁圆盒",[1965,3297,1967,822,687,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3019195035f45243fc09ddf6751458ce.jpg",[],{"id":7252,"slug":7253,"title":7254,"dynasty":55,"author":256,"museum":167,"description":2892,"tags":7255,"thumbUrl":7257,"material":319,"size":320,"collection":95,"collections":7258,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},246720,"ti-hong-si-kai-guang-hu-lu-wan-dai-wen-hu-lu-shi-bian-ping-yi-ming-246720","剔红四开光葫芦万代纹葫芦式扁瓶",[1016,1965,3297,1967,4465,7256,32,41,33,7,182],"葫芦纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa25998fd78b36a4f55856eb6c57b5db1.jpg",[],{"id":7260,"slug":7261,"title":7262,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":7263,"thumbUrl":7264,"material":319,"size":320,"collection":95,"collections":7265,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},246198,"qian-long-kuan-tuo-tai-zhu-qi-ju-ban-shi-wan-yi-ming-246198","乾隆款脱胎朱漆菊瓣式碗",[1965,7160,30,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4786c86115a6464fb2347567909ac689.jpg",[],{"id":7267,"slug":7268,"title":7269,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7270,"thumbUrl":7271,"material":319,"size":320,"collection":95,"collections":7272,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},245769,"yin-yin-hua-tong-shi-he-yi-ming-245769","银印花筒式盒",[55,3613,1967,6980,40,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ffb039bb69a964bd6729c5a77fdb3db.jpg",[],{"id":7274,"slug":7275,"title":7276,"dynasty":55,"author":7277,"museum":167,"description":7278,"tags":7279,"thumbUrl":7280,"material":319,"size":320,"collection":95,"collections":7281,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},240754,"shu-zha-ce-li-hong-zao-240754","书札册","李鸿藻","李鸿藻（1820年2月14日—1897年7月24日），字兰荪，号石孙、砚斋，河北保定人。同光年间的清流领袖，晚清主战派重臣之一。咸丰二年（1852年）进士，选庶吉士，授编修，督河南学政。同治元年（1862年），被提拔为侍讲，深受西太后慈禧的信任，累迁内阁学士，署户部左侍郎。同治四年（1865年），再升都察院左都御史，加太子少保。光绪二年（1876年），命兼总理各国事务衙门，反对完颜崇厚擅订《里瓦几亚条约》。历任礼部尚书、协办大学士，调吏部尚书。光绪二十三年（1897年）以病乞假，旋卒，享年七十八岁，清廷予谥文正，赠太子太傅，入祀贤良祠。",[24,29,88,31,1347,30,25,60,40,7,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5d1f0b1f33af2ed562dd3245acdbf36.jpg",[],{"id":7283,"slug":7284,"title":2263,"dynasty":55,"author":7285,"museum":167,"description":7286,"tags":7287,"thumbUrl":7288,"material":319,"size":320,"collection":95,"collections":7289,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},239396,"za-hua-ce-zhu-xiao-chun-239396","朱孝纯","朱孝纯（1729～1784）益州书画录附录误作朱纯孝。字子颍，号思堂，一号海愚，人呼戟髯。隶奉天汉军正红旗，东海（今山东郯城西）人。",[24,25,88,31,29,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9221f5cb7a01d1cba0806515b738a4e0.jpg",[],{"id":7291,"slug":7292,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7293,"thumbUrl":7294,"material":95,"size":95,"collection":95,"collections":7295,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238175,"hong-wu-yang-ju-tu-ce-hong-wu-238175",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ac4632f56738082704f1a202315e495.jpg",[],{"id":7297,"slug":7298,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7299,"thumbUrl":7300,"material":95,"size":95,"collection":95,"collections":7301,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238174,"hong-wu-yang-ju-tu-ce-hong-wu-238174",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6096bfd551