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1671—1746年以后），字文涛，江都（今江苏扬州）人。\n擅画山水楼阁。\n早年师法仇英，中年时曾得无名氏画谱，技艺大进。\n其界画在清代被推为第一。",[24,303,26,27,7,304,305,306,90,307,308,85,309],"界画","蓬莱仙岛","仙境","楼阁","云海","大海","神话","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7046a2be5c72aa6e5af46b7e932afdb.jpg",[],50,{"id":314,"slug":315,"title":316,"dynasty":61,"author":317,"museum":318,"description":319,"tags":320,"thumbUrl":335,"material":7,"size":336,"collection":34,"collections":337,"showCount":338,"zanCount":122,"manualWeight":11,"mainColor":39},231591,"kong-que-tu-lu-zhao-yang-231591","孔雀图","卢朝阳","印第安纳波利斯艺术博物馆","这幅画描绘了一对生活在牡丹丛中巨石上的孔雀，以及杏花丛中的一对蓝丝带。 卢朝阳代代相传的作品很少。 这个有边景昭，吕纪风致，可以看出他学来的渊源。",[48,24,27,26,66,321,322,323,324,90,207,65,7,325,326,327,328,30,329,70,330,331,332,333,334],"孔雀","牡丹","梅花","飞鸟","翎毛","花卉禽鸟","传统绘画","工笔重彩","花木","花朵","羽毛","苔点","晕染","勾勒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee51507f3008fc01a7b7141c72840283.jpg","281x119厘米",[],48,{"id":340,"slug":341,"title":342,"dynasty":18,"author":343,"museum":344,"description":345,"tags":346,"thumbUrl":350,"material":27,"size":351,"collection":100,"collections":352,"showCount":338,"zanCount":11,"manualWeight":11,"mainColor":39},221360,"yue-xia-wu-que-tu-dai-wan-221360","月下五雀图","戴琓","昆仑堂美术馆","戴琓，北宋画家。生卒年不详。汴（今河南开封）人。宣和（1111-1125）年间在翰林，殊蒙恩宠。画史称其：工翎毛花竹，常入阁供奉，后因求者甚众，徽宗闻之，封其臂不令私画，故传世者鲜。\n传世作品有《月下五雀图》，现藏昆山市昆仑堂美术馆；《雪梅寒雀图》，美国弗利尔美术馆藏。",[48,24,26,27,7,66,347,324,348,31,349,207],"明月","雀鸟","叶子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e7afabac0c506934e7bf8980bedff63.jpg","20.5cm×26cm",[100,35,211],{"id":354,"slug":355,"title":356,"dynasty":18,"author":200,"museum":45,"description":357,"tags":358,"thumbUrl":362,"material":113,"size":363,"collection":103,"collections":364,"showCount":338,"zanCount":11,"manualWeight":11,"mainColor":39},219335,"bu-hua-shan-shui-zhou-yi-ming-219335","布画山水轴","层峦叠嶂间烟岚轻笼，山川晕染出深浅有致的层次。屋宇错落隐于林泉，与苍松翠柏相映成趣，溪流蜿蜒穿石而过，似有潺潺水声入耳。笔墨皴擦点染，既勾勒出山石的嶙峋肌理，又晕染出草木的丰茂姿态，线条劲挺中藏柔婉，墨色浓淡间见章法。画面兼具深远与平远之妙，雄浑处显山川气象，清幽处露林泉雅致，尽现宋代山水对自然意趣的深刻捕捉。观者仿佛踏入画中，静谧间感受天地悠然，细节处品味笔墨匠心，沉醉于这融情于景的古典意境里。",[24,359,360,85,169,170,171,306,113,28,26,7,303,361],"小桥","流水","舟船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3c9b0b1bac61df1c2e78bb1a666c33c.jpg","155x136.2",[103],{"id":366,"slug":367,"title":368,"dynasty":61,"author":369,"museum":45,"description":370,"tags":371,"thumbUrl":377,"material":378,"size":34,"collection":102,"collections":379,"showCount":380,"zanCount":11,"manualWeight":11,"mainColor":143},220933,"fang-song-yuan-ren-suo-ben-hua-ji-ba-ce-dong-qi-chang-220933","仿宋元人缩本画及跋册","董其昌","这套册页共二十二开，前副页两开，题「小中现大」四字，款：「董其昌题」。