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Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,25,26,7,27,28,29],"油画","人物","男性","白发","黑色服饰","白色衣领","写实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd48bbe20e8601764127b074b0fa7bf58.jpg","未知","Xcm*Xcm","油画精选",[33],31,"37474F",{"id":38,"slug":39,"title":40,"dynasty":18,"author":41,"museum":20,"description":42,"tags":43,"thumbUrl":57,"material":31,"size":32,"collection":58,"collections":59,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":61},232575,"wei-lian-a-dao-fu-bu-ge-luo-190-wei-lian-a-dao-fu-bu-ge-luo-232575","威廉·阿道夫·布格罗190","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[44,23,29,45,46,47,7,48,49,50,51,52,53,54,55,56],"新古典主义","设色","天使","翅膀","石质平台","草地","藤蔓","植物","花朵","箭囊","户外","光影","裸体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7189aa6cf41c5a116086c984ea337ce2.jpg","",[],15,"795548",{"id":63,"slug":64,"title":65,"dynasty":18,"author":66,"museum":20,"description":67,"tags":68,"thumbUrl":86,"material":31,"size":32,"collection":33,"collections":87,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":61},225793,"portrait-of-joseph-roulin-1889-fan-gao-225793","Portrait of Joseph Roulin 1889","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,69,70,71,72,73,74,75,76,77,78,79,80,7,81,82,83,84,85],"后印象派","厚涂","色彩鲜艳","笔触奔放","设色大胆","人物肖像","男性人物","蓝色制服","帽子","花纹背景","花卉图案","胡须","黄色纽扣","装饰性背景","强烈色彩对比","平面化处理","点描元素","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe42008f27f326744fc9d6bab1ef7bcba.jpg",[33],{"id":89,"slug":90,"title":91,"dynasty":18,"author":19,"museum":20,"description":21,"tags":92,"thumbUrl":97,"material":31,"size":32,"collection":33,"collections":98,"showCount":99,"zanCount":11,"manualWeight":11,"mainColor":36},225690,"rembrandt-harmensz-van-rijn-0245-lun-bo-lang-225690","Rembrandt Harmensz.van 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Luti--Portrait of a Man","佚名","以红粉笔铺陈晕染，蓬松卷曲的假发通过虚实错落的排线，层层铺展出柔软蓬松的体积感，发丝起伏舒展，还原出华丽复古的巴洛克发式细节。\n画家将重心落于人物神态塑造，沉稳的眼窝衬出锐利沉静的目光，抿起的唇角带着冷峻自持的气场，面部光影柔和平滑，精准刻画出骨骼起伏与细腻的皮肤肌理。松弛敞开的衣领线条简练自然，暗合人物松弛却不失庄重的绅士气韵。整体笔触松弛克制，在写实精准间晕开古典肖像的雅致氛围感，将人物的内敛风骨凝于笔端。",[152,170,75,7,29],"肖像画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d2006c8458a11a01e6ce0788a905524.jpg",[],1,{"id":175,"slug":176,"title":177,"dynasty":18,"author":178,"museum":20,"description":179,"tags":180,"thumbUrl":192,"material":31,"size":32,"collection":58,"collections":193,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":36},232568,"mi-lai-si-112-yue-han-ai-fu-li-te-mi-lai-si-232568","米莱斯112","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[23,29,45,24,181,182,183,93,184,74,185,186,187,188,7,189,190,155,191],"美人","衣帽","布料","写实主义","服饰","束腰","高领","纱质衣袖","深色背景","色彩层次","织物纹理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b7355edbd8b266fbdae5d4468d6c3dc.jpg",[],{"id":195,"slug":196,"title":197,"dynasty":18,"author":178,"museum":20,"description":179,"tags":198,"thumbUrl":205,"material":31,"size":32,"collection":58,"collections":206,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":61},232567,"mi-lai-si-111-yue-han-ai-fu-li-te-mi-lai-si-232567","米莱斯111",[152,29,199,200,201,202,7,80,203,204],"明暗","人物雕塑","半身像","基座","头部","古典人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe347557d8bc8a7e9d0aeb6ecfc970d4d.jpg",[],{"id":208,"slug":209,"title":210,"dynasty":18,"author":178,"museum":20,"description":179,"tags":211,"thumbUrl":216,"material":31,"size":32,"collection":58,"collections":217,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":36},232564,"mi-lai-si-108-yue-han-ai-fu-li-te-mi-lai-si-232564","米莱斯108",[23,29,45,24,212,7,213,214,215],"小孩","围巾","衣物","室内","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0efaf7035c89f35e70aadbb783d55857.jpg",[],{"id":219,"slug":220,"title":221,"dynasty":18,"author":222,"museum":20,"description":223,"tags":224,"thumbUrl":229,"material":31,"size":32,"collection":58,"collections":230,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":123},232524,"he-er-bai-yin-183-he-er-bai-yin-232524","荷尔拜因183","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[29,152,24,93,25,225,7,119,226,74,227,228],"侧脸","写实风格","素描技法","细腻线条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab77e5c8c80ebfc5eb78760f74f2c5f0.jpg",[],{"id":232,"slug":233,"title":234,"dynasty":18,"author":235,"museum":20,"description":236,"tags":237,"thumbUrl":244,"material":31,"size":32,"collection":58,"collections":245,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":61},232083,"mme-theodore-gobillard-nee-yves-morisot-metropolitan-museum-of-art-usa-de-jia-232083","Mme. Theodore Gobillard, nee Yves Morisot - - Metropolitan Museum of Art (USA)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[23,238,74,239,225,7,240,241,242,243],"印象派","女性","深色衣物","室内背景","色彩柔和","笔触灵动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1607f01e0ab5b54dd674539d01530f81.jpg",[],{"id":247,"slug":248,"title":249,"dynasty":18,"author":250,"museum":20,"description":251,"tags":252,"thumbUrl":254,"material":31,"size":32,"collection":58,"collections":255,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":123},231264,"su-miao-518-xi-fang-231264","素描518","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[152,24,93,253,7,29],"孩童","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fdb1434b6dc61330e7e6c3cbc93d2ea.jpg",[],{"id":257,"slug":258,"title":259,"dynasty":18,"author":19,"museum":20,"description":21,"tags":260,"thumbUrl":262,"material":31,"size":32,"collection":58,"collections":263,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":123},230633,"rembrandt-harmensz-van-rijn-0267-lun-bo-lang-230633","Rembrandt Harmensz.van Rijn - 0267",[118,261,152,119,74,203,7,77],"铜版画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff324350840ef719733307cf01429fcab.jpg",[],{"id":265,"slug":266,"title":267,"dynasty":18,"author":250,"museum":20,"description":251,"tags":268,"thumbUrl":273,"material":31,"size":32,"collection":58,"collections":274,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":123},231107,"su-miao-361-xi-fang-231107","素描361",[152,29,269,24,25,7,80,270,271,272],"黑白","手部","衬衫","绳索","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4334aff41a5960df2487b095bc0a7060.jpg",[],{"id":276,"slug":277,"title":278,"dynasty":18,"author":19,"museum":20,"description":21,"tags":279,"thumbUrl":282,"material":31,"size":32,"collection":58,"collections":283,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":123},230632,"rembrandt-harmensz-van-rijn-0266-lun-bo-lang-230632","Rembrandt Harmensz.van Rijn - 0266",[29,118,152,94,74,25,80,7,77,280,281],"外套","衣领","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe80dde3809dee42824a1ff321481aa5.jpg",[],{"id":285,"slug":286,"title":287,"dynasty":18,"author":19,"museum":20,"description":21,"tags":288,"thumbUrl":292,"material":31,"size":32,"collection":58,"collections":293,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":123},225608,"rp-p-1962-115-lun-bo-lang-225608","RP-P-1962-115",[289,152,29,74,159,94,290,291,7],"蚀刻画","长袍","发带","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F452fde982231c24b1b91ce2ba2dad568.jpg",[],{"id":295,"slug":296,"title":297,"dynasty":18,"author":19,"museum":20,"description":21,"tags":298,"thumbUrl":300,"material":31,"size":32,"collection":58,"collections":301,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":123},225600,"rp-p-1961-974-lun-bo-lang-225600","RP-P-1961-974",[117,118,299,24,94,119,77,7,80,214],"干刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F896221151cf525a6184ce2c345190eea.jpg",[],1777535720016]