b8db62a8442089865002e.jpg",[],{"id":7303,"slug":7304,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7305,"thumbUrl":7310,"material":95,"size":95,"collection":95,"collections":7311,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238173,"hong-wu-yang-ju-tu-ce-hong-wu-238173",[24,29,88,62,60,63,7,7306,1016,7307,7308,7309,40],"花叶","工笔花鸟","设色花鸟","洋菊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffac69ace841a6d886296ada8bac31bdc.jpg",[],{"id":7313,"slug":7314,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7315,"thumbUrl":7316,"material":95,"size":95,"collection":95,"collections":7317,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238172,"hong-wu-yang-ju-tu-ce-hong-wu-238172",[1016,24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7663462d8338773084204f07187a312.jpg",[],{"id":7319,"slug":7320,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7321,"thumbUrl":7322,"material":95,"size":95,"collection":95,"collections":7323,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238171,"hong-wu-yang-ju-tu-ce-hong-wu-238171",[24,29,88,62,60,7,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c730bd120169a440c90760b47fe6ebf.jpg",[],{"id":7325,"slug":7326,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7327,"thumbUrl":7328,"material":95,"size":95,"collection":95,"collections":7329,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238170,"hong-wu-yang-ju-tu-ce-hong-wu-238170",[24,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30f8d6118b7849e0b8dd643b798dc38e.jpg",[],{"id":7331,"slug":7332,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7333,"thumbUrl":7334,"material":95,"size":95,"collection":95,"collections":7335,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238169,"hong-wu-yang-ju-tu-ce-hong-wu-238169",[24,29,88,62,60,63,7,1505],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdeaf929cb333edfc3b63c6498fc24d44.jpg",[],{"id":7337,"slug":7338,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7339,"thumbUrl":7340,"material":95,"size":95,"collection":95,"collections":7341,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238168,"hong-wu-yang-ju-tu-ce-hong-wu-238168",[24,29,88,62,60,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14de9559350534d936e9d01ceb2cd1a3.jpg",[],{"id":7343,"slug":7344,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7345,"thumbUrl":7346,"material":95,"size":95,"collection":95,"collections":7347,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238167,"hong-wu-yang-ju-tu-ce-hong-wu-238167",[24,140,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4945d075d56ff057f062db92248a79d3.jpg",[],{"id":7349,"slug":7350,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7351,"thumbUrl":7352,"material":95,"size":95,"collection":95,"collections":7353,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238166,"hong-wu-yang-ju-tu-ce-hong-wu-238166",[140,24,29,88,60,63,7,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b9301a848340d8b96b519ee22445eec.jpg",[],{"id":7355,"slug":7356,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7357,"thumbUrl":7358,"material":95,"size":95,"collection":95,"collections":7359,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238165,"hong-wu-yang-ju-tu-ce-hong-wu-