二十二开尺寸不一，本幅分别以绢本与纸本，临摹十一位宋元名家的作品，包括李成、董源、巨然、范宽、王诜、高克恭、赵孟頫、黄公望、吴镇、王蒙与倪瓒。",[23,24,25,372,373,85,374,277,113,86,293,375,7,376],"册","临摹","雪景","行书","纸本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F795fd891f5b93b5371f8d9eee15c8941.jpg","绢本与纸本",[102,103],47,{"id":382,"slug":383,"title":384,"dynasty":61,"author":385,"museum":45,"description":386,"tags":387,"thumbUrl":392,"material":33,"size":34,"collection":102,"collections":393,"showCount":394,"zanCount":11,"manualWeight":11,"mainColor":39},219472,"si-hao-tu-xie-shi-chen-219472","四皓图","谢时臣","幅中所绘，是秦汉间隐居于商山的四位老人悠闲的生活。他们或下棋，或闲步。四围则是云雾蒸腾，溪泉潺潺，松树盘踞，驯鹿嬉游，山石险阻，与外隔绝，似是为高人隐士所设的福地洞天。用笔苍劲有力，墨色变化丰富，气势雄浑。以画水闻名的谢时臣，尤其长于表现云烟之变幻多端。",[24,388,85,169,170,389,171,390,172,28,7,27,391],"古道","房","云","青绿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe185e2259777abdcf74ad407a3280f3b.jpg",[102],46,{"id":396,"slug":397,"title":398,"dynasty":399,"author":400,"museum":45,"description":401,"tags":402,"thumbUrl":404,"material":405,"size":406,"collection":102,"collections":407,"showCount":408,"zanCount":11,"manualWeight":11,"mainColor":39},221094,"ming-huang-xing-shu-tu-li-zhao-dao-221094","明皇幸蜀图","唐","李昭道","作品描绘人马行走于崇山峻岭间。画上有乾隆三十九年（1774）的御题诗：青绿关山迥，崎岖道路长。客人各结束，行李自周详。总为名和利，那辞劳与忙。年陈失姓氏，北宋近乎惠”。《明皇幸蜀图》体现了二李画派的典型风格，时代特征明显，是反映唐代山水画面貌的重要传世作品。",[48,24,85,169,170,171,390,27,26,403,7],"横披","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8a04cfa4068831cfeaed0b412c23431.jpg","白纸本","纵55.9厘米，横81厘米",[102,211],45,{"id":410,"slug":411,"title":412,"dynasty":287,"author":200,"museum":232,"description":413,"tags":414,"thumbUrl":416,"material":417,"size":418,"collection":34,"collections":419,"showCount":420,"zanCount":11,"manualWeight":11,"mainColor":39},223551,"hai-tang-bai-tou-tu-yi-ming-223551","海棠白头图","绘蓝色湖石一块，形状凹凸有致；两枝海棠上下各一枝，枝上花朵或绽放，或含苞待放，红色的花朵鲜艳美丽，枝上两只白头翁相向而望，上面的扭头看着下面的那只，而下面也抬头呼应着上面鸟儿，二只鸟儿相亲相爱，活泼可爱。",[48,24,27,66,224,7,30,415,277,207,113],"海棠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86d21e5bf0b445cf9d0b9e44de9e88be.jpg","绢本，设色","35.9x50.6cm",[],41,{"id":422,"slug":423,"title":424,"dynasty":127,"author":128,"museum":255,"description":425,"tags":426,"thumbUrl":437,"material":438,"size":439,"collection":53,"collections":440,"showCount":441,"zanCount":38,"manualWeight":11,"mainColor":39},221712,"fu-zui-tu-juan-qian-xuan-221712","扶醉图卷","描绘的是东晋著名隐士陶渊明喝酒的故事。画中共三人：酒后面露醉态的陶渊明，醉眼朦胧，坦胸露肚，一手倚扶于竹榻之上，一手作摆手送客状。右侧的客人对着陶渊明双手作揖，面容恭谨，作告辞状；白衣老仆欲引客人离去。一边的地面上陶制的酒罐、酒盆和瓷器的酒杯洒落一地，杯盘狼藉。",[48,24,25,84,27,26,275,50,427,428,429,430,7,431,432,433,434,435,436],"饮酒器","衣帽","桌子","饮酒场景","古代服饰","酒具","人物互动","室内场景","线条细腻","设色典雅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7ccffb9f1d8c8a7d08362296a28da33.jpg","水墨设色","纵28厘米，横49.5厘米",[53,211],40,{"id":443,"slug":444,"title":445,"dynasty":287,"author":446,"museum":45,"description":447,"tags":448,"thumbUrl":450,"material":33,"size":34,"collection":211,"collections":451,"showCount":452,"zanCount":38,"manualWeight":11,"mainColor":143},219727,"shi-jun-tu-zhi-hong-yu-zuo-lang-shi-ning-219727","十骏图之红玉座","郎世宁"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色交映成趣。粉蝶蹁跹、蜉蝣轻翔，草虫灵动如生，隐于枝叶花间。\n\n落笔工细秀逸，晕染雅致沉静，深褐绢底托衬出花木清妍，将初秋郊野的幽寂鲜活晕染开来。工致中带着写意澹远，把小景生机藏于古雅色调，静中含动，尽显写生花鸟的含蓄雅致，淡冶清和之间，古韵悠然流转，将草木虫豸之微末意趣，铺展成耐人品味的幽闲景致。",[48,24,23,25,7,27,26,499,279,207,501,540,133],"蜻蜓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ed08f0802a9845b116d1f8c75cdf940.jpg",[],21,{"id":545,"slug":546,"title":547,"dynasty":18,"author":200,"museum":45,"description":548,"tags":549,"thumbUrl":562,"material":33,"size":563,"collection":102,"collections":564,"showCount":565,"zanCount":11,"manualWeight":11,"mainColor":143},219616,"hu-xi-san-xiao-tu-yi-ming-219616","虎溪三笑图","此图为横幅，绢本设色。构图饱满，刻画细腻，粗笔阔墨的坡石与细笔双勾的枝叶彼此映照。古拙的青石板桥下的溪流并无涓涓之态，而是浩荡冲决，远逝于云天相接处，似衬托“虎威”。老干如虬，红叶弥漫，一派肃穆高秋景致。画中央正是身着袈裟的慧远、儒服的陶渊明和道装的陆修静，三人举头朗笑，衣袂飘扬，情态鲜活，两侧三小童站立，画中人物风格似宋人笔意。这幅作品恰将儒、释、道合流的深邃神旨以“三笑”镜头的绘制形象地传达出来，爽朗、悠远的笑声仿佛与虎溪激越的水声、老枫呼啸的风声猝然交响，也穿越了千年的风烟，飘逸于画卷之外，令观画者心府泠然、似有所闻。细读这幅作品会发觉，在图像生成上，画家几乎绘制出了“虎溪三笑”这一故事的全部文献元素，包括人物、情节、环境等，可视为这一画题的最典型作品。",[48,24,23,7,27,550,551,552,49,553,554,555,556,95,557,558,559,26,560,561],"横幅","人物画","山水画","儒释道","虎溪三笑","古树","红叶","童子","高秋","朗笑","粗笔","细笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86e773211cdf84d6f21581f9695a2a5b.jpg","26.4x47.6厘米",[102],18,{"id":567,"slug":568,"title":569,"dynasty":18,"author":200,"museum":570,"description":571,"tags":572,"thumbUrl":575,"material":7,"size":576,"collection":34,"collections":577,"showCount":578,"zanCount":11,"manualWeight":11,"mainColor":143},233012,"qing-feng-ju-die-tu-ye-yi-ming-233012","青枫巨蝶图页","北京故宫博物院","描绘了伸出嫩绿色枫树一株，枝叶婆娑。一只赭黄色巨蝶从右上侧凌空飞临，与枫叶构成平衡的对角关系。\n图左下方更有鲜红色瓢虫伏于枫叶之上，十分俏皮。\n画风高度写实，细致入微。