[{"data":1,"prerenderedAt":71},["ShallowReactive",2],{"subject-jue-lei":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1806,"jue-lei","蕨类","蕨类画高清赏析","精选中国历代蕨类题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6799dabe256599b9e402a448ecd1053.jpg",0,2,[14,42],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},232695,"fang-wang-meng-jiao-shi-tu-qian-gu-232695","仿王蒙蕉石图","明","钱毂","台北故宫博物院","该画左侧画有高大的芭蕉，枝干粗壮挺拔，蕉叶茂盛，蕉叶的大小和形状各异在芭焦树右侧下，竖立着一块巨石，紧紧依仗在芭蕉树干上。奇石下长着数株花朵盛开的牡丹和茂密的枝叶。该画以粗笔泼墨把芭蕉，牡丹和湖石创造而成，细致的刻画没有作做。该幅墨韵气势，奔放横溢，笔墨和造型在徐渭的写意画中生动的表现出来，把花鸟、蔬菜、走兽、人物、山水等都给显示其中，令人耳目一新",[23,24,25,26,27,28,29,30,31,32,33,7],"国画","书画","立轴","水墨","白描","皴法","临摹","印章","芭蕉","孤石","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9519a20dcb4c79c70479b45708fd193.jpg","纸本","145.8x49.8 厘米","",[],35,1,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":65,"material":66,"size":67,"collection":37,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":70},232282,"a-er-ma-9-lao-lun-si-a-er-ma-ta-de-ma-232282","阿尔玛9","不详","劳伦斯·阿尔玛-塔德玛","藏地不详","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[51,52,53,54,55,56,57,58,7,59,60,61,62,63,64],"油画","设色","写实","人物","美人","流水","岩石","森林","溪流","树木","植被","古典人物","光影","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5cf8a0e4a3bd32e7ccfd573b94e151c.jpg","未知","Xcm*Xcm",[],4,"37474F",1777535785785]