238165",[140,24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd2377630b0104db74f1f6019cac727f.jpg",[],{"id":7361,"slug":7362,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7363,"thumbUrl":7364,"material":95,"size":95,"collection":95,"collections":7365,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238164,"hong-wu-yang-ju-tu-ce-hong-wu-238164",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2da44f3a1f32493f85ddd10b3b863801.jpg",[],{"id":7367,"slug":7368,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7369,"thumbUrl":7370,"material":95,"size":95,"collection":95,"collections":7371,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238162,"hong-wu-yang-ju-tu-ce-hong-wu-238162",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6202ff15b1178fa54e650bd6802b855.jpg",[],{"id":7373,"slug":7374,"title":1203,"dynasty":55,"author":1204,"museum":167,"description":1205,"tags":7375,"thumbUrl":7376,"material":95,"size":95,"collection":95,"collections":7377,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},238161,"hong-wu-yang-ju-tu-ce-hong-wu-238161",[24,29,88,62,60,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8f47b24a75b59bf3f48765b99768498.jpg",[],{"id":7379,"slug":7380,"title":3840,"dynasty":18,"author":2631,"museum":167,"description":2632,"tags":7381,"thumbUrl":7382,"material":95,"size":95,"collection":95,"collections":7383,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},233485,"shi-zhu-zhai-wu-se-jian-pu-ce-hu-ri-cong-233485",[24,29,88,60,2136,63,7,40,361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0504a8eaa1802e6eef069df469ea915.jpg",[],{"id":7385,"slug":7386,"title":7387,"dynasty":55,"author":256,"museum":167,"description":7388,"tags":7389,"thumbUrl":7390,"material":319,"size":320,"collection":95,"collections":7391,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},230340,"xiao-xiang-ce-yi-ming-230340","肖像册","此作工细温婉，将官宦幼童的娴静情态刻画入微。孩童面含稚柔笑意，暖红小帽配石青素袍，于书案侧悠然斜坐，沉静灵秀尽显世家教养。案头文房罗列齐整，明式条桌利落挺括，衬出清雅书香日常。左侧隔扇裁入园景，苍松覆荫、湖石雏菊错落，将园林意趣牵入室内，融起居雅景与人物肖像为一体。设色柔淡和谐，线条匀净细腻，写实中晕染出雅致的文人意韵，把幼童斯文灵秀的气质，和清幽闲雅的家居氛围完美糅合，尽显清代肖像画的纪实巧思与审美意趣。",[24,62,60,88,687,1216,182,421,407,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9078d8d8686b002ca33d07393ff7e98.jpg",[],{"id":7393,"slug":7394,"title":7395,"dynasty":55,"author":256,"museum":167,"description":4524,"tags":7396,"thumbUrl":7399,"material":319,"size":320,"collection":95,"collections":7400,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},230084,"hua-kou-ye-xing-shuang-bing-wan-yi-ming-230084","花口叶形双柄碗",[2325,1967,182,7,7397,7398],"花口","双柄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fbe5c1f9f7f79813f535b677e678fb0.jpg",[],{"id":7402,"slug":7403,"title":7404,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7405,"thumbUrl":7406,"material":319,"size":320,"collection":95,"collections":7407,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},230062,"yu-ju-hua-dai-gai-hu-yi-ming-230062","玉菊花带盖壶",[2325,1967,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b515e2b300cf628f08c04885830bf3a.jpg",[],{"id":7409,"slug":7410,"title":7411,"dynasty":55,"author":256,"museum":167,"description":2651,"tags":7412,"thumbUrl":7414,"material":319,"size":320,"collection":95,"collections":7415,