\n画法的特点一是细线勾勒，笔若游丝，使蝶与枝、叶的形态皆极为轻倩灵秀；二是设色淡雅明快，红、绿、黄对比鲜明，给人以清新出尘之感，不落浓艳俗套。",[23,24,27,26,66,573,501,293,574,7],"枫叶","册页","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4422c7a10a05c4dac53bafdc3ea79086.jpg","23cm 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2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[23,24,25,28,49,27,50,740,741,7],"敦煌","莲花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc482346028c35002e1697ffd053681cc.jpg",[],{"id":745,"slug":746,"title":747,"dynasty":399,"author":200,"museum":232,"description":738,"tags":748,"thumbUrl":751,"material":247,"size":248,"collection":34,"collections":752,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},227177,"dun-huang-48-yi-ming-227177","敦煌48",[749,740,27,26,50,449,306,85,514,133,750,7],"唐代","旗帜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbc47535af3fc50dcd2f06a59bb891d1.jpg",[],{"id":754,"slug":755,"title":756,"dynasty":399,"author":200,"museum":232,"description":738,"tags":757,"thumbUrl":767,"material":247,"size":248,"collection":34,"collections":768,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},227147,"dun-huang-18-yi-ming-227147","敦煌18",[749,758,27,26,759,760,50,761,694,762,763,764,327,765,7,766],"敦煌风格","重彩","壁画技法","马车","侍从","仪仗","宗教题材","古代绘画","服饰纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbe7dc9124d0e6a34cc25abf07ce98e0.jpg",[],{"id":770,"slug":771,"title":772,"dynasty":61,"author":200,"museum":232,"description":773,"tags":774,"thumbUrl":776,"material":33,"size":34,"collection":34,"collections":777,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":143},216482,"xuan-da-shan-xi-san-zhen-tu-155-yi-ming-216482","宣大山西三镇图-155","泛黄纸页间，墨笔工整铺陈宣大山西三镇的边防脉络。细密字迹里，墩台数目、边墙走向、军备调度一一浮现，似能触到明代戍边的紧张脉搏。每笔记录都凝着守土的筹谋，纸页纹理与墨痕交织，沉淀数百年边防记忆。它不止是图卷，更是鲜活的军事档案，将北疆防务细节静静诉说，让后世窥见戍卒们的坚守与岁月的厚重。",[48,25,472,716,113,7,293,775],"文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83148ce152fe1e9dab92f0014dd75465.jpg",[],{"id":779,"slug":780,"title":781,"dynasty":287,"author":200,"museum":232,"description":782,"tags":783,"thumbUrl":784,"material":119,"size":34,"collection":34,"collections":785,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":143},215559,"tian-xia-ming-shan-tu-62-yi-ming-215559","天下名山图-62","层峦叠嶂间云雾流转，墨色浓淡交织出山川的雄浑与灵秀。笔触或工细勾勒峰石肌理，或写意晕染林泉气韵，将名山的巍峨与幽深融于尺幅之中。色彩经岁月沉淀仍见古雅，赭石与花青淡晕衬出草木丰茂，留白处似有山风穿谷，引人遐想云海深处的禅意或隐者居停。整幅画承传统山水笔墨意趣，含对自然的敬畏描摹，每处皴擦点染藏着对名山胜景的细腻感知，仿佛推开一扇窗，便能步入烟霞满径的山林深处，聆听松涛与泉鸣共鸣，感受天地间的静谧与苍茫。",[23,24,552,692,27,26,7,169,390,630],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06a54759df2d3be4c3c42da671da1857.jpg",[],1777535708887]