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},230036,"qing-yu-ju-ban-wen-shi-fu-mu-zuo-yi-ming-230036","青玉菊瓣纹饰（附木座）",[2325,1967,1016,7161,7,182,7413,4155],"青玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2949abbf2d611c73347e29ce559e5e58.jpg",[],{"id":7417,"slug":7418,"title":7419,"dynasty":55,"author":256,"museum":167,"description":7420,"tags":7421,"thumbUrl":7423,"material":319,"size":320,"collection":95,"collections":7424,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},229987,"diao-xiang-ya-tie-jin-si-ji-hua-hui-zhuo-yi-ming-229987","雕象牙贴金四季花卉镯","传统腕饰，流行于全国各地。其多用金、银、玉等制圆环，束于臂腕间。汉代即有。套在手腕脚腕上的环形装饰品。",[1967,7422,2848,6801,32,41,33,7,1730],"贴金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21a32ef10f95ce88e47c3d54c7b8aa55.jpg",[],{"id":7426,"slug":7427,"title":7428,"dynasty":55,"author":256,"museum":167,"description":1963,"tags":7429,"thumbUrl":7430,"material":319,"size":320,"collection":95,"collections":7431,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},229941,"tong-fa-lang-he-yi-ming-229941","铜珐瑯盒",[55,2326,2903,60,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc45626f5dc4b4d08f1f2efc4465038b.jpg",[],{"id":7433,"slug":7434,"title":7435,"dynasty":55,"author":256,"museum":167,"description":3702,"tags":7436,"thumbUrl":7437,"material":319,"size":320,"collection":95,"collections":7438,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},229559,"qing-hua-bai-di-ci-hua-pen-yi-ming-229559","青花白地瓷花盆",[55,2012,3704,182,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ad2155cdcabc466090691349ab663a4.jpg",[],{"id":7440,"slug":7441,"title":7442,"dynasty":18,"author":256,"museum":167,"description":3702,"tags":7443,"thumbUrl":7444,"material":319,"size":320,"collection":95,"collections":7445,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},228601,"qing-hua-si-ji-hua-hui-wen-wan-yi-ming-228601","青花四季花卉纹碗",[1228,2012,3704,6961,40,32,41,33,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd424d9f24c20836f8e7671661968b699.jpg",[],{"id":7447,"slug":7448,"title":7449,"dynasty":18,"author":256,"museum":167,"description":3702,"tags":7450,"thumbUrl":7451,"material":319,"size":320,"collection":95,"collections":7452,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},223950,"qing-hua-si-ji-hua-hui-wen-gai-guan-yi-ming-223950","青花四季花卉纹盖罐",[2012,3704,6801,32,41,33,7,182,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dfc14a228effbe736ce0c1703b98418.jpg",[],{"id":7454,"slug":7455,"title":7456,"dynasty":18,"author":256,"museum":167,"description":3702,"tags":7457,"thumbUrl":7458,"material":319,"size":320,"collection":95,"collections":7459,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},223927,"qing-hua-si-ji-hua-hui-wen-dun-zi-wan-yi-ming-223927","青花四季花卉纹墩子碗",[2012,3704,6961,62,40,32,41,33,7,182],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F538d7cabc7121af4704d046ba60928fe.jpg",[],{"id":7461,"slug":7462,"title":7463,"dynasty":136,"author":256,"museum":167,"description":7464,"tags":7465,"thumbUrl":7470,"material":319,"size":320,"collection":95,"collections":7471,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},223866,"qing-bai-ci-ju-ban-he-yi-ming-223866","青白瓷菊瓣盒","宋景德镇窑青白瓷菊瓣盒二十四瓣菊瓣式盒，盖、器子母口相合，皆直口，弧形器身，盖顶凹下，贴一段小枝梗；器平底，底部印有「段家合子记」的阳文行书款。胎色白，施影青釉，釉质透明，积釉处现水青色；器底与口缘均无釉。造型精巧，只是全器表面皆已磨蚀伤锈。",[2012,182,7466,7,921,7467,7468,7469],"青白釉","刻划纹","胎质","釉色莹润","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3942c8cdc305604060e5aac9c92d2f53.jpg",[],{"id":7473,"slug":7474,"title":7475,"dynasty":55,"author":256,"museum":167,"description":7476,"tags":7477,"thumbUrl":7478,"material":94,"size":1218,"collection":95,"collections":7479,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},215910,"qing-ren-xiao-xiang-tu-ce-5-yi-ming-215910","清人肖像图册-5","端坐的人物头戴朱红顶帽，宝蓝长袍覆身，衣料质感厚重却不失飘逸，黑裤坠地更显身形端稳。案上棋盘静静铺展，似待对弈之人；旁侧茶具温润，小摆件玲珑，隐透文人日常雅趣。背景以淡墨晕染山石轮廓，疏花点缀其间，清雅氛围悄然包裹人物。笔触细腻处，面部神情刻画入微，眉宇间藏着从容；衣纹线条流畅，尽显笔墨功底。整幅画作于简约构图中见精巧，人物气度与环境雅韵相融，生动传递出清代肖像画的传神与雅致之美。",[24,29,60,62,687,182,1216,7,91,1016],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09674573595ccfb3888dc3a20ef94d89.jpg",[],{"id":7481,"slug":7482,"title":7483,"dynasty":55,"author":256,"museum":167,"description":7484,"tags":7485,"thumbUrl":7486,"material":94,"size":1218,"collection":95,"collections":7487,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":99},215902,"qing-ren-xiao-xiang-tu-ce-16-yi-ming-215902","清人肖像图册-16","画面中人物端坐椅上，墨色长袍覆身，靛蓝镶边暗添层次，头顶小帽缀饰雅致。面容平和温婉，眉眼间藏着沉静，双手轻握红饰物件，姿态端庄内敛。左侧花几置素瓶，粉白花朵与翠叶相映，生机悄然；右侧淡墨晕染的树影朦胧，似将室外清景揽入室内。笔触细腻处，人物神情刻画入微；写意间，背景的花木树影又添空灵。整体色调古朴雅致，于写实与写意的交融里，传递出清代人物肖像特有的娴静气质，简淡中藏着悠长韵味，尽显传统绘画的含蓄之美。",[24,60,62,88,687,1216,182,40,7,688,689,421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F113e3ea84bfa05f708f5513b4a090983.jpg",[],{"id":7489,"slug":7490,"title":524,"dynasty":1268,"author":4757,"museum":105,"description":7491,"tags":7492,"thumbUrl":7493,"material":95,"size":95,"collection":95,"collections":7494,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":4762},203001,"ju-shi-tu-zhou-ma-gong-yu-203001","画面中孤石耸立，墨色淋漓，以泼染兼皴擦之法绘就，尽显苍劲厚重；石畔菊花簇生，淡赭花瓣舒展有致，墨叶浓淡相间，笔意洒脱，花叶与石相映成趣。题跋行书流畅自然，朱印点缀其间，添得几分雅致。整幅画作气韵生动，既见菊花傲霜之姿，又显石之坚韧，蕴含文人画的高洁意韵与笔墨情致。",[24,108,25,60,63,7,91,89,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33e9b9667f3c373e2d998b23b0844489.jpg",[],{"id":7496,"slug":7497,"title":7498,"dynasty":18,"author":7499,"museum":105,"description":7500,"tags":7501,"thumbUrl":7504,"material":95,"size":95,"collection":185,"collections":7505,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":7506},201292,"za-hua-juan-zhang-jie-201292","杂画卷","张杰","此卷以水墨为底韵，错落铺陈兰草、修竹、菊丛与顽石等景致，笔意疏朗洒脱。兰叶纤韧含露，竹叶劲挺带风，菊枝傲立伴石，墨色浓淡相生，尽显文人画的清逸风骨。其间穿插行书题跋，笔墨流转与画意相融，文气与画韵交织成趣。每段景致独立却连缀成篇，似诉说文人雅集的闲情，或对自然草木的钟情。线条简练却神形兼备，留白处更添悠远意境，尽显传统书画“以形写神”的妙谛。",[24,29,28,25,41,33,7,407,31,2033,26,231,7502,7503,1641,23],"留白","以形写神","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F672565e1c59f4b28247fb52e8f8379b3.jpg",[185],"ccb394",{"id":7508,"slug":7509,"title":7510,"dynasty":18,"author":202,"museum":105,"description":7511,"tags":7512,"thumbUrl":7513,"material":95,"size":95,"collection":238,"collections":7514,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":7515},201272,"tao-qian-shang-ju-tu-tang-yin-201272","陶潜赏菊图","画面绘陶潜于松荫石畔赏菊，宽袍博带，神态悠然。童子或捧物趋行，或侍立侧旁，姿态生动。山石用皴法表现肌理，古松枝繁叶茂，垂藤摇曳；秋菊点缀其间，清韵袭人。设色淡雅温润，线条流畅细腻，将隐士的淡泊心境与自然之美交融，笔墨间尽显文人雅致意趣，传递出超脱尘俗的隐逸情怀。",[24,29,687,822,7,60,62,420,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F302fb5f52a18346ceaf06db6c4416385.jpg",[238],"a1865d",1